CityLights is a 2014 Indian drama film directed by Hansal Mehta starring Rajkummar Rao and actress Patralekha in the lead roles. It is a remake of the BAFTA nominated British film Metro Manila (2013).[2] The film was presented by Fox Star Studios in association with Mahesh Bhatt and Mukesh Bhatt.[3]
The story is about a poor farmer from Rajasthan coming to Mumbai in search of livelihood.[4] The film released on 30 May 2014, and won rave reviews from most critics. In spite of releasing in just 350 screens, CityLights became a success due to its low cost of production and consistent collections at the box office.[5]
Deepak Singh's (played by Rajkumar Rao) life as a former driver in the Indian Army in a village in Rajasthan who owns a garment store is tangled in the web of poverty, hope and despair. Deepak's family consists of his ever-supporting wife, Rakhi (played by Patralekha), and their little daughter, Mahi. They tag along on his journey to Mumbai as he is unable to repay the money he owes for his store. With no contacts or addresses, except that of his friend Omkar, Deepak takes extreme measures to search for him when arriving to Mumbai.
Deepak is tricked by two con-men who offer to sell him a flat for Rs 10,000 and decamp with the money. With no details on them, the Mumbai police refuse to file an F.I.R. His wife meets an escort working at a night bar, who provides them with temporary accommodation in a building and convinces her to work as a bar dancer until Deepak finds a job.
Deepak gets hired as a driver for a privately owned security bureau with a monthly pay of Rs 15,000. Deepak's senior colleague, Vishnu (played by Manav Kaul) realizes that he is gullible, and does various favours for him in order to gain his trust. Vishnu later reveals a plans to loot a parcel being transported by the security agency. When Deepak vehemently opposes the idea of the theft, Vishnu blackmails him by revealing that he has hidden a box that he previously stole, in Deepak's house. Feeling cornered, Deepak agrees to the risky plan of stealing the keys for this box. However, Vishnu is attacked and killed in the course of the robbery. Meanwhile, Rakhi loses her job. Deepak finds the box stolen by his senior in his house and comes up with a plan to ensure Rakhi and Mahi's safe return to their village.
The movie ends when his attempt to steal the keys from the agency cost him his life but through a shrewd tactic he is able to pass on Rakhi the imprint of the key for the stolen box. Rakhi and Mahi return to the village with Rakhi lost in memory of Deepak and their happy past.
CityLights marked actress Anwita Paul's debut, known by her screen name Patralekha. As Paul was in a relationship with the lead actor Rao, the production house did not disclose her name until the trailer was released. When press kept questioning about the lead actress, the filmmakers dismissed the question.[6]
While the film was originally set to be directed by Ajay Bahl, due to creative differences he was replaced by Hansal Mehta.[7] In December 2013, it was announced that shooting would begin in Rajasthan.[3][8]
Sweta Kaushal writes in a Hindustan Times review that Hansal Mehta's direction makes Citylights "intensely gripping and thought-provoking, the interplay of emotions and how the couple copes with city's hardships are the high points of the film."[13]
City Lights is a 1931 American synchronized sound romantic comedy-drama film written, produced, directed by, and starring Charlie Chaplin. While the film has no audible dialog, it was released with a synchronized musical score with sound effects. The story follows the misadventures of Chaplin's Tramp as he falls in love with a blind girl (Virginia Cherrill) and develops a turbulent friendship with an alcoholic millionaire (Harry Myers).
Although talking pictures (or films with recorded dialogue) were on the rise when Chaplin started developing the script in 1928, he decided to continue working without dialogue only incorporating sound with the use of a synchronized musical score with sound effects. Filming started in December 1928 and ended in September 1930. City Lights marked the first time Chaplin composed the film score to one of his productions and it was written in six weeks with Arthur Johnston. The main theme, used as a leitmotif for the blind flower girl, is the song "La Violetera" ("Who'll Buy my Violets") from Spanish composer Jos Padilla. Chaplin lost a lawsuit to Padilla for not crediting him.
