I know for sure he's locked if I punch him, but I don't know about Judy slapping him. I really want his Sandevistan, so I'm afraid I'm gonna have to reload the save (and, worst of all, put up with his bullshit) in case he gets locked after being slapped.
A July 29 article reports that after pleading guilty to 22 misdemeanor charges of animal neglect, an Indianola woman got a sentence of two years' probation and agreed not to own any pets while on probation [Woman pleads guilty to 22 misdemeanors in animal-neglect case]. Once again people who abuse or neglect animals walk away with a hand slap in Iowa, thus proving how lenient Iowa laws on such cases are.
Punch wears a brightly coloured (traditionally red) jester's motley and sugarloaf hat with a tassel. He is a hunchback whose hooked nose almost meets his curved, jutting chin. He carries a stick (called a slapstick) as large as himself, which he freely uses upon most of the other characters in the show. Judy wears an apron, a blue dress, and a bonnet and always tries to tell Punch off when he uses the slapstick
"When [Judy] Garland couldn't stop breaking into giggles at the pseudo-menacing advance of [Bert] Lahr's Cowardly Lion, Fleming escorted her off the Yellow Brick Road, said, 'Now darling, this is serious,' slapped her on the cheek, then ordered, 'Now go in there and work.'"
Apparently, Fleming felt terrible about slapping Garland after the incident and started saying that somebody on the crew should punch him. Garland overheard this and said, "I won't do that, but I'll kiss your nose." And then she did. Hmmm.
I don't think anything was being forced. Nothing at all, beside the fact that she slapped him. Yes, she has the right to not have the child, but be also has the right to leave. Sure, it might seem like a dick move, and to some It's a dick move for Judy to not have the child. All in all, it's fake, and no one in the comic is wrong except for the assault.
all judy did was say she didn't know if there would be pregnancy complications, expressed concern over having their child because it could possibly "be a freak", and then said she valued her job more than her child. she did not humor the idea of going to a professional, and attempting to see if it was even possible to carry the child to term before deciding on abortion
you're right i don't think judy is the type of person to do that and not to spark conflict but i think that i'm taking nicks side even though the baby isn't born it's still a human being and it's like muder if judy was aborted then the whole zootopia land would still be in danger
This was not. After Page 15 and the slap/scratch it all gradually falls apart for me. I had appreciated it focusing on the emotional burden of the subject matter without bringing up the politics or religion, but Nick's "premidated sin" line undid that, and it was the one genuinely positive thing I'd had to say about the story up to that point.
General fan consensus tends to agree that this is bad, not just due to the message (which, admittedly, was not very well-executed) but also because both Nick and Judy are fairly OOC. Borba has learned from this and is back to making more lighthearted and fun comics. (such as his second halloween special:
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Feels just like some propaganda material slapped in a comic. Perhaps would be more enjoyable even with the same idea a center, if the dialogues didn't sound taken from a pamphlet, and more like a genuine story. Like this, it was impossible for me to sympathize with either, and the only emotion i felt was wanting it to end already. The part when Nick suggests would have been better if kept in the dark makes no damn sense.
1)this chain of events happened way too fast. It literally goes "I need to tell you something" "ok" "I'm pregnant" "I love you!" "I don't want it" "I hate you" "No come back" "No bye"
2)nick and judy are so far out of character it isn't even funny.
3)since when was nick a pro-life christian? he's preaching about sin, but he was living on the streets conning people before he met judy
4)also, judy made completely justified, logical arguments, and nick did not
This comic was so bad it's not even funny
Argument invalid, they're different species completely. Would've been a miscarriage or could kill Judy or they would've had a mutant baby, she was in the right. The slap was out of nowhere and absolutely stupid, and just a horrible, manipulative sympathy piece for Nick. Religion is literally nowhere in the film. Style was great. Fuck this artist. He made Nick into an utter asshole who cared more about an unborn mutant baby than his loving wife who was honest enough to communicate this with him.
Nick was totally out of character and an asshole too. He was a hussler on the streets practically lying to innocent people for money with 0 guilt and suddenly he's religious, scolding Judy about sin. Judy slapped Nick for like no reason besides to manipulate the feelings of the reader and Nick focused on when she mentioned her career even once, y'know, after saying how she and the baby could probably die in childbirth. It's so full of OOC inconsistency
Excuse me, but this comic requires a high iq to truly understand, for example, you could look at nick's nihilistic view of life, compared to how judy's outlook on life relates to a strict daoist view on life, making the comic have way more depth than any mere work of literature, such as moby dick or grendel.
