Jouw stem (2)
wlmelker
JOUW STEM (2)
Jouw stem
betovert woorden,
houdt waarheid
in het licht
van eerlijkheid.
Jouw stem
verwoordt accoorden,
geeft klaarheid
aan de melodie
van zuiverheid.
Jouw stem
verklaart de liefde,
geeft ruimte
aan emotievol
verkennen van mijn hart.
Jouw stem
met mij als koor,
in real live concerten
de wereld
als gehoor.
Jouw stem
en mijn twee oren,
zijn voor elkaar geboren.
WIL MELKER
14/07/2000
haarlemmermeer
wlmelker schreef:
> JOUW STEM (2)
Je kunt het wel zeggen, maar ik geloof je niet. Maak een opname van die stem
en zet het op internet.
Wanneer ga je trouwens schilderen? Kun je ook op internet zetten.
--
Herman Haarlemmermeer
'Als je het leven als één grote grap beschouwt, valt er verdomd weinig meer
te lachen..'
(H. Haarlemmermeer)
wlmelker
Herman,
mijn schilderijen staan op internet,
tenminste een paar...10 stuks..
Mijn jongste dochter verhuist medio augustus,
ff wachten dus, doorbijten he........................
Mijn Stem, jouw stem....got the message.
wil
haarlemmermeer heeft geschreven in bericht
<8kme67$7c5q5$3...@reader4.wxs.nl>...
brigit
haarlemmermeer wrote in message <8kme67$7c5q5$3...@reader4.wxs.nl>...
>
>wlmelker schreef:
>Je kunt het wel zeggen, maar ik geloof je niet. Maak een opname van die
stem
>en zet het op internet.
>Wanneer ga je trouwens schilderen? Kun je ook op internet zetten.
Herman ik bewonder je zo langzamerhand om je uithoudingsvermogen.
Trouwens mag ik niet meer meedoen in het rijtje? Wat vonden jullie van uit
zicht?
Is ontstaan n.a.v. een interview wat ik las over Wislawa Szymborska.
Wat een fantastisch mens zeg!
Buigzaam maar niet te breken...
Gaat alles trouwens goed met je? Hoop dat "je reis" veel wijsheid heeft
opgeleverd.
groetjes Brigit
wlmelker
brigit heeft geschreven in bericht <8kmj8u$1ue8$1...@news.kabelfoon.nl>...
Jij en niet meer meedoen in het rijtje?
Het rijtje is er voor jou......sorry (lol)
Graag je commentaar op "Together"
..staat nog in de wacht.
vriendelijke groeten
wil
haarlemmermeer
brigit <brig...@kabelfoon.nl> schreef in berichtnieuws
8kmj8u$1ue8$1...@news.kabelfoon.nl...
>
> haarlemmermeer wrote in message <8kme67$7c5q5$3...@reader4.wxs.nl>...
> >
> >wlmelker schreef:
>
> >Je kunt het wel zeggen, maar ik geloof je niet. Maak een opname van die
> stem
> >en zet het op internet.
> >Wanneer ga je trouwens schilderen? Kun je ook op internet zetten.
>
> Herman ik bewonder je zo langzamerhand om je uithoudingsvermogen.
> Trouwens mag ik niet meer meedoen in het rijtje? Wat vonden jullie van uit
> zicht?
Jullie?
> Is ontstaan n.a.v. een interview wat ik las over Wislawa Szymborska.
> Wat een fantastisch mens zeg!
Lees haar gedichten. Heel apart. Niet voor niets de Nobelprijs gewonnen in
1995 (?) Waar stond dat interview overigens?
> Buigzaam maar niet te breken...
> Gaat alles trouwens goed met je? Hoop dat "je reis" veel wijsheid heeft
> opgeleverd.
Ja, als je in de tuin werkt en moet spitten, trek dan werkhandschoenen aan.
brigit
haarlemmermeer wrote in message <8kp3kh$a8nkb$2...@reader2.wxs.nl>...
>Jullie?
