Kawai Score Maker Fx7 Pro V7 0 0
Thomas
Their requirements including but not limited to:
- Can edit, add, modify, remove in WYSIWYG way.
- Can playback the score, better see notes highlighting during playback.
- Can import/export midi/MusicXML....... files.
- Can display JianPu as well as Western Music Score.
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Touch Notation allows all musical symbols to be written and accurately played back. Standard musical expressions such as changes in tempo and dynamics can also be easily added, along with original expressions created by adjusting existing presets. Touch Notation supports multi-part scores, allowing choir, woodwind, and brass ensemble pieces to be written with ease.
Touch Notation adopts a unique circle-based control interface, consolidating multiple related functions into each button. This allows a clean, uncluttered layout, and maximises the score creation workspace on smaller-screened devices. In addition, the pull-out play control bar works in conjunction with each part of the score, providing access to part volumes, panning, and voice selection when needed.
Completed scores can be emailed as PDF attachments, printed using an AirPrint-compatible printer, or saved directly to cloud services such as Dropbox for sharing creations with friends and band members. Scored data can also be output in SMF and Music XML formats, allowing additional editing in other software, and effortless integration with teaching and music production environments etc.
Ghost in the Shell's recording was done with a high-end studio to achieve superior sound throughout the film. A spatializer was used to alter the sound, specifically in the electronic brain conversations, to modify the voices.[16] Composer Kenji Kawai scored the film. For the main theme, Kawai tried to imagine the setting and convey the essence of that world in the music. He used classical Japanese in the opening theme "Making of a Cyborg".[16] The composition is a mixture of Bulgarian harmony[21][22] and traditional Japanese notes; the haunting chorals are a wedding song sung to dispel all evil influences. Symphony conductor Sarah Penicka-Smith notes that the song's lyrics are fitting for the union between Kusanagi and Project 2501 at the climax of the movie.[23] Kawai originally wanted to use Bulgarian folk music singers, but used Japanese folk singers instead.[21] "See You Everyday" is different from the rest of the soundtrack, being a pop song sung in Cantonese by Fang Ka Wing.[24]
On review aggregator Rotten Tomatoes, the film has an approval rating of 95% based on 60 reviews, with an average rating of 7.8/10. The website's critical consensus reads, "A stunning feat of modern animation, Ghost in the Shell offers a thoughtful, complex treat for anime fans, as well as a perfect introduction for viewers new to the medium."[60] On Metacritic, the film has a weighted average score of 76 out of 100 based on 14 critics, indicating "generally favorable reviews".[61]
Ghost in the Shell has also influenced a number of prominent filmmakers. The Wachowskis, creators of The Matrix and its sequels, showed it to producer Joel Silver, saying, "We wanna do that for real."[70] The Matrix series took several concepts from the film, including the Matrix digital rain, which was inspired by the film's opening credits, and the way characters access the Matrix through holes in the back of their necks.[71] Other parallels have been drawn to James Cameron's Avatar, Steven Spielberg's A.I. Artificial Intelligence, and Jonathan Mostow's Surrogates.[71] James Cameron cited Ghost in the Shell as a source of inspiration for Avatar,[72] calling it "the first truly adult animation film to reach a level of literary and visual excellence."[73]
Playing back the score is as straightforward as tapping the play icon in the yellow circle control. Playback will commence from wherever the yellow playback indicator is on the score, and continue to the end of the music.
There is another inventive way to initiate playback: via a gesture. You can draw a triangle in a blank area of the score, and the app will only play the bar in which you drew the triangle (unless the whole score is visible; in this case playback will continue). This can be a useful way to quickly proof a bar.
Thankfully, you can also export your score in more standard formats like MusicXML, PDF, and standard MIDI, and share them in the same ways as you can a native file. You can also print your score directly to a printer that supports AirPrint.
Finally, you can enable Core MIDI output for $3, which allows you to play back your score using any MIDI synthesizer connected to your iPad via a Lightning-to-USB connector (or a Camera Connection Kit for earlier iPads).
Im using a boxwave stylus (with a sort of soft rubber baloon tip) and it works quite nicely with this app, though only doing simple melody. I have downloaded the free version to try it and you get the full score ability with cut down save functionality, compared to notatemenow where you only get a single stave ( which is fine for simple melodies). Not sure which i prefer yet.
