Re: Albert Einstein Drawing
Nichelle Gruger
Albert Einstein is my ultimate idol of all time. He literally shaped my personality as a teenager, not only with his scientific research but also with his approach to life. Because of him, our world is not the same anymore, so this little drawing is dedicated to him.
As I mentioned before, this was a special drawing for me. And although the final drawing was not as photorealistic as my usual work, I am happy that I got out of my comfort zone and tried something different. Will be experimenting further with this double exposure thingy in the future! And I already feel a lot closer to finding my style!
Mr. Beckert created the illustrations using markers on a white board, which were then animated by freelance editor Charles Young. The finished product brings the process of radioimmunotherapy to life through animated drawings of smiling healthy cells, frowning infected cells and antibodies wearing sunglasses.
You must submit the portfolio in order to be invited to the live drawing session. Once you have submitted the portfolio you will recieve an email inviting you to sign up for one of the live drawing sessions on Saturday, January 14th. The make up session on the 17th will be available for students with serious conflicts such as religious obligations. The live drawing session will take place over Google Meet. Students will be asked to create a drawing in real time and will be guided through the session.
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A pencil sketch by Albert Einstein that illustrates the phenomenon of light contraction. In 1934, while a professor at Princeton University, Einstein befriended the famed Russian violinist Toscha Seidel. Einstein gave Seidel this sketch in exchange for pointers on playing the violin, according to Seidel family legend. The Judah L. Magnes Museum obtained the drawing in the 1970s from Seidel's widow.
The letter is believed to be "arguably the key stimulus for the U.S. adoption of serious investigations into nuclear weapons on the eve of the U.S. entry into World War II".[154] In addition to the letter, Einstein used his connections with the Belgian royal family[155] and the Belgian queen mother to get access with a personal envoy to the White House's Oval Office. Some say that as a result of Einstein's letter and his meetings with Roosevelt, the US entered the "race" to develop the bomb, drawing on its "immense material, financial, and scientific resources" to initiate the Manhattan Project.
Although the drawing is inscribed with its year of creation, the artwork provides little clue as to the precise date and circumstances of its composition. The challenge is to ascertain where Opffer and Einstein's paths may have crossed and to try to deduce whether the portrait was produced as the result of a traditional sitting or whether it is an observational reportage drawing. In either case, Einstein's signature at the foot of the portrait provides some evidence that the two did meet. Matters are complicated by the fact that 1933 was a very busy and unsettled period in Einstein's life, a time involving regular travel between the USA and Europe. Personal circumstances and career opportunities also meant that Ivan Opffer relocated frequently during his lifetime. There are parallels in Einstein and Opffer's stories: both were geographically displaced as a result of the Nazi regime's rise to power, and both applied for US citizenship.
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