Nou oke jij dan in ieder geval.
>Lees haar gedichten. Heel apart. Niet voor niets de Nobelprijs gewonnen in
>1995 (?) Waar stond dat interview overigens?
Herman ik verslind haar gedichten. Ik vind haar erg goed.
De nobelprijs won ze in 1998 en waar dat interview nou
weer in stond? Nrc? Volkskrant. Zal het proberen te
achterhalen voor je.
>
>> Buigzaam maar niet te breken...
>> Gaat alles trouwens goed met je? Hoop dat "je reis" veel wijsheid heeft
>> opgeleverd.
>
>Ja, als je in de tuin werkt en moet spitten, trek dan werkhandschoenen aan.
Maar graaf ook weer niet te snel te diep Herman want dan kun je mischien
tere wortels raken die nog wat groei nodig hebben:-)
(Shantina)
groetjes Brigit
brigit
paris
>
> De nobelprijs won ze in 1998
Een beetje ernst en precisie kan geen kwaad in deze nieuwsgroep aub.
Wislawa Szymborska kreeg de Nobelprijs literatuur in 1996.
1995 = Seamus Heany
1998 = Jose Saramago
Het is inderdaad een lezenswaardige dichteres. Ik heb haar gelezen in Franse
en Engelse vertaling, (ik ken maar drie of vier woorden Pools meer) maar er
is een goedkope Nederlandse vertaling verkrijgbaar (Rainbow pockets ?). Is
die goed?
Sjoerd van Wijngaarden
paris schreef over Wislawa Szymborska:
>Het is inderdaad een lezenswaardige dichteres. Ik heb haar gelezen in
Franse
>en Engelse vertaling, (ik ken maar drie of vier woorden Pools meer) maar er
>is een goedkope Nederlandse vertaling verkrijgbaar (Rainbow pockets ?). Is
>die goed?
Ikzelf heb een gedichtenbundel van haar van een vriendin van mij geleend.
"Zachwyt i rozpacz" - "Verrukking & wanhoop"
Een uitgave van Poëziecentrum v.z.w., Hoornstraat 11, B-9000 Gent.
Vertaald door Jeannine Vereecken.
ISBN 90-5655-014-4
Ikzelf kan het niet vergelijken met het Pools, of de vertalingen in het
Frans of Engels, maar ik vind de gedichten subliem. Op de linkerpagina het
Poolse gedicht, op de rechter de vertaling.
Ik vind ze heel erg goed, maar kan geen oordeel geven over de kwaliteit van
de vertaling.
Hartelijke groeten,
Sjoerd van Wijngaarden
'Als ik wil spreken dan bijt ik op mijn tong,
zo proef ik de letters.'
Herman de Coninck (Vingerafdrukken)
marcel raman
Sjoerd van Wijngaarden <wng...@dds.nl> schreef in berichtnieuws
8kvkuo$gnc$1...@news.tudelft.nl...
>
> paris
what s in a name?
the love for helena?
> schreef over Wislawa Szymborska:
>
> >Het is inderdaad een lezenswaardige dichteres. Ik heb haar gelezen in
> >Franse
> >en Engelse vertaling, (ik ken maar drie of vier woorden Pools meer) maar
er
> >is een goedkope Nederlandse vertaling verkrijgbaar (Rainbow pockets ?).
Is
> >die goed?
>
>
> Ikzelf heb een gedichtenbundel van haar van een vriendin van mij geleend.
> "Zachwyt i rozpacz" - "Verrukking & wanhoop"
> Een uitgave van Poëziecentrum v.z.w., Hoornstraat 11, B-9000 Gent.
> Vertaald door Jeannine Vereecken.
> ISBN 90-5655-014-4
>
> Ikzelf kan het niet vergelijken met het Pools, of de vertalingen in het
> Frans of Engels, maar ik vind de gedichten subliem. Op de linkerpagina het
> Poolse gedicht, op de rechter de vertaling.
> Ik vind ze heel erg goed, maar kan geen oordeel geven over de kwaliteit
van
> de vertaling.
