Finally, Kazuko's determination enables her to make the leap. Back in the science room, she meets a mysterious man who has assumed her friend Kazuo's identity. He is really "Ken Sogoru", a time-traveler from AD 2660. His intersection with the girl's life is the accidental effect of a "time-leaping" drug. Ken remains for a month, and Kazuko falls in love with him. When he leaves, he erases all memories of himself from everyone he has met, including Kazuko. As the book ends, Kazuko has the faint memory of somebody promising to meet her again every time she smells lavender.
The Girl Who Leapt Through Time (時をかける少女, Toki o Kakeru Shōjo) is a 2006 Japanese-animated science fiction romance film produced by Madhouse, directed by Mamoru Hosoda and written by Satoko Okudera. Distributed by Kadokawa Herald Pictures, the film is a loose sequel to the 1967 novel of the same name by Yasutaka Tsutsui and shares the basic premise of a teenage girl who gains the power of time travel and repeatedly relives the same day in a time loop, but with a different story and characters than the novel. Riisa Naka voices teenager Makoto Konno, who learns from Kazuko Yoshiyama, Makoto's aunt and the protagonist to the original story, that Makoto has the power to travel through time. Makoto begins using the time-leaps frivolously to fix problems. Riisa Naka later portrays Makoto's cousin, Akari Yoshiyama, the protagonist of the 2010 live-action film Time Traveller: The Girl Who Leapt Through Time, which follows a different story.
At Kuranose High School in Tokyo, Japan, 17-year-old Makoto Konno discovers a message written on a blackboard and ends up inadvertently falling onto a walnut-shaped object. On her way to the Tokyo National Museum to meet with her aunt, Kazuko Yoshiyama, she is ejected into a railroad crossing when the brakes on her bicycle fail and hit by an oncoming train, but finds herself transported back in time when she was riding her bicycle right before the accident. After telling Kazuko what happened, she helps Makoto realize she now has the power to "time-leap", the ability to literally travel through time. At first, Makoto uses her powers to avoid being late, get perfect grades, avoid mishaps and even relive a single karaoke session for several hours, but soon discovers her actions can adversely affect others.
Consequently, Makoto uses most of her leaps frivolously to prevent undesirable situations from happening, including an awkward love confession from her best friend, Chiaki Mamiya. Makoto realizes she has a numbered tattoo on her arm indicating the limited number of times she can time leap. Using her remaining time leaps, Makoto attempts to make things right for everyone. When Chiaki calls Makoto to ask if she has been time-leaping, she uses her final time-leap to prevent Chiaki's call. In the meantime, Makoto's friend Kōsuke Tsuda and his new girlfriend, Kaho Fujitani, borrow her faulty bike. Makoto attempts to stop them, but as she had just used her final leap, she is unable to rescue them from being hit by the train.
A moment later, Chiaki freezes time. Telling Makoto he is from the future, he explains the walnut-shaped object is his time-traveling device, and used it to time-leap hoping to see a painting that Kazuko is restoring, as it has been destroyed in the future. While walking with Makoto in the frozen city, Chiaki explains why he stayed longer in her time than he originally planned. Consequently, he has used his final leap to prevent Kōsuke and Kaho from the train accident and he has stopped time only to explain to Makoto he is unable to return to his own time period, and having revealed his origins and the nature of the item that allowed Makoto to leap through time, Chiaki must leave. Then Makoto realizes she is in love with him.
Chiaki never said he had travelled through time both ways. All he says regarding his leaps is that he knew that the painting had records during the period in which the movie is set. Secondly, he stated clearly that "tomorrow" he would return to the future. Here we have a problem, because this might have two reasons.
We get an interesting scene that most commenters overlook, which is the one of the jump at the lake. Makoto went back in time and returned! Even a child screamed that he saw the girl disappear and reappear. (Although circumstantial, it supports the point.) This leads up to the idea that for every time travel you do, as we might relate with the movie Inception, at the end of the physical jump, the traveling ends.
Now, this is going to get complicated, but try to follow me, even though I might be wrong. The way Chiaki would go to the future would be by going even further into the past. As confusing as it may sound, going back in time would take him back to the future. Follow this thread, backwards now: the end of the movie, the beginning of the movie, the moment Chiaki leapt into the movie's time, Chiaki's original time. Therefore if he jumps back enough to go to the moment before he went back in time, he'd be back in the future! Time traveling actually goes one way here.
