The Man Behind the Genius
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Jun 23, 2016, 4:22:45 PM6/23/16
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. Ecclesiasticus [KJV 1611]
.
22:2 A slouthfull man is compared to the filth of a *DUNGHILL*:
. *EVERY man* that takes it up, *WILL SHAKE* his hand.
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_[WILL]iam [SHAKE]speare: The Man Behind the Genius_ by Anthony Holden
<<We know that by 1552 John Shakespeare was living on the north-eastern
side of town, in HENley Street, thanks to his ignominious debut in the town
records on 29 April: fined a shilling, along with Humphrey Reynolds and
Adrian Quiney, for making an unauthorised *DUNGHILL*, *sterqu(I-NAR)-ium*,
or midden heap in front of the house of a neighbour, the wheelwright
William Chambers. In those days of the plague, a fine equivalent to
two days' pay for an artisan was a suitably stern judgement on those
too idle to use the communal muck-hill at the rural end of the street.
In a rare defiance of the family tradition (& his own later practice),
John Shakespeare paid his fine promptly.>>
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"Item juratores presentant super sacramentum suum quod Humfridius
Reynoldes xijd. Adrianus Quiney xijd. et Johannes Shakyspere xijd.
fecerunt *sterqu(I-NAR)-ium* in vico vocato Hendley Strete contra
ordinacionem curie; ideo *IPSI* in misericordia, ut patet."
.............................................................
So far as I can tell NO ONE uses *sterqu(I-NAR)-ium*
OTHER than with reference to Johannes Shakyspere.
The *proper* Latin term is *sterqu(I-LIN)-ium* !!!
.................................................
. Apparently Oxford's (backwards): *NIL*
. has been replaced with Stratford's *NAR*
..................................................
*NAR* : fool, jester, coxcomb (Danish, Dutch)
................................................
. *sterqu(I-LIN)-ium*
. *sterqu(I-NAR)-ium*
------------------------------------------------------
http://home.att.net/~tleary/GIFS/MINERVA.GIF
.
_The MINERVA BRITANNA_ Banner Folding clearly demonstrates
how the Equidistant Linear Sequence decoding is to be performed:
............................................................
http://f01.middlebury.edu/FS010A/students/Minerva/title.jpg
..........................................................
"all thinges perish and come to theyr last end, but workes
of learned WITS & monuments of Poetry abide *for EVER* ."
..........................................................
_______ <= 7 =>
.
. [V]I __\V\ (I)\T\ U R
. [I]N G __\E\ (N)\I\ O
. [C]Æ|T| E \R\ (A)\M\
. [O]R|T| I S __\E\ (R)
. [U N T]
.
\VERE\ 8 : Prob. ~ 1 in 140
(I-NAR) 8
..........................................................
1579: Dedication to Oxford in the only edition of
. Geoffrey Gates' The Defence of Militarie profession.
.
. TO THE RIGHT honorable, Edward de \VERE\, Earle of
. Oxenford, [VICOUNT] Bulbecke, Lod of Escales
. and Baldesmere, and Lord great Chamberlaine of England.
---------------------------------------------------
Sweet swan of A\V\on! what a sight it w\E\re
To see thee in ou\R\ waters yet appear\E\,
..............................................
_______ <= 15 =>
.
. S w e e t s w a n o f A \V\ o n!
. w h a t a s i g h t i t w \E\ r
. e T o s e e t h e e i n o u \R\
. w a t e r s y e t a p p e a r \E\
.
\VERE\ 16 : Prob. (in couplet) ~ 1 in 47
..................................................
And make those flights upon t{He} bankes of Tha[M]es,
That so did t[A]ke Eliza, and ou[R] James !
B{U}t stay, [I] se{E} thee in th{E} [He]misphe{R}e
Advanc'd, and made a Constellation t{He}re !
.......................................
_______ <= 13 =>
.
. A n d m a k e t h o s e f
. l i g h t s u p o n t {H e}
. b a n k e s o f T h a [M]e
. s T h a t s o d i d t [A]k
. e E l i z a a n d o u [R]J
. a m e s B{U}t s t a y [I|S)
. e{E}t h e e i n t h{E}[H e]
. m i s p h e{R}e A d v a n
. c'd,a n d m a d e a C o n
. s t e l l a t i o n t {H e}r e !
....................................................
[MARI.H(e.)] 13 : Prob. at end (skip<14) ~ 1 in 2525
.......................................................
THE LA. [MARI]e [H(e.)]r(be)rt COUNTESSE OF PEMBROOKE.
