Missing You Tagalog Version Full Episodes
Haziel Barbour
Please remember that any information that you come across relating to any immediate safeguarding concerns for adults or children must be shared immediately with the relevant social work duty team and/or the police.
Good Practice: In Dundee, Joint Action Forms are used between police and residential care home staff, and between police and local mental health units to share up to date information, such as recent associates of children and young people at risk of going missing. You can download a copy of a Joint Action Form here.
Good Practice: In Fife, the role of a local Coordinator for Young People within Police Scotland allows police to work closely with residential homes, social work, and schools to prevent recurring missing episodes. As single point of contact for local agencies, The Coordinator builds relationships with frequent missing children and young people, takes actions away from IRD meetings, liaises with social workers, and attends additional risk-management meetings, to identify hidden harm on a daily basis.
Local Multi-Agency Operational Working Groups are a vital space in which relevant and proportionate information about persons of concern can be shared between agencies on a regular basis for the purposes of safeguarding, including information about those who are frequently missing. These groups create a pathway for long-term information sharing between agencies about local hotspot areas for crime or harm, frequently emerging issues and local concerns that involve vulnerable people. Good practice in Scotland has seen this information shared between agencies on a regular basis at Operational Working Groups, every 1-4 weeks.
For adults, information sharing between local care homes and Community Mental Health Teams can be vital in prevention planning, and for informing documents such as The Herbert Protocol, which should be kept up to date and in an accessible but safe place for adults with dementia who are at risk of going missing.
Good Practice: In Edinburgh, Police Scotland have initiated a poster campaign for Accident and Emergency in local hospitals, to encourage patients to tell staff if they intend to leave. This has reduced the number of people being unnecessarily reported missing to police should they leave without informing a member of staff. (Link to poster in other part of toolkit here).
Any previous Safe and Well Checks and/or Return Discussions should be consulted for any new, relevant information to help inform the investigation and assessment of risk and safeguarding concerns.
Open Communication from police should see all relevant agencies be asked for any relevant information relating to the missing person police should communicate directly with any care settings for adults and children regarding any update relating to the missing investigation.
Professional completing the Return Discussion should be as open and as transparent as possible with the returned person about any information that they already know about them and the missing incident.
Information from Safe and Well Checks, Return Discussions and other conversations with the returned person should be used to update care plans and trigger plans in place for any future missing episodes.
We have launched a regular email so that you can be aware of new missing person appeals and share them far and wide! We are also calling on all Heroes to be the eyes and ears for Missing People on the ground. Your sighting of a missing person could make a difference in a crucial time.
Podcast episodes include interviews with a variety of speakers, from tribal leadership to federal partners, advocates, members of grassroots organizations and native athletes, that have all joined together to raise awareness of the MMIP epidemic and identify ways we can focus on prevention and continue the work of keeping us whole.
Featuring Carolyn DeFord, (Puyallup Indian Tribe) Trafficking Project Coordinator for the Puyallup Tribe of Indians, Founder of Missing and Murdered Native Americans Facebook page, daughter of missing person - Mother Leona LeClair Kinsey.
Featuring Josie Raphaelito, MPH, (Navajo) Senior Fellow with Western States Center developing Indigenizing Love: A Toolkit for Native American Youth to Build Inclusion and Lenny Hayes, MA, (Sisseton-Wahpeton Oyate) Owner/Operator Tate Topa Consulting, LLC
Lost television broadcasts are mostly those early television programs which cannot be accounted for in studio archives (or in personal archives) usually because of deliberate destruction or neglect.
A significant proportion of early television programming was never recorded in the first place. Early broadcasting in all genres was live and sometimes performed repeatedly. Due to there being no means to record the broadcast or, later, because the content itself was thought to have little monetary or historical value it was not deemed necessary to save it. In the United Kingdom, early programming was lost due to contractual demands by the actors' union to limit the rescreening of performances.