Here's my two cents, and it has to do with one of the above theories. Makoto wouldn't have restored her jumps by jumping back in time (it didn't happen throughout the movie). When she regained one, it was simply that Chiaki jumped so far back that he happened to "undo" her last leap by trying to prevent the accident.
And for all you know, that aunt of hers was actually the girl who comes back in that time and the person she is saving that painting for is Chiaki. The aunt was a bit mysterious saying even she did the time travelling thing you know.
When 17-year-old Makoto Konno gains the ability to, quite literally, "leap" backwards through time, she immediately sets about improving her grades and preventing personal mishaps. However, she soon realises that changing the past isn't as simple as it seems, and eventually, will have to rely on her new powers to shape the future of herself and her friends.
Revolving around a high school teenage girl who discovers her ability to leap through time, this is a highly ambitious story that feels equal parts personal and cosmic. It's a journey of self-discovery, coming of age, and exploring love and pain in a fantastical world that defies time. The over-the-top, barmy style gives way to a somber revelation that offers this story a necessary layer of depth, heart, and consciousness.
To be honest, I, unlike the ones who stated they like to turn off their minds an just watch, I enjoy thinking and overthinking everything that I am served. It just makes me feel great and I have to say that I , at the time I watched the movie, ended up looking at special machines that are faster than the speed of the light and were said to travel through time. Though, got nowehere with the research. Too bored to continue at some point.
The Girl Who Leapt Through Time is a classic anime movie. Released in 2006 and directed by Mamoru Hosoda. It tells the story of a high school girl who stumbles upon the ability to jump backward in time and repeat previous events. This story is many things; funny, dramatic, smart, bittersweet, and romantic. However, it isn't an entirely original story.
By looking at the history of The Girl Who Leapt Through Time, the story goes from a single anime movie into a large collection of media. Just like the subject of its title, the story itself is a timeless classic that has spread itself through many years of entertainment. Knowing about all of this makes the anime film more commendable; it was able to live up to a decades-long legacy, stand out as its own thing, and develop a fervent following.
...Oh.. That's right...He and Venti had talked about this. 'Leaping through time', the bard had called it. But that couldn't be right. No way was it possible that such a thing could happen...Well, he supposes there's only one way to find out.
Makoto Konno is in her last year of high school, but is having a hard time deciding what to do with her future. In between enduring the pressure of her teachers and killing time with her best friends, Makoto's life suddenly changes when she accidentally discovers that she is capable of literally leaping through time.
Toki wo Kakeru Shoujo follows Makoto as she plays around with her newfound power. However, she soon learns the hard way that every choice has a consequence, and time is a lot more complicated than it may seem.
[Written by MAL Rewrite]
One day, Makoto is hurled into an oncoming train when riding her defective bicycle toward a railroad crossing, but she mysteriously finds herself traveling back in time. She tells her aunt, Kazuko Yoshiyama, about this experience, and Kazuko in turn tells her that it is called a "time leap" and that it happens often to adolescent girls. Makoto enthusiastically starts using her new power to satisfy frivolous desires and relieve small frustrations. Her life suddenly becomes all rosy. However, she soon realizes that there is a limited number of times that she can time leap.
Preventing an unexpected love confession from Chiaki and playing cupid between Kosuke and classmate Kaho, Makoto is finally down to only one more time leap. When Chiaki suspects her of time leaping, she panics and uses her final leap to prevent him from doing so. Then she sees Kosuke and Kaho ride by on her bicycle with faulty brakes. The bicycle hurtles into the railway crossing, and Kosuke and Kaho get tossed up into the air. The instant Makoto cries out, "Stop!!" time stops and Chiaki appears. Chiaki confesses that he is from the future. He tells her that he leapt back in time to see a painting that exists only here during this season in this era. He also tells her that he can never see her again now that a person of the past has knowledge about time leaping, and he disappears.
An ordinary high school girl named Riisa gains the ability to control time, being able to go back to the past and change whatever she would want to be altered so that she could live in a better present. As she exploits the power of going back and forth time, she realizes that the deliberate change of events may result in some unexpected consequences, possibly leaving her loved ones in peril.
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