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ReBoot is a Canadian animated television series created by Gavin Blair, Ian Pearson, Phil Mitchell, and John Grace, with the visuals designed by Brendan McCarthy after an initial attempt by Ian Gibson. It was produced by Vancouver-based Mainframe Entertainment, Alliance Distribution and BLT Productions; and originally aired on YTV from 1994 until 2001. It is notable for being one of the first made-for-television CGI series.[3][4]
The show follows the adventures of a Guardian named Bob and his companions Enzo and Dot Matrix within the computer system world of Mainframe as they work to keep it safe from the viruses known as Megabyte and Hexadecimal, in addition to other threats.[5] Recurring plot threads include the User loading a game into the system, manifesting as an electrical violet cube lowered onto part of the city. Anyone trapped inside become NPCs and have the chance to play against the User. If the User wins, the area is destroyed (a.k.a. nullified) and the residents are reduced to leech-like creatures called Nulls. The setting of the inner world of a computer system, known by its inhabitants as Mainframe, was deliberately chosen due to technological constraints at the time, as the fictional computer world allowed for blocky-looking models and mechanical animation.[6]
ReBoot was initially conceived in 1984 by the British creative collective The Hub, made up of John Grace, Ian Pearson, Gavin Blair and Phil Mitchell. After about 8 years of development Pearson, Blair and Mitchell moved to Vancouver, British Columbia to produce the series. Pearson and Blair by this time had created some of the first widely seen CGI characters, in the Dire Straits' music video for "Money for Nothing".[13] However, technology was not yet advanced enough to make the show in the desired way. 3D animation tests began in earnest in 1990 and ReBoot had achieved its detailed look by 1991. Production continued on future episodes and the show aired in 1994 after enough episodes had been produced. This was a painstaking process, as no other company had at this time worked on a 3D animation project of this scale. Furthermore, the software used was new to all in the company.
The show's early jokes at the expense of Board of Standards and Practices (BS&P) came from frustration encountered by the show's makers brought about by an abundance of script and editing changes that were imposed upon Mainframe before episodes were allowed to air. These changes were all aimed at making the show "appropriate" for kids, and to prevent even the slightest appearance of "inappropriate" content, imitable violence or sexuality.[14]
The character Dot was considered too sexualized by the BS&P even though she was "never one to expose much cleavage" so the animators were forced to make her breasts less curvy and form them into a lumpy "monobreast", as lightly referred to by the staff. However, starting with season three, after severing ties with ABC, the "monobreasts" of all adult female characters were replaced with more anatomically correct versions. In another case, the word "hockey", as well as the sport itself, was cut in some countries as it was supposedly used as a vulgar slang term there. In the episode "Talent Night", one scene of Dot giving her brother Enzo "a sisterly kiss on the chin" was cut due to BS&P's fear of promoting incest, an insinuation which Pearson described as "one of the sickest things I've heard."[14]
Each installment of the first season was a self-contained episode except for the two-part finale. When the User loads a game, a game cube drops on a random location in Mainframe, sealing it off from the rest of the system and turning it into a gamescape. Bob frequently enters the games, reboots to become a game character, and fights the User's character to save the sector. If the User wins a game, the sector the cube fell in is destroyed, and the sprites and binomes who were caught within are turned into energy-draining, worm-like parasites called nulls. When this happens, they are said to be "nullified".
In the U.S., the show was aired on the ABC Network and had to comply with Broadcast Standards and Practices. This was lampooned in "Talent Night", where almost every act for Enzo's party is banned by Prog Censor Emma See and the Small Town Binomes sing their hit BSnP ("It's fun to play/In a non-violent way").
The second season was initially as episodic as the first but later featured an extended story arc that began with the season's fifth episode, "Painted Windows". The arc revealed that Hexadecimal and Megabyte are siblings, and introduced an external threat to Mainframe: the Web, which was set up in fearful mentions in "High Code" and "Painted Windows". The sixth episode, "AndrAIa", also saw a new character in the titular AndrAIa join the cast. Creator Gavin Blair has said the move to a longer arc came from "shrugging off the shackles of ABC and their BS&P" after being cancelled.[15] The last episode would reveal Megabyte's ships were called ABCs.
