The Byzness, 19th May 2026
Oxford University Byzantine Society
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THE OXFORD UNIVERSITY BYZANTINE SOCIETY
The Byzness, 19th May 2026
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1. NEWS AND EVENTS
2. CALLS FOR PAPERS
3. JOBS AND SCHOLARSHIP OPPORTUNITIES
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1. NEWS AND EVENTS
Dear all,
Apologies for the late Byzness this week. Nevertheless, we’re halfway through term, and I hope that everyone is feeling ready for the end of a productive academic year. For current OUBS student members, there is under a week left to submit your manifestos for the open committee positions (President, Secretary, Treasurer, and IT Officer). Make sure to get them in by May 25th!
Remember to follow us on all our socials, below!
Instagram: @oxbyzsoc
Bluesky: @oxunibyzantinesoc.bsky.social
X/Twitter: @oxbyz (if you do follow us on X, we are transitioning over to Bluesky, so please do follow us there in the first instance)
All my best,
Madeleine.
For those wishing to submit an event, call for papers, job or scholarship opportunity to the Byzness please send details to the committee at byzantin...@gmail.com indicating the relevant list for The Byzness our external to Oxford and year-round newsletter or The Byzantine Lists our Oxford-centered events and circulated only in term-time. Please keep listing brief and include all relevant information in the body of the notice. Outside of exceptional circumstances, we only share events once.
Mount Athos Symposium at Princeton: September 2026
Please see the schedule and website for the Symposium Athonite Collections and Their Challenges: Scholarly Access and Digital Surrogates: https://symposium-athoslegacy.project.princeton.edu/ The Symposium will take place in Princeton on September 25-26, 2026.
Mount Athos holds a wealth of treasures that illuminate the expansive social network of the medieval and modern Christian world. This holy peninsula has shaped the history of Greece, the Mediterranean, Europe, and beyond. This symposium aims to tackle the challenges of studying the Athonite collections and other such religious repositories. These are challenges that restrict scholarly inquiry and therefore limit the development of new perspectives and the full appreciation of the unique collections and the history of the communities themselves. The reservations of monastic communities over the public accessibility and display of their sacred objects are well known and understandable in view of the centuries-old traditions the monasteries are safeguarding. This symposium seeks to find new ways forward in reconciling these conflicting views, addressing questions such as: how could institutions preserve the agency of the monastic community whilst promoting accessibility and scholarship? Could openly accessible digital archives be fostered while still respecting the ownership of the living religious community?
This event is being organized in the context of the multiyear project Connecting Histories: The Princeton and Mount Athos Legacy, which aims to engage and bring awareness to the rich, complex, and remarkable holdings related to Mount Athos on the Princeton University campus: https://athoslegacy.project.princeton.edu/
The Syriac World: East and West Conference Programme
Friday, 5th June 2026.
叙利亚世界：东方与西方
May 18-19, 2026, 9:00 Department of History B113, Lee Shau Kee Humanities Academy No. 5, Peking University
2026年5月18日-19日 9:00 北京大学历史学系李兆基人文学苑5号楼B113
May 18 (Monday) 5月18日（周一）
08:45-09:00 Reception 来宾签到
09:00-09:20 Welcome & Opening Remarks 开幕致辞
09:20-09:30 Group Photo 合影
09:30-09:55 Christian Robin (CNRS), “The Syriac World and the Church of Himyar” 叙利亚世界与希木叶尔教会
09:55-10:20 Muriel Debié (EPHE-PSL), “Syriac as a Global and Hybrid Asian Culture: Case Studies in the Seventh Century” 叙利亚文化作为全球性与混合性亚洲文化：七世纪的个案研究
