Girls Too Pretty For Porn
Perry Barillari
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Hot Girls Wanted is a 2015 American documentary film directed by Jill Bauer and Ronna Gradus. The film follows the lives of several 18- and 19-year-old pornographic actresses. The film premiered at the 2015 Sundance Film Festival and was released on Netflix on May 29, 2015.
Several 20- to 33-year-old young women are interviewed about their experiences as pornography performers. Several women, including Rachel Bernard, Tressa Silguero and Karly Stouffer are recruited by a 23-year-old pro-amateur porn agent Riley Reynolds to live in his North Miami Beach home.[2] Silguero, 19, leaves the business.[3]
The film was originally imagined as an exploration of male consumption of pornography on college campuses. The filmmakers abandoned this idea when they discovered that the men were mostly watching pornographic videos starring young women. Curious about why such a large number of young women were entering the industry, the film was reoriented to tell their story.[4] Further edits took place after the Sundance premiere to address issues the filmmakers identified during screenings. Following discussions with the public on Twitter, some of the film's statements were also clarified.[clarification needed][5]
Rashida Jones, before making this documentary, had controversies in the world of sex workers. InsideHook's Kayla Kibbe states, "Critics accused Jones of doxxing the film's subjects, exposing personal information and recycling content without their permission."[14] Sex workers have criticised the documentary as invasion of privacy. The Daily Dot reported a quote from Mistress Matisse: "Hot Girls Wanted was not made by anyone who's actually in the sex industry, and it was very obviously planned to fulfill an agenda, and that agenda is to make the sex industry look bad."[15] In The New York Times Ana Marie Cox interviews Jones and mentions her past comments on sex workers: "But in 2013, you wrote a pretty strident essay in Glamour against the 'pornification' of everything, where you recount using the hashtag #stopactinglikewhores."[16]
of the male porn star is rarely, if ever, explored, which is unfortunate but understandable since most porn is still purchased by men to look at women and we are seen either as necessary evils or as life-support systems for our cocks. So I thought you, Dear Reader, might enjoy a breakdown of how a typical day on the porn set goes for me.
The sisters track down the Fuller house, a farm property Paul inherited from his parents. They find hundreds of VHS tapes filled with the same violent pornography, including tapes of Anna Kilpatrick and their missing sister Julia. Paul shows up to attack Claire and kidnap Lydia, revealing that he faked his death.
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Veronica Mars, Gossip Girl, Pretty Little Liars, and Revenge all depict millennial girls or young women negotiating an adult world full of corruption. The young women in these series are attuned to digital and physical dangers, especially to the dangers of sexual violence and digital surveillance. In these series, cell phones and laptops become tools used by millennial girls to uncover inescapable corruption that crosses generations. They also become tools for giving voice to millennial female perspectives, as millennial women use technology to shape the plot, connect with one another, and to guide viewer experience of the narrative.
Thanks for the post Louisa, I love that you're looking at girls and technology in a complex way, accounting for both the risks and the opportunities. I really can't wait to read your book! Also, I think your use of Kearney is great--I find her really useful for my work on sexting as a form of media production, though I think what I'm doing with it is a bit of a jump as well. :)
Yes, I love the way Girls Make Media is both specific but has concepts with much wider application, definitely! I noticed the intersection in our foci as well--I'd very much like to hear more about your work. I'm really fascinated by the increasing prevalence, to the degree as you put it that it's now almost commonplace, of the trope of the girl blogger or tech/digital savvy girl producer. I'm really interested in the way millennials (and especially millennial girls) are imagined as both hopeful problem-solvers and savvy, threatening boundary breakers.. I'd love to hear how you see sexting fitting into the equation.
ah yes, the old "can-do girl" vs "at-risk girl," as Anita Harris puts it! I think it's especially true with the way we tend to see girls' media use and technology use. I am fascinated by the way that we often celebrate girls' media production but demonize it when it involves any sexuality. I would love to know what you think of my article about this.
Earlier this month, celebrated porn director Dana Vespoli released a groundbreaking new film, Girl/Boy 2. From the box cover alone (NSFW), which features glam face shots of a man and a woman, there doesn't appear to be anything particularly unique about the film. Except the man in question is celebrated trans performer Buck Angel, and another scene features trans woman Venus Lux. But despite how the film's scenes are all about playing with gender, Girl/Boy 2 is not specifically advertised as a trans film.
But that's the story of the industry's financial health (a story which, it should be noted, has been replicated across a number of other, more mainstream media industries). The story of how the internet has changed the content of the actual porn we consume, on the other hand, is a much more positive one.
By offering a way for outsiders to break into a historically impenetrable industry, the internet allowed for an injection of totally new ideas. This effect continues shaking up long-held views about how and what porn is "supposed" to be. And it's beginning the process of a democratization that is creating a vastly more interesting erotica landscape, where porn's finally breaking from its stale ideas and formula and creating something truly innovative, like Girl/Boy 2.
Girl/Boy 2 was released and distributed by Evil Angel, one of the bigger names in the world of porn. If you're mostly familiar with indie internet smut, Evil Angel backing Girl/Boy 2 might not seem like that big a deal. Gender bending and freely mixing trans and cis performers in the same product is pretty common for companies like the San Francisco-based Crash Pad Series. But for a more mainstream, LA-based company like Evil Angel, this kind of release is hugely groundbreaking. Mainstream porn thrives on sorting performers into body type based silos; mixing together a whole bunch of rather queer-feeling content into a mainstream release is a radical break from format.
Why was Dana Vespoli able to transcend the rigid gender boundaries that define most porn? To understand this story, it helps to go back to the early aughts, and the beginnings of a genre known as "alt porn."
In those days, heavily pierced and tattooed women weren't so much a thing in porn. If you had a punk look, mainstream studios weren't super likely to hire you. But with the advent of the internet, it became easier for anyone with a computer, a camera, and a dream to create their own porn site. Budding entrepreneurs like Joanna Angel (then a New Jersey-based college student) began creating companies that offered up a different kind of porn, one that embraced a once-shunned look.
There's a great deal of risk that comes with creating porn. As a result, pornographers tend to be conservative in their business decisions. To be blunt, they just want to make what sells. Tattoos were eschewed because they were assumed to be unpopular; once that was proven incorrect, body ink was suddenly welcome. By offering indie producers an affordable way to prove that tattoos had an audience, the internet helped alt porn go from alternative to mainstream.
A similar effect has led to the queering of mainstream porn as well. Girl/Boy 2's Buck Angel used the internet to establish himself as one of the best known trans male porn stars. Genderqueer performer Jiz Lee (who appears in Girl/Boy 2 and was the cover star for the first Girl/Boy) got started over a decade ago with Crash Pad Series. As performers like Angel and Lee have grown their fan bases, they've proven that trans and queer bodies aren't just a "fetish" item, fueling the social change that enabled Girl/Boy 2 to get the backing of a company like Evil Angel.
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