Tvs Xl 100 Logo

[Amalia Antill]

BrandCrowds logo maker allows you to generate and customize stand-out logos in minutes. BrandCrowd gives you access to a professional library of thousands of customizable logo designs - making creating your logo inexpensive and straightforward. Our logos, created by designers around the globe, give you unlimited possibilities.

Absolutely! A transparent version of your logo is provided when you download in a PNG format. Even if you've chosen a solid background for your logo, we'll provided a version of your logo with a transparent background for your convenience - perfect for use on your website.

You want your logo to standout above competitors. Your logo should tell your audience, customers, fans and competitors that you mean business. There's no single answer for what layout your logo should have - but keep in mind what message your want to convey with your logo. A simple layout can convey elegance and sophistication, while a more dynamic layout can mean fun or adventure. Search our logo collection for a design then customize it according to your needs. Remember you can also research logos - pay attention to their layout, color choices, design themes and fonts.

What's in a name? If you haven't already got a name for your logo then here's some tips. You want to use text and a name that describes your business, the caliber of service you provide and one that resonates with customers. If you're stumped, research other companies with logos for inspiration. Remember your logo should have a catchy and non-offensive name that's sits well with the whole team. Try to keep the logo text short and simple using a bold clean font, so it's easily recognisable on your logo.

Simply put, logos are visual representations of what your business is all about. The logo you choose will become synonymous with your brand, so it pays to choose wisely. BrandCrowd offers access to a library packed with logos created by professional designers from around the world. Find the perfect logos is as simple as searching the library, customizing the logo to your liking and downloading. Remember, keeping your logo simple with three or fewer colors and clean fonts produces an effective, eye-catching logo.

It's easy to enhance your logo with a tagline. A tagline is usually added at the bottom of your logo and consists of a short piece of text like a motto or catchphrase. Taglines that work include three to seven memorable words. Like an advertising jingle or popular song, this additional text on your logo helps further associate your design with your brand. You can add a tagline in a few clicks with BrandCrowd's Logo Maker.

Yes. Now that you've created the perfect logo, it's time to put your design to work. BrandCrowd allows you to download your logo instantly and gives you access to all the files you need. BrandCrowd provides files perfect for producing marketing and print materials, for using on your website or blog and for branding those social media posts. All the logo files you need are available in your account.

Of course. Your logo from BrandCrowd is provided in several formats including vector files (PDF and SVG). No matter how large you want your logo, it'll look great. Vector files are used to create print layouts and illustrations as they ensure the same quality appearance across all formats and sizes.

Our free online logo generator gives you hundreds of logo design options at no cost. Customize them and download your brand logo for free in high-resolution formats such as PNG, SVG vector files, and more.

Stitch is our custom design tool with hundreds of templates to help you launch, build, and grow your business. These templates already include your logo and other branding elements. You can easily edit or modify your designs, or create new ones, at any time.

Absolutely! You don't need to register an account to find the name of the font used for your business name and slogan. However, the account and paid plan will also give you access all of LOGO.com's tools for setting up your online brand.

LOGO.com generates logo options from millions of different inputs (color, icons, font, size, layout, text), so the likelihood of someone recreating your exact logo is slim to none.

We do not remove the icons or other elements used in your logo after you have used them in our editor. But we are drawing from a pool of over five million icons so the chances of someone choosing the same icon as you are slim.

In the days of hot metal typesetting, a logotype was one word cast as a single piece of type (e.g. "The" in ATF Garamond), as opposed to a ligature, which is two or more letters joined, but not forming a word.[2] By extension, the term was also used for a uniquely set and arranged typeface or colophon. At the level of mass communication and in common usage, a company's logo is today often synonymous with its trademark or brand.[3]

As the industrial revolution converted western societies from agrarian to industrial in the 18th and 19th centuries, photography and lithography contributed to the boom of an advertising industry that integrated typography and imagery together on the page.[9] Simultaneously, typography itself was undergoing a revolution of form and expression that expanded beyond the modest, serif typefaces used in books, to bold, ornamental typefaces used on broadsheet posters.[10]

The Arts and Crafts Movement of late-19th century, partially in response to the excesses of Victorian typography, aimed to restore an honest sense of craftsmanship to the mass-produced goods of the era.[13] A renewal of interest in craftsmanship and quality also provided the artists and companies with a greater interest in credit, leading to the creation of unique logos and marks.