10:20-10:45 Françoise Briquel-Chatonnet (CNRS), “The Contribution of the Material Study of Syriac Manuscripts: Some Examples” 叙利亚语写本物质研究的贡献：一些实例
10:45-11:10 Xiaolin Ma 马晓林 (Nankai University), “A German, a Nestorian and Marco Polo’s Siege Engine of Saianfu” 日耳曼人、景教徒、马可·波罗和襄阳砲
11:10-11:30 Coffee Break 茶歇
11:30-11:55 Narsay Soleil (Sorbonne University), “The Communal Assembly According to Theodore and Narsai” 狄奥多尔和纳尔赛笔下的公共集会
11:55-12:20 Xindong Hu 胡新东 (Peking University), “Another MIK III 45? Syriac Liturgical Fragments Hudra G and Taksa B from Turfan” 吐鲁番出土叙利亚礼仪残片考
14:00-14:25 Zhihuan Zhou 周之桓 (Fudan University), “The Syriac Version of Justinian and the Monophysites: Some Remarks on Zacharias Rhetor and Michael the Syrian” 叙利亚语史料中的查士丁尼与一性论派：以修辞学家扎卡里亚斯与叙利亚的米海尔为例
14:25-14:50 Simon Brelaud (CNRS), “Erbil and the Syriac Christian networks in Mesopotamia and Asia” 埃尔比勒与美索不达米亚及亚洲的叙利亚基督教网络
14:50-15:15 Hidemi Takahashi (Tokyo University), TBC
15:15-15:40 Ma Fu 付马 (Peking University), “From Dasuo to Diexie: Reflection on the Changes in Chinese Christian Terminology between the Tang and Yuan Dynasties” 从“达娑”到“迭屑”：重审唐元之间汉文景教译语的变化
15:40-16:00 Coffee Break 茶歇
16:00-16:25 Stevens Bernardin (CNRS), “Aramaic and the First Millennium BCE: Toward the Syriac World” 亚兰语与公元前一千纪：走向叙利亚语世界
16:25-16:50 Wendan Li 李文丹 (Peking University), “Recontextualizing the Alleged Persecution of John of Montecorvino by Syriac Christians” 再论景教徒对孟高维诺的“迫害”
16:50-17:10 Discussion 综合讨论
18:30 Conference dinner 晚餐
May 19 (Tuesday) 5月19日（周二）
09:00-09:25 Jimmy Daccache (Yale University), “Tracing Syriac Inscriptions: Spread, Content, and Social Agency” 追踪叙利亚语铭文：传播、内容与社会能动性
09:25-09:50 Lijuan Lin 林丽娟 (Peking University), “How Syriac Medicine Came to China: The Nestorian Physician Ibn Sarābiyūn in the Huihui Yaofang” 叙利亚医学如何传入中国：论《回回药方》中的景教医人撒剌必荣
09:50-10:15 Yiqing Li 李怡青 (Free University of Berlin), “Original Texts, Original Language: Case Study on the Syriac Liturgical Texts in Turfan based on Psalter N” 景教仪礼文献在吐鲁番的文本与语言传承：基于叙利亚语残篇Psalter N的案例研究
10:15-10:40 Changxu Hu 胡昶旭 (Tokyo University), “Acclamations in Syriac Sources: Representing Late Roman Political Culture in a Non-Administrative Language” 叙利亚语史料中的acclamation：非行政语言中对晚期罗马政治文化的呈现
10:40-11:00 Coffee Break 茶歇
11:00-11:25 Boyun Liu 柳博赟 (Beijing Language and Culture University), “Between Cultures: Linguistic Mediation and Theological Identity in the Jingjiao Writings” 文化之间：景教文献中的语言中介与神学身份
11:25-11:50 Guillaume Bady/Yasmine Ech Chael (HiSoMA), “Ancient Christian Literature in Oriental Languages in the Sources Chrétiennes series” 基督教源流丛书中的东方语言古代基督教文献
11:50-12:10 Discussion 综合讨论
Following the workshop, we have also invited several distinguished French scholars, each of whom has made outstanding contributions in their respective fields, to give individual lectures. These will cover “The Long History of the Latin Alphabet” (Prof. Dominique Briquel), “Jewish and Christian Arabia” (Prof. Christian Julien Robin), “Considerations about the History of Syriac Christianity in India” (Prof. Françoise Briquel-Chatonnet), and “The Syriac Alexander Romance and the King of China” (Prof. Muriel Debié). The first two lectures will be held on May 19, 18:00-21:00 (Department of History B117), and the second on May 20, 18:00-21:00 (Department of History B113). If you have the time and interest, you are most welcome to join us for discussion and exchange.
Free Workshop: Digital Encoding for the Study of Syriac Literature
A Virtual Workshop (29 June-9 July, 2026)
Syriaca.org and the Digital Lab at Vanderbilt University are pleased to invite applications for a virtual workshop on “Digital Encoding for the Study of Syriac Literature” to be held 29 June to 9 July, 2026 (with 5 days of live instruction).