Apart from Phonovision experiments by John Logie Baird, and some 280 rolls of 35mm film containing some of Paul Nipkow television station broadcasts, no recordings of transmissions from 1939 or earlier are known to exist.
In 1947, Kinescopes (preserving the image on a monitor via an adapted cinematic film camera) became a practical method of recording broadcasts, but programs were only sporadically preserved by these means. Tele-snaps of British television broadcasts also began in 1947 but are necessarily incomplete. Magnetic videotape technologies became a viable method to record material in 1956 in the US via the cumbersome Quadruplex system using 2-inch wide tapes. Televised programming (especially that which was not considered viable for reruns) was still considered disposable. What was recorded was routinely destroyed by wiping and reusing the tapes. The home video industry only developed from the late 1970s providing a new outlet for release.
The ability for home viewers to record programming was extremely limited before videotape; although a home viewer could record the video of a broadcast onto 8 mm film throughout television history or record the audio of a broadcast onto audiotape beginning in the 1950s, one could generally not capture both on the same medium until super-8 debuted in the 1960s. Home movies of this kind are exceptionally rare. Audio recordings are more common and numerous copies of otherwise lost television broadcasts exist.
Wiping (of videotape) and junking (of film) are colloquial terms for actions taken by radio and television production and broadcasting companies by which old audiotapes, videotapes and kinescopes (telerecordings) are erased and reused, or destroyed. Although the practice was once very common, especially in the 1960s and 1970s, wiping is now much less frequent.
Older video and audio formats were expensive (relative to the amount of material that could be stored) and consumed a great deal of storage space, making retention costly. There was more incentive to recycle the media for reuse or, in the case of film media, for silver content than to preserve the recording. This increased the incentive to discard existing broadcast material to recover storage space and material for newer programs.
The advent of domestic audiovisual playback technology (such as videocassettes, DVD and digital media) has made wiping less beneficial, as the cost of producing and maintaining copies of telecasts dropped dramatically. Broadcasters also later realized the great commercial potential of home video, cable television and online streaming of their archived material, which served as a strong economic incentive to preserve all recordings. Over time, this came to include outtakes and scenes not originally broadcast because of time constraints. When producers and distributors realized the significant demand for such content, they preserved the content to be marketed later (especially for home-video releases).
Like most other countries, only a small portion of the early decades of Australian TV programming has survived. Many economic, technical, social and regulatory forces combined to prevent large-scale preservation of Australian programs from this period, and also contributed to the later destruction of most of what was recorded at the time. There was, and is, no regulatory requirement to lodge copies of programs with an archive authority such as the National Library of Australia.
In this early period, the technology then available to pre-record television programs, or to record live broadcasts off-air, was relatively primitive. Although Australia introduced TV rather later (1956) than other nations like the US, the use of videotape did not become widespread in the Australian industry until the early 1960s, so only a small number of episodes from the earliest period have survived. Nearly all of that material exists as kinescopes.
Although many important ABC programs from these early days were captured as kinescopes, most of this material was later lost or destroyed. In a 1999 newspaper article on the subject, author Bob Ellis recounted the story of a large collection of kinescopes of early ABC drama productions, and other programs, including some of the first Australian TV Shakespeare productions, and the pioneering popular music show Six O'Clock Rock. Learning that the ABC planned to dispose of these recordings, Bruce Beresford (then a production assistant at the ABC), arranged for a friend to pose as a silver nitrate dealer, and the anonymous collector purchased the films for a nominal cost. Subsequently, the collector occasionally rented some of the films out to schools for a small fee, but the daughter of one of the actors involved (Owen Weingott) recognised her father from a Shakespeare production, and told him about it. Assuming that the ABC still owned the print and was making money out of these recordings without compensating the actors, Weingott lodged an official complaint. Commonwealth police descended on the illegal collector, but he was warned that they were coming, and in a panic he destroyed almost all the material he possessed.[2]
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