City Lights was immediately successful upon release on January 30, 1931, with positive reviews and worldwide rentals of more than $4 million. Today, many critics consider it not only the highest accomplishment of Chaplin's career, but one of the greatest films of all time. Chaplin biographer Jeffrey Vance believes "City Lights is not only Charles Chaplin's masterpiece; it is an act of defiance" as it premiered four years into the era of sound films which began with the premiere of The Jazz Singer (1927).[4] In 1991, the Library of Congress selected City Lights for preservation in the United States National Film Registry as being "culturally, historically, or aesthetically significant".[5][6] In 2007, the American Film Institute ranked it 11th on its list of the best American films ever made. In 1949, the critic James Agee called the film's final scene "the greatest single piece of acting ever committed to celluloid".[7]
Citizens and dignitaries are assembled for the unveiling of a new monument to "Peace and Prosperity". After droning speeches, the veil is lifted to reveal the Little Tramp asleep in the lap of one of the sculpted figures. After several minutes of slapstick, he manages to escape the assembly's wrath to perambulate the city. He rebukes two newsboys who taunt him for his shabbiness, and while coyly admiring a nude statue has a near-fatal encounter with a sidewalk elevator.
The Tramp encounters the beautiful flower girl on a street corner and in the course of buying a flower realizes she is blind; he is instantly smitten. The girl mistakes the Tramp for a wealthy man when the door of a chauffeured automobile slams shut as he departs.
Finding that the girl is not at her usual street-corner, the Tramp goes to her apartment, where he overhears a doctor tell the grandmother that the girl is very ill: "She has a fever and needs careful attention." Determined to help, the Tramp takes a job as a street sweeper.
The Tramp encounters the drunken millionaire a third time and is again invited to the mansion. The Tramp relates the girl's plight and the millionaire gives him money for her operation. Burglars knock the millionaire out and take the rest of his money. The police find the Tramp with the money given to him by the millionaire, who because of the knock on the head does not remember giving it. The Tramp evades the police long enough to get the money to the girl, telling her he will be going away for a time; in due course he is apprehended and imprisoned.
The Tramp happens by the shop, where the girl is arranging flowers in the window. He stoops to retrieve a flower discarded in the gutter. After a brief skirmish with his old nemeses, the newsboys, he turns to the shop's window through which he suddenly sees the girl, who has been watching him without (of course) knowing who he is. At the sight of her he is frozen for a few seconds, then breaks into a broad smile. The girl is flattered and giggles to her employee, "I've made a conquest!" Via pantomime through the glass she offers him a fresh flower (to replace the crushed one he took from the gutter) and a coin.
Suddenly embarrassed, the Tramp begins to shuffle away, but the girl steps to the shop door and again offers the flower, which he shyly accepts. She takes his hand and presses the coin into it, then abruptly stops and her smile turns to a look of puzzlement as she recognizes the touch of his hand. She runs her fingers along his arm, his shoulder, his lapels, then gasps, "You?" The Tramp nods and asks, "You can see now?" The girl replies, "Yes, I can see now", and presses his hand to her heart with a tearful smile. Relieved and elated, the Tramp smiles back.
Chaplin's feature The Circus, released in 1928, was his last film before the motion picture industry embraced sound recording and brought the silent movie era to a close. As his own producer and distributor (part owner of United Artists), Chaplin could still conceive City Lights as a silent film. Technically the film was a crossover, as its soundtrack had synchronized music and sound effects but no spoken dialogue. The dialogue was presented on intertitles.[9] Chaplin was first contacted by inventor Eugene Augustin Lauste in 1918 about making a sound film, but he never ended up meeting with Lauste.[10] Chaplin was dismissive about "talkies" and told a reporter that he would "give the talkies three years, that's all."[11] He was also concerned about how to adjust the Little Tramp to sound films.[11]
In early 1928, Chaplin began writing the script with Harry Carr. The plot gradually grew from an initial concept Chaplin had considered after the success of The Circus, where a circus clown goes blind and has to conceal his handicap from his young daughter by pretending that his inability to see are pratfalls.[11] This inspired the Blind Girl. The first scenes Chaplin thought up were of the ending, where the newly cured blind girl sees the Little Tramp for the first time.[12] A highly detailed description of the scene was written, as Chaplin considered it to be the center of the entire film.[13]
For a subplot, Chaplin first considered a character even lower on the social scale, a black newsboy. Eventually he opted for a drunken millionaire, a character previously used in the 1921 short The Idle Class.[14] The millionaire plot was based on an old idea Chaplin had for a short in which two millionaires pick up the Little Tramp from the city dump and show him a good time in expensive clubs before dropping him back off at the dump, so when he woke up, the Tramp would not know if it was real or a dream. This was rewritten into a millionaire who is the Tramp's friend when drunk but does not recognize him when sober.[15]
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