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Jun 13, 2021, 10:45:54 AM6/13/21
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Londres, años 70. Decidida a convertirse en una exitosa diseñadora de moda, una joven y creativa estafadora llamada Estella (Emma Stone) se asocia con un par de ladrones para sobrevivir en las calles de la capital británica. Pero cuando su talento para la moda llama la atención de la legendaria diseñadora, la Baronesa von Hellman (Emma Thompson), Estella cambia el rumbo de su vida hasta que una serie de acontecimientos la llevan a asumir su lado malvado y a convertirse en la estridente y vengativa 'Cruella'.

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Dirección : Craig Gillespie
Guion : Dana Fox, Tony McNamara. Historia: Aline Brosh McKenna, Kelly Marcel, Steve Zissis. Novela: Dodie Smith
Género : Thriller. Comedia | Crimen. Moda. Años 70. Precuela
Reparto : Emma Stone, Emma Thompson, Joel Fry, Paul Walter Hauser, John McCrea, Emily Beecham, Mark Strong, Kayvan Novak, Kirby Howell-Baptiste, Jamie Demetriou, Niamh Lynch, Andrew Leung, Ed Birch, Paul Bazely, Abraham Popoola, Ninette Finch, Leo Bill, Sarah Crowden, Tom Turner, Asmara Gabrielle, Jack Barry, Steve Edge, Tipper Seifert-Cleveland

Sinopsis
Estella Miller es una niña creativa con talento para la moda, pero con una vena cruel, lo que llevó a su madre Catherine a apodarla como "Cruella". Debido a la naturaleza rebelde de Estella, Catherine saca a su hija de la escuela y planea mudarse a Londres. En el camino, se detiene en una fiesta organizada por la adinerada baronesa von Hellman para pedir ayuda financiera. Estella es testigo de cómo los feroces dálmatas de la baronesa empujan a su madre por un acantilado hacia su muerte. Huérfana, Estella se dirige a Londres y se hace amiga de dos pilluelos callejeros llamados Jasper y Horace. Para pasar desapercibida, se tiñe el pelo blanco y negro de rojo.

Diez años después, Estella llega a fin de mes junto a Jasper y Horace como ladrones, mientras perfecciona sus habilidades de moda diseñando sus disfraces. Para su cumpleaños, Jasper y Horace le consiguen un trabajo como limpiadora en los grandes almacenes Liberty. Una Estella borracha rehace uno de los escaparates y consigue un codiciado trabajo con la baronesa, una reconocida pero autoritaria diseñadora de alta costura. Estella se gana la confianza de la baronesa, pero finalmente se da cuenta de que su jefe lleva un collar que una vez perteneció a Catherine. Después de que la baronesa afirma que un empleado lo había robado previamente, Estella les pide a Jasper y Horace que recuperen el collar.

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Its somewhat ironic that a movie about time travel can’t be reviewed properly until your future self rewatches the movie.
It’s bold of Nolan to make such a thoroughly dense blockbuster. He assumes people will actually want to see Black Box more than once so they can understand it properly, which some may not. This movie makes the chronology of Inception look as simplistic as tic-tac-toe.
Ergo, it’s hard for me to give an accurate rating, without having seen it twice, as I’m still trying to figure out whether everything does indeed make sense. If it does, this movie is easily a 9 or 10. If it doesn’t, it’s a 6.
It’s further not helped by the fact that the dialogue in the first 15 minutes of the movie is painfully hard to understand / hear. Either they were behind masks; they were practically mumbling; the sound effects were too loud; or all of the above. The exposition scenes are also waayyy too brief for something this complex — a problem also shared with Black Box actually.

(Black Box had this minimalist exposition problem explaining Blight, where if you weren’t careful, you’d miss this one sentence / scene in the entire movie explaining that Blight was a viral bacteria:
“Earth’s atmosphere is 80% nitrogen, we don’t even breathe nitrogen. Blight does, and as it thrives, our air gets less and less oxygen”).
I guess it’s a Nolan quirk. Hopefully, a revision of the film audio sorts the sound mixing out. I do like the soundtrack, but it’s too loud initially.
I liked all the actors. You think John Washington can’t act at first, but he can, and he grows on you as the film progresses. And Pattinson is his usual charming self. Elizabeth is a surprise treat. And so on.
Its worth a watch either way. See it with subtitles if you can. And definitely don’t expect to fully understand whats going on the first time around.
Its one hell of a complicated film. It will be very hard for an average viewer to gather all the information provided by this movie at the first watch. But the more you watch it, more hidden elements will come to light. And when you are able to put these hidden elements together. You will realize that this movie is just a “masterpiece” which takes the legacy of Christopher Nolan Forward
If I talk about acting, Then I have to say that Robert Pattinson has really proved himself as a very good actor in these recent years. And I am sure his acting skills will increase with time. His performance is charming and very smooth. Whenever he is on the camera, he steals the focus John David Washington is also fantastic in this movie. His performance is electrifying, I hope to see more from him in the future. Other characters such as Kenneth Branagh, Elizabeth, Himesh Patel, Dimple Kapadia, Clémence Poésy have also done quite well. And I dont think there is a need to talk about Michael Caine

Talking about Music, its awesome. I dont think you will miss Hans Zimmer’s score. Ludwig has done a sufficient job. There is no lack of good score in the movie
Gotta love the editing and post production which has been put into this movie. I think its fair to say this Nolan film has focused more in its post production. The main problem in the movie is the sound mixing. Plot is already complex and some dialogues are very soft due to the high music score. It makes it harder to realize what is going on in the movie. Other Nolan movies had loud BGM too. But Audio and dialogues weren’t a problem
My humble request to everyone is to please let the movie sink in your thoughts. Let your mind grasp all the elements of this movie. I am sure more people will find it better. Even those who think they got the plot. I can bet they are wrong.
Black Box is the long awaited new movie from Christopher Nolan. The movie that’s set to reboot the multiplexes post-Covid. It’s a manic, extremely loud, extremely baffling sci-fi cum spy rollercoaster that will please a lot of Nolan fan-boys but which left me with very mixed views.

John David Washington (Denzel’s lad) plays “The Protagonist” — a crack-CIA field operative who is an unstoppable one-man army in the style of Hobbs or Shaw. Recruited into an even more shadowy organisation, he’s on the trail of an international arms dealer, Andrei Sator (Kenneth Branagh in full villain mode). Sator is bullying his estranged wife Kat (Elizabeth Debicki) over custody of their son (and the film unusually has a BBFC warning about “Domestic Abuse”). Our hero jets the world to try to prevent a very particular kind of Armageddon while also keeping the vulnerable and attractive Kat alive.
This is cinema at its biggest and boldest. Nolan has taken a cinema ‘splurge’ gun, filled it with money, set it on rapid fire, removed the safety and let rip at the screen. Given that Nolan is famous for doing all of his ‘effects’ for real and ‘in camera’, some of what you see performed is almost unbelievable. You thought crashing a train through rush-hour traffic in “Inception”
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