Dramatized Reading

[Carmina Piette]

BryceQuinlan had the perfect life-working hard all day and partying all night - until a demon murdered her closest friends, leaving her bereft, wounded, and alone. When the accused is behind bars but the crimes start up again, Bryce finds herself at the heart of the investigation. She'll do whatever it takes to avenge their deaths. Hunt Athalar is a notorious Fallen angel, now enslaved to the Archangels he once attempted to overthrow. His brutal skills and incredible strength have been set to one purpose - to assassinate his boss' enemies, no questions asked.

Geralt of Rivia is a Witcher, a man whose magic powers and lifelong training have made him a brilliant fighter and a merciless assassin. Yet he is no ordinary killer: he hunts the vile fiends that ravage the land and attack the innocent. But not everything monstrous-looking is evil; not everything fair is good...and in every fairy tale there is a grain of truth.

For 12 years, the virtual world of Yggdrasil has served as the playground and battlefield for the skeletal lord Momonga and his guild of fellow monsters, Ainz Ooal Gown. But the guild's glory days are over, and the game is shutting down permanently. When Momonga logs in one last time just to be there when the servers go dark, something happens - and suddenly, fantasy is reality. A rogues' gallery of fanatically devoted NPCs is ready to obey his every order, but the world Momonga now inhabits is not the one he remembers.

Two years ago, Louise le Blanc fled her coven and took shelter in the city of Cesarine, forsaking all magic and living off whatever she could steal. There, witches like Lou are hunted. They are feared. And they are burned. As a huntsman of the Church, Reid Diggory has lived his life by one principle: Thou shalt not suffer a witch to live. But when Lou pulls a wicked stunt, the two are forced into an impossible situation - marriage. Lou, unable to ignore her growing feelings, yet powerless to change what she is, must make a choice. And love makes fools of us all.

"The sexy, action-packed first dramatized audiobook adaptation in the #1 New York Times bestselling Court of Thorns and Roses series from Sarah J. Maas. Adapted from the novel and produced with a full cast of actors, immersive sound effects and cinematic music!

When nineteen-year-old huntress Feyre kills a wolf in the woods, a terrifying creature arrives to demand retribution. Dragged to a treacherous magical land she knows about only from legends, Feyre discovers that her captor is not truly a beast, but one of the lethal, immortal faeries who once ruled her world.

As she adapts to her new home, her feelings for the faerie, Tamlin, transform from icy hostility into a fiery passion that burns through every lie she's been told about the beautiful, dangerous world of the Fae. But something is not right in the faerie lands. An ancient, wicked shadow is growing, and Feyre must find a way to stop it, or doom Tamlin-and his world-forever.

Performed by Melody Muze, Henry W. Kramer, Gabriel Michael, Natalie Van Sistine, Debi Tinsley, Bradley Foster Smith, Alejandro Ruiz, Christopher Graybill, Julie Hoverson, Karenna Foley, Eric Messner, Anthony Palmini, Steve Wannall, Rose Elizabeth Supan, Mort Shelby, Laura C. Harris, Michael John Casey, Scott McCormick, Richard Rohan, Karen Novack, Nora Achrati, and Nanette Savard."

Hades, god of the underworld, is known for his inflexible rule, luxurious night clubs, and impossible bargains. Used to control, he is not prepared to discover the Fates have chosen his future wife and queen - Persephone, goddess of spring. Despite her attraction to the god, Persephone, an ambitious journalism student, is determined to expose Hades for his cruel and ruthless ways. Hades finds himself faced with the impossible - proving his future bride wrong.

Once upon a time, there was a little boy. His belly full of laughter, his life full of joy. Until one day, something changed; stripped his innocence away. The hole inside making space for the devil to come and play.

Isolde de Lara considers her wedding day to be her death day. To end a years-long war, she is to marry vampire king Adrian Aleksandr Vasiliev, and kill him. But her assassination attempt is thwarted, and Adrian threatens that if Isolde tries to kill him again, he will raise her as the undead. Faced with the possibility of becoming the thing she hates most, Isolde seeks other ways to defy him and survive the brutal vampire court.

My whole world changed when I stepped inside the academy. Nothing is right about this place or the other students in it. Here I am, a mere mortal among gods...or monsters. I still can't decide which of these warring factions I belong to, if I belong at all. I only know the one thing that unites them is their hatred of me. Then there's Jaxon Vega. A vampire with deadly secrets who hasn't felt anything for a hundred years.

Research has shown the positive effects of dramatized storytelling on language development and student achievement. Children at Afferi Elementary, a school of 3 classes in Bondoukou, in the region of Gontougo, Ivory Coast, are no exception.

Dongo is one of the students who attends the dramatized storytelling sessions brought by AVSI to his school thanks to the Integrated School Feeding and Literacy Program funded by USDA/McGovern-Dole Program.

Dramatic reading is the oral interpretation of literature using an expressive voice and gestures. It involves reading a story aloud in a dramatic style. To perform dramatic reading, one must select and analyze a story, act out each part with expression in their voice, build to a climax, rehearse, and then perform the reading for an audience. Some tips for a good dramatic reading are to speak clearly, practice beforehand, keep an appropriate distance from any microphones, know the material well, and give context about the story and author before beginning the performance.Read less

By catrose Plays are great fun to do, here at LibriVox -- it's a wonderful way of involving the wide range of voices our global membership can boast. However, the way they work is slightly different to other readings at Librivox. Dramatic projects on Librivox come in two main forms: plays and dramatic readings

The main difference between dramatic projects and, say, group projects is that in a dramatic project, you claim a character instead of a chapter and YOU ONLY READ THE LINES OF THAT CHARACTER. You need a different file per Act (or sometimes Chapter)and you don't need to read the disclaimer. Also, most parts in Dramatic Projects are smaller than chapters, but the projects generally take longer.

Well, plays are plays! They are linked to a script as the source and you read off the script listed under Source on the first post (same as a book) unless it states otherwise. Instead of claiming a chapter (or Act), you only claim a character. And you only record lines for that one character. You don't need to read the stage directions or what's in the brackets, you just read what an actor would perform if he was given the play to perform. It really is that straight forward. You start by saying [Character Name] read by [your name] and example of this would be Silvius read by Charlotte Duckett. You don't read the disclaimer. Then you record your lines. Generally you need to leave 2-5 seconds silence between each line. This makes it easier for when the BC is editing the final scene together.

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