Schliemann's excavations, between 1870 and 1890, marked the beginning of intensive archaeological exploration at Troy, by various international teams, that continues today, with current research led by Turkish archaeologists. Understanding of the site, its development over time and its place in the ancient world continues to grow. From an archaeological perspective, there is a rich history to be uncovered that stands quite apart from the myth of the Trojan War and is important in its own right. Yet the myth and the site remain inextricably linked. Few visitors can look out from the walls of 'windy Troy' across the Trojan plain without thinking of the massed Greek armies waiting to attack, or the women of Troy watching helplessly as battle rages below.
The logic of thought also contributes to explaining Itzamnaajs central role. In the logic of action, the subject is always found in the middle of the field of action. Because the actor and with him subjectivity, creates his own space to act through his action, he is under the impression to be right in the center. When this scheme is applied at the world interpretation level, the god that undertakes creation necessarily appears occupying the central place. Because of the logic the thought is based upon, the center turns as well into a place where the creation of the universe is contained and, as a result, space and time. In the Maya worldview, the supreme and creator god is then related with the tree that occupies the central position in the universe and extends all the way from the underworld to the heavens. However, Itzamnaaj had other aspects we must analyze.
Yet, where does the relationship between the main deity and the terrestrial monster come from? In the Maya thinking, the origin must explain the substantial side of what exists. In its substantiality, the world must be derived from it. Some researchers start from the idea it is important to specify if in a religion creation occurs from nothing without some sort of preexisting matter or, on the other hand, if creation results from the activity carried out by a creator god in interaction with a preexisting material, which only has to be processed or processed. But this approach to the belief system does not correspond to the structure on which thought is based in early cultures. The origin, understood under the logic of action, is always subjectively conceived as material.
For the Maya, the origin is both the creator god Itzamnaaj and the terrestrial monster; from the latter comes the earths material substrate. Their interest in myths is that their model of explanation includes the world as a whole as well. To do this we must go back to a state prior to creation and name the active principle that allowed the existence of the cosmos. Due to the thought structure, an origin which contains already what is to come out of it must be assumed and also that which is already given and from which will emerge what will later constitute the present world. The Maya imagined this original substance like a monster or crocodile that inhabited an original lagoon. If we want, one can say that before the existence of gods, men and things, there was only the monster floating on a sea.8 But it cannot be inferred from this that the myth that speaks about earths formation is a materialistic construction, even though at the beginning the crocodile is already present in the middle of the lake, it is perceived through the subjectivist scheme. Only thus can it contain the active principle that causes the earth to arise from itself. And indeed, the Mayans thought the original caiman was also the primordial god, Itzamnaaj, as shown on page 4 and 5 of the Dresden Codex, in which the head of the deity emerges from the monster's jaws.
In myths that refer to the sacrifice of the crocodile, whose body is then used to set solid ground, the animal is only the substantial part of the origin. The creator god is the subject who assumes the active role of creating the earth. The subjectivist schema of thought forces us to think of the origin both subjectively and substantially. Like action, which derives from both the subjectivity and the actors material body, the origin has a side linked to the object and another to the subject in the logic that emanates from it. In Mayan cosmogony, at the beginning of the world the creator god is the one who undertakes the cosmic work of creating the earth, while the terrestrial monster is the substantial part from which derives the very materiality of it.
But if the cosmos as a whole has its origin in a unique creator god, due to the scheme of thought that finds application in the Mayan worldview and then we must ask ourselves: Why do the Maya think of the original creator gods as a couple formed by a man and a woman? Itzamnaaj being assigned a wife alludes to sexual activity. In the Altiplano, the codices display several images showing a human couple, probably the couple formed by the creator gods, with intertwined legs, partially covered by a kind of blanket, which hint at the sexual act (Figure 18).19 Figure 18 The creation couple. Madrid Codex, pages 75 and 76.
The logic of action, besides being logic of origin, is also a logic of identity. The origin is thought (partially) identical to what comes from it. If the act of human procreation is seen as being linked to the primordial cosmic energy, which is credited with creation and procreation results from the sexual union between man and woman, then the origin must be thought of as a primordial couple formed by creator gods. For the origin, under this logic, is thought of as with the characteristics of the event that has emerged from it. The origin has a relationship of identity with what resulted there from, so the primordial origin, the cosmic fecundating principle, assumes the form of a couple.61
In their thoughts on the future of archaeological thought, Ian Hodder and Lewis Binford offer drastically conflicting perspectives. Binford argues that social history can be investigated using the processes of archaeology, yet he shows little interest in the meaning associated with an artifact or the corresponding connection between the creator of that artifact and its user. In contrast, Hodder believes that culture itself is mental, and emphasizes the importance of understanding the artifact in order to comprehend the associated cultural realities. Binford resists the notion that artifacts themselves are merely markers of time and space, as he sees these artifacts as being crucial to understanding the dynamic nature of the social group that incorporated that artifact into its culture. Yet unlike Binford, Hodder implies that archaeology is a study unto itself and should not be associated with anthropology.
All throughout history people have invoked gods of various kinds, including incomprehensibly strange creators. Crediting an almighty god as the creator of the universe is an acknowledgement that the universe is so complex and beautiful that only a being much greater than human could create it.
The goal of Ancient Origins is to highlight recent archaeological discoveries, peer-reviewed academic research and evidence, as well as offering alternative viewpoints and explanations of science, archaeology, mythology, religion and history around the globe.
To learn more about the rich history of the birthplace of St. Augustine, annual archaeological digs take place at the Fountain of Youth each year. This historic land serves as both a sacred place of the past, and an attraction that immerses visitors in the Colonial experience.
Faris Al Ahmad received an MA in Middle Eastern Studies from The Graduate Center, City University of New York. His research interests include Islamic history and cultures, contemporary Islamic thought. He is also a lecturer of Arabic language at Hunter College, CUNY.
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GODDESS
RELIGIONS GODDESS WORSHIPAlthough Adam, Eve, and a nasty serpent define images of origin in this culture, historical, mythological, and archaeological evidence indicates: