Phantom 4k

[Prewitt Howells]

Haveencountered similar, can be frustrating, what found as a work around, land the aircraft. Power the aircraft down, shutdown the app, shutdown the controller. Make sure no other apps running on your device, also check your GPS coverage and wx conditions. Power up controller and launch DD app, select your mission, power up aircraft, wait until you get good GPS sync etc. Start your mission preflight, once it is ready to launch, wait a few moments, then press green to go. IF your aircraft goes up a short distance and continues to hover, see if you can manually get it to go up or not. Also, make sure that your switch selector is set to P and not ATTI mode, have found that if in ATTI mode, strange things occur.

I am mixing two application to execute my missions, one of them is DroneDeploy the other one is 3DSurvey, I flew a couple of missions with both apps with no problems at all, then after 3 flights more or less problems started.

I started generating more polygons and made available offline the projects so I could execute the missions despite the poor 3G coverage we have in the area, I saved all the information in the office to then execute missions on the field.

Yesterday a problem that worried the most wast that the DroneDeploy app showed a poor connection message and then a lost connection between drone and the app. At this point I thought it could be the usb cable between the RC and the phone the problem (???).

I experienced some similar things earlier this year with a P4P, android tablet in airplane mode etc. Also in that timeframe the DD app would not show aircraft location after a battery swap on multi-battery mission. Then, sometime in August, things cleared up. If you have not done, do a compass, imu, gimbal calibrate, also use dji asst for phantom to do a vision calibrate, plus verify DD app is up todate, good luck.

It's when i'm trying to use the stage tracker to track custom lifecycle stages on the contact or company object that i'm seeing the "phantom/ghost" stage called "closed stage" at the end of the visual representation that the stage tracker provides on those objects.

I've created a dev environment to test the default settings (without custom lifecycle stages) and it looks like the "closed stage" visualisation on those is related to the standard lifecycle stage "other", which we don't want to use.

The new global FDI network is useful to identify which economies hostphantom investments and their counterparts, and it gives a clearerunderstanding of globalization patterns. Such data offer greater insight toanalysts and can guide policymakers in their attempt to addressinternational tax competition.

The Central African Republic (CAR) is if anything worse than a failed state: it has become virtually a phantom state, lacking any meaningful institutional capacity at least since the fall of Emperor Bokassa in 1979.

The CAR has been formally independent for nearly a half century but its government first gained a measure of popular legitimacy through free elections only in 1993. The democratisation process soon ran aground due to newly manipulated communal divisions between the people living along the river and those of the savannah, which plunged the country into civil war. Through a succession of mutinies and rebellions which have produced a permanent crisis, the government has lost its monopoly on the legitimate use of force. Foreign troops mostly contain the violence in the capital, Bangui, but the north is desperate and destitute, and in a state of permanent insecurity.

The EU peacekeeping force, mandated by the UN Security Council to assist in securing refugee camps at the border with Darfur, is to be deployed in early 2008 to north eastern CAR and eastern Chad. The initiative for this operation comes from France, which has persuaded its partners to prevent the conflict ravaging western Sudan from spilling over international borders by complementing the hybrid AU/UN mission to Darfur itself.

The Phantom is an American adventure comic strip, first published by Lee Falk in February 1936. The main character, the Phantom, is a fictional costumed crime-fighter who operates from the fictional African country of Bangalla. The character has been adapted for television, film and video games.

The series began with a daily newspaper strip on February 17, 1936, followed by a color Sunday strip on May 28, 1939; both are still running as of 2024. In 1966, King Features stated that The Phantom was being published in 583 newspapers worldwide.[1] At its peak, the strip was read by over 100 million people daily.[2][3]

Unlike many other superheroes, the Phantom has no superpowers; he relies on his strength, intelligence, skill at arms (he carries two holstered handguns, a revolver and a 1911 .45 autopistol, one on each hip, and is an expert marksman with both), and the myth of his immortality to take action against the forces of evil. The 21st Phantom is married to Diana Palmer; they met while he studied in the United States and they have two children, Kit and Heloise. He has a trained wolf named Devil and a horse named Hero, and like the 20 previous Phantoms he lives in the ancient Skull Cave.

