Q Desire Full Cast
Rachelle Kun
Desire is a 1936 American romantic crime comedy-drama film directed by Frank Borzage, starring Marlene Dietrich and Gary Cooper, and produced by Borzage and Ernst Lubitsch. The picture is a remake of the 1933 German film Happy Days in Aranjuez. The screenplay was written by Samuel Hoffenstein, Edwin Justus Mayer, and Waldemar Young, based on the play Die Schnen Tage von Aranjuez by Hans Szkely and Robert A. Stemmle. The music score was composed by Frederick Hollander and the cinematography was shot by Charles Lang and Victor Milner. Marlene Dietrich's wardrobe was designed by Travis Banton. The supporting cast features John Halliday, William Frawley, Akim Tamiroff, and Alan Mowbray.
In Paris, Madeleine de Beaupre cons jeweler Aristide Duvalle and psychiatrist Maurice Pauquet by telling each man that she is married to the other. Duvalle delivers a string of pearls worth millions of francs to Pauquet's office, expecting to be paid, but Pauquet thinks he is a new patient who has delusions of needing to collect debts. Madeleine is there to introduce them to each other, and departs with the pearls before they figure out what she has done.
While driving to the Spanish border, Madeleine splashes mud onto Tom Bradley, an American automotive engineer vacationing in Europe. Then as they approach the border, her car's horn control sticks "on", to the annoyance of the customs officers. Tom fixes it and they go into the office together. Luggage and purses are being inspected, so she decides to hide the pearls in his jacket pocket. On the road, she pulls ahead of Tom, then disables her own car so that he will have to give her a lift.
They make their way separately to San Sebastin. There "Countess" de Beaupre meets her accomplice, supposedly her uncle, "Prince" Carlos Margoli. Tom locates Madeleine with the help of a policeman, who cannot imagine that a charming countess would steal a car and does not even stay to see if Tom identifies her as the thief.
As it seems that Tom still has the pearls but does not know it, Carlos quickly offers to pay for the car, and Madeleine pretends to be attracted to him. They all become friendly and go together to stay at Carlos's villa. There, when Tom wears his other jacket, Carlos gets the pearls from him using another trick.
Carlos now wants Madeleine to accompany him to Madrid to sell them, but she has actually fallen in love with Tom, and wants to leave the gang instead. Despite the attempts of Carlos and "Aunt" Olga, another gang member, to break them up, they become engaged.
After Carlos and Olga taunt Madeleine about being unable to tell Tom the truth about herself, she throws caution to the wind and does just that. They steal the necklace back from Carlos and return to Paris, where Madeleine returns it to Duvalle. He personally forgives her, but says she must still face the authorities. The final scene is Tom and Madeleine's wedding, where her parole document is accidentally shown, proving that she has done so. Pauquet and Duvalle, who now is his patient, attend the wedding as witnesses.
John Gilbert was initially cast as Carlos Margoli, which was to be his comeback role. He had a heart attack in his dressing room a few weeks later and was immediately replaced by John Halliday. A few days later, Gilbert died of alcohol-induced heart failure. Some of the scenes in the film were directed by Ernst Lubitsch whilst Frank Borzage was fulfilling a prior commitment at Warner Bros. The film was shot at Paramount Studios and at the Iverson Movie Ranch in Chatsworth, California, and, unusual for its time, on location in France and Spain.
Writing for The Spectator in 1936, Graham Greene gave the film a good review, describing it as "the best film in which Miss Marlene Dietrich has appeared since she left Germany, and the most amusing new film to be seen in London this week". Greene also praised Cooper's performance as one of his best.[2]
The full cast and creative team has been announced for Karen Zacaras's Destiny of Desire, running at The Old Globe from May 19 through June 25. Tony Award-winning director Ruben Santiago-Hudson is at the helm.
The cast of Destiny of Desire includes Julio Agustn as Dr. Jorge Ramiro Mendoza, Yesenia Ayala as Pilar Esperanza Castillo, Carlos Gomez as Ernesto Del Rio, Mandy Gonzalez as Hortencia Del Rio, Ariella Kvashny as La Gente, Tito Livas as Dr. Diego Mendoza, Bianca Marroqun as Fabiola Castillo, James Olivas as Sebastin Jose Castillo, Christopher M. Ramirez as La Gente, Al Rodrigo as Armando Castillo, Emilia Surez as Victoria Maria Del Rio, and Nancy Ticotin as Sister Sonia. Rounding out the company as understudies are Tara Martinez and Luis Villabon.
