Re: Happy Days Movie Download In Hd
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Happy Days is an American television sitcom that aired first-run on the ABC network from January 15, 1974, to July 19, 1984, with a total of 255 half-hour episodes spanning 11 seasons. Created by Garry Marshall, it was one of the most successful series of the 1970s. The series presented an idealized vision of life in the 1950s and early 1960s Midwestern United States, and it starred Ron Howard as Richie Cunningham, Henry Winkler as his friend Fonzie, and Tom Bosley and Marion Ross as Richie's parents, Howard and Marion Cunningham.[1] Although it opened to mixed reviews from critics, Happy Days became successful and popular over time.[2]
The series began as an unsold pilot starring Howard, Ross and Anson Williams, which aired in 1972 as a segment titled "Love and the Television Set" (later retitled "Love and the Happy Days" for syndication) on ABC's anthology show Love, American Style. Based on the pilot, director George Lucas cast Howard as the lead in his 1973 film American Graffiti, causing ABC to take a renewed interest in the pilot. The first two seasons of Happy Days focused on the experiences and dilemmas of "innocent teenager" Richie Cunningham, his family, and his high school friends, attempting to "honestly depict a wistful look back at adolescence".[2]
The series' pilot was originally shown as "Love and the Television Set", later retitled "Love and the Happy Days" for syndication, a one-episode teleplay on the anthology series Love, American Style, aired on February 25, 1972. Happy Days spawned successful television shows Laverne & Shirley and Mork & Mindy as well as three failures: Joanie Loves Chachi, Blansky's Beauties featuring Nancy Walker as Howard's cousin,[6] and Out of the Blue. The show is the basis for the Happy Days musical touring the United States since 2008. The leather jacket worn by Winkler during the series was acquired by the Smithsonian Institution for the permanent collection at the National Museum of American History.[7] The original, light grey McGregor windbreaker Winkler wore during the first season eventually was thrown into the garbage after ABC relented and allowed the Fonzie character to wear a leather jacket.
Happy Days originated during a time of 1950s nostalgic interest as evident in 1970s film, television, and music. In late winter of 1971, Michael Eisner was snowed in at Newark airport where he bumped into Tom Miller, head of development at Paramount. Eisner has stated that he told Miller, "Tom, this is ridiculous. We're wasting our time here. Let's write a show." The script treatment that came out of that did not sell. But in spite of the market research department telling them that the 1950s theme would not work, they decided to redo it, and this was accepted as a pilot.[23] This unsold pilot was filmed in late 1971 and titled New Family in Town, with Harold Gould in the role of Howard Cunningham, Marion Ross as Marion, Ron Howard as Richie, Anson Williams as Potsie, Ric Carrott as Charles "Chuck" Cunningham, and Susan Neher as Joanie. Paramount passed on making it into a weekly series, and the pilot was recycled with the title Love and the Television Set (later retitled Love and the Happy Days for syndication), for presentation on the television anthology series Love, American Style.[24] Also in 1971, the musical Grease had a successful opening in Chicago, and by the following year became successful on Broadway. Also in 1972, George Lucas asked to view the pilot to determine if Ron Howard would be suitable to play a teenager in American Graffiti, then in pre-production. Lucas immediately cast Howard in the film, which became one of the top-grossing films of 1973. With the movie's success generating a renewed interest in the 1950s era (although, the film was set in 1962), TV show creator Garry Marshall and ABC recast the unsold pilot to turn Happy Days into a series. According to Marshall in an interview, executive producer Tom Miller said while developing the sitcom, "If we do a TV series that takes place in another era, and when it goes into reruns, then it won't look old." This made sense to Marshall while on the set of the show.[25]
Gould had originally been tapped to reprise the role of Howard Cunningham on the show. However, during a delay before the start of production he found work doing a play abroad and when he was notified the show was ready to begin production, he declined to return because he wanted to honor his commitment.[26] Bosley was then offered the role.
In seasons one and two, the Cunningham house was arranged with the front door on the left and the kitchen on the right of screen, in a triangular arrangement. From season three on, the house was rearranged to accommodate multiple cameras and a studio audience.
The Cunninghams' official address is 565 North Clinton Drive, Milwaukee, Wisconsin.[29] The house that served as the exterior of the Cunningham residence is actually located at 565 North Cahuenga Boulevard (south of Melrose Avenue) in Los Angeles,[30] several blocks from the Paramount lot on Melrose Avenue.