The Phantom was the first fictional hero to wear the skintight costume which has become a hallmark of comic-book superheroes, and was the first shown in a mask with no visible pupils (another superhero standard).[6][7] Comics historian Peter Coogan has described the Phantom as a "transitional" figure, since the Phantom has some of the characteristics of pulp magazine heroes such as The Shadow and the Spider and earlier jungle heroes such as Tarzan, as well as anticipating the features of comic book heroes such as Superman, Batman, and Captain America.[6]

After the success of Mandrake the Magician, King Features Syndicate asked Falk to develop a new feature. His first effort was to write and draw a strip about King Arthur and his knights.[8] When King Features rejected the strip, Falk developed the Phantom, a mysterious, costumed crime-fighter. He planned the first few months of the story, and drew the first two weeks as a sample.[9]

Fascinated by myths and legends (such as King Arthur and El Cid) and the modern fictional characters Zorro, Tarzan and The Jungle Book's Mowgli,[10] Falk envisioned the character as wealthy playboy Jimmy Wells by day and the crime-fighting Phantom by night. During his first story, "The Singh Brotherhood", before disclosing that Wells was the Phantom, Falk changed the setting to a jungle and made the Phantom an apparently immortal, mythic figure.[11] Thinking that there were already too many characters called "the Phantom" (including The Phantom Detective and The Phantom of the Opera), Falk considered calling his hero "The Gray Ghost". However, he could not find a name he liked better and decided to stay with "The Phantom".[12]

In the A&E American cable TV documentary The Phantom: Comic Strip Crusader,[13] Falk explained that Greek busts inspired him to omit the Phantom's pupils when the character was wearing his mask. He incorrectly believed that ancient Greek busts had no pupils (they were painted on originally and faded with time) which he said gave them an "inhuman, awe-inspiring appearance."[9] In an interview for Comic Book Marketplace, Falk said the Phantom's skin-tight costume was inspired by Robin Hood, who wore tights in films and onstage.[14]

Falk was a Shakespeare enthusiast[15] and the comic included several references to Shakespeare. These include the third Phantom playing Juliet in the original premiere of Romeo and Juliet, as well as marrying Shakespeare's niece.[16]

The Phantom began as a daily strip on February 17, 1936[17] with "The Singh Brotherhood",[18] written by Falk and drawn by him for two weeks and then by Ray Moore (assistant to artist Phil Davis on Mandrake the Magician). That year, The Phantom was serialized in the Australian Woman's Mirror. A Sunday Phantom strip was added on May 28, 1939.[19]

During World War II Falk joined the Office of War Information, where he became chief of the radio foreign-language division. Moore also served during the war and left the strip to his assistant, Wilson McCoy. When Moore returned he worked sporadically on the strip until 1949, when McCoy succeeded him.[20] During McCoy's tenure, The Phantom appeared in thousands of newspapers worldwide and was smuggled by boat into Nazi-occupied Norway during the war; "Phantom" was a password for the Norwegian resistance movement.[21]

McCoy died unexpectedly in 1961. Carmine Infantino and Bill Lignante (who later drew several Phantom stories for comic books) filled in before a successor was found in Sy Barry.[22] During Barry's early years he and Falk modernized the strip, laying the foundation for what is considered the Phantom's modern look. Under Barry, Bangalla became a democracy and the character of President Lamanda Luaga was introduced. Barry worked on The Phantom for over 30 years until his 1994 retirement, drawing a total of about 11,000 strips.[23]

His longtime assistant George Olesen remained on the strip as penciller, with Keith Williams inking the daily strip. The Sunday strip was inked by Eric Doescher until Fred Fredericks succeeded him in 1995.

Falk continued to script The Phantom and Mandrake until his death on March 13, 1999. His last daily Phantom strip story, "Terror at the Opera," was finished by his wife, Elizabeth.[24] After Falk's death King Features cooperated with European comic publisher Egmont, publisher of the Swedish Fantomen magazine (which changed from publishing Phantom stories in comic-book format to providing the newspaper strip as well) by adapting their own Phantom comic-book stories into the strip format. Fantomen writers Tony DePaul and Claes Reimerthi alternated as writers of the newspaper strip after Falk died, with DePaul handling the daily strips and Reimerthi the Sunday ones. DePaul would later become the strip's sole writer. Some stories were adapted from those originally published in Fantomen.[22]

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