>
Zou het typisch Gents zijn? Franse en Engelse vertalingen gaan zoeken, als
de Nederlandse vertaling om de hoek op de toonbank ligt...
Dank u voor de tip, Sjoerd.
En groetjes aan die vriendin.
brigit
paris wrote in message ...
>
>brigit <brig...@kabelfoon.nl> schreef in berichtnieuws
>8kta24$2b8k$1...@news.kabelfoon.nl...
>>
>> De nobelprijs won ze in 1998
>
>Een beetje ernst en precisie kan geen kwaad in deze nieuwsgroep aub.
Beste Paris...waar denk je dat ik mee bezig ben dan?
7-12-1998 om precies te zijn dan won ze de Nobelprijs.
>
>Wislawa Szymborska kreeg de Nobelprijs literatuur in 1996.
>1995 = Seamus Heany
>1998 = Jose Saramago
>
>Het is inderdaad een lezenswaardige dichteres. Ik heb haar gelezen in
Franse
>en Engelse vertaling, (ik ken maar drie of vier woorden Pools meer) maar er
>is een goedkope Nederlandse vertaling verkrijgbaar (Rainbow pockets ?). Is
>die goed?
Mijn eerste kennismaking was een Franse vertaling van haar bundel Zout die
ik vond
in een winkeltje in Montparnasse als ik me goed herinner. Hand in hand met
een
Frans woordenboek ben ik aan dit avontuur begonnen. Wat me erg bij is
gebleven
zijn toen de regels uh even in het Nederlands maar...er is een regendruppel
op mijn
hand gevallen, hij was gegoten uit de Ganges en de Nijl. Nou ja in die
strekking ongeveer.
Nou daarna thuis op jacht naar de vertalingen en nu bezit ik inmiddels
aardig wat van haar.
Maar op dit moment heeft ze zware concurrentie...heb nl alle uitgaven van
Poetry Internationel
van 1975 en de vertalingen in mijn bezit gekregen en ben er vreselijk blij
mee.
Groetjes van Brigit
>
>
Martijn Benders
brigit wrote:
> paris wrote in message ...
> >
> >brigit <brig...@kabelfoon.nl> schreef in berichtnieuws
> >8kta24$2b8k$1...@news.kabelfoon.nl...
> >>
> >> De nobelprijs won ze in 1998
> >
> >Een beetje ernst en precisie kan geen kwaad in deze nieuwsgroep aub.
>
> Beste Paris...waar denk je dat ik mee bezig ben dan?
>
> 7-12-1998 om precies te zijn dan won ze de Nobelprijs.
Niet volgens mijn bronnen. Hier is de complete lijst, te halen van
http://www.nobelprizes.com/
Nobelprizes in Literature:
1999
GUNTER GRASS whose frolicsome black fables portray the forgotten face of
history.
1998
JOSE SARAMAGO who with parables sustained by imagination, compassion and irony
continually enables us once again to apprehend an
elusory reality.
1997
DARIO FO who emulates the jesters of the Middle Ages in scourging authority and
upholding the dignity of the downtrodden.
1996
WISLAWA SZYMBORSKA for poetry that with ironic precision allows the historical
and biological context to come to light in fragments of
human reality.
1995
SEAMUS HEANEY for works of lyrical beauty and ethical depth, which exalt
everyday miracles and the living past.
1994
KENZABURO OE who with poetic force creates an imagined world, where life and
myth condense to form a disconcerting picture of the
human predicament today.
1993
TONI MORRISON who in novels characterized by visionary force and poetic import,
gives life to an essential aspect of American reality.
1992
DEREK WALCOTT for a poetic oeuvre of great luminosity, sustained by a historical
vision, the outcome of a multicultural commitment.
1991
NADINE GORDIMER who through her magnificent epic writing has - in the words of
Alfred Nobel - been of very great benefit to humanity.
1990
OCTAVIO PAZ for impassioned writing with wide horizons, characterized by
sensuous intelligence and humanistic integrity.