Participation in the workshop is free of charge and will be held via Zoom at the following times:
Live Instruction: Monday, June 29; Tuesday, June 30; Thursday, July 2; Tuesday, July 7; and Thursday, July 9: 10:00 AM to 2:00 PM Eastern Daylight Time (2:00-6:00 PM UTC/GMT)
We invite researchers, graduate students, faculty members, independent scholars, librarians, and technologists with expertise in Syriac Studies to join this workshop to learn best practices for encoding Syriac data using the Syriaca.org data model.
There is no cost to participate in the workshop, and all who complete the workshop will receive a letter of completion. For those interested, it is also possible to earn continuing education credit through Vanderbilt University for a modest fee.
Through the generosity of the Institute for Classical Christian Studies, we are also pleased to be able to offer a limited number of $500 stipends to participants who successfully complete the workshop and become contributing editors to Syriaca.org. Preference will be given to students, early career scholars, independent scholars, and others if funds permit.
Participants will learn the following:
An introduction to Syriaca.org and other digital projects within the field of Syriac studies.
How to use tools for collaborative digital humanities research, including XML editors and GitHub version control software.
Best practices for using the TEI XML encoding standard widely used within the field of Digital Humanities.
How to link data to the Syriaca.org knowledge graph.
An introduction to using AI with Syriaca.org’s digital resources.
This summer, the workshop will teach the above material through focusing on Syriaca.org’s New Handbook of Syriac Literature.
The workshop is especially recommended for scholars who would like to prepare their own digital projects or contribute data to Syriaca.org’s existing databases. All training will be in English.
Space in the workshop is limited, so participants are requested to apply to participate at this link: Workshop Application (https://forms.gle/dnXUbfSKkMw5tp2A8).
Applications will be approved on a first-come basis until the workshop is full, so please apply as soon as you are able.
Participant requirements include:
A commitment to participate in the entire workshop (approximately 20 hours synchronous and 20 hours asynchronous activities).
Ability to read at least beginning Syriac and previous academic training in Syriac texts.
Access to the internet and the ability to join a Zoom video call.
Access to a computer and permission to install software and fonts on that computer.
No software is required (the workshop will provide it).
No prior knowledge of digital encoding is required (the workshop will provide all necessary training).
Contact Information:
Interested applicants are invited to direct any questions about the workshop to the Director of Syriaca.org, Dr. Daniel L. Schwartz: daniel....@tamu.edu.
Application Form:
https://forms.gle/dnXUbfSKkMw5tp2A8
Deadline: Rolling; applicants are recommended to apply as soon as possible.
2. CALL FOR PAPERS
CfP: Exploring Tradition: Genealogies, Tensions, and Reinterpretations in Art-Historical Discourse
Feb 8, 9, 10 2027 – Sapienza University of Rome, (Italy)
The PhD Candidates of the Art History Program at Sapienza University of Rome are pleased to present the First International Doctoral Conference in Art History: Exploring Tradition: Genealogies, Tensions, and Reinterpretations in Art-Historical Discourse, to be held on February 8-10, 2027.
The initiative and thematic choice stem from the necessity to question the concept of tradition, subjecting it to critical scrutiny and exploring its continuity and moments of rupture within the art-historical discourse. Tradition, defined as the «transmission over time of customs and practices, models and norms» (Treccani), is often perceived as an immutable heritage, accepted and rooted in common consciousness.
Yet, this concept stands as an ambivalent structure: on the one hand, it represents an indispensable identity model, a continuity that establishes and orients social and cultural practices; on the other, it can turn into a dogmatic form, hindering the emergence of the new and imposing normative models of transmission.
Tradition thus develops as a complex phenomenon resulting from heterogeneous processes of mediation, reinterpretation, rupture, and reinvention; it does not coincide with mere preservation of the past, but rather takes shape as an active force that informs the present.
According to Stravinsky, “a real tradition is not the testimony of a concluded past, but a living force that animates and informs the present [...]. Far from implying the repetition of what has been, tradition presupposes the reality of what endures [...]. Tradition thus guarantees the continuity of creation” (Stravinsky, 1942). However, such continuity is frequently traversed by tensions. As Harold Bloom argues, tradition is not merely a legacy or a process of benevolent transmission: it is also a conflict whose outcome is survival or inclusion within the canon. He interprets this dynamic of clash and encounter in an Oedipal key, identifying as inevitable the irruption of what he defines as the “anxiety of influence” (1973) in the relationship between artists and their predecessors.
