Uncle Kracker Writing It Down

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Kristin Banyas

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Aug 5, 2024, 1:07:17 PM8/5/24
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BeforeChance McKinney was a CMT Award Winner, before he was a million vote getter in Music City Madness, before he was on tour dates with Blake Shelton, Luke Bryan, Dierks Bentley, Darius Rucker, Kenny Rogers, Lynyrd Skynyrd, Dwight Yoakam & Trace Adkins... Chance McKinney was your run-of-the-mill All- American javelin thrower, all-black Motown Revue singer, college track coach and high school math teacher. The all-too-common tale of \u201Cteacher goes singer\u201D is something we\u2019ve all heard before. Everybody knows if you release an album, two weeks later you\u2019ll find yourself opening for Kenny Chesney in your first country show ever. Everybody knows if you enter a contest for the #1 \u201Cunsigned\u201D singer/songwriter in the Nation that you\u2019ll win with more that one million votes for your self-penned tune \u201CBe Real.\u201D And then there's the obvious, release two follow-up albums Think About That (2013) and Down To Get Up (2017) that debut at #62 and #41, respectively, on the iTunes Country Album Charts world-wide. It's all very commonplace, so we won't bore you with the details.

I'd like to take this opportunity to share a little background on my musical journey today. Yesterday, a very talented, passionate and influential figure passed away after a two year battle with colon/liver cancer. I would be remiss if I didn't take a little time to tell you how Tim played a significant roll in my life over the past 7 years.


In 2006, I went to an NSAI Song Camp trying to improve my songwriting ability and further my music career inch by inch. As I sat in a class doing a writing exercise, Tim (the instructor) and James Dean Hicks (co-instructor) threw out the phrase "Give Up The Ghost" and had each person outline their approach as to what would guide their direction in writing that song.


After several replies from others of religion, death, rhymes of coast and most, I raised my hand. Being the twisted individual I am, I had a completely different take and wanted to see how far off-base I was. Tim calls on me after a series of eye-rolling suggestions. I launch in on how "funny" it would be to encourage those on the verge of kickin' the bucket to actually do so! Give up the ghost... get a move on... get out of the way... I threw out a couple examples of old jv football players still talkin' glory days in bar, old crotchety folks who were bitter and angry, etc.


Most of the class was taken aback, but Tim just kept eggin' me on. "So you think we should just write a "get it over with" song and send it to radio eh?" I said "sure, why not?!" He was just about to answer when James Dean Hicks jumps in and says... "I can write that song." Tim just smiled and said "so can I."


After class, Tim made his way over and struck up a little conversation. He found out I was in a group up in Seattle at the time and working with Becky Brenner (at CBS). He invited me over to his publishing house (Giantslayer) and introduced me to Rory Lee Feek (his partner). They ended up connecting me with Adam Olsen (Creative Director) who pitched me song after song of amazing work. That lead to a whole different dimension of my career and a good, solid, 1/2 hour tangent if I let it go further on this topic. Let's get back to Tim.


The next couple days I'd see him various places on the Row and each time, he'd make a point to come over and say "hi" or try and run me off the road in his big, white truck. He invited me out to the Bluebird Cafe for his show one of those nights with JDH, Anthony Smith and Frank Myers. There, he introduced me to 2 more people who would influence my career. Anthony, and especially Frank, have been great resources and confidants with whom I still stay in contact this day.


Anyway, I just wanted to take a minute to pay respect to a #1 songwriter who had no business in pulling me under his wing, but did. Tim Johnson may not be a household name, but his songs are and I intend to not forget his part in the line of dominos I call my career.


The respected songwriter was active with NSAI, where he served on its Song Camp faculty and was a longtime board member. He also assisted the organization with its legislative work in Washington, D.C. Friends say he was a champion of songs and songwriters, and always encouraged aspiring writers.


Friends and supporters rallied around Johnson following his diagnosis with colon and liver cancer about two years ago. In February 2011 Phil Vassar, Joey+Rory, Chuck Cannon, Chuck Jones, Joe West, and Wynn Varble performed at a fundraiser for Johnson at the Bluebird Caf.