1989
CAMILO JOSÉ CELA for a rich and intensive prose, which with restrained
compassion forms a challenging vision of man's vulnerability.
1988
NAGUIB MAHFOUZ who, through works rich in nuance-now clearsightedly realistic,
now evocatively ambigous-has formed an Arabian
narrative art that applies to all mankind.
1987
JOSEPH BRODSKY for an all-embracing authorship, imbued with clarity of thought
and poetic intensity.
1986
WOLE SOYINKA who in a wide cultural perspective and with poetic overtones
fashions the drama of existence.
1985
CLAUDE SIMON who in his novel combines the poet's and the painter's creativeness
with a deepened awareness of time in the depiction of
the human condition.
1984
JAROSLAV SEIFERT for his poetry which endowed with freshness, sensuality and
rich inventiveness provides a liberating image of the
indomitable spirit and versatility of man.
1983
SIR WILLIAM GOLDING for his novels which, with the perspicuity of realistic
narrative art and the diversity and universality of myth,
illuminate the human condition in the world of today.
1982
GABRIEL GARCÍA MÁRQUEZ for his novels and short stories, in which the fantastic
and the realistic are combined in a richly composed
world of imagination, reflecting a continent's life and conflicts.
1981
ELIAS CANETTI for writings marked by a broad outlook, a wealth of ideas and
artistic power.
1980
CZESLAW MILOSZ who with uncompromising clear-sightedness voices man's exposed
condition in a world of severe conflicts.
1979
ODYSSEUS ELYTIS (pen-name of ODYSSEUS ALEPOUDHELIS ), for his poetry, which,
against the background of Greek tradition, depicts
with sensuous strength and intellectual clear-sightedness modern man's struggle
for freedom and creativeness.
1978
ISAAC BASHEVIS SINGER for his impassioned narrative art which, with roots in a
Polish-Jewish cultural tradition, brings universal human
conditions to life.
1977
VICENTE ALEIXANDRE for a creative poetic writing which illuminates man's
condition in the cosmos and in present-day society, at the same
time representing the great renewal of the traditions of Spanish poetry beween
the wars.
1976
SAUL BELLOW for the human understanding and subtle analysis of contemporary
culture that are combined in his work.
1975
EUGENIO MONTALE for his distinctive poetry which, with great artistic
sensitivity, has interpreted human values under the sign of an outlook
on life with no illusions.
1974
The prize was divided equally between:
EYVIND JOHNSON for a narrative art, farseeing in lands and ages, in the service
of freedom.
HARRY MARTINSON for writings that catch the dewdrop and reflect the cosmos.
1973
PATRICK WHITE for an epic and psychological narrative art which has introduced a
new continent into literature.
1972
HEINRICH BÖLL for his writing which through its combination of a broad
perspective on his time and a sensitive skill in characterization has
contributed to a renewal of German literature.
1971
PABLO NERUDA for a poetry that with the action of an elemental force brings
alive a continent's destiny and dreams.
1970
ALEKSANDR ISAEVICH SOLZHENITSYN for the ethical force with which he has pursued
the indispensable traditions of Russian literature.
1969
SAMUEL BECKETT for his writing, which - in new forms for the novel and drama -
in the destitution of modern man acquires its elevation.
1968
YASUNARI KAWABATA for his narrative mastery, which with great sensibility
expresses the essence of the Japanese mind.
1967
MIGUEL ANGEL ASTURIAS for his vivid literary achievement, deep-rooted in the
national traits and traditions of Indian peoples of Latin
America.
1966
The prize was divided equally between:
SHMUEL YOSEF AGNON for his profoundly characteristic narrative art with motifs
from the life of the Jewish people.
NELLY SACHS for her outstanding lyrical and dramatic writing, which interprets
Israel's destiny with touching strength.
1965
MICHAIL ALEKSANDROVICH SHOLOKHOV for the artistic power and integrity with
which, in his epic of the Don, he has given expression to
a historic phase in the life of the Russian people.
