Having photographed much of Carlsbad over the years, along with a three
week shoot for the Park back in 2003, I can attest that the photo they chose
made use of the older lighting system in the cave. I know because I have
many similar photos I’ve taken using the in-cave lighting. Over the many
years that Carlsbad has been electrically lit, they generally replaced older
lights with whatever seemed to be the best, most efficient and cheapest lighting
they could find at the time it was replaced. This meant that some of it
was incandescent, some of it fluorescent with its many different shades of
blue-green, depending upon the bulbs they chose, a mercury vapor lamp that gives
everything a green cast, a soda vapor light which is orange-ish and several
others which I don’t know about. All of them offered something akin to
“white” light for the cave. However, that “white" light appeared to be
white due to the forgiving nature of our eyes and our brain that processes that
light information. Cameras, on the other hand, are not so forgiving in
their capture. You’ve all heard about the proper “white balance” settings
in your camera. They usually have names such as sunlight, flash, overcast,
shaded sunlight, fluorescent, incandescent, etc. These settings are there
to help make the color of your image reflect the color of the light source that
was used to illuminate the image.
Each light source gives a different version of potential color
imbalance. Light is sometimes measured by what is called its Kelvin (K)
Temperature. The K temperature refers to the color of light by heating a
black body source (a piece of black iron, for instance) to that temperature and
measuring its light output and therefore the color from it. Overhead
sunlight is usually a K temperature of 6500. Electronic flashes are around
5500K. A candle has a K temp of 1850. An incandescent bulb is around 2400
- 2550. Fluorescent bulbs vary quite bit depending on how they are made
(soft white, warm white, tubular fluorescent, etc). In addition, some
lights tend to have a color peak that overemphasizes a certain portion of the
color spectrum, usually bluish-green in nature. Cavers will certainly
recognize the bluish cast that their LED headlamps give out when they see a
photograph of their lamps on.
The photo we see on the stamp that we’re all wondering about was taken
using the light sources that were already there. The green cast is due to
the fluorescent bulb on the right hand side. The light source from the
left side is likely some variation of an incandescent bulb and is thus a warm
orange-ish color. Notice how the shadows to the right of the tall stal in
the middle of the image suddenly become green. That’s because the strong
incandescent bulb on the left hand side doesn’t reflect back on the right hand
side of the formation. Also note how the orange color is strongest on the
far left and grades over to green along the ceiling the closer it gets to the
green light source.
In reality, there are only a couple of small areas where the true color of
the formations shows up and that’s at the lower left hand side of the big stal
in the middle. One of the unfortunate things about my three weeks of
shooting in C’bad in 2003 is that the studio flashes I was using show the cave
in its true color. In many places that color was a grey-ish hue. I
hate to say it, but that grey color comes from all the dust that has settled on
the formations when they were blasting the elevator shafts and dumping the dust
and debris in the now excavated areas of the Big Room. They were most
likely a beautiful bright white color when Jim White first entered the
area. Now, they are the sad reminder of what happened to the cave due to
our own endless visitation to it over the past 80 or more years.
Unfortunately, many people will like the “colored lights” that appear to be
in this photo and will be wondering why the colored lights aren’t turned on when
they actually do come to see Carlsbad. I have yet to see the new lighting
in the cave that in theory, at least, will be fairly uniform in its color cast,
providing it has all been done with the same LED light sources. I know Rod
Horrocks put a lot of time and energy into the new lighting, so I am anxious to
see the results. It has certainly been a long time coming.
I hope that at least explains the reason that the colors are so bizarre in
the image. We’ll just have to all grit our teeth and try to explain why it
is what it is when people ask us about it.
Peter
The cave’s true color, this being taken
from the left hand side of the big stal in the stamp image:
A quick, unprocessed jpeg version
of the backside of the stals in the stamp image, color balanced for the
incandescent light on the right hand side. Note the same green that was in
the stamp image, all due to the fluorescent light. Taken from Rock of Ages
location. The muddy red-green color in the foreground is due to lack of
blue color wavelength in this long exposure.

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