Desperate, Tom surreptitiously uses his cell phone to contact his friend Wayne, who is in the audience. When Wayne's phone rings, it momentarily disrupts the performance; Wayne leaves the concert hall in embarrassment. As he plays, Tom texts Wayne, but the usher (Clem's assistant) kills Wayne. Shortly thereafter, Clem tells Tom to look up; Wayne's body is sprawled across the rafters. Wayne's girlfriend Ashley leaves the hall in search of him, but she is also killed by the usher. Clem then tells Tom that instead of performing Beethoven's "Tempest Sonata", as Norman originally announced, he must perform "La Cinquette" flawlessly, as an embedded lock in the piano depends on a flawless performance. Clem further reveals that the release of said lock would yield a key to a safe deposit box containing Patrick Godureaux's disappeared fortune; Clem himself is the locksmith who worked with Godureaux to construct the mechanism. Tom insists that he can only perform "La Cinquette" with sheet music.
Racing upstairs, Tom finds the usher's corpse. Clem comes out of the shadows and chases Tom to the light fixture catwalk, directly above the stage. In the ensuing struggle, Clem threateningly dangles Tom over the catwalk edge, but Tom braces himself and yanks Clem over the railing. To the entire hall's horror, Tom and Clem fall to the stage. Clem crashes into the piano but Tom lands to the side and survives. Emma rushes over to him, they embrace, and he tells her "I think I broke my leg".
Later, while waiting with Emma for his ambulance to leave, Tom notices the obliterated piano being loaded into a shipping truck. Climbing into the truck, he plays the last four bars of "La Cinquette" correctly, but nothing happens. Disappointed, Tom turns away until he hears the gears of the internal lock system turn and the sound of a metal key hitting the floor. He bends down to pick it up as the camera cuts to black.
Elijah Wood had worked with a teacher three weeks prior to going to Barcelona and found it stressful having to play the piano and speak at the same time saying, "It was incredibly technical [...] lots of moments where it was jumping from where I'd play, listen to a click, listen to music, have to be in the right place and the right time and hear dialogue and repeat dialogue".[5]
Each one of Grand Piano's 88 keys has been recorded with multiple dynamic layers, release samples, and sustain resonances in order to bring out all of the instrument's subtle nuances and character.
Grand Piano's 1.5 GB of samples are grouped into 12 pure piano presets in "Production" and more detailed "Solo" versions (both available in stretched and equal tempered tunings), as well as nine hybrid presets that combine the acoustic piano samples with a selection of synthesizers and effects. Each preset provides Macro Controls for reverb, release noise volume, key noise volume, sustain resonance volume, tone, velocity, and fine tune.
Grand Piano was created in cooperation with e-instruments.
Admired worldwide for their elegant design, responsiveness and tonal clarity, our acoustic pianos are also valued for their ability to adapt to an exceptional range of musical requirements and performing venues. These attributes make them the choice of performers who demand the finest instruments.
The exclusive technology in our revolutionary Millennium III Action creates long-term precision that produces the most stable touch and tone in the piano industry. You will sense and appreciate its consistency with every keystroke.
The Studio Grand features a classic Steinway Model D concert grand piano. The first choice of many pianists, Steinways are famous for their character and unrivaled sound. The included ExploreMaps offer presets in a variety of styles ranging from open and natural to processed and strange. The variety of sounds makes Studio Grand perfect for both production and stage duties.
At Grand Piano Haus, we are passionate about providing the finest pianos to musicians and enthusiasts in Chicago. With our extensive collection, you can find the perfect piano that suits your needs and preferences. Our team of experts is dedicated to helping you make an informed decision and ensuring your satisfaction.Here you can find a great selection of the best of the best from Yamaha, Bösendorfer, Steingraeber & Söhne, Schimmel, Pearl River, and Ritmüller. Stop by and listen to the unique sound of a Bösendorfer or a Steingraeber. I guarantee you will be amazed.
