Best Ample Guitar Vst

[Favio Cassidy]

Iagree about Sampletank. However, the issue lies in the fact that IAA is being deprecated, and Sampletank (as far as I know) hasn't gone AU yet. (I've given up hope of that ages ago, lol.) Gestrument is also IAA-only (which is why I haven't purchased it yet), but I assume you can export what you create and import it into other apps, correct?

Regarding AUs, I'd recommend against Roli Noise due to the fact not all of their packs you find in the stand-alone are available in the plugin. At least this was the case the last time I tried to play with it back in 2018 in Cubasis. Perhaps that's changed?

Beathawk's guitars are about the best guitars available in AU format. They also have a decent Guitar Loops pack as well as well as really great acoustic instrument packs in general. The packs are reasonably priced as well, although if you're able to wait, UVI often have 50% off sales on said packs.

@jwmmakerofmusic Don't quote me but I think Gestrument allows for midi out. The bigger issue is if you are using Gestrument, or any type of controller app for that matter (I use Guitarism a lot), if this functionality would go away with IAA deprecated/ abandoned. I know for example that iSymphonic uses two types of midi, I think it's core midi and IAA midi. You can select both, and that is the only one that ever worked for me when I was using it with Beatmaker 2. Now, I'm not worried about iSymphonic as it is AUv3. But I am thinking of other controllers etc and how they are implementing their midi, and more importantly, if that would be "deprecated" as well.

No, sadly the SWAM packs still don't work in AU; it's a different engine to the Equator engine that the other packs use, and I think ROLI's licensing arrangement with Audio Modelling doesn't currently allow for AU. But for what it's worth, the SWAM packs just cover wind and strings; the guitars are other packs are Equator patches and will play in AU, though they're none of them straight acoustic patches. (But they are MPE, as are the acoustic guitars in ThumbJam and iFretless, but not the others that have been mentioned in this thread so far.)

While I don't like Sampletank, as a guitar player have to say that American Acoustic sounds best on iOS so far - like Ravenscroft but as a guitar. I didn't find Puresynth all that convincing ... add Bassalicious acoustic basses to that and you can fake a band. :-)

AmpleSound makes incredible sounding acoustic, electric and bass guitar VSTs. I have always been a GS Strum fan for their ability to put proper guitar voicing and strums on a keyboard. However, I was never fully satisfied with Strum voicing because is not based on actual samples. AmpleSound, on the other hand, is based on samples with detailed and extensive articulations. It makes a difference. Besides traditional guitars, check out the Amplesound Lap Steel, just incredible sounding with all the right playable articulations.

I downloaded a virtual instrument Ample Guitar m 2 lite. There are lots of options and different screens. Is there any place that can explain what the different options do or do I have to experiment with them all and figure them out myself.

Please note that the free Lite versions have quite a few limitations. They are only meant for you to get a feel for the sounds (which are great) and GUI (which also is good). As a big user (and fanboy) and picky guitar player (nyuk, nyuk, nyuk ?) , I can tell you I have been able to do everything I've needed to with Ample Sound instruments. I highly recommend them.

hello and thanks. Anyway you could post some samples of what you have done with the instrument other than picking? I have used it to strengthen a guitar performance by a client but would like to hear what others have done.

All 3 of the pieces I mention here used Ample Sound for guitar. Two are solo finger-style pieces while the other is a folk/bluegrass ensemble (which uses Ample Sound's banjo as well). I often will play and record a piece live. But I don't have a good tracking space (dogs barking, neighbors doing yardwork, A/C turning on/off, etc), so I'll use Melodyne to convert my playing to MIDI. It keeps the timing and dynamics but loses fret positions, hammer-on's, pull-off's, slides, vibrato, etc. I use Ample Sound for my MIDI guitar and manually add all those fret positions and articulations back in. It seems to be a good compromise that is working well for me.

I use a high quality yellow Carnauba wax on my electric guitars. But I'm not sure it's a good idea to wax an acoustic. I don't think wax is recomended for high end string instruments like violins. Something about it filling the pores in the wood. But if a guitar already has a high gloss finish, what would it hurt?