With a strong emphasis on acoustic piano realism, the CN39 also features traditional finger exercises, scales, and warm-up drills and includes companion books for all classical scores to further aid one's piano development.
* Included score books dependent on market location.
* Alfred lesson books sold separately.
Concert Magic
Concert Magic is a fun and interactive way to play music, even if you?ve never played before. With Concert Magic, anyone can experience thethrill of playing real music. Many of the Concert Magic songs also offer lyrics? justfollow the bouncing ball on the score screen for hours of Karaoke-style musical fun.
Music was a much later pursuit of mine. Some brief exposure to guitar bore no real fruit at the time, and I got to play fancy organs through a Kawai organ store in the mall which had classes I took as a kid. Decades passed. I always liked movie music, particularly the orchestral score for 'Star Wars: The Empire Strikes Back' by John Williams. I was given a two-LP record set of that score as a gift, and listened to it frequently (btw- records are big plastic discs played on antique mechanical devices with bad audio quality that transmit sound through a needle. Weird, I know.) Eventually, I began to wonder if computers could replicate an orchestra, and much more eventually, they could. I harnessed that power for good or ill, first on the Commodore 64, and ultimately on PC.
I actually have a ranked list of my favorite science fiction movies, with upwards of a hundred or so entries on it. Nerd alert. Favorite movie is Aliens, favorite filmmaker is David Lynch, favorite book is Anna Karenina, but for genre fiction... Jonathan Strange & Mr. Norrell, and favorite author is Terry Pratchett.
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As a companion piece to the article on Japanese composers, I thought I would try and bring it up to date or make it a little more contemporary by focusing upon a handful of Japanese composers that work predominantly on ANIME movies, now Anime is a popular genre of film but does at times become something of an acquired taste. The art work is stunning and original, with the soundtracks ranging from pop orientated songs and tracks, to electro synth scores, traditional songs and rock material. Plus there are more harmonious and theme laden works that at times can be likened to the surging, emotive and romantic themes as created by composers from both the golden and silver age of the film score in Hollywood. Fragile and subdued personas also manifest themselves in the form of delicate and haunting piano solos, breathy woodwind tone poems and emotive and poignant violin performances that all bring a highly emotional sound to the proceedings. Add to this a plethora of fearsome sounding and dark thundering percussive and brass combinations that purvey urgency and create a powerful aura and atmosphere. It is amazing just how many composers in Japan have written music to accompany this often quirky, stunning and visually affecting collection of movies and TV series or one-off programmes.
Composers who have scored Anime productions are of course not restricted to just this genre, many of them produce compositions that are maybe based upon the styles that they employ within movies, but many do write music just as music and the easy listening or new world style is another popular musical area not only in Japan but worldwide. Such as THE COMFORTABLE LIFE SOUNDS SERIES, to which composer Makoto Yoshimori amongst others have contributed too, the composer/musician fashioning lilting and relaxing themes that are mixed with bird song at times trickle over the senses and act as an escape from the everyday rush and stress of life. This type of music I have always thought is in fact film music, but it has no film to enhance apart from ones own personal soundtrack.
But now to a selective look at the composers and we begin with.
Makoto Yoshimori.
Born in Hiroshima Japan in 1969, Makoto Yoshimori, has a delicate and light touch that translates and work well within many of his soundtracks, he is not only a composer but an accomplished and polished pianist. Who has become known for producing a number of non-film music works that have become popular and well known within Japan and Asia, his style and overall sound can be likened to that of fellow Japanese Maestro Joe Hisaishi, his rich and melodious thematic works being affective as well as effecting. The composer began his career in music in the early part of 1986, when he performed keyboard in various concerts. Two years later in 19991, he finished a course at the Osaka Kyoiku University and re-located to Tokyo where he became a member of a band called the Modern Choki Chokies. Between 1995 and 1998 Yoshimori began to become well known for his talent as a keyboard player, becoming more than proficient on piano, accordion and synthesiser. He also at this time performed with the band Hikashuand would play keyboard for musical productions, Via his involvement in so many music genres the composer/musician began to be asked to write soundtracks for various Anime movies, often working with film maker Takahiro Omon. Since those early days he has released a number of solo piano albums and has scored over 20 movies and TV projects.
YOKO KANNO.