In relation to the connection between collective memory and tradition, the problem of “invented traditions” also occurs: retrospective constructions that, while responding to contemporary needs, legitimize themselves through an apparent continuity with the past. Tradition thus becomes a space of negotiation in which relationships between memory, identity, and power are constantly redefined, and where processes of inclusion and exclusion play a decisive role in the construction of cultural canons.
Considering contemporary cultural transformations, the theme of tradition calls for a critical reflection on its functions and its limits: between continuity and discontinuity, between inclusion and exclusion, between memory and oblivion.
The conference aims to investigate this complexity from a broad and cross-disciplinary perspective, capable of encompassing different periods, from antiquity to the Middle Ages, from the early modern period to contemporaneity, and of encouraging dialogue among diverse disciplinary fields. This call for papers invites participants to critically examine the categories of “tradition” and “innovation,” moving both within and beyond the canon, to compare the historically and geographically Western framework with alternative narratives.
Proposed thematic areas
1. Constructing tradition
Thinking of tradition not as something immutable but as a construction: through which processes is the past selected and transmitted? Which institutions, practices, and devices (critical, exhibition-related, educational, etc.) contribute to defining and legitimizing it? What is chosen to be preserved, according to which modes, and what is instead consigned to oblivion? The focus is thus on tradition as a result of historical and cultural influences, rather than as a neutral inheritance.
2. Problematic inheritances
How is tradition experienced and navigated? In what ways do cultural practitioners engage with complex and/or conflictual inheritances (in terms of adherence, distance, rejection, and/or rewriting)? The conference, therefore, invites participants to reflect on tradition as an object of ethical and political debate, as well as an aesthetic one.
3. (Re)narrating tradition: narratives at the margins
Which voices are traditionally recognized, and which are marginalized? Which dominant narratives shape tradition?
4. Geographies of traditions
How is the relationship with the past articulated in different geographical contexts (contaminations, migrations, invented traditions, practices of appropriation, etc.)? Are there cases in which what is considered tradition within a given cultural system becomes a tool for innovation in other contexts? From this perspective, tradition emerges as a field of identity negotiation, in constant tension between local dynamics and global processes.
5. Forms, media, and agents of tradition (practices, materiality, knowledge)
How is tradition inscribed in media, languages, and material practices? What is the role of artistic, editorial, critical, and architectural devices in its transmission and transformation? Additionally, this strand seeks to investigate how technical knowledge and professional expertise contribute to the ongoing reworking of the past. Tradition thus manifests both as an abstract concept and as a concrete process mediated by specific actors and tools.
Participation guidelines
This Call for Papers is open to PhD candidates from Italian and international universities working in the fields of Art History (Medieval, Early Modern, Contemporary), Museum Studies, Visual, Critical, Cultural Studies, History of Conservation and Restoration.
Proposals, in either Italian or English, must be submitted no later than June 30, 2026, to: convegnodott...@gmail.com.
The subject line of the e-mail should read: Surname_Title of your contribution.
Please submit your proposal in a single PDF document including your abstract (max. 300 words), a reference bibliography (maximum 5 titles), and a short bio (max. 150 words). Please always indicate your name, surname, and academic affiliation (or PhD program).
Results will be announced via e-mail by September 15, 2026. Selected participants will be required to submit their final contribution by November 30, 2026. The contributions will be evaluated by the scientific committee through a double-blind peer review process. Publication of the presented papers is planned; however, participation in the conference does not guarantee publication, which will be subject to selection by the committee.
The conference will take place at Sapienza University of Rome on February 8-9-10, 2027. Each presentation will last 20 minutes and will be followed by a discussion. Participants are expected to cover their own travel, meals, and accommodation expenses.
The conference days will be organized thematically. The final program and panel structure will be published in December 2026.
For further information or enquiries, please write to:
Scientific Committee: Irene Baldriga, Eliana Billi, Francesco Freddolini, Manuel Antonio Castiñeiras Gonzalez, Massimo Moretti, Raffaella Morselli, Raffaella Perna, Carla Subrizi, Alessandro Taddei.
Organizing Committee: Giorgia Abbate, Delfina Balistreri, Matteo Bucci, Francesca Bufano, Sofia Carbonera, Martina Cittadini, Romana Mastrella, Adele Nicolais, Irene Quarantini, Caterina Schiera, Giulia Zimei.