By the 1950s, Modernism had shed its roots as an avant-garde artistic movement in Europe to become an international, commercialized movement with adherents in the United States and elsewhere. The visual simplicity and conceptual clarity that were the hallmarks of Modernism as an artistic movement formed a powerful toolset for a new generation of graphic designers whose logos embodied Ludwig Mies van der Rohe's dictum, "Less is more." Modernist-inspired logos proved successful in the era of mass visual communication ushered in by television, improvements in printing technology, and digital innovations.

The current era of logo design began in the 1870s[citation needed] with the first abstract logo, the Bass red triangle. As of 2014[update], many corporations, products, brands, services, agencies, and other entities use an ideogram (sign, icon) or an emblem (symbol) or a combination of sign and emblem as a logo. As a result, only a few of the thousands of ideograms in circulation are recognizable without a name. An effective logo may consist of both an ideogram and the company name (logotype) to emphasize the name over the graphic, and employ a unique design via the use of letters, colors, and additional graphic elements.

Ideograms and symbols may be more effective than written names (logotypes), especially for logos translated into many alphabets in increasingly globalized markets. For instance, a name written in Arabic script might have little resonance in most European markets. By contrast, ideograms keep the general proprietary nature of a product in both markets. In non-profit areas, the Red Cross (varied as the Red Crescent in Muslim countries and as the Red Star of David in Israel) exemplifies a well-known emblem that does not need an accompanying name. The red cross and red crescent are among the best-recognized symbols in the world. National Red Cross and Red Crescent Societies and their Federation as well as the International Committee of the Red Cross include these symbols in their logos.

Branding can aim to facilitate cross-language marketing.[14] Consumers and potential consumers can identify the Coca-Cola name written in different alphabets because of the standard color and "ribbon wave" design of its logo. The text was written in Spencerian Script, which was a popular writing style when the Coca-Cola Logo was being designed.[15]

Since a logo is the visual entity signifying an organization, logo design is an important area of graphic design. A logo is the central element of a complex identification system that must be functionally extended to all communications of an organization. Therefore, the design of logos and their incorporation in a visual identity system is one of the most difficult and important areas of graphic design. Logos fall into three classifications (which can be combined). Ideographs, such as Chase Bank, are completely abstract forms; pictographs are iconic, representational designs; logotypes (or wordmarks) depict the name or company initials. These elements can be combined in a set position and relative size in a logo lock-up, so named because elements are "locked" together and should not be broken apart or resized individually.[16] Because logos are meant to represent companies' brands or corporate identities and foster their immediate customer recognition, it is counterproductive to frequently redesign logos.

The logo design profession has substantially increased in numbers over the years since the rise of the Modernist movement in the United States in the 1950s.[17] Three designers are widely[18] considered the pioneers of that movement and of logo and corporate identity design: The first is Chermayeff & Geismar,[19] which is the firm responsible for many iconic logos, such as Chase Bank (1964), Mobil Oil (1965), PBS (1984), NBC (1986), National Geographic (2003), and others. Due to the simplicity and boldness of their designs, many of their earlier logos are still in use today. The firm recently designed logos for the Library of Congress and the fashion brand Armani Exchange. Another pioneer of corporate identity design is Paul Rand,[20] who was one of the originators of the Swiss Style of graphic design. He designed many posters and corporate identities, including the famous logos for IBM, UPS, and ABC. The third pioneer of corporate identity design is Saul Bass.[21] Bass was responsible for several recognizable logos in North America, including both the Bell Telephone logo (1969) and successor AT&T Corporation globe (1983). Other well-known designs were Continental Airlines (1968), Dixie (1969), and United Way (1972). Later, he would produce logos for a number of Japanese companies as well.An important development in the documentation of logo design is the study of French trademarks by historian Edith Amiot and philosopher Jean Louis Azizollah.[22]

3a8082e126