1964
JEAN-PAUL SARTRE for his work which, rich in ideas and filled with the spirit of
freedom and the quest for truth, has exerted a farreaching
influence on our age. (Declined the prize.)
1963
GIORGOS SEFERIS (pen-name of GIORGOS SEFERIADIS ), for his eminent lyrical
writing, inspired by a deep feeling for the Hellenic world of
culture.
1962
JOHN STEINBECK for his realistic and imaginative writings, combining as they do
sympathetic humour and keen social perception.
1961
IVO ANDRI´C for the epic force with which he has traced themes and depicted
human destinies drawn from the history of his country.
1960
SAINT-JOHN PERSE (pen-name of ALEXIS LÉGER ), for the soaring flight and the
evocative imagery of his poetry which in a visionary
fashion reflects the conditions of our time.
1959
SALVATORE QUASIMODO for his lyrical poetry, which with classical fire expresses
the tragic experience of life in our own times.
1958
BORIS LEONIDOVICH PASTERNAK for his important achievement both in contemporary
lyrical poetry and in the field of the great Russian
epic tradition. (Accepted first, later caused by the authorities of his country
to decline the prize.)
1957
ALBERT CAMUS for his important literary production, which with clear-sighted
earnestness illuminates the problems of the human
conscience in our times.
1956
JUAN RAMÓN JIMÉNEZ for his lyrical poetry, which in Spanish language constitutes
an example of high spirit and artistical purity.
1955
HALLDÓR KILJAN LAXNESS for his vivid epic power which has renewed the great
narrative art of Iceland.
1954
ERNEST MILLER HEMINGWAY for his mastery of the art of narrative, most recently
demonstrated in The Old Man and the Sea ,and for the
influence that he has exerted on contemporary style.
1953
SIR WINSTON LEONARD SPENCER CHURCHILL for his mastery of historical and
biographical description as well as for brilliant oratory in
defending exalted human values.
1952
FRANÇOIS MAURIAC for the deep spiritual insight and the artistic intensity with
which he has in his novels penetrated the drama of human
life.
1951
PÄR FABIAN LAGERKVIST for the artistic vigour and true independence of mind with
which he endeavours in his poetry to find answers to
the eternal questions confronting mankind.
1950
EARL BERTRAND ARTHUR WILLIAM RUSSELL in recognition of his varied and
significant writings in which he champions humanitarian
ideals and freedom of thought.
1949
WILLIAM FAULKNER for his powerful and artistically unique contribution to the
modern American novel.
1948
THOMAS STEARNS ELIOT for his outstanding, pioneer contribution to present-day
poetry.
1947
ANDRÉ PAUL GUILLAUME GIDE for his comprehensive and artistically significant
writings, in which human problems and conditions have
been presented with a fearless love of truth and keen psychological insight.
1946
HERMANN HESSE for his inspired writings which, while growing in boldness and
penetration, exemplify the classical humaitarian ideals and
high qualities of style.
1945
GABRIELA MISTRAL (pen-name of LUCILA GODOY Y ALCA-YAGA ), for her lyric poetry
which, inspired by powerful emotions, has made
her name a symbol of the idealistic aspirations of the entire Latin American
world.
1944
JOHANNES VILHELM JENSEN for the rare strength and fertility of his poetic
imagination with which is combined an intellectual curiosity of
wide scope and a bold, freshly creative style.
1943-1940
The prize money was allocated to the Main Fund (1/3) and to the Special Fund
(2/3) of this prize section.
1939
FRANS EEMIL SILLANPÄÄ for his deep understanding of his country's peasantry and
the exquisite art with which he has portrayed their way
of life and their relationship with Nature.
1938
PEARL BUCK (pen-name of PEARL WALSH née SYDENSTRICKER ), for her rich and truly
epic descriptions of peasant life in China and for
her biographical masterpieces.
1937
ROGER MARTIN DU GARD for the artistic power and truth with which he has depicted
human conflict as well as some fundamental aspects
of contemporary life in his novelcycle Les Thibault.
