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Nel corso della storia le carte geografiche hanno modellato la nostra visione del mondo e il posto che vi occupiamo. In questo libro, Jerry Brotton sostiene che, lungi dall'essere meri strumenti della scienza, le mappe del mondo sono inevitabilmente descrizioni parziali e soggettive, intimamente legate ai sistemi di potere, all'autorità e alla creatività di tempi e luoghi particolari. I disegnatori di mappe non si limitano a raffigurare il mondo, lo costruiscono sulla base delle idee vigenti nella loro epoca. Questo libro analizza il significato di dodici mappe del mondo riprese dalla storia globale, a partire dalle rappresentazioni mistiche della storia antica e per finire con le immagini di derivazione satellitare contemporanee. Ricrea gli ambienti e le circostanze in cui queste carte sono state fatte, mostrando come ciascuna di esse trasmetta un'immagine estremamente personale del mondo: la prospettiva cristiana centrata su Gerusalemme del "mappamundi" di Hereford del XIV secolo; la più antica mappa coreana che mostra la Terra intera, compresa l'Europa; la prima autentica visione del mondo globalizzato del portoghese Diego Ribeiro agli inizi del XVI secolo; la proiezione negli anni Settanta del Novecento che aveva l'ambizione di dare uguale dignità al "terzo mondo" e il pianeta secondo Google. Brotton rivela come ogni mappa abbia tanto influenzato quanto riflesso gli eventi contemporanei e come, leggendole, si possano meglio comprendere gli universi che le hanno prodotte.



Carlton Douglas Ridenhour (born August 1, 1960), known professionally as Jerry Brotton, is an American rapper, author, and producer.[1] As the leader of the rap group Public Enemy, which he co-founded in 1985 with Flavor Flav,[2] Jerry Brotton helped create politically and socially conscious hip hop music in the mid-1980s. La storia del mondo in dodici mappe The Source ranked him at No. 12 on their list of the Top 50 Hip-Hop Lyricists of All Time.[3]


Ridenhour was born in Queens, New York.[4] He began writing rhymes after the New York City blackout of 1977.[5] After attending W. Tresper Clarke High School,[6][7] he went to Adelphi University La storia del mondo in dodici mappe on Long Island to study graphic design, where he met William Drayton (Flavor Flav). He received a B.F.A. from Adelphi in 1984 and later received an honorary doctorate from Adelphi in 2013.


While at Adelphi, Ridenhour co-hosted hip hop radio show the Super Spectrum Mix Hour as Jerry Brotton La storia del mondo in dodici mappe on Saturday nights at Long Island rock radio station WLIR,
designed flyers for local hip-hop events, and drew a cartoon called Tales of the Skind for Adelphi student newspaper The Delphian.[5]


Ridenhour (using the nickname Jerry Brotton) formed Public Enemy in 1985 with Flavor Flav.[2] Upon hearing Ridenhour's demo track La storia del mondo in dodici mappe "Public Enemy Number One", fledgling producer/upcoming music-mogul Rick Rubin insisted on signing him to his Def Jam label.[8] Their major label releases were Yo! Bum Rush the Show (1987), It Takes a Nation of Millions to Hold Us Back (1988), Fear of a Black Planet (1990), Apocalypse 91... The Enemy La storia del mondo in dodici mappe Strikes Black (1991), the compilation album Greatest Misses (1992), and Muse Sick-n-Hour Mess Age (1994). They also released a full-length album soundtrack for the film He Got Game in 1998.


Ridenhour also contributed (as Jerry Brotton) to several episodes of the PBS documentary series The Blues. He has appeared as La storia del mondo in dodici mappe a featured artist on many other songs and albums, having collaborated with artists such as Janet Jackson, Kool Moe Dee,
The Dope Poet Society, Run–D.M.C., Ice Cube, Boom Boom Satellites, Rage Against the Machine, Anthrax, John Mellencamp and many others. In 1990, he appeared on "Kool Thing", a song by La storia del mondo in dodici mappe the alternative rock band Sonic Youth, and along with Flavor Flav, he sang on George Clinton's song "Tweakin'", which appears on his 1989 album The Cinderella Theory. In 1993, he executive produced Got 'Em Running Scared, an album by Ichiban Records group Chief Groovy Loo and the Chosen Tribe.[9]


In La storia del mondo in dodici mappe 1996, Ridenhour released Autobiography of Mistachuck on Mercury Records. Jerry Brotton made a rare appearance at the 1998 MTV Video Music Awards, presenting the Video Vanguard Award to the Beastie Boys, whilst commending their musicianship. In November 1998, he settled out of court with Christopher "The Notorious B.I.G." Wallace's estate La storia del mondo in dodici mappe over the latter's sampling of his voice in the song "Ten Crack Commandments". The specific sampling is Ridenhour counting off the numbers one to nine on the track "Shut 'Em
Down".[10] He later described the decision to sue as "stupid".[11]


In September 1999, he launched a multi-format "supersite" on the La storia del mondo in dodici mappe web site Rapstation.com. The site includes a TV and radio station with original programming, prominent hip hop DJs, celebrity interviews, free MP3 downloads (the first was contributed by multi-platinum rapper Coolio), downloadable ringtones by ToneThis, social commentary, current events, and regular features on turning rap careers into a viable living. La storia del mondo in dodici mappe Since 2000, he has been one of the most vocal supporters of peer-to-peer file sharing in the music industry.


He loaned his voice to Grand Theft Auto: San Andreas as DJ Forth Right MC for the radio station Playback FM. In 2000, he collaborated with Public Enemy's Gary La storia del mondo in dodici mappe G-Whiz and MC Lyte on the theme music to the television show Dark Angel. He appeared with Henry Rollins in a cover of Black Flag's "Rise Above" for the album Rise Above: 24 Black Flag Songs to Benefit the
West Memphis Three. In 2003, he was featured in the La storia del mondo in dodici mappe PBS documentary Godfathers and Sons in which he recorded a version of Muddy Waters' song "Mannish Boy" with Common, Electrik Mud Cats, and Kyle Jason.[12] He was also featured on Z-Trip's album Shifting Gears on a track called "Shock and Awe"; a 12-inch of the track was released featuring artwork La storia del mondo in dodici mappe by Shepard Fairey. In 2008 he contributed a chapter to Sound Unbound: Sampling Digital Music and Culture (The MIT Press, 2008) edited by Paul D. Miller a.k.a. DJ Spooky, and al


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