6 Underground Kuttymovies

[Anjali Reyome]

Producedby Tom Hanks and Gary Goetzman's Playtone and Walden Media, City of Ember was theatrically released on October 10, 2008, by 20th Century Fox under the "Fox-Walden" joint-venture,[3] two months after the release of the final book in the series, The Diamond of Darkhold. The film received mixed reviews from critics and was a box office bomb, grossing only $17.9 million against a budget of $55 million.

When an unspecified global catastrophe looms, an underground city known as Ember is constructed to shelter a large group of survivors. In addition, a small metal box intended for a future generation of Emberites is timed to open after 200 years. This box is entrusted to the Mayor of the City of Ember, and each Mayor passes it on to their successor. When the seventh Mayor dies suddenly, the succession is broken, and over time, the box's significance is forgotten. The box opens by itself at the allotted time, but it goes unnoticed. Several decades later, Ember's generator begins to fail, and food, medicine and other necessities are in dangerously short supply.

At a rite of passage event for all graduating students of Ember City School, Mayor Cole stands before the students as their adult occupations are assigned by lottery. Doon Harrow, the son of inventor and repairman Loris Harrow, is assigned "Messenger" while his classmate Lina Mayfleet is assigned "Pipework". Shortly afterwards, the two secretly exchange assignments and Doon is apprenticed to the elderly technician Sul. At home, Lina (a descendant of the seventh Mayor) finds the opened box and enlists Doon's help to decipher its contents. Gradually, they learn that it contains a set of instructions and directions for an exit from the city in the pipeworks.

Later, after evading a gigantic star-nosed mole, they also discover that Mayor Cole has been hoarding canned food in a secret vault for his own benefit while the people go hungry. When Lina attempts to report this, the Mayor captures her and tries to steal the box, but she escapes during a blackout. Now fugitives from the Mayor's police, Lina and Doon, accompanied by Lina's little sister Poppy, use the instructions and assistance from Sul to flee the city via a subterranean river. When the repercussions of their actions trigger a panic in Ember, the Mayor locks himself in his vault, only to be devoured by the giant mole.

Doon, Lina and Poppy eventually reach the Earth's surface where they, for the first time in their lives, witness a sunrise. They also locate Ember in a hole in the ground, too far for them to call to anyone. So before they explore, they drop a letter with information on how to get out, tied to a rock, into Ember, where it is found by Loris.

In October 2004, Tom Hanks and Gary Goetzman paid in the mid six figures[4] to purchase the film rights to Jeanne DuPrau's 2003 novel The City of Ember. They entered negotiations with Caroline Thompson to adapt the novel and Gil Kenan to direct the film. The deal included an option on the sequel novel The People of Sparks.[5] Filming was scheduled to begin in early summer of 2007 and to wrap up in October of the same year,[6] a 16-week shooting process. A former paint hall in the shipyard of Harland and Wolff in Belfast's Titanic Quarter was converted into the post-apocalyptic city.[7]

At the after-party at meatpacking district eatery Vento,[9] the pic's baddie, Bill Murray, said, "You can't help but feel that this film is speaking to you right now, when you really feel a little bit lost, a little abandoned." Added pic's Tim Robbins, who was joined by castmates Martin Landau and Saoirse Ronan at the premiere: "I just loved the script. It had such a good, optimistic spirit about it. It's fun to play against this bleak, dark world."

City of Ember was released in 2009 on Blu-ray disc in the United Kingdom, Australia, Germany, and France, all coded for Region B playback only, although the German release will also play on Region A players. No United States Blu-ray release has been announced, but a Region A Blu-ray was released in Hong Kong in 2010.

This film received mixed reviews from critics. Review aggregation website Rotten Tomatoes gives the film an approval rating of 54% based on 130 reviews, with an average rating of 5.70/10. The site's critical consensus reads, "City of Ember is visually arresting, and boasts a superb cast, but is sadly lacking in both action and adventure."[10] On Metacritic the film has a score of 58 out of 100 based on 27 critics, indicating "mixed or average reviews".[11] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.[12]

