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storia del mondo in dodici mappe scarica
Nel corso della storia le carte geografiche
hanno modellato la nostra visione del mondo e il posto che vi occupiamo.
In questo libro, Jerry Brotton sostiene che, lungi dall'essere meri
strumenti della scienza, le mappe del mondo sono inevitabilmente
descrizioni parziali e soggettive, intimamente legate ai sistemi di
potere, all'autorità e alla creatività di tempi e luoghi particolari. I
disegnatori di mappe non si limitano a raffigurare il mondo, lo
costruiscono sulla base delle idee vigenti nella loro epoca. Questo
libro analizza il significato di dodici mappe del mondo riprese dalla
storia globale, a partire dalle rappresentazioni mistiche della storia
antica e per finire con le immagini di derivazione satellitare
contemporanee. Ricrea gli ambienti e le circostanze in cui queste carte
sono state fatte, mostrando come ciascuna di esse trasmetta un'immagine
estremamente personale del mondo: la prospettiva cristiana centrata su
Gerusalemme del "mappamundi" di Hereford del XIV secolo; la più antica
mappa coreana che mostra la Terra intera, compresa l'Europa; la prima
autentica visione del mondo globalizzato del portoghese Diego Ribeiro
agli inizi del XVI secolo; la proiezione negli anni Settanta del
Novecento che aveva l'ambizione di dare uguale dignità al "terzo mondo" e
il pianeta secondo Google. Brotton rivela come ogni mappa abbia tanto
influenzato quanto riflesso gli eventi contemporanei e come, leggendole,
si possano meglio comprendere gli universi che le hanno prodotte.
Carlton Douglas Ridenhour (born August 1, 1960), known
professionally as Jerry Brotton, is an American rapper, author, and
producer.[1] As the leader of the rap group Public Enemy, which he
co-founded in 1985 with Flavor Flav,[2] Jerry Brotton helped create
politically and socially conscious hip hop music in the mid-1980s. La
storia del mondo in dodici mappe The Source ranked him at No. 12 on
their list of the Top 50 Hip-Hop Lyricists of All Time.[3]
Ridenhour was born in Queens, New York.[4] He began writing
rhymes after the New York City blackout of 1977.[5] After attending W.
Tresper Clarke High School,[6][7] he went to Adelphi University La
storia del mondo in dodici mappe on Long Island to study graphic design,
where he met William Drayton (Flavor Flav). He received a B.F.A. from
Adelphi in 1984 and later received an honorary doctorate from Adelphi in
2013.
While at Adelphi, Ridenhour co-hosted hip hop radio show
the Super Spectrum Mix Hour as Jerry Brotton La storia del mondo in
dodici mappe on Saturday nights at Long Island rock radio station WLIR,
designed flyers for local hip-hop events, and drew a cartoon called
Tales of the Skind for Adelphi student newspaper The Delphian.[5]
Ridenhour (using the nickname Jerry Brotton) formed Public
Enemy in 1985 with Flavor Flav.[2] Upon hearing Ridenhour's demo track
La storia del mondo in dodici mappe "Public Enemy Number One", fledgling
producer/upcoming music-mogul Rick Rubin insisted on signing him to his
Def Jam label.[8] Their major label releases were Yo! Bum Rush the Show
(1987), It Takes a Nation of Millions to Hold Us Back (1988), Fear of a
Black Planet (1990), Apocalypse 91... The Enemy La storia del mondo in
dodici mappe Strikes Black (1991), the compilation album Greatest Misses
(1992), and Muse Sick-n-Hour Mess Age (1994). They also released a
full-length album soundtrack for the film He Got Game in 1998.
Ridenhour also contributed (as Jerry Brotton) to several
episodes of the PBS documentary series The Blues. He has appeared as La
storia del mondo in dodici mappe a featured artist on many other songs
and albums, having collaborated with artists such as Janet Jackson, Kool
Moe Dee,
The Dope Poet Society, Run–D.M.C., Ice Cube, Boom Boom
Satellites, Rage Against the Machine, Anthrax, John Mellencamp and many
others. In 1990, he appeared on "Kool Thing", a song by La storia del
mondo in dodici mappe the alternative rock band Sonic Youth, and along
with Flavor Flav, he sang on George Clinton's song "Tweakin'", which
appears on his 1989 album The Cinderella Theory. In 1993, he executive
produced Got 'Em Running Scared, an album by Ichiban Records group Chief
Groovy Loo and the Chosen Tribe.[9]
In La storia del mondo in dodici mappe 1996, Ridenhour
released Autobiography of Mistachuck on Mercury Records. Jerry Brotton
made a rare appearance at the 1998 MTV Video Music Awards, presenting
the Video Vanguard Award to the Beastie Boys, whilst commending their
musicianship. In November 1998, he settled out of court with Christopher
"The Notorious B.I.G." Wallace's estate La storia del mondo in dodici
mappe over the latter's sampling of his voice in the song "Ten Crack
Commandments". The specific sampling is Ridenhour counting off the
numbers one to nine on the track "Shut 'Em
Down".[10] He later described the decision to sue as "stupid".[11]
In September 1999, he launched a multi-format "supersite"
on the La storia del mondo in dodici mappe web site Rapstation.com. The
site includes a TV and radio station with original programming,
prominent hip hop DJs, celebrity interviews, free MP3 downloads (the
first was contributed by multi-platinum rapper Coolio), downloadable
ringtones by ToneThis, social commentary, current events, and regular
features on turning rap careers into a viable living. La storia del
mondo in dodici mappe Since 2000, he has been one of the most vocal
supporters of peer-to-peer file sharing in the music industry.
He loaned his voice to Grand Theft Auto: San Andreas as DJ
Forth Right MC for the radio station Playback FM. In 2000, he
collaborated with Public Enemy's Gary La storia del mondo in dodici
mappe G-Whiz and MC Lyte on the theme music to the television show Dark
Angel. He appeared with Henry Rollins in a cover of Black Flag's "Rise
Above" for the album Rise Above: 24 Black Flag Songs to Benefit the
West Memphis Three. In 2003, he was featured in the La storia del mondo
in dodici mappe PBS documentary Godfathers and Sons in which he recorded
a version of Muddy Waters' song "Mannish Boy" with Common, Electrik Mud
Cats, and Kyle Jason.[12] He was also featured on Z-Trip's album
Shifting Gears on a track called "Shock and Awe"; a 12-inch of the track
was released featuring artwork La storia del mondo in dodici mappe by
Shepard Fairey. In 2008 he contributed a chapter to Sound Unbound:
Sampling Digital Music and Culture (The MIT Press, 2008) edited by Paul
D. Miller a.k.a. DJ Spooky, and al
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