Serial Only For Chord Pluse 2.2 Virtual Backing Band
Latrisha Adan
Easily edit tablatures and scores for guitar, bass, ukulele, banjo, percussion, and many other instruments.
Make faster progress with the many integrated tools:
a metronome, chord and scale libraries, a tuner
and virtual instruments.
Adjust and gradually increase the tempo, loop sections, create drum and piano backing tracks to practice.
Enjoy realistic audio rendering and preset sounds that faithfully reproduce the sound of your favorite artists.
Thanks to your generous feedback, we have developed the best version of Guitar Pro to date.
This new version of Guitar Pro offers many improvements and new features to users. This time, we have made our best to offer you a better product without changing the user experience.
Discover our new features: add an audio track to your scores, use the visual metronome, customize your tabs easily, display scale diagrams on your tabs, edit tabs faster and many more...
Download songs online or access to thousands of high-quality full instruments tabs made by our team on mySongBook. You can shop for music scores by the unit or with our full access subscription that allows you to collect files from the entire library.
Guitar Pro is a software program available on Windows and Mac OS that allows all musicians to read, write and share their tablatures. The world leader in tablature editing, Guitar Pro has been downloaded over 15 million times worldwide since 1997.
The software is compatible with many instruments such as guitar, drums, bass, piano, ukulele and many others! You can make tablatures for each instrument, scroll the music score, write your music and use many pedagogical tools such as a chord dictionary or a scale library. Transposition features are also available to easily transcribe your songs from one instrument to another.
Whether you're a music teacher, a transcriber, a composer, a songwriter, a tablature book editor, a solo musician or in a band, Guitar Pro adapts to all your needs, and saves you precious time in making progress on the guitar or any other instrument.
The Guitar Pro software suite is also available as a mobile application compatible with iOS and Android. You can thus use your tablature player or your tabbing application on all your devices: computer, tablet or smartphone.
Changing the key of a piece of music is called transposing the music. Music in a major key can be transposed to any other major key; music in a minor key can be transposed to any other minor key. (Changing a piece from minor to major or vice-versa requires many more changes than simple transposition.) A piece will also sound higher or lower once it is transposed. There are some ways to avoid having to do the transposition yourself, but learning to transpose can be very useful for performers, composers, and arrangers.
To put it in the right key for your vocalists. If your singer or singers are struggling with notes that are too high or low, changing the key to put the music in their range will result in a much better performance.
Instrumentalists may also find that a piece is easier to play if it is in a different key. Players of both bowed and plucked strings generally find fingerings and tuning to be easier in sharp keys, while woodwind and brass players often find flat keys more comfortable and in tune.
Instrumentalists with transposing instruments will usually need any part they play to be properly transposed before they can play it. Clarinet, French horn, saxophone, trumpet, and cornet are the most common transposing instruments.
In some situations, you can avoid transposition, or at least avoid doing the work yourself. Some stringed instruments - guitar for example - can use a capo to play in higher keys. A good electronic keyboard will transpose for you. If your music is already stored as a computer file, there are programs that will transpose it for you and display and print it in the new key. However, if you only have the music on paper, it may be easier to transpose it yourself than to enter it into a music program to have it transposed. So if none of these situations apply to you, it's time to learn to transpose.
In many ways, this is the most important step, and the least straightforward. The transposition you choose will depend on why you are transposing. If you already know what transposition you need, you can go to step two. If not, please look at the relevant sections below first:
If you have chosen the transposition because you want a particular key, then you should already know what key signature to use. (If you don't, see Key Signature.) If you have chosen the transposition because you wanted a particular interval (say, a whole step lower or a perfect fifth higher), then the key changes by the same interval. For example, if you want to transpose a piece in D major up one whole step, the key also moves up one whole step, to E major. Transposing a piece in B minor down a major third will move the key signature down a major third to G minor. For more information on and practice identifying intervals, see Interval. For further information on how moving music up or down changes the key signature, see The Circle of Fifths.
Now rewrite the music, changing all the notes by the correct interval. You can do this for all the notes in the key signature simply by counting lines and spaces. As long as your key signature is correct, you do not have to worry about whether an interval is major, minor, or perfect.
Most notes can simply be moved the correct number of lines and spaces. Whether the interval is minor, major, or perfect will take care of itself if the correct key signature has been chosen. But some care must be taken to correctly transpose accidentals. Put the note on the line or space where it would fall if it were not an accidental, and then either lower or raise it from your new key signature. For example, an accidental B natural in the key of E flat major has been raised a half step from the note in the key (which is B flat). In transposing down to the key of D major, you need to raise the A natural in the key up a half step, to A sharp. If this is confusing, keep in mind that the interval between the old and new (transposed) notes (B natural and A sharp) must be one half step, just as it is for the notes in the key.
If you are trying to accomodate singers, your main concern in choosing a key is finding their range. Is the music you are working with too high or too low? Is it only a step too high, or does it need to be changed by a third or a fifth? Once you determine the interval needed, check to make certain this will be a comfortable key for your instrumentalists.
A church choir director wants to encourage the congregation to join in on a particular hymn. It is written in four parts with the melody in the soprano part, in a range slightly too high for untrained singers. The hymn is written in the key of E flat. Lowering it by a minor third (one and a half steps) will allow the congregation to sing with gusto.
An alto vocalist would like to perform a blues standard originally sung by a soprano or tenor in B flat. She needs the song to be at least a whole step lower. Lowering it by a whole step would put it in the key of A flat. The guitar, bass, and harmonica players don't like to play in A flat, however, and the vocalist wouldn't mind singing even lower. So the best solution is to lower it by a minor third, and play in the key of G.
Transposing instruments are instruments for which standard parts are written higher or lower than they sound. A very accomplished player of one of these instruments may be able to transpose at sight, saving you the trouble of writing out a transposed part, but most players of these instruments will need a transposed part written out for them. Here is a short list of the most common transposing instruments. For a more complete list and more information, see Transposing Instruments.
Clarinet is usually (but not always) a B flat instrument. Transpose C parts up one whole step for B flat instruments. (In other words, write a B flat part one whole step higher than you want it to sound.)
French Horn parts are usually in F these days. However, because of the instrument's history, older orchestral parts may be in any conceivable transposition, even changing transpositions in the middle of the piece. Because of this, some horn players learn to transpose at sight. Transpose C parts up a perfect fifth to be read in F.
Why are there transposing instruments? Sometimes this makes things easier on instrumentalists; they may not have to learn different fingerings when they switch from one kind of saxophone to another, for example. Sometimes, as with piccolo, transposition centers the music in the staff (rather than above or below the staff). But often transposing instruments are a result of the history of the instrument. See the history of the French horn to find out more.
The transposition you will use for one of these instruments will depend on what type of part you have in hand, and what instrument you would like to play that part. As with any instrumental part, be aware of the range of the instrument that you are writing for. If transposing the part up a perfect fifth results in a part that is too high to be comfortable, consider transposing the part down a perfect fourth instead.
Ask: what type of part am I transposing and what type of part do I want? Do you have a C part and want to turn it into an F part? Do you want to turn a B flat part into a C part? Non-transposing parts are considered to be C parts. The written key signature has nothing to do with the type of part you have; only the part's transposition from concert pitch (C part) matters for this step.
Find the interval between the two types of part. For example, the difference between a C and a B flat part is one whole step. The difference between an E flat part and a B flat part is a perfect fifth.
7fc3f7cf58