In preparation for the Summer of 2011, the boys of Chance McKinney n' CrossWire head for Pendleton, OR (home of the Pendleton Roundup) to play the WildHorse. They'll be there for a two night stint (April 15th and 16th) touchin' base with South Eastern WA and the North Eastern corner of OR. For more details, check out


Stay tuned for a wild n' crazy summer... The boys continue booking shows up and down the west coast. With names like John Rich, Sebastian Bach, Dwight Yoakam, Dierks Bentley, Sunny Sweeney, Phil Vassar, Steve Azar and Alan Jackson. Get signed up on the email list at or join us on Chance-McKinney/160688966444 to keep up on the boys' latest happenings.


"This immediate and impressive reaction proves the unparalleled power of the [59th] GRAMMY Awards to reach a wide audience and engage fans," David Bakula, senior vice president of global product leadership and industry insights for Nielsen Music, told Billboard.


Veteran metal quartet Metallica took the opportunity to leverage their GRAMMY performance with Lady Gaga of "Moth Into Flame" to announce the North American leg of their WorldWired tour the day following the telecast.


Crowned this year's Best New Artist, Chance The Rapper saw his streaming-only numbers cumulatively increase 206 percent on Spotify. The three-time GRAMMY winner also saw a 461 percent jump for his song "How Great," which he performed on the GRAMMY stage as part of a medley with Kirk Franklin and Tamela Mann. Not wasting any of his momentum, Chance The Rapper announced a spring tour just two days after his GRAMMY stage debut.


Best New Artist nominee Anderson .Paak caught the attention of fans on Pandora, experiencing a 500-plus percent increase in new artist station adds. His collaboration with A Tribe Called Quest also helped boost the rap group's song "We The People," which benefitted from a 441 percent gain on Spotify following their powerful, politically driven performance.


In a grand entrance, Lady Gaga emerged behind a heart-shaped plume of feathers on the golden steps of Square Barye, captivating the audience with her cover of the French classic "Mon truc en plumes." Accompanied by cabaret-style background dancers, she flawlessly belted out the song, executed impressive choreography, and even played the piano.


The available Camp tracks include Audio Engineering, Electronic Music Production, Songwriting, Music & Media, Music Business, and much more. Many alumni of this enriching crash course have risen to prestigious positions across the musical landscape.


In the years since, Morris has won a GRAMMY, received 17 GRAMMY nominations, and topped the Billboard country charts. She also joined the country supergroup the Highwomen with fellow juggernauts Brandi Carlile, Natalie Hemby and Amanda Shires.


At this year's GRAMMY Camp, Morris returned as a guest artist. What's her advice to budding artists? "Just stick to being authentic," she told RecordingAcademy.com, "and people see that, no matter what time they arrive to the party for you."


At the outset, he was thrilled to come to L.A. for the first time and network with like-minded folks in music. "I knew that my skill set wasn't that great," he told GRAMMY.com a decade later, "but it was just so good to be around people who were all there to learn and create together.


"I feel like that's the biggest takeback I have of GRAMMY Camp," he continued. "It was amazing to have all those people together under one roof, all in the same vicinity, all doing creative things." Working with GRAMMY Camp Faculty Director Jason Goldman was one clear highlight for him: "He's a great guy, and he was such a good, carefree band director."


By now, Sweet has worked with Kehlani, Kendrick Lamar, Drake, Eminem, the Carters, Ty Dolla $ign, A Boogie Wit Da Hoodie, and many more; he's been nominated for three GRAMMYs and won one. And as a launchpad, GRAMMY Camp helped make all these accomplishments possible.


"I didn't do my senior year. I didn't go to prom. I didn't go to graduation," Roan explained to Rolling Stone in 2022, about her early musical life. "I missed a lot of what would have been the end of my childhood to do this job," she says.


"I started playing and writing music as a little kid, and I've known I've wanted to be creative for my whole life," McCrae told VoyageLA, adding that she began taking songwriting and performing seriously in high school.

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