The Milky Way Drive-In, located on Port Washington Road in the North Shore suburb of Glendale, Wisconsin (now Kopp's Frozen Custard Stand), was the inspiration for the original Arnold's Drive-In; it has since been demolished. The exterior of Arnold's was a standing set on the Paramount Studios lot that has since been demolished. This exterior was close to Stage 19, where the rest of the show's sets were located.
The set of the diner in the first season was a room with the same vague details of the later set, such as the paneling, and the college pennants. When the show changed to a studio production in 1975, the set was widened and the entrance was hidden, but allowed an upstage, central entrance for cast members. The barely-seen kitchen was also upstaged and seen only through a pass-through window. The diner had orange booths, downstage center for closeup conversation, as well as camera left. There were two restroom doors camera right, labeled "Guys" and "Dolls". A 1953 Seeburg Model G jukebox (with replaced metal pilasters from Wico Corp.) was positioned camera right, and an anachronistic "Nip-It" pinball machine (actually produced in 1972) was positioned far camera right.
In a two-part episode from the seventh season, the original Arnold's Drive-In was written out of the series as being destroyed by fire (see List of Happy Days episodes, episodes 159 and 160). In the last seasons that covered the 1960s timeline, a new Arnold's Drive-In set (to portray the new Arnold's that replaced the original Arnold's destroyed by the fire) emerged in a 1960s decor with wood paneling and stained glass. Also, in seasons 8 and 9, the new drive-in was named "Fonzie & Big Al" because Fonzie and Al co-owned the new establishment in a partnership.
In 2004, two decades after the first set was destroyed, the Happy Days 30th Anniversary Reunion requested that the reunion take place in Arnold's. The set was rebuilt by production designer James Yarnell based on the original floor plan. The reunion special was taped at CBS Television City's Bob Barker Studio in September 2004.[31]
Season one used a newly recorded version of "Rock Around the Clock" by Bill Haley & His Comets (recorded in the fall of 1973) as the opening theme song. This recording was not commercially released at the time, although the original 1954 recording returned to the American Billboard charts in 1974 as a result of the song's use on the show. The "Happy Days" recording had its first commercial release in 2005 by the German label Hydra Records. (When Happy Days entered syndication in 1979, the series was retitled Happy Days Again and used an edited version of the 1954 recording instead of the 1973 version.) In some prints intended for reruns and overseas broadcasts, as well as on the Season 2 DVD set release and later re-releases of the Season 1 DVD set, the original "Rock Around the Clock" opening theme is replaced by the more standard "Happy Days" theme, because of music rights issues.
The show's closing theme song in seasons one and two was a fragment from "Happy Days" (although in a different recording with a different lyric from that which would become the standard version), whose music was composed by Charles Fox and whose lyric was written by Norman Gimbel. According to SAG, this version was performed by Jim Haas on lead vocals, The Ron Hicklin Singers, Stan Farber, Jerry Whitman, and Gary Garrett on backing vocals, and studio musicians.
On April 19, 2011, Happy Days co-stars Erin Moran, Don Most, Marion Ross and Anson Williams, as well as the estate of Tom Bosley (who died in 2010), filed a $10 million breach-of-contract lawsuit against CBS, which owns the show, claiming they had not been paid for merchandising revenues owed under their contracts.[32] The cast members claimed they had not received revenues from show-related items, including comic books, T-shirts, scrapbooks, trading cards, games, lunch boxes, dolls, toy cars, magnets, greeting cards and DVDs where their images appear on the box covers. Under their contracts, they were supposed to be paid 5% of the net proceeds of merchandising if their sole image were used, and half that amount if they were in a group. CBS said it owed the actors $8,500 and $9,000 each, most of it from slot machine revenues, but the group said they were owed millions.[33] The lawsuit was initiated after Ross was informed by a friend playing slots at a casino of a Happy Days machine on which players win the jackpot when five Marion Rosses are rolled.
In October 2011, a judge rejected the group's fraud claim, which meant they could not receive millions of dollars in potential damages.[34] On June 5, 2012, a judge denied a motion filed by CBS to have the case thrown out, which meant it would go to trial on July 17 if the matter was not settled by then.[35] In July 2012, the actors settled their lawsuit with CBS. Each received a payment of $65,000 and a promise by CBS to continue honoring the terms of their contracts.[36][37]
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