1936
EUGENE GLADSTONE O'NEILL for the power, honesty and deep-felt emotions of his
dramatic works, which embody an original concept of
tragedy.
1935
The prize money was allocated to the Main Fund (1/3) and to the Special Fund
(2/3) of this prize section.
1934
LUIGI PIRANDELLO for his bold and ingenious revival of dramatic and scenic art.
1933
IVAN ALEKSEYEVICH BUNIN for the strict artistry with which he has carried on the
classical Russian traditions in prose writing.
1932
JOHN GALSWORTHY for his distinguished art of narration which takes its highest
form in The Forsythe Saga.
1931
ERIK AXEL KARLFELDT The poetry of Erik Axel Karlfeldt.
1930
SINCLAIR LEWIS for his vigorous and graphic art of description and his ability
to create, with wit and humour, new types of characters.
1929
THOMAS MANN principially for his great novel, Buddenbrooks, which has won
steadily increased recognition as one of the classic works of
contemporary literature.
1928
SIGRID UNDSET principially for her powerful descriptions of Northern life during
the Middle Ages.
1927
HENRI BERGSON in recognition of his rich and vitalizing ideas and the brillant
skill with which they have been presented.
1926
GRAZIA DELEDDA (pen-name of GRAZIA MADESANI née DELEDDA) , for her
idealistically inspired writings which with plastic clarity
picture the life on her native island and with depth and sympathy deal with
human problems in general.
1925
GEORGE BERNARD SHAW for his work which is marked by both idealism and humanity,
its stimulating satire often being infused with a
singular poetic beauty.
1924
WLADYSLAW STANISLAW REYMONT (pen-name of REYMENT ), for his great national epic,
The Peasants.
1923
WILLIAM BUTLER YEATS for his always inspired poetry, which in a highly artistic
form gives expression to the spirit of a whole nation.
1922
JACINTO BENAVENTE for the happy manner in which he has continued the illustrious
traditions of the Spanish drama.
1921
ANATOLE FRANCE (pen-name of JACQUES ANATOLE THIBAULT ), in recognition of his
brilliant literary achievements, characterized as
they are by a nobility of style, a profound human sympathy, grace, and a true
Gallic temperament.
1920
KNUT PEDERSEN HAMSUN for his monumental work, Growth of the Soil.
1919
CARL FRIEDRICH GEORG SPITTELER in special appreciation of his epic, Olympian
Spring.
1918
The prize money for 1918 was allocated to the Special Fund of this prize
section.
1917
The prize was divided equally between:
KARL ADOLPH GJELLERUP for his varied and rich poetry, which is inspired by lofty
ideals.
HENRIK PONTOPPIDAN for his authentic descriptions of present-day life in
Denmark.
1916
CARL GUSTAF VERNER VON HEIDENSTAM in recognition of his significance as the
leading representative of a new era in our literature.
1915
ROMAIN ROLLAND as a tribute to the lofty idealism of his literary production and
to the sympathy and love of truth with which he has
described different types of human beings.
1914
The prize money for 1914 was allocated to the Special Fund of this prize
section.
1913
RABINDRANATH TAGORE because of his profoundly sensitive, fresh and beautiful
verse, by which, with comsummate skill, he has made his
poetic thought, expressed in his own English words, a part of the literature of
the West.
1912
GERHART JOHANN ROBERT HAUPTMANN primarily in recognition of his fruitful, varied
and outstanding production in the realm of dramatic
art.
1911
COUNT MAURICE (MOORIS) POLIDORE MARIE BERNHARD MAETERLINCK , in appreciation of
his manysided literary activities, and
especially of his dramatic works, which are distinguished by a wealth of
imagination and by a poetic fancy, which reveals, sometimes in the
guise of a fairy tale, a deep inspiration, while in a mysterious way they appeal
to the readers' own feelings and stimulate their imaginations.
