Henry Yan 39;s Figure Drawing Techniques And Tips Pdf

[Lorrine Hatala]

Thisbook focuses on the tips and techniques in drawing human figures and portraits. All the paintings included are from his class demonstrations and workshop studies developed from many years of teaching. And all drawings are done from live models.

He has a very cool painterly style and energy to his figures that I like. Some pieces are created like Chinese paintings, not drawing in too much details to invite viewers to fill in the details themselves.

I am in this way reminded that knowledge is not finite, nor delimited by a profession and that any good student will be as, if not more aware of what they do not know compared to what they do know. A conversation with a student reaffirmed this:

At London Fine Art Studios we offer a range of courses throughout the year. Last week we held a 3-day Figure Drawing & Painting Course. The over-subscribed half-term intensive offered the opportunity to hone and direct skills further. True to form, and to their credit, students gathered like artists around free food!

As they grappled with proportion, gesture, values and colour they simultaneously deepened their understanding of human anatomy. It is timely that my co-conspirator should now be writing a series of articles on working from the life figure; and that I can add to the discussion and swap notes from a yoga perspective. Knowledge converges and we are all enriched and encouraged to push the boundaries of our discipline in order to be better.

It is surprising and hugely instructive to realise that the forehead makes up almost half of the human skull and that, therefore, the eyes are much further down towards the middle of the head. It transpires that most of us do not really see what is in front of us! It is also useful to note that the nose acts as a vertical (-ish) axis against which the eyes are the horizontal (more or less). For this reason any tilt of the head implies an equal and relative slanting of the horizontal axis, also a reference point for ears, mouth etc.

Revisiting these principles of anatomy and drawing is thrilling and allows us all to progress in leaps and bounds. My eye detects more keenly how the displacement of the pelvis affects the line of the shoulders, how it also causes the leg muscles to tighten differently and the shadow shapes to shift.

At London Fine Art Studios our philosophy is no less rigorous. The teaching is classically inspired, drawn from the techniques of the European Masters, but it also integrates other subjects and interests to provide a solid foundation with the potential for individual style.

The atelier methodology is the final and essential component of our training. It is the connective tissue running through all we do: students are assured comprehensive and supported instruction through 1:1 critiques and demonstrations, they also learn through observing their peers and tutors working alongside them.

Said Bouftass is originally from Casablanca, Morocco. After high school, he went to Paris to study at the majestic Ecole Nationale Suprieure des Beaux-Arts de Paris, where he was also an assistant to professors Francois Fontaine and Philippe Comar. He then worked with Jean-Francois Debord, who had accompanied him in his doctoral research at the University of Paris Saint-Dnis where he obtained his doctorate in philosophy of art in 2001.

Said then returned to Morocco to teach the art of drawing the human body and the morphology of human body at the National School of Architecture in Rabat and at the National Institute of Fine Art in Tetouan. He currently lives and work in Chicago.

Andrew S. Conklin holds a BFA from the American Academy of Art in Chicago and an MFA from the Academy of Art University in San Francisco. He received additional instruction at the National Academy of Design in New York and from portraitist Aaron Shikler, painter of the official JFK White House portrait.

Conklin has received a number of awards and grants from national institutions, including the George Sugarman Foundation, the E.D. Foundation, the Elizabeth Greenshields Foundation, and the John F. and Anna Lee Stacey Scholarship Fund.

Conklin has taught in the MFA program of the New York Academy of Art, where he continues teaching workshops in Dutch painting techniques. He has authored articles on painting and drawing in national publications, and his work has appeared in New American Paintings, No. 29 and 83. He is represented in Chicago by Ann Nathan Gallery.

Ralph Cossentino

847-490-1965

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James Hajicek graduated from the School of Representational Art and furthered his studies with some of the most accomplished artists of our time, including Dan Gerhartz and David Leffel. He has taught plein air painting, artistic anatomy, portrait and figure drawing. James has taught at the Highland Arts Center, Peninsula School of Art and has popular classes at the Palette and Chisel.

Some past and present memberships include Oil Painters of America, Indiana Plein Air Painters Association, Plein Air Painters of Chicago, and the Flamenco Arts Center. He has participated in prestigious national plein air competitions that include the Los Gatos Plein Air Gala, Plein Air Estes Park, and Plein Air Easton MD.

