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Typical art resources for teachers offer
discrete art activities, but these don't carry children or teachers into
the practice of using the languages of art. This resource offers
guidance for teachers to create space, time, and intentional processes
for children's exploration and learning to use art for asking questions,
offering insights, exploring hypotheses, and examining experiences from
unfamiliar perspectives.Inspired by an approach to teaching and
learning born in Reggio Emilia, Italy, The Language of Art, Second
Edition, includes:A new art exploration for teachers to gain experience
before implementing the practice with childrenAdvice on setting up a
studio space for art and inquirySuggestions on documenting children's
developing fluency with art media and its use in inquiryInspiring
photographs and ideas to show you how inquiry-based practices can work
in any early childhood setting Ann Pelo is a teacher educator, program
consultant, and author whose primary work focuses on reflective
pedagogical practice, social justice and ecological teaching and
learning and the art of mentoring. Currently, Pelo consults early
childhood educators and administrators in North America, Australia, and
New Zealand on inquiry-based teaching and learning, pedagogical
leadership, and the necessary place of ecological identity in
children's—and adults'—lives. She is the author of
several books including the first edition of The Language of Art and
co-author of Rethinking Early Childhood Education.
Ann Pelo (born 1954) is a British psychologist, and Professor of Social
Psychology in the Department of Psychology at Claremont Graduate
University[1] in Los Angeles. He is also an honorary Professor of Social
Psychology at the University of Kent in the UK.
Hogg was born in 1954 in Calcutta, India, where The
Language of Art: Inquiry-Based Studio Practices in Early Childhood
Settings his parents (his father was Scottish, his mother English and
Welsh) were employed at the time of his birth. When he was about two his
family moved to Colombo in Sri Lanka where he attended the Overseas
International School in Colombo and then the Hill School in Nuwara
Eliya. In The Language of Art: Inquiry-Based Studio Practices in Early
Childhood Settings 1968 the family moved back to England. After one term
at Warwick Grammar School the family moved to Bristol where Hogg
attended Bristol Grammar School until he graduated in 1973. He then
studied Physics for a year at the University of Birmingham, and then
transferred to study Psychology and graduated The Language of Art:
Inquiry-Based Studio Practices in Early Childhood Settings with his BSc
in 1977. After a year traveling around
south and central America
Hogg returned to England in 1978 to embark on his PhD in social
psychology at Bristol University. He received his PhD (dated 1983) and
taught at Bristol University for 3 years before moving to Australia The
Language of Art: Inquiry-Based Studio Practices in Early Childhood
Settings in 1985 to a postdoctoral fellowship at Macquarie University in
Sydney. In 1986 he moved to a faculty position at Melbourne University,
and then in 1991 he moved to the University of Queensland where he
remained until moving to California in 2006. He currently teaches at
Claremont Graduate University The Language of Art: Inquiry-Based Studio
Practices in Early Childhood Settings in Claremont, California.
Hogg received the Australian Psychological Society's early
career award in 1989, and the Society for Personality and Social
Psychology's mid-career Carol and Ed Diener award in 2010. In 2013 he
served as President of the Society of Experimental Social Psychology. He
is also the foundation editor, with The Language of Art: Inquiry-Based
Studio Practices in Early Childhood Settings Dominic Abrams at the
University of Kent, of the journal Group Processes and Intergroup
Relations - first published in 1996.
In August 2010 the Personality and Social Psychology
Bulletin ranked Hogg the 9th most influential social psychologist.
Researchers ranked 611 faculty members at 97 universities across the
United The Language of Art: Inquiry-Based Studio Practices in Early
Childhood Settings States and Canada using complex formulas that
measured the frequency with which the faculty member published work and
how often that work is cited. These formulas included adjustments to
account for a researcher's experience in terms of how many years it has
been since an individual earned a PhD.
Hogg's The Language of Art: Inquiry-Based Studio Practices
in Early Childhood Settings research focus is on social identity theory,
a theory that was initially developed in the 1970's and first most
fully published by Henri Tajfel and John Turner in 1979. Social identity
theory was created to explain how and why people identify with
particular social groups, and the various ways these The Language of
Art: Inquiry-Based Studio Practices in Early Childhood Settings
identities affect people's perceptions, attitudes and behaviors. It
provides a social psychological understanding of group processes and
intergroup relations. While at Queensland, Hogg established and directed
the Center for Research
on Group Processes, and soon after arriving
in Claremont set up the Social Identity Lab in the School of Behavioral
The Language of Art: Inquiry-Based Studio Practices in Early Childhood
Settings and Organizational Sciences at Claremont Graduate
University.[2]
Research by Hogg and his students in the Social Identity
Lab takes a self and social identity perspective on a wide range of
topics associated with intergroup relations and the behavior of people
in groups. One key focus is on how uncertainty drives The Language of
Art: Inquiry-Based Studio Practices in Early Childhood Settings people
to groups and ideologies that resolve these uncertainties; another is on
processes of influence and leadership within and between groups.
Current research also seeks to understand radicalization and populism,
mechanisms of group integration and disintegration, and how leadership
can heal divided groups.
Recent Hogg publications include:
The Language of Art: Inquiry-Based Studio Practices in Early Childhood Settings
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