1910
PAUL JOHANN LUDWIG HEYSE as a tribute to the consummate artistry, permeated with
idealism, which he has demonstrated during his long
productive career as a lyric poet, dramatist, novelist and writer of
world-renowned short stories.
1909
SELMA OTTILIA LOVISA LAGERLÖF in appreciation of the lofty idealism, vivid
imagination and spiritual perception that characterize her
writings.
1908
RUDOLF CHRISTOPH EUCKEN in recognition of his earnest search for truth, his
penetrating power of thought, his wide range of vision, and
the warmth and strength in presentation with which in his numerous works he has
vindicated and developed an idealistic philosophy of life.
1907
RUDYARD KIPLING in consideration of the power of observation, originality of
imagination, virility of ideas and remarkable talent for
narration which characterize the creations of this world-famous author.
1906
GIOSUÈ CARDUCCI not only in consideration of his deep learning and critical
research, but above all as a tribute to the creative energy,
freshness of style, and lyrical force which characterize his poetic
masterpieces.
1905
HENRYK SIENKIEWICZ because of his outstanding merits as an epic writer.
1904
The prize was divided equally between:
FRÉDÉRIC MISTRAL in recognition of the fresh originality and true inspiration of
his poetic production, which faithfully reflects the natural
scenery and native spirit of his people, and, in addition, his significant work
as a Provençal philologist.
JOSÉ ECHEGARAY Y EIZAGUIRRE in recognition of the numerous and brilliant
compositions which, in an individual and original manner,
have revived the great traditions of the Spanish drama.
1903
BJØRNSTJERNE MARTINUS BJØRNSON as a tribute to his noble, magnificent and
versatile poetry, which has always been distinguished by
both the freshness of its inspiration and the rare purity of its spirit.
1902
CHRISTIAN MATTHIAS THEODOR MOMMSEN the greatest living master of the art of
historical writing, with special reference to his
monumental work, A history of Rome.
1901
SULLY PRUDHOMME (pen-name of RENÉ FRANÇOIS ARMAND ), in special recognition of
his poetic composition, which gives evidence of
lofty idealism, artistic perfection and a rare combination of the qualitites of
both heart and intellect.
marcel raman
>
> 7-12-1998 om precies te zijn dan won ze de Nobelprijs.
ik vind dat je met die Paris maar een weddenschap moet aangaan
voor een quickstriptease bvb
zal hem leren
brigit
Martijn Benders wrote in message <39736F1B...@chello.nl>...
>
>
>brigit wrote:
>
>> paris wrote in message ...
>> >
>> >brigit <brig...@kabelfoon.nl> schreef in berichtnieuws
>> >8kta24$2b8k$1...@news.kabelfoon.nl...
>> >>
>> >> De nobelprijs won ze in 1998
>> >
>> >Een beetje ernst en precisie kan geen kwaad in deze nieuwsgroep aub.
>>
>> Beste Paris...waar denk je dat ik mee bezig ben dan?
>>
>> 7-12-1998 om precies te zijn dan won ze de Nobelprijs.
>
>Niet volgens mijn bronnen. Hier is de complete lijst, te halen van
>http://www.nobelprizes.com/
Beste Martijn,
Je bent geweldig. Kunnen we in iedergeval hier even het gelijk
in het recht stellen. Sorry Paris Martijn heeft gelijk. Doet Hr.
Valk toevallig iets met Meulenhoff? Zoniet zend ik de lijst wel
even door voor verdere misverstanden te voorkomen in de
toekomst.Had gewoon voor de zekerheid even boek uit kast
geplukt en daar stond het op achterzijde vermeld. 1998 werd
ze bekroond met de Nobelprijs van Literatuur. Nee, nee de
uitgever treft geen blaam...nooit zomaar iets klakkeloos
overnemen. je hebt gelijk Martijn. Is trouwens mijn mail nog
aangekomen van Waardenbergh? Nee geen dank, graag gedaan.
groetjes van Brigit
>
paris
>
> Sorry Paris Martijn heeft gelijk.
Hoe zit dat nu met die weddenschap, Brigitteke?