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Silvina Spindler

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Aug 2, 2024, 12:48:48 PM8/2/24

to olbalibol

I am asking if a ROKU device will allow me to watch my netflix account on a older Panasonic plasma TV that does not support the streaming of the Netflix account now. Some kind of adapter suggested needed?

If the TV has HDMI inputs, you can use any Roku device. If cost is an issue, I would recommend the Express 4K+. Do NOT get the regular Express, as it has too little memory and runs into constant issues.

@DennyPAs the other member stated, Roku's connect via HDMI so the Panasonic will need to support 1080i (HD) in order to use it. If yours is 720p, it probably uses RCA composite connections which won't work with current Roku models. I owned a couple of Panasonic plasma and the switch to OLED is remarkable as is 4K resolution

No Roku I know of has ever supported 1080i. All current models support 720p and 1080p, and the 4K models support 2160p. I had an older Panasonic plasma (ST30, 1080p) and it worked just fine with my Roku players at the time.

Hello everybody
I have a Panasonic TX-65GZC954 OLED TV installed in my Control4 setup. The appropriate driver was installed via SDDP.
How can I start Netflix, Amazon Prime, Zattoo directly? In the Composer under Panasonoic App, not programing ... How can I assign the apps?
Many thanks for your support!

Panasonic doesn't support universal mini drivers, devices which do are listed in the driver docs. Your pretty much limited to listing the Panasonic App menu under the watch menu. Selecting that will open the smart hub on the tv, from there you can select youtube etc.

The Neeo is quite a bit better at a lot of other things (lights, thermostats, audio service selection/playing), etc. than the SR260, but if you want it for starting Netflix with one press on your Panasonic, you're out of luck.

Yea I am BIG panasonic guy myself and have a new OLED too. I really wish I could directly launch mini apps but it can't be done. At least the IP integration is rock solid. In two years of having it I've only ever had to hard power cycle the TV once, and I've never messed with Composer or C4 becuase the TV lost connection. It is solid.

I would stick with the current driver and just assigns the Apps page to a custom button - since it's a minor inconvenience and there are other apps Amazon prime also available.

The TVs are really good only drawback is high power consumption in standby when WOL is activated - its 15w on my 2018 OLED.
I did however program a workaround and turn it in via IR and use IP control for the rest

And there's still a noises about panasonic didn't even care about mft anymore mocked this boxed camera, and gone far with didn't even classified this as a " mft "camera" ", but rejoicing when the other player that until a while ago so stubbornly to only focus with stiils releasing a firmware that would enable their camera to capturing a proresRAW...

The ProRes RAW on the Olympus crops the sensor and is not particularly useful. Besides no Olympus use fits the Atomos Ninja V user so it is a marketing stunt for most to avoid developing real functionality in camera for video and bypass the issue

Well, RAW is still RAW, got massive room to toying with, along with the step of the bit. And any LOG is still log, just like compact version of raw, along with the step of the bit. (imo, after sometime playing with colour grading). For me, the big questions are whether the down side of a compressed RAW just a mere losing some file size...

ProRes RAW will require specialised sensor with reduced megapixel count and this is not the philosophy of digital still cameras. So there is still a place for log. Consider that ProRes RAW is lossy and does not support MFT lens correction so you get plenty of chromatic aberrations which is a 'feature' of our format

Seems a bit presumptious of NetFlix to tell providers what cameras are acceptable for them to use. They may be able to specify an acceptable video format or quality level, but how the provider gets there is their business, not NetFlix's,

I understand if the production team are doing a documentary and then your point of view could hold weight. However, if the production team are doing a film or a big budget tv series then I think it good to have some quality control unless the director need to use a one inch sensor or smaller.

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