A creature from the Web entered Mainframe from Hexadecimal's looking glass (which was shattered by Mike the TV), bonding with her. Mainframe's nulls reacted spontaneously and covered her to form a monster named Nullzilla, which was defeated and neutralized by the protectors of Mainframe. The Web creature located Megabyte, took him over and forced him to merge with Hexadecimal, forming a next-gen super-virus called Gigabyte. Gigabyte was eventually neutralized as well, but the Web creature escaped into the bowels of Mainframe, where it began stealing energy to stay alive and grow. Mouse, a mercenary and old friend of Bob's, helped to find the Web Creature, but was almost destroyed by a bomb set by her employer, Turbo. The explosion created a "tear" (an unstable energy-based anomaly) which the Web creature used to create a portal to the Web. The protectors of Mainframe had to team up with Megabyte and Hexadecimal to close the portal. An army of CPU police clashed with an invasion of creatures from the Web. In the midst of the chaos, Megabyte betrayed the alliance (with the CPUs calling the ABCs "treacherous dogs!"), crushing Bob's keytool, Glitch, and sending him into the Web portal before closing it.
Initially, Mainframe thought they would follow up the second season with a film. The treatment was called Terabyte Rising and was to include flashbacks to the destruction of Mainframe's Twin City. This was dropped but much of it would be used for the fourth season.[15]
The show's third season exhibited a marked improvement in modeling and animation quality due to the advancement of Mainframe Entertainment's software capabilities during the time between seasons. Subtle details, such as eyelashes and shadows, as well as generally more lifelike polygonal characters, were among several visual improvements. The show's target audience shifted to children aged 12 and older, resulting in a darker and more mature storyline.[6] After severing ties with ABC following the second season, the show reached a greater number of households through syndication.[16]
Enzo, freshly upgraded into a Guardian candidate by Bob during the Web incursion, defends Mainframe from Megabyte and Hexadecimal, with Dot and AndrAIa at his side. When Enzo entered a game he could not win, he, AndrAIa, and Frisket changed their icons to game sprite mode and rode the game out of Mainframe. The accelerated game time resulted in Enzo and AndrAIa's aging. Subsequent episodes follow adult versions of Enzo and AndrAIa, who are now in a romantic relationship, as they travel from system to system in search of Mainframe. The older Enzo adopts the name "Matrix" (his and Dot's surname), carrying a weapon named "Gun" and Bob's damaged Glitch. The time spent in games and away from Mainframe hardened both Matrix and AndrAIa: Matrix developed a pathological hatred of viruses, and grew into a muscular, shoot-first-ask-questions-later antihero, while AndrAIa turned into a level-headed warrior. As the season progresses, Matrix and AndrAIa are reunited with Bob and the crew of the Saucy Mare and return to Mainframe, which has been almost completely destroyed by Megabyte and his forces. The group reunites with Dot and the resistance, then heads to the Principal Office for a final battle with Megabyte. Megabyte is defeated by Matrix, but not before Megabyte's handiwork causes the system to crash. All final problems in Mainframe were dealt with by The User restarting the system, setting everything right and restoring everything as it was again for the protagonists, with one major exception: younger and older Enzo now exist simultaneously, as Matrix's icon was still set to "Game Sprite" mode and was not recognized properly by the system when it rebooted, so that the system restored a copy of his younger self. The season concludes in an opera production put on by the binomes recapping the past two seasons plot events.
After the end of the third season, two TV movies were produced in 2001: Daemon Rising, which addressed the problem the Guardians were facing in season three (and used much of Terabyte Rising), and My Two Bobs, which brings back a corroded and mutated Megabyte in a cliffhanger ending. The two movies, broken up into eight episodes in its U.S. run on Cartoon Network's Toonami, revealed much of Mainframe's history, including the formation of Lost Angles, Bob's arrival in the system, and the origin of Megabyte and Hexadecimal. The films end with Megabyte in control of the Principal Office, and the characters scattered and about to be hunted down. It is revealed that the nulls still possess their old sentience and intelligence: The heroes manage to put the null that was once Dot's father into a robot, enabling him to move and speak like he used to.
Initial plans for the fourth season included three films broken into 12 episodes, followed by a 13th musical-special episode. Due to a change in deals and budget, the series was reduced to eight episodes.[17] The following plan was to produce 30-minute episodes. These would be edited down to 21 minutes for broadcast and the extra scenes added to the film versions for DVD release. Against the writer's wishes, these scenes were cut from the scripts. After this decision was made, the eighth episode was rewritten to end on a cliffhanger.[15]
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