In addition to director Santiago-Hudson and playwright Zacaras, the creative team features choreography by Lorna Ventura, original music/music supervision/orchestrations/music direction by Ricky Gonzalez, scenic design by Rachel Hauck, costume design by Karen Perry, lighting design by Jane Cox, sound design by Robert Kaplowitz, and projection design by Hana S. Kim. ARC provides casting, and James Latus serves as Production Stage Manager.
Roundabout Theatre Company announces the full cast for their production of Tennessee Williams' A Streetcar Named Desire, which opens at Studio 54 on the 26 Apr 2005, following previews from the 26 Mar. This is a limited engagement through to the 3 Jul 2005.
The design team for A Streetcar Named Desire includes Robert Brill (sets), William Ivey Long (costumes) and Donald Holder (lights). It is being produced on Broadway by the Roundabout Theatre Company in association with Gorgeous Entertainment Inc.
Synopsis: Set against the steamy backdrop of New Orleansgritty French Quarter, A Streetcar Named Desire is the dramatic story of Blanche Du Bois, a faded Southern belle driven to madness by her animalistic brother-in-law, Stanley Kowalski.
The Broadway premiere of A Streetcar Named Desire was at the Ethel Barrymore Theatre on 3 Dec 1947 The cast included Marlon Brando as Stanley Kowalski and Jessica Tandy as Blanche Du Bois (1948 Tony Award, Best Actress).
This Roundabout Theatre Company production will be the fifth Broadway revival of A Streetcar Named Desire. The most recent revival opened on April 12, 1992 starring Alec Baldwin as Stanley Kowalskiand Jessica Lange as Blanche Du Bois.
Since the last time I wrote an article about High Tide, much has changed in the format. I'm not going to talk about how awfully low the tides were during the Expressive Iteration/White Plume Adventurer-era. After the bans things got a bit better for High Tide, but the blue matchups still felt rough. With the printing of Orcish Bowmasters I thought it was all over, but phew here we are.
So how does a card like Mind's Desire solve any of High Tide's problems and what new strategic/tactical advantages does it bring to the table? Let's go over them one by one but first a quick aside on Lrien Revealed.
The absolute biggest weakness of High Tide is its speed. A combo deck going for it turn 4 is not exactly where you want to be in 2023, which means that you must put a lot more energy into playing the reactive game, dodging more bullets, as opposed to the faster combo decks out there which can win before disruption from the opponent becomes relevant.
Mind's Desire won't speed up the process, but it will increase the chance that you'll have a pay-off spell ready by turn 4, so you are more free to prioritize your precious mana on other things along the way. High Tide was already consistent to begin with, but now it's even better. The overall power level of the deck has gone up quite a bit too with the inclusion of Mind's Desire, and you can brute force a win in certain situations.
There are several cards that would help us get there a turn earlier (or even by turn 2 in some rare scenarios!): Cloud of Faeries, Snap, Sapphire Medallion, Candelabra of Tawnos, etc. They all provide a boost in speed after we have resolved High Tide. My issue has always been getting to that point in the first place, and this still holds true. In some matchups you just want to go fast and care very little about the opponent.
All of that said, I think some kind of untap effect to bridge the gap between resolving the Spirals/Desires is warranted. I have been very happy with Turnabout for this, especially with Mind's Desire in the picture, as it gives me the most mana straight up from a flip. If you hit a Candelabra of Tawnos with no mana floating, it actually does nothing on its own. Compared to the other cards on the list, Turnabout can provide some utility outside of the combo. It is slightly worse than the other options when you fight through exactly countermagic, as committing 4 mana is a lot more compared to Candelabra of Tawnos for instance, where you only spend 1 and if it is countered maybe you can try again with another untap effect. But Turnabout can:
Instead of going faster, we can slow the game down. Let's explore this a bit more, if we sculpt an ideal hand of the bare minimum 1 High Tide, 1 Time Spiral with 4 Islands in play, then the rest of our resources should ideally be spent on non combo game pieces. We just want to make sure that our stuff resolves and that there is no disruption that stops us. So, in a scenario where we are under little pressure, and we are also not that worried about the top decks of our opponent, chances are we better just play a land and pass the turn, with a Force of Will at the ready. So, in one sense having another land drop makes up for lacking the acceleration a card like Cloud of Faeries would provide. Slowing the opponent down rather than speeding up ourselves but doing so with more solid mana.
In theory not much has changed with the unbanning of Mind's Desire, a Wish-board is still sweet, but sadly the mana cost is too steep for this kind of flexibility in 2023. It's not like the opposing deck is just sitting around for three turns doing nothing (that's us!). Compare Cunning Wish to recently printed Beseech the Mirror and the efficiency difference is obvious.
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