Wouldn't recommend it, when I have used it (in my younger more ignorant days...) it ended up leaving a smeary mess that took ages to get rid of. As has been said, high gloss should be durable enough and if the guitar is being treated any harder then wax ain't gonna help, my friend!

To add to all of the above, most guitar finishes will get tiny little cracks and checks over a period of time, wax will fill those with white stuff that you can buff out and make them stand out. Best is to only clean with a damp cloth and maybe a special guitar cleaner (Gibson, Martin and other make them for their finishes). Never use a silicon product, especially if you think it will ever require any finish work (like drop filling a ding). And no lemon oil on nitro finishes.

Just follow the manufacturers recomendations. For example, Breedlove says that carnuba wax is safe on their glossy finish. I just use a wet rag but, it is good to know that wax won't hurt the finish on my guitar.

First use a "damp" cotton cloth to clean the surface. Immediately wipe dry with a second cotton cloth. Apply a tiny bit of wax to a third cotton cloth and wax the guitar finish carefully avoiding those areas you don't want to wax. Then, with a very soft cotton cloth, lightly buff the waxed surfaces to a brilliant shine.. Now, it looks better than new, and it will be much easier to wipe clean in the future!

I just wipe down with a soft 100% cotton or microfiber cloth every time after playing. Lightly dampen to remove any heavy grime. I'll polish them maybe once a year with manufacturer recommended guitar polish. Never use polish on a satin finish just a damp cotton cloth.

Hmm... I pondered over polishing my satin finish for a long time. I finally gave it a go... and I'm extremely pleased with the results; the guitar is no longer "rough" to the touch, and now the finish has a beautiful light sheen. IMHO, it's a huge improvement. Plus, I haven't noticed any difference in tone since polishing.

I find that regularly polishing my stain finished guitars is wonderful as it helps build up a thick residue which assists the top in not vibrating, thereby reducing it's tone and volume. - Just wonderful !

I didn't think we were talking about "regularly polishing" or waxing a guitar. Geez, it's not a car! For me, it's simply a one-time thing... and then it's occasionally a damp cloth from that point forward.

"Thanks for contacting us. I will send you the warranty and care and feeding packet that should accompany your new DX1. The bridge pins should stand out roughly 1/16th of an inch off the bridge. This will give longer life to the bridge pins while still providing ample pressure of the string ball ends to the bridgeplate. Do not force them all the way down. I suggest Johnsons paste wax as a coating to protect your top from dirt and stains. It is available at most auto stores. Here are some links to our registration page and temperature/humidity statements. Enjoy the DX1!!!"

The vast majority of instruments remain perfectly fine with minimal use of cleaning products and a wipe over with a warm damp cloth, but keep things to a minimum if ever using wax polish and avoid those with silicone content at all costs.

Just take out the back yard, give it a good hosing down and slather some Turtle wax over it; don't worry about the wood swelling up, just stand it next to a hot air vent for a few hours. I sort of like the rippled effect.

Fortunately, advancements in acoustic amplification were spurred by the acoustic-instrument boom that MTV Unplugged in 1989 sparked, together with the rise of tech-savvy, traveling musicians.

These two-channel amps have combo inputs for instruments and microphones to be used as small PA systems for solo singers, instrumental duos, or live shows with pre-recorded backing tracks (due to the stereo aux connection and Bluetooth connection).

Compared to other acoustic guitar amplifiers, the SFX has a unique appearance. Thanks to its maple-ply cabinet, its retro-minimalist flavor is reminiscent of Danish minimalism. Enjoy it in the comfort of your home with your Kaare Klint seats, in a caf, a nightclub, or anywhere else you can imagine.

The AC-33 has many different sound settings. Here, you get two kinds of chorus. The Roland chorus is magnificent. The background effects make the sound more significant, and the digital echo is also outstanding.

Although Blackstar is already a major player in the world of electric guitar amplifiers, the British company took a lot of time and thought about moving into acoustic guitar amps. They even brought in professional guitarist Jon Gomm to help with the design process.

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