Huawei Mate 20 Pro Flash File

[Berenguer Miramontes]

Pleasenote: In September 2019, we updated the DXOMARK Mobile test protocol to cover ultra-wide-angle performance and have renamed the protocol DXOMARK Camera. We also expanded our low-light testing and created the new Night sub-score, which incorporates the previous Flash score. We have retested this device using the new Wide and Night test protocols and updated this review. The updated elements and scores are right at the top; you can still find the original review further down the page. For more information, please see the articles about our new Wide and Night test protocols.

At the default focal length, target exposure is good and dynamic range is wide. The level of captured detail is not great, but comparable to competing devices. It does decrease as you zoom in, though, and we also found that it renders portrait details in a slightly unnatural way, as you can see in the sample below.

Color is also decent at the default focal length but can become slightly desaturated at longer focal lengths. In terms of artifacts, a loss of sharpness in the field is very noticeable, as is color fringing, especially in outdoor conditions.

The Mate 20 Pro occupies a top position in our new Night ranking. This said, the distance to the top is pretty small, and there is still quite a bit work for the engineers to do to improve low-light image quality.

In auto mode, the flash does not always trigger even when it detects a face in the scene. When it does trigger, the dynamic range in the scene is quite limited, with the background rendered very dark and some clipping appearing on skin tones. When it does not trigger, target exposure can be slightly low on faces, and depending on the scene, highlight clipping can occur in the background, as can be see in the samples below.

With the flash switched off, the Mate 20 Pro is one of the better devices for exposure that we have tested so far, with highlight clipping well under control. It also shows comparatively good detail. However, a lot of noise is visible, especially in dark skies, and the white balance can turn yellow and green under sodium vapor illumination. Still, the flash-off option is your best bet overall when using the Mate 20 Pro in low light.

With the flash forced on, the Huawei Mate 20 Pro is capable of achieving very good flash results for a smartphone camera. When using the flash in complete darkness, images show good target exposure and a decent compromise between texture and noise. There is some color shading and color quantization visible on skin tones, however, and we also saw some slight focus inconsistencies between shots in a series.

When mixed with low 5 lux tungsten light, flash images tend to show a slight yellowish color cast as well as color shading, along with noticeable light fall-off towards the edges of the frame. We also observed a red-eye effect in some images, but the camera captures good levels of detail while keeping noise down.

Despite the well-deserved praise, there is still some room for improvement, of course. When viewing images at pixel level, we often found that the Mate 20 Pro rendered fine textures a little unnaturally, and we detected some ringing around hard edges. In images shot in bokeh simulation mode, faces are often quite soft, with low levels of detail; and the autofocus can be a little inconsistent when using the LED flash.

Video stabilization is efficient when recording while holding the camera still, but it could be better at keeping things steady while walking, especially in lower light conditions. We also saw a judder effect while panning the camera and a loss of detail on some fine textures. None of these problems are particularly intrusive, though.

The Huawei Mate 20 Pro camera achieves an outstanding score for exposure, thanks to very good target exposure in almost all situations and a very wide dynamic range that ensures good highlight and shadow detail, even in difficult high-contrast scenes. In the high-contrast comparison scene below, all the cameras offer similar levels of highlight detail, but the Mate 20 Pro squeezes noticeably more detail out of the shadow areas than the P20 Pro and iPhone XS Max.

Compared to the P20 Pro, the Mate 20 Pro improves slightly on target exposure in backlit scenes. In the sample shots below, you can see that the Mate 20 Pro has exposed the subject slightly more brightly than the P20 Pro. The iPhone XS exposure sits between the two Huawei smartphones.

The Mate 20 Pro camera also performs impressively well in very-low light conditions and is capable of producing good exposures down to 1 lux. This makes the new Huawei an interesting device for anyone who must occasionally capture images in very dim conditions.

The Mate 20 Pro produces good image detail across light levels, and is at the same time capable of keeping image noise low. In bright outdoor shooting conditions, noise is pretty much unnoticeable. In lower light, some fine luminance noise becomes visible, but is still always well under control. In the image of our studio chart captured at very low light (5 lux), the Huawei models are very close, and both capture a noticeably cleaner image than the iPhone XS.

The Huawei Mate 20 Pro is capable of achieving very good flash results for a smartphone camera. When using the flash in complete darkness, images show good target exposure and a decent compromise between texture and noise. There is some color shading and color quantization visible on skin tones, however, and we also saw some slight focus inconsistencies between shots in a series.

When mixed with low 5 lux tungsten light, flash images tend to show a slight yellowish color cast as well as color shading and noticeable light fall-off towards the edges of the frame. We also observed a red-eye effect in some images, but the camera captures good levels of detail while keeping noise down.

The Huawei Mate 20 Pro achieves good bokeh simulation results in its Portrait mode, although the quality has decreased just a touch when compared to the P20 Pro. The newer model shows a few more depth artifacts under closer inspection, but the differences are quite small, and subject isolation in general is quite accurate on the Mate 20 Pro.

Bokeh shape and spotlight rendering are fairly good, and the Mate 20 Pro not only blurs the background, but also objects in the foreground, achieving a more natural effect than some competitor devices. On the downside, subjects are often a touch soft and sometimes even out of focus.

Color in video is generally good, although there is sometimes a slight desaturation visible on very fine details. We also saw some stepping in white balance transitions. In low light, the white balance can produce a slightly pink cast, but footage remains usable, and the white balance system performs well overall.

Compared to its stable-mate P20 Pro, the Mate 20 Pro comes with a slightly less happy compromise between texture and noise when shooting video. Detail is pretty much on the same level, but the Mate 20 Pro footage shows higher levels of noise, especially in low light. Things look better in brighter conditions, though. Footage is pretty clean in outdoor conditions, and in indoor conditions, noise is not too coarse. We also see some noisy edges in low light; other artifacts we found in the Mate 20 Pro footage include a judder effect when panning, color quantization in the sky, and compression artifacts.

Just like in stills mode, the autofocus performs well for video. We did not experience any focus failures and tracking during our testing; moreover, focus transitions are accurate and smooth. One minor point of criticism is a slight loss of focus in some macro scenes.

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