Call for Papers: Talanta Journal
Peer-reviewed Journal for the Study of Antiquity
Published by Peeters Publishers and the Dutch Archaeological and Historical Society
Editors: Milinda Hoo, Marian Helm, Kay Boers
The Editors of TALANTA – Peer-reviewed Journal for the Study of Antiquity (http://www.talanta.nl/), invite submissions for volume 59, to be published in 2027.
The closing date is 1 September 2026.
Submissions
We invite submissions of articles (max. 10,000 words) on the history and archaeology of the Mediterranean (including Roman provincial archaeology), the Near East, the Black Sea region, Iran and Central Asia, as well as East-West relations between and across them, and relevant reception histories, from the Bronze Age to Late Antiquity (up to 750 CE). We encourage contributions that emphasize the importance of interdisciplinary research and particularly explore intersections of archaeological and historical studies, as well as those that critically interact with social and archaeological theories.
Beginning with TALANTA 59, we also welcome brief archaeological notes and research updates (max. 5,000 words) to further encourage interdisciplinary exchange. Periodically, TALANTA publishes thematic issues, for instance dedicated to conference proceedings. For proposals for a thematic issue, please contact the Editors.
If you are interested in reviewing a specific book for TALANTA, please contact us on edi...@talanta.nl. We also invite publishers to send us books for review. These should be sent to:
Milinda Hoo
Utrecht University, Dept. History and Art History
Ancient History and Classical Civilization
Drift 6, 3512 BS
Utrecht, the Netherlands
The book will be sent to a qualified reviewer, who is asked to review the book within three months upon receipt of the manuscript. Once the review is accepted, TALANTA will publish it in the next issue.
TALANTA is published, promoted, and distributed by Peeters Publishers; published articles will receive a DOI-link.
Guidelines
The journal publishes articles in English, German, French, and Italian, although preference is given to articles in English. Submissions will be assessed by the Editors and the Editorial Board, and peer-reviewed by two experts. Author and review guidelines can be found on our webpage (www.talanta.nl). For inquiries and submissions, contact us at edi...@talanta.nl.
About TALANTA
Founded in 1969, TALANTA is a peer-reviewed journal for the study of Antiquity (ISSN: 0165- 2486). It is published by Peeters Publishers, a renowned international publishing house, and the Dutch Archaeological and Historical Society (NAHG), an independent body of Dutch scholars in the fields of Ancient History, Archaeology, and Philology of the Mediterranean, the Near East, and the Iranian world.
The journal is accordingly devoted to various intersections of history, archaeology, and reception in the study of the ancient world in its widest geographical sense, from the Bronze Age to Late Antiquity. It contains a broad variety of studies in Ancient History, Archaeology, Art History, and Classical and Near Eastern Philology, as well as a book review section.
We look forward to receiving your submission.
With best wishes,
The Editors,
Milinda Hoo, Marian Helm, and Kay Boers
CFP: Byzantine Nature Beyond the Natural: Hybrids and Imaginary Animals
Recent years have seen an ‘animal turn’ in Byzantine Studies with scholars deploying diverse approaches such as zooarchaeology, ecocriticism, and ecotheology to investigate how the Byzantines engaged with and thought about a variety of animal species. This animal turn is itself part of a wider environmental focus within the humanities to examine human perceptions of and interactions with the natural world.
One further means to explore conceptions of nature and animals within human societies is through examining hybrids and imaginary animals. Greco-Roman hybrids such as centaurs, satyrs, cynocephali, sirens, and tritons dwelled within the pages of Byzantine literature, illustrating notions of creative human-animal fusions, which were not disconnected from actual human relationships with animals. In a similar manner, Byzantine authors and artists were interested in many imaginative animals. As Boria Sax in his Imaginary Animals (2013) has theorized about this category, we should look beyond the conventional construing of human ‘experience’ and ‘imagination’ as opposing forces, and should instead understand these as intertwined. Each exerts vital influence upon how humans approach and consider the natural world and its inhabitants, especially as recent research in cognitive psychology affirms that perception itself consists largely of imagination. Accordingly, we find animals such as the phoenix, the echeneis, ant-lions, griffins, sea monsters, and dragons throughout a variety of Byzantine texts such as hagiographic and hexaemeral literature, while these are occasionally deployed within philosophical and theological discussions.