Stephen Holden of The New York Times said that the "talents of Saoirse Ronan, the brilliant young actress from Atonement", were "wasted in the science-fiction juvenilia of City of Ember" though he added: "Most of the time, however, it's a whiz-bang kid's film with neat gadgets and sound effects and an extended chase and escape sequence through underground rivers and tunnels. At only 95 minutes, the movie feels as though it had been shredded in the editing room... The best things about this are scenes of the ominous grinding machinery of the kind found in railway yards, as well as several zany gadgets worthy of Rube Goldberg. The wittiest is a primitive telephone-answering machine that resembles the do-it-yourself hi-fi kits assembled by audiophiles in the early days of stereo... Tim Robbins is also on hand as Doon's earnest, secretly rebellious father, who spends his days tinkering with exotic inventions... But not to worry: the boundless resourcefulness of two curious, clean-cut adolescents full of gee-whiz enthusiasm may lead humanity back into the fresh air and sunlight."[13]

Justin Chang of Variety also gave the film a mixed review, calling the film "A fabulously designed underground metropolis proves more involving than the teenagers running through its streets in City of Ember, a good-looking but no more than serviceable adaptation of Jeanne Duprau's 2003 novel. Director Gil Kenan's disappointing live-action follow-up to his enjoyable toon debut, Monster House, shows promising flickers of the visual invention throughout, but the dramatic sparks fail to ignite in this simple-minded exercise in juvenile dystopia." Chang also observed that the characters represent "English-speaking, predominantly Caucasian humanity."[14]

Cinema Blend's editor-in-chief, Katey Rich gave the film 2.5 of 5 stars and said, "The City of Ember belongs to one of the best and most enduring genres of children's films, in which smart kids stand up against the ignorant and aloof adult world and have a big adventure in the process. It also throws in a fantastical city, replete with whiz-bang inventions and secret societies. It's a mystery, then, that all the happy elements only add up to a big mush, a dull adventure, and a contrived fantasy. Saoirse Ronan is a fantastic heroine, but the story and the rest of the cast can't keep up with her lively pace." She added that "director Gil Kenan seems hellbent on just driving the narrative forward. The movie clocks in at an acceptably short time for a kid's movie, but so much gets lost or glossed over along the way. Ember itself is fascinating, an intricately detailed set that, like Diagon Alley or the Star Wars cantina, you'd like to take a few hours to wander around in. But so many questions about the city are left unanswered... You get the feeling that Jeanne Duprau's book got into this stuff, while the movie never seems to have the time."[16]

Saoirse Ronan was nominated for 2009 Irish Film and Television Award as "Best Actress in a Lead Role in a Film".[19] Art director Jon Billington and production designer Martin Laing were nominated for Satellite Awards in 2008 for their design of the film, as was Ruth Myers for her costume design.[20]

The Tunnel is a 2011 Australian found-footage monster horror film directed by Carlo Ledesma (in his feature-length directorial debut) and co-written, co-produced, and co-edited by Julian Harvey and Enzo Tedeschi. The film stars Bel Deli, Andy Rodoreda, Steve Davis, Luke Arnold, Goran D. Kleut, and James Caitlin in a documentary-style horror story set in the underground network of abandoned railway tunnels in Sydney, Australia, where a journalist and her crew discover an evil, flesh-eating creature lurking within the tunnels.

In the midst of the drought and water shortages, the Government of New South Wales announced plans to recycle millions of litres of water trapped in a network of abandoned train tunnels beneath the heart of Sydney. However, the government suddenly goes cold on the plan, and it does not tell the public why. There is also talk of homeless people who use the tunnel as shelter going missing. This and the silence from the ministers leads a journalist, Natasha, to begin an investigation into a government cover-up. She and her crew Peter (producer), Steven (camera operator), and Tangles (audio engineer) decide to investigate the story and plan to enter the tunnels themselves. After being refused entry by a security guard, they find an alternate entry and make their way inside. They proceed to explore the tunnels and locate various abandoned homeless squats and sections used as air raid shelters in the 1940s.

They come upon a huge underground lake; and, while filming, Tangles hears strange noises through the audio headphones. Later, the group heads to the room where the World War II air raid bell is. To get footage of the bell's ringing, Natasha hits it; but Tangles says the sound's loudness is distorting the audio recording. He decides to take the boom-mike into an adjoining room to reduce the sound levels, leaving Peter with the headphones to listen for distortion in the bell volume. Natasha hits it again, and Peter hears something very disturbing in the headphones. Tangles' audio cable is suddenly pulled through the opening, snapping and disappearing. The rest of the crew panics and goes to look for Tangles.

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