At Grand Piano Haus, we also offer a wide selection of used or pre-owned pianos, allowing you to find your perfect instrument at a fraction of the new price. With discounts of up to 75% off the original price, these pre-owned pianos offer incredible value. However, they tend to sell quickly, so we encourage you to hurry in and explore our inventory. Whether you're looking for a grand piano, upright piano, or a specific style and finish, our used piano selection has something for everyone. We understand that purchasing a used piano can be a smart investment, as they have already undergone significant depreciation and can be resold without much loss. Take your time to browse our used piano inventory online, where you can filter your search by instrument, type, style, finish, and price. Don't miss out on the opportunity to find a great deal on a used piano at Grand Piano Haus.
Bartolomeo Cristofori was the first person to create a successful hammer-action keyboard instrument and, accordingly, deserves to be credited as the inventor of the piano. This example is the oldest of the three extant pianos by Cristofori. About 1700 he began to work on an instrument on which the player could achieve changes in loudness solely by changing the force with which the keys were struck. By 1700 he had made at least one successful instrument, which he called "gravicembalo col piano e forte" (harpsichord with soft and loud). His instrument still generally resembles a harpsichord, though its case is thicker and the quill mechanism has been replaced by a hammer mechanism. Cristofori's hammer mechanism is so well designed and made that no other of comparable sensitivity and reliability was devised for another seventy-five years. In fact, the highly complex action of the modern piano may be traced directly to his original conception.
In 2014, ANT. PETROF, our ultimate premium brand, saw the light of day during the celebration of the company's 150th anniversary. It was named in honor of Antonín Petrof, who founded the family piano business in 1864. The development, technology, and construction of ANT. PETROF instruments result from the diligent effort of the most experienced PETROF specialists, whose work is appreciated by even the most demanding customers.
Concert grand piano ANT. PETROF 275 is the flagship of the entire PETROF line. The instrument's creation was preceded by five years of development and two years of testing. This model brought numerous innovations to piano craftsmanship, with some actually having been patented. Grand piano ANT. PETROF 275 has become a symbol of the combination of modern technologies and traditional production processes. The company's most experienced specialists participate in its construction using the most exclusive materials. Thanks to an entirely new structure, careful processing, and a unique round tone for the PETROF instruments, this piano will bring to life every desire from the deepest parts of the artist's soul and delight even the most discerning audience.
The Grand piano ANT. PETROF 225 is the second representative of the premium brand ANT. PETROF after its "older brother," the ANT. PETROF 275. It benefits from the development of the flagship. In both productions, we use all of the proven patents and European materials of the highest quality. This instrument offers a very versatile possibility of use. Due to its dimensions, it has a surprisingly strong and, at the same time, amazingly colorful tone. It excels in creating a pleasing resonance in its entire range and the exact response of its mechanics.
The long concert grand piano ANT PETROF 275 is the flagship and the result of the efforts of more than 100 years of company history. Ideologically, it follows the best of the Mondial and Mistral models, but at the same time, with its completely new construction, it brings greater sound carrying capacity, especially in the treble, while of course maintaining the unmistakable bass characteristic of the PETROF brand. Add to this the top-quality Renner mechanics, the materials used and the attractive design, you have a piano heading for the premium class.
The instruments in this series display the meticulous manual work of our highly experienced master pianomakers. An instrument of this sort normally takes 9-12 months to build and bears the names of the skilled pianomakers, the intoners and the tuners as well as the good name of the entire Petrof family. Pianos of the Master series are intended for use by professionals and in concert halls, where their romantic, soft and unusually rich tone tone will resound to best advantage. Dozens of experienced pianists, with their knowledge and close scrutiny, have contributed to the development of every instrument, and helped us to achieve even greater perfection.
We present to you our masterpiece, the flagship of the PETROF brand - the Mistral concert grand. Measuring 2,840 mm in length it is our largest piano, and is beloved of musicians the world over chiefly for its tremendous bass and resonant treble. Artists find in it a trusty companion when performing the most demanding works; it also has a highly presentable appearance and possesses the soft, romantic tone so characteristic of all PETROF grand pianos.
The Monsoon grand boasts a refined, balanced sound, which is best suited to large music halls and recording studios. It has a characteristic romantic tone, and allows musicians complete scope for the expression of their feelings with its faultless action and speed of response. This is an instrument built by the best and most experienced masters of their craft. It represents the optimal balance between size and performance and makes for an impressive addition to a prestigious hotel or any other formal space.
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