It would be a heck of alot easier if they were rational. Honestly, whatever thats in her womb isnt a baby yet, and i get that most spiritualidts will disagree with me on that. But fact of the matter is, that little embyro is only as living as the experiences it have had, and it isnt capable of percieving so. In my eyes, you are only alive when you can experience, what you see, what you feel, what you hear.. when a babys heart start beating, and its mind starting, and ot hears the mothers heartbeat.. this is the pinacle where it shows its alivem and at that moment, we cherish it, love it, care for it. But before that, having needless emotions for it will be wasteful and unnessisarily harmful. Also, if i may get a little antsy about a small thing here is that i dont think nicks nature is percieved too well in the comic. The essence of judy's feeæs were spot on, but nick would totally gom "oh fuck.. " and try to be a little avoidant of the whole thing or at least a little laid back, he wouldnt really be a being for starting emotions like this to be honest. But holy shut, this comic is well portrayed and drawn
Ok the work is reeeeeally well, I just don't think this is judy. Judy would have been hyped and happy, not think about her career on top of everything!! Also abortion? What? That's not judy, judy wouldn't make up her mind on this! She would have seek help with nick and meet couples with the same issue! The Judy he portrays here is not the Judy from zootopia, I don't like the story..but I really like the art tho, it's very professional and I give credit for it, but the story just doesn't make any sense.
TruTV, for the uninitiated, is a network featuring a show called Disorder in the Court. Picture Jerry Springer crashing Judge Judy's courtroom and you're on the right track. In one episode, a defendant spits in a judge's face, prompting bailiffs to slap on a Hannibal Lecter mask, since the show's producers obviously would never condone such misbehavior.
Ellie gets into the back of the taxi cab and sits between Antonia, to her left, and Judy, to her right, though today she favors her Guatemalan mother and holds her hand while ignoring her American mother. This would deeply hurt Judy, even though she knows deep down that Ellie is just confused. "Once I get her back to the United States, in a few days she'll warm up to me and she'll be ours once again," Judy tells herself. I climb into the passenger's seat and slap the dusty dashboard to awake the sleeping driver. He looks around him and smiles when he sees Ellie in the backseat. His sheepish grin seems to say, "So this is the reason we've been driving around the country all morning."
Only a few months before summer vacation and the glorious end to being a Freshman was in sight. Mr. Stanton warned that the Yearbook deadline was fast approaching, and if we missed it, we risked not making publication. I combed through pictures and wrote witless captions to describe my classmates. There are literally two pages, side by side, with candid photos I captioned, \u201CHappy?\u201D \u201CHappy Couple\u201D and \u201CLooking Happy Today.\u201D Writing this book, I\u2019ve been learning to love wordplay. So the lack of creative effort I put into those yearbook pages makes me want to go back in time and slap myself.
Then the next question is what to do. And I think, you know, the administration has not been very specific about what to do. And I think, if we're going to do something, it has to make a difference, because if it's a slap on the wrist, that merely strengthens Assad, makes the United States look impotent.
While Medicare has traditionally been politically favored, Medicaid was long regarded as the stepchild of health care programs because of its past ties to welfare. Just a few years ago, former President Donald Trump and a Republican-led Congress unsuccessfully tried to slap a funding limit on the federal-state program.
