Bob Moses Days Gone By Lyrics
Siiri
Bob Moses' song 'Days Gone By' delves into the complexities of emotional struggles and the passage of time. The lyrics paint a vivid picture of a world that is crumbling, both externally and internally. The opening lines, 'The world that you control is breaking and you feel it all,' suggest a sense of helplessness and the overwhelming nature of trying to maintain control in a chaotic environment. This theme is further emphasized by the imagery of coldness and falling pieces, symbolizing the disintegration of stability and the emotional toll it takes on an individual.
The chorus, 'With all of these days gone by, it's you and I, no need to question,' reflects on the passage of time and the shared experiences between two people. Despite the challenges and the lessons that remain unlearned, there is a sense of acceptance and resignation. The repetition of 'you nor I, learned our lesson' highlights the cyclical nature of their struggles, suggesting that despite the passage of time, they continue to make the same mistakes.
In the latter part of the song, the lyrics 'The world behind your eyes, I could tell that you can almost feel your pride' and 'The painting on your face, the smile that you would just soon erase' delve into the internal conflict and the facade that people often put up. The song touches on the idea of listening and understanding each other, rather than just playing a part and turning away. This highlights the importance of genuine connection and empathy in overcoming emotional turmoil.
Overall, 'Days Gone By' is a poignant reflection on the passage of time, emotional struggles, and the importance of genuine human connection. Bob Moses' evocative lyrics and melancholic tone create a powerful narrative that resonates with listeners on a deep emotional level.
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Bob Moses, the Vancouver-bred duo consisting of Tom Howie and Jimmy Vallance, came to life in the Brooklyn underground scene in 2012. Early single releases on taste-making electronic label Scissor & Thread led to signing with Domino and the late 2015 release of their debut album, Days Gone By.
The purest approach produces the most authentic outcome. Amtrac favors a tactile assembly of alternative electronic music reliant on handcrafted nuance akin to that of a band. The Kentucky-born and Los Angeles-based artist, DJ, producer, remixer, multi-instrumentalist, and founder of Openers carefully fuses textures and styles into an unabridged, unfiltered, and undeniable sonic trip on his aptly titled second full-length, Oddyssey [Openers/RCA Records].
As such, he imparts a piece of himself on every moment -- from the production and composition to the vocals and performance. "The goal is for the music to feel pure," he affirms. "It's not like I'm cutting corners. I put a lot of time into creating a deliberate body of work. It's definitely for me first, and it tells a story."
The story represents the culmination of a near nine-year journey since the release of his acclaimed 2011 debut, Came Along. The album elevated the Morehead, KY native -- born Caleb Cornett -- to the cutting edge of electronic music. In its wake, he amassed an acclaimed catalog of originals and remixes. Lending his touch to tunes by Two Door Cinema Club, Elderbrook, Sigur Rs, and Chromatics, Pitchfork described his remixing as "epic-sounding."
Among the originals, 2014's "Those Days" notably boasted vocals from Stevie Wonder and Marvin Gaye. Following the 2016 solo EP Lost In Motion, he reached a new plateau on the 1987 EP during 2017. Both "Never Lost" and "Piano Boy" put up over 6 million Spotify streams each as his total stream tally neared the 100 million mark.
Along the way, he earned praise from Billboard, Mixmag, Revolt, Complex, i-D Magazine, and more in addition to gracing the stages of major festivals such as Ultra Music Festival, EDC Las Vegas, Osheaga Festival, and Holy Ship!, to name a few. Not to mention, he headlined shows on four continents. Launching Openers in 2017, he provided a home to tracks by Durante, Rick Trainor, Luces, and many others.
Amidst this whirlwind, he continued to write music, working towards what would become Oddyssey. This time around, he nodded to a wider swath of influences. Inspired by filmmaker and composer John Carpenter of Halloween and Escape From New York fame, he further utilized outboard gear and incorporated synthesizer soundscapes as he built the framework of the record. He also sang on a total of four tracks.
"I'm very inspired by movie scores and soundtracks," he goes on. "Oddyssey has got elements of the first album, but it's very synth-oriented. The bond of sound and visuals really inspired me. There are more vocals than ever before as well. Everything is part of the narrative."
He teased the album by way of "Madness to Mayhem," which Billboard dubbed, "a song that seems to bridge the gap between his Came Along days and the moody blues of his present." Meanwhile, the first single "Between The Lines" illuminates an evolution. Above resounding piano, Amtrac's upbeat and uplifting production builds towards a hummable hook awash in a rush of fluttering neon synths and a driving beat. He croons, "I said every single lesson is stuck on loop, read between the lines."
"There's a lot of trial-and-error tinkering to find the magic moment," he says. "That launches the path of a song. It's what happened on 'Between The Lines.' I wanted to do something faster and more high energy, and I went for it. As far as the lyrics go, most of them pertain to my relationships. That's the case here, for sure."
Elsewhere on the record, Amtrac's vocals also drive the indie rock-influenced "Stratego" and pensive "Accountable," while Lali Puna delivers a dreamy cameo on "No Place" and Alex Metric contributes a heartfelt vocal turn to the synth swells of "So Afraid."
Renowned for his performances, the live show will reflect the same spirit, integrating visuals as he plays synthesizers live and takes the microphone. "I want to do different things every show," he adds. "It's meant to be unique."
In the end, Amtrac's authenticity shines in everything he does. "This is just me making music," he leaves off. "There's no agenda. It's not influenced by anything beyond what I love. I'd love for people to get the genuine aspect and enjoy it."
I had my hand on the door for leaving. The other door you walked right through. I was thinking maybe you could stay for a while. I was thinking maybe I could make you smile. And underneath your breath you said "I do" well baby "I do too"
With your favorite song on the radio, windows down and the wind blows better days gone by than we would know.
And I once saw hope in a photograph, wrote a song about love that made you laugh. No matter what this life has put me through.... I couldn't miss out on you.
And maybe it was time to start things over. Maybe it was time to start brand new. And i've been waiting so many years for a change that never come. But i was waiting for a change just like you. At the top of my lungs i said I do!! you said "well baby I do too."
With your favorite song on the radio, windows down and the wind blows better days gone by than we could know.
And I once saw hope in a photograph, wrote a song about love that made you laugh. No matter what this life has put me through.... I couldn't miss out on you.
With your favorite song on the radio, windows down and the wind blows better days gone by than we could know.
And I once saw love in a photograph, I got a handle on hope right before it left. No matter what this life has put me through.... I was lying when I said I didn't love you the most! I'd be lying today if I said that I don't! No matter what this life has put you through, no matter what this life has put me through, no matter what this life puts us through..... I never missed out.