Hostel Part 3 !!EXCLUSIVE!! Full Movie In Hindi 19
Nichole Wernett
Hostel: Part III gives us a closer look at the Elite Hunting Club. One interesting aspect in particular was gambling with the Wheel of Misfortune. Was this something you added to the script?
In Rome, three American art students, Beth, Whitney, and Lorna, are convinced by Axelle, a nude model they are sketching, to join her on a luxurious spa vacation in Slovakia. The four check into a hostel, where the desk clerk surreptitiously uploads their passport photos to an auction website ran by the Elite Hunting Club. American businessman Todd and his best friend Stuart win the bids on Whitney and Beth, and excitedly travel to Slovakia.
In another room, Todd terrorizes Whitney with a power saw, but loses his nerve after accidentally partially scalping her without killing her. Horrified, Todd tries to leave, but is informed that he must kill Whitney before leaving. Todd refuses and tries to leave anyway, but the guards release attack dogs, which tear Todd apart. The Elite Hunting Club then offers the maimed Whitney to the other clients to kill, including an elderly Italian man who is eating Miroslav alive. Stuart, after learning of Todd's death, shows Beth the pictures of the maimed Whitney to frighten her, then accepts the club's offer, leaves Beth, and beheads Whitney.
Meanwhile, Stuart, who has now officially made up his mind, prepares to torture and kill Beth, explaining that she bears an extremely close resemblance to Stuart's wife, whom Stuart hates but has never had the opportunity to kill. Stuart then begins to torture her, but Beth is able to seduce him into untying her from the chair. Stuart attempts to rape her, but she fights him off and chains him to the chair. Sasha and the guards arrive at her cell, where Beth offers to buy her freedom with part of her inheritance, and though Stuart tries to outbid her, Sasha reveals that he knows that Stuart cannot afford to do so. After Sasha tells Beth that she must kill someone before leaving, she cuts off Stuart's entire genitalia and leaves him to bleed to death, an act that gives pause to even the jaded guards. Satisfied, Sasha gives Beth an Elite Hunting tattoo, making her an official member.
Roth sought Lauren German for the lead role based on her performance in The Texas Chainsaw Massacre (2003).[4] "Lauren has a sense of humor, but she can also handle those horrific, intense moments," explained Roth. "I needed an actress who would be so vulnerable and so likeable, but then really strong when she needs to be. Even though Lauren probably weighs ninety pounds soaking wet and looks like a princess, you feel like she's kicking ass."[4] Bijou Phillips was cast as Whitney after impressing Roth with her audition.[4] For the part of Lorna, Roth had Heather Matarazzo in mind from the beginning; she flew to Los Angeles to read for the part, unaware that Roth was meeting to offer it to her.[4]
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One of the most intriguing scenes in Hostel: Part I was the part with Rick Hoffman's character, the millionaire a**hole who spoke to Jay Hernandez in the waiting/dressing room. The heart of Eli Roth's idea was a website he discovered which promised human lives for millionaire cash. I'm not quite sure the website is real or even really exists, but that was the genesis of the idea. And to me the most interesting part of this concept is: what kind of sick f*cks would be willing to spend cash to kill a person.
In Hostel: Part II, Roth explores the story from both sides: three unexpecting American girls who are lured to a Slovakian Hostel, and two business men who have won an auction to kill two of them. And the best part of this is that Roth could have portrayed the two businessmen as total a**holes, but he doesn't. Richard Burgi (who many remember as Alan York / Kevin Carroll from the first season of 24) is the gung-ho business man who is fronting the trip, while Roger Bart plays a family man who is dragged there by Burgi's character. Not only is the character empathetic, but you hope he will do the right thing. And when shit hits the fan in the climax, everything unfolds unlike you could ever expect it to happen.
Given the first film's $50 million-plus domestic gross, I suppose it's no surprise that Sony ordered up another installment, but as I discussed at great length in my recent review, 'Hostel' was a concept in search of a movie. It didn't have genuine characters or a story; its only sell was a situation (albeit one that proved intriguing enough to lure moviegoers in by the busload). The basic premise was simple: unsuspecting American backpackers get lured into a mysterious hostel, only to wake up tied and primed for torture, having been sold to the highest bidder in a depraved, bizarre human murder auction. Alas, despite an admittedly compelling (if disturbing) premise, once the trap was sprung and the horrors unleashed, the film degenerated into a "torture porn" extravaganza that had such a threadbare plot that in the end it served as nothing more than a showcase for all the different ways you can maim and kill someone.
Like most horror sequels, 'Hostel Part II' doesn't so much continue 'Hostel' as it remakes it. After a bit of opening business that ties up (or, in this case, severs) the loose ends left dangling at the end of the original film, we get a replay of the same basic set-up. This time, however, Roth flips the gender of the victims, swapping out the three party-hungry frat boys of the first film with three female American college students traveling abroad. Laura German (last seen blowing her brains out in the 'Texas Chainsaw Massacre' remake) plays smart and resourceful Beth, the natural leader of the group (and the obvious "final girl"). Bijou Phillips is Whitney, the beautiful but bland barbie doll whose sole purpose is obvious the minute she appears on-screen. Finally, Heather Matazarro ('Scream 3') is Lorna, the "geeky" one, and the only hint of comic relief in an otherwise humorless film.
To Roth's credit, he does counterpart the victims this time out, delving a bit deeper into the minds of the organization's customers. These are by far the most interesting scenes in the film, as we meet Todd and Stuart (Richard Burgi and Roger Bart), two American businessmen who are looking for a little thrill in their dull suburban lives and figure that buying a couple of girls to murder is just the ticket. It is Roth's only genuinely clever conceit in the film that he uses the pair's ever-changing dynamic -- Todd is the supposedly gung-ho ringleader, while Stuart is the passive tag-along -- to effectively critique the patriarchal impulses at work in such an endeavor. Unfortunately, this is the one area of the film where Roth doesn't go far enough. What might have provided a cohesive thematic focus to the film all but disappears once the chainsaws start to roar.
It's when the sadism begins that 'Hostel Part II' loses any last semblance of credibility it might have once had. Looking like the villain's lair from an old James Bond movie, the gargantuan hostel is so over the top and hi-tech gothic that its mere existence is ludicrous. How an organization could fund something like this, let alone keep it under the radar is unexplained; and given all these disappearing American college kids, are we really to believe that the crew from Dateline's "To Catch a Predator" wouldn't have been knocking on their door ages ago? For a film that's supposed to be so timely and so shocking, Roth just hasn't created a plausible vision for an idea of that should be truly terrifying in its implications.
For a medium-budgeted film, 'Hostel Part II' sounds particularly good. The quality of the source is tip-top, with a cleanliness to all of the elements and a heft of bass that really impressed. Surrounds are aggressively used, with minor ambiance and forceful discrete effects both expertly attenuated. I loved the way Nathan Barr's score merges seamlessly with the effects, bleeding to all of the channels to unsettling effect. Dialogue is also quite well-balanced, and I encountered no volume level issues.
Sony has gone all-out for the video release of 'Hostel Part II,' piling a load of extras onto both the DVD and Blu-ray versions of the flick (with the latter getting a little bonus exclusive, as well... see the "HD Exclusives" section below).
Much like the first 'Hostel' Blu-ray, there's a wee bit of overkill in the commentary department, with three separate tracks included. Roth's solo commentary is by far the most entertaining, if only because he finally lets loose on his critics. This one has to be heard to be believed, with Roth assailing those who dare critique the 'Hostel' flicks as mere "torture porn" as not only misguided, but irresponsible, as they should be directing their anger instead at graphic media depictions of real-life atrocities like Katrina and 9/11. Although his contention that the 'Hostel' flicks are in fact critiques of "capitalism" (this from a man whose made millions off of the exploitation of human suffering) is laughable, it's clear that he believes absolutely everything he's saying with complete sincerity. Director commentaries don't get more revealing than this.
The other two commentaries are disappointing by comparison. The producers track with Eli Roth, his brother Gabriel Roth and Quentin Tarantino is bland. Tarantino apparently saw Roth's first film 'Cabin Fever' about "eight times," and hails him as some sort of genius of horror. In between on-set stories of party shenanigans, we get nuts and bolts production info on filming in Prague, the challenges of the conditions, the set design and lighting, etc. Mostly pedestrian, and quite boring. More fun at least is the group cast chat, which sees Roth joined by Laura German, Vera Jordanova (the crazy chick with the sickle) and Richard Burgi (who doesn't show up until about a third of the way through the track, and then laughs non-stop). Of course the one person I wanted to hear from -- poor Heather Matazarro, who apparently had to endure days hanging upside down naked while being slowly sliced by Jordanova -- is absent. There is, however, a lot of interesting detail on the audition and development process, and for once, Roth is actually not an annoying presence, instead prompting the cast with some sharp questions.
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