Moving beyond purely rationalizing assessments of these figures, this online conference seeks to bring together these imaginative conceptions to examine this understudied reflex of Byzantine animals. As Sax has remarked, instead of considering such figures as relics of a bygone era, ‘their creation is a constant part of the human condition,’ and an essential byproduct of human engagement with and theorization of the natural world. We welcome proposals that, rather than offering euhemerist speculations about what may ‘lie behind’ non-existent animals, strive to understand what these contemporary representations and concepts contributed to Byzantine culture and systems of knowledge.
Topics may include, but are not limited to:
- Analysis of Byzantine folkloric and mythological conceptions of hybrids in both textual and artistic media
- Ecocritical examination of imaginary animals in Byzantine theorizing about nature and its possibilities
- Exploring Byzantine uses of hybrids in philosophical, religious, or political discourse
- Ecotheological approaches to Byzantine Christian interpretations of earlier ideas about Greco-Roman hybrids and imaginary animals
This online conference will take place on November 12-13 and is hosted by the Centre for Byzantine Studies at the University of Silesia in Katowice as part of the NCN-funded project ‘Beyond the Sacred: Conceptions of Nature in Byzantium (4th-15th centuries)’. Abstract submissions (up to 150 words) for a 20 minute presentation and a brief bio (c. 100 words) should be sent to biza...@us.edu.pl by September 30. Select papers will be invited to contribute to a planned edited volume on this theme.
Organizers: Ryan Denson, Przemysław Marciniak, and Max Ritter
3. JOBS AND SCHOLARSHIP OPPORTUNITIES
Hellenic Society Library Bursaries
The Hellenic Society, Roman Society and the Institute of Classical Studies are running a small grants scheme to assist unfunded scholars who wish to visit the Library in summer 2026 in order to advance or complete a project of research or scholarship. All the details are available here:
https://ics.sas.ac.uk/awards/grants/combined-classics-library-bursaries
The closing date is 7 June.
Royal Historical Society Funding Opportunities
Available to members of the Royal Historical Society at a range of career stages.
Postgraduate and Early Career Research Support Grants, due on Friday, June 5th 2026.
Collaborative Grants, due on Friday, June 5th.
Teaching Fellowship, due on Friday, July 10th.
Funded Book Workshop Grants, due on Friday, July 10th.
See here for more information: https://royalhistsoc.org/new-calls-for-research-funding-from-the-royal-historical-society-opening-in-march-2026/
Applications for the RHS Master’s Scholarships
RHS Master’s Scholarships provide financial support to students from groups currently underrepresented in academic History. Each Scholarship is worth £5,000.
Applications for this scheme are in two stages:
Stage 1, to confirm the eligibility of applications, runs from Monday 20 April 2026 to Friday 5 June 2026.
Stage 2, to assess personal statements from eligible applicants, runs from Monday 15 June 2026 to Friday 10 July 2026.
Applications for Stage 1 are now invited via the Society’s applications portal.
The programme, established in 2022, seeks to actively address underrepresentation within the discipline, and enable Black and Asian students, along with those of other minorities, to consider academic research in History.
By supporting Master’s students the programme focuses on a key early stage in the academic training of future researchers. With these Scholarships, we seek to support students who are without the financial means to study for a Master’s in History. By doing so, we hope to improve the educational experience of early career historians engaged in a further degree.
There are no conditions on what the award may be spent and may be used to support fees, living expenses etc. during the degree course. Recipients also become Postgraduate Members of the Society.
Before beginning an application for a Scholarship, please read the following guide to ensure you meet the required eligibility requirements.
Institute of Historical Research Fellowships
The IHR’s Fellowship Programme provides a home for researchers conducting historical projects and offers a formal IHR affiliation for those who will benefit from a period of time embedded within the IHR community and who wish to contribute to that community. Our Fellows are often non-affiliated historians, overseas visitors, or researchers working in other parts of the history world such as public history or museums and archives. Our overarching purpose in providing a Fellowship Programme is to facilitate the research activities of mutually supportive researchers.
Please note that The IHR Fellowship replaces our previous fellowship schemes: Senior, Associate and Alumni.
Applications are currently open with a deadline of 30th June 2026.
For more information, see here: https://www.history.ac.uk/fellowships-funding/non-funded-fellowships/ihr-fellowship
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Madeleine Duperouzel
DPhil in History
President, Oxford University Byzantine Society
http://oxfordbyzantinesociety.wordpress.com