If the local TV news operations needed a gift from heaven, it came in the form of a cyanide canister discovered in an abandoned grain silo in Hutto the last week of April. The key May sweeps ratings period was just starting, and they were able to fill programs with "live reports" from the evacuation scene, evoking images of birds falling from the sky and farmers stampeding into the cornfields.The TV sweeps ratings periods are no longer quite the bacchanalia of strippers and teen prostitute exposés that they once were. Meters now measure viewership in Austin year round, diminishing the relevance of the quarterly battles. But the May sweeps period, which ended last week, is still a key period for the local network-affiliated news operations the last book of the season, a chance to strut their best stuff and bitch-slap the competition.It was easy to spot the local stations in sweeps mode, rolling out their news features and in-depth investigative reports on news that "every parent should see." Everybody was working it a bit harder, begging to be loved. You could practically see the flop sweat dripping from the forehead of new KTBC bohunk anchor Mike Warren, as he leaned into the camera and punched his words, pushing like it was the fourth quarter and he was going to bring home the title with his dramatic reading of the report of a traffic accident on I-35.CBS affiliate KEYE immediately pounced on the Hutto cyanide story, repeatedly telling viewers that it was the first station to report on the canister, suggesting that its reporters just happened to be roaming the streets of Hutto in hazmat suits. All the stations jumped on the Horror in Hutto once the city announced plans for a controlled two-hour evacuation of the surrounding area due to the cyanide although the canister, once commonly used for grain insecticide, had apparently been on site for decades without so much as a whiff of public danger."How are folks handling the news?" KEYE news mom Judy Maggio breathlessly asked fresh-faced reporter-on-the-scene Julie Simon."People seem perfectly all right with it," Simon reported.When there were no poisonous gas scares or kids bringing weaponry to school, the stations spotlighted their big news exposés, the important stories aka the stuff to kill time between weather reports. These were the stories generated from fever-pitch newsroom meetings and expensive sessions with consultants, designed to send Austinites scurrying to their VCRs, desperate to record the upcoming news shows. If nothing else, in their selection of sweeps stories the local news directors revealed their working conception of the local TV news' target audience semiliterate soccer moms and crazed Dr. Phil fans, judging by their choices. KEYE waded in with "Manicure Mistakes"; KXAN reported on "Love and Deception"; KVUE exposed a new tummy-tuck technique; and KTBC offered the "Buzz on Light Wine" all of which suggest the stations are not exactly aiming for the Wall Street Journal crowd.Public schools took the brunt of the action, as stations descended on local campuses, hoping to woo viewers away from E! True Hollywood Story. "AISD doesn't want you to see this story," KXAN assured viewers, promoting an "undercover" investigation of school security. Instead, it is almost certainly a story reporter Julie Shields doesn't want anybody to see, considering the best she could uncover was the shocking news that someone can actually walk into an unlocked school without getting zapped by laser beams. "Kids were smiling, talking to me," the undercover agent shockingly reported to Shields.Equally shocking was Fox affiliate KTBC's report on the dirtiest school cafeterias, which hinted at mice feces in the Sloppy Joes. But, as it turned out, all the school cafeterias received passing grades. (That "dammit!" you heard was certainly a KTBC news executive lamenting the demise of another big scoop.)When they were not trolling school grounds for perverts and kitchen workers with dirty hands, the TV news hounds were all over the roads, exposing the Hidden Evils of Commuting. Both KVUE and KEYE waded in with dangerous road reports, but KXAN won the traffic story battle by making "Dangerous Roads" a centerpiece of its sweeps month strategy. Reporter after reporter was sent into the field to warn viewers of the dangers of talking on the cell phone while driving and the tragic consequences of jaywalking. And, thanks to an in-depth report by veteran reporter R.J. DeSilva, KXAN viewers now know that driving with a seat belt is a good thing.Many of the stories had that "well, duh" level of sophistication. "Don't be afraid to ask questions beforehand," KTBC reporter Chris Coffey revealed, after his much-hyped "investigation" of summer beach rentals. The local stations are, to put it mildly, a little loose with their definition of "investigates." KVUE's Olga Campos barely left the building for her much-promoted "special assignment" on worker's comp fraud, which consisted of generic insurance company hidden-camera video slapped together with two local interviews.Several of the biggest, most promoted features had that fill-in-your-city's-name-here feel, leaving the distinct impression they were pulled from a list of story ideas passed around among news directors. Decent reports, such as KVUE's story on a shady local car dealership, were lost in the blizzard of reports that looked vaguely familiar. There was a noticeable lack of imagination in the offerings, especially when the stations slid into the familiar fearmongering that makes TV news such a heartwarming experience."Are you capable of murder?" KVUE asked viewers, as a way of drawing them into a fun and informative segment called "Born to Kill," which promised to reveal the "murderer next door" (it turned out to be nothing more than a report on a book by a UT professor). To honor its network's Shakespearean-like epic on Amber Frey ("alas, poor Juliet chose to record her lover's phone conversations..."), KEYE offered up the "Cheating Spouse Test," warning women that if their man was flossing too much, he was more than likely boinking his secretary. And for those who weren't worried about their suspicious neighbors, spouses, or sex offenders on Viagra wandering the hallways of elementary schools, there were killer tornadoes, as KEYE and KXAN offered helpful tips on how to avoid ending up like Toto on a bad hair day.Even more shameless were the now-familiar plugs for network shows, led by KTBC's cheerleaderlike zeal for reporting on the latest developments of American Idol. "I heard a rumor that Bo is sick and Carrie has an ear infection," baby-faced KTBC reporter Will Jensen revealed, reporting live from Hollywood. "Oh, no!" squealed professional news anchor Linda Stratton.Jensen was forced into the indignity of going through singing lessons, supposedly to prepare for an appearance on American Idol, the type of skit that goes over well in junior high video classes. On KTBC it warranted a multipart series.
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