Marci Oleszkiewicz is a painter whose work has been said to exude a sense of peace and calm. Her paintings have recently received several awards including Best of Show at the 2007 American Impressionist Society National Show. She is currently represented by Gallery Russia in Scottsdale AZ and Barnsite Gallery in Kewaunee, WI. Marci has received the vast amount of her training at the Palette and Chisel Academy of Fine Arts. She is a member of the Oil Painters of America, The Society of Master Impressionists, the Plein Air Painters of Chicago and the American Impressionists Society. To view her work, visit www.marcioleszkiewicz.com or her artist blog at www.marcipaints.blogspot.com.

William has authored instructional books for Walter Foster Publishing, including Pastel II, and The Art of Oil Painting. His work is also featured in Pure Color: The Best of Pastel, North Light Books, 2005. His instructional pastel DVD was released by Liliedahl Video Productions in the spring of 2006 (www.lilipubs.com).

Michael is a graduate of the American Academy of Art in Chicago. While running his own graphic design studio, Michael took evening and weekend classes here at the Palette and Chisel and in New York at the Art Students League to advance his training as an artist. Michael is now a full-time professional portrait and gallery artist and has been exhibiting work in various shows and galleries across Illinois & the nation. He has received multiple commissions, honors, and recognition from: Portrait Society of America, Portrait Society of Atlanta and American Artist Magazine.

How to Draw Heads How to Draw Eyes How to Draw Noses How to Draw Mouths How to Draw Ears

How to Draw Expression How to Draw Anatomy How to Draw Figures How to Draw Proportions

How to Draw Action How to Draw Figure Studies How to Draw Shading How to Draw Color

The Sculptor and Art Student'sGuide to the Proportions of the Human Form

Famous but very rare english translation of the treatise by Dr. Johann Gottfried Schadow,the classical sculptor, based on the work of the Greek sculptor Polycletus.

The Art Student's Guide to the Bones and Muscles of the Human Body and Lessons on Foreshortening Johann Gottfried Shadow's first book for art students, very clear studies of bones and muscles derived from the work of Albinus, plus plates on normal and ideal proportion of the human figure and plates on the foreshortening of the head from various views. 30 plates, a forward, an introduction and an appendix of Albinus' work.

How to Draw the Human Figure - The Figure Drawings of Grace A. Young

This ebook was inspired by the figure drawing notebook of Grace Young a student at the Philadelphia School of Art in 1927 and 1928. The school was the first among a group of women's design schools found in the 1800s. The drawings show the work of a confident and talented artist who was studying a new course of drawing from the figure.

A Treatise on Muscular Action

This 1794 book demonstrates with 30 intricate and beautiful plates the advantage of exercise. For illustrators and artists interested in action figures and animation the plates provide inspiration.

Figure Drawing By Richard G. Hatton This is an unusually complete book on drawing the figure from the beginning of the last century. In his time he was one of the most prolific authorities on the art of drawing.

Elements of Drawing - Drawing From the Life - 2 hard to find portfolios of techniques and methods of drawing the human figure by Professor Edward Stiefel of Switzerland. The Human Body and Parts of The Human Body. From the Introduction "The qualification needed for drawing from the life are: artistic sensibility as to the human figure and intense interest in the rhythm of its movements. The remarks accompanying these 12 plates are intended to suggest to the beginner the most elimentary conceptions and methods, so that he may be enabled to develop an individual use of them. " -

Anatomical Atlas

Six Hundred and Thirty Six Figures in beautifully detailed engravings. Bones and Ligaments, Dermoid and Muscular Systems, Organs of Digestion and Generation, Organs of Respiration and Circulation, and The Nervous System and Senses. $4.95

Hieroglyphic or Greek Method of Life Drawing

Rare treatise on life drawing by Adolphe Armand Braun, editor of the popular The Human Form in Art republished by Dover books in 2006.

This book has a series of essays about life drawing which proceed from the idea that life drawing can be both taught and learned and that there is a short cut to learning which will come from observing the muscles ofthe form and concentrate on the perfection of the line.

Following the essays on Hieroglyphic Drawing, there is an essay on posing, charts of anatomy and photographs of a youngmodel, Miss Dorothy Lees. At the back of the book are essays on drawing made from the photographs, and charts ofspecifics of human anatomy, arms, legs, hand, feet, eyes, ears, and noses.

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