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The author of The New Drawing on the Right
Side of the Brain distills the complext principles of color theory into a
practical, easy-to-follow method of working with color to produce
harmonious and pleasing combinations, explaining how to see and use
color and how to mix and combine hues. Simultaneous. One Spirit &
QPB.
Betty Edwards (born 1926 in San Francisco, California) is
an American art teacher and author best known for her 1979 book Drawing
on the Right Side of the Brain (as of April 2012[update], in its 4th
edition).[1] She taught and did research at the California State
University, Long Beach,[2] until she Color: A Course in Mastering the
Art of Mixing Colors retired in the late 1990s. While there, she founded
the Center for the Educational Applications of Brain Hemisphere
Research.
She received a Bachelor's in Art from the University of
California, Los Angeles (UCLA, 1947), a Master's of Art from California
State University, Northridge, and a Doctorate in Art, Education, and
Color: A Course in Mastering the Art of Mixing Colors Psychology from
UCLA (1976).
Drawing on the Right Side of the Brain has remained the
dominant book on its subject, used as a standard text in many art
schools, and has been translated and published in many foreign
languages, including French, Spanish, German, Polish, Hungarian Chinese
and Japanese. Her company, Color: A Course in Mastering the Art of
Mixing Colors Drawing on the Right Side of the Brain, develops special
drawing tools, materials, and videos to help individuals learn to draw.
An artist and painter, she taught at high school level in
the Los Angeles public school district (Venice High School), then at
community college, and from 1978 until her Color: A Course in Mastering
the Art of Mixing Colors retirement in 1991, in the Art Department at
California State University, Long Beach. All of her teaching experience
has been in art: drawing, painting, art history, art-teacher training,
and color theory. In addition to teaching drawing workshops around the
world, she has also done business consulting with major national and
Color: A Course in Mastering the Art of Mixing Colors international
corporations to enhance creative problem solving.
Edwards's method of drawing and teaching was revolutionary
when she published it in 1979. It received an immediate positive
response, and is now widely accepted by artists, teachers, and others
around the world. Underlying the method is the notion that the brain has
Color: A Course in Mastering the Art of Mixing Colors two ways of
perceiving and processing reality – one verbal and analytic, the other
visual and perceptual. Edwards' method advocates
suppressing the
former in favor of the latter. It focuses on disregarding preconceived
notions of what the drawn object should look like, and on individually
"seeing".[3] Drawing, says Edwards, has Color: A Course in Mastering the
Art of Mixing Colors five component skills of perception and
drawing:[4]
Then there are two additional skills, numbers 6 and 7:[6]
Edwards's early work was based in part on her understanding
of neuroscience, especially the cerebral hemisphere research which
suggested that the two hemispheres of the brain have different
functions. To avoid the Color: A Course in Mastering the Art of Mixing
Colors so-called "location controversy" (how the two major cognitive
functions are distributed in the individual brain depending on
handedness and other factors), she termed the modes "L-mode" and
"R-mode." These designations appeared in the original 1979 edition of
"Drawing on the Right Side of the Brain." She described L-mode as
basically Color: A Course in Mastering the Art of Mixing Colors a
verbal, analytic, sequential mode of thinking, and R-mode as basically
visual, perceptual, and global.
Dietrich and Kanso did a meta-review of 72 experiments and found no conclusive support for
the hemisphere laterality of creativity: .mw-parser-output
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Taken together, creative thinking does not appear to critically Color: A
Course in Mastering the Art of Mixing Colors depend on any single
mental process or brain region, and it is not especially associated with
right brains, defocused attention, low arousal, or alpha
synchronization, as sometimes hypothesized.[7]
Edwards' major publications include:
Color: A Course in Mastering the Art of Mixing Colors
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