--------------------------------------------------------
This ma[N], with lyme and r[O]ughcast, doth p[R]esent
Wall, tha[T] vile wall, whic[H] did these louers sunder:
And through wals chinke, poore soules, they are content
To whisper. At the which, let no man wonder.
................................................
. <= 13 =>
.
.{T H(i)S M A}[N],w i t h l y
. m e a n d r [O] u g h c a s
. t,d o t h p [R] e s e n t W
. a l l,t h a [T] v i l e w a
. l l,w h i c [H] d i d t h e
. s e l o u e r s s u n d e r:
{TH(i)MAS}[NORTH] 13
....................................................
Plutarch's Lives Englished by Sir {TH(o)MAS} [NORTH]
in Ten Volumes, Vol. 5 *LYSANDER*
http://tinyurl.com/qal8ahq
To him selfe they sent immediately that which they call Scytala...
The Scytala is in this sort. When the Ephori doe send a Generall,
or an Admirall to the warres, they cause two litle round staues
to be made [etc.]... These two litle staues they call Scytales.
Ibid., This litle scrowle of parchment
also is called as the rowle of wodde, Scytala.
...........................................................
<<The *SCYTALE* is the oldest known military ciphering method.
In the year 404 B.C. only one of five messengers survived the
grueling march from Persia back to the Spartan general *LYSANDER*.
The messenger gave *LYSANDER* his belt and *LYSANDER* winded his
belt around the so-called *SCYTALE*. Thus he was informed that
the Persians planned an attack, he prepared for this attack
and was able to fend it successfully.>> - Simon Singh
http://tinyurl.com/l4b4rvk
--------------------------------------------------------------
http://en.wikipedia.org/wiki/*LYSANDER*
<<*LYSANDER* was a Spartan admiral who was able to force
the Athenians to capitulate in the year 404 B.C., bringing
the Peloponnesian War to an end. *LYSANDER* was the first
Greek to whom the cities erected altars and sacrificed
to him as to a god and the Samians voted that their
festival of *HERA* should be called *LYSANDEREia*.>>
...........................................................
HERMIA: *LYSANDER* riddles VERy prettily:
. Now much beshrew my MANNERS and my pride,
. If Hermia meant to say *LYSANDER* lied.
----------------------------------------------------------
[M]R William SHAK<ES>PE[A]RES
ComediEs H<I>stO[R]IEs & TRagEdIEs
<P>UbL[I]ShEd accorDing to t[He] TrUe OrigInall Co<PIES>
.........................................................
_________ <= 17 =>
. [M]R.W i l l i a m S H A K <E S> P E
. [A]R E S C o m e d i E s H <I> s t O
. [R]I E s&T R a g E d I E s <P> U b L
. [I]S h E d a c c o r D i n g t o t
. [H e]T r U e O r i g I n a l l C o
. <P I E S>.
..........................................
[MARI.H(e.)] 17 : Prob. (skip<18) ~ 1 in 4174
..................................................
THE LA. [MARI]e [H(e.)]r(be)rt COUNTESSE OF PEMBROOKE.
----------------------------------------------------
_________ <= 17 =>
. [M]R W H A L L H A P P I N E S S E
. [A]N D T H A T E T E R N I T I E P
. [R]O M I S E D B Y O V R E V E R L
. [I]V I N G P O E T W I S H E T H T
. [H e]W E L L W I S H I N G A D V E
. N T V R E R I N S E T T I N G F O
. R T H T T
................................................
[MARI.H(e.)] 17 : Prob. (skip<18) ~ 1 in 10,000
-----------------------------------------------------------
http://www.bbc.com/news/education-35973094
<<There is a stage direction in King Lear, which, in the early
part of the print run, says rather cryptically "H {EDIS}",
which is then updated in later copies to "He dis"
before it is finally corrected to "He dies".>>
------------------------------------------------------
. "H {EDIS}" : {You *PUBLISH*} "H".
..................................................
_______ Sonnet 102 (Only Sonnet's *PUBLISH*)
.
. MY LOVE IS Strengthned though more weake in seeming
. I love not lesse, thogh lesse the show appeare,
. That love is marchandiz'd, whose ritch esteeming,
.
. The own[E]rs tongu[E] (DOTH} PUB[L]ISH {E}VER[Y] {WH}E{R}E) .
. Ou[R] lov{E} was [N]ew, and th[E]n but in t[H]e spring,
.
.{WH}en I was wont to greet it with my laies,
. As Philomell in summers front doth singe,
. And stops his pipe in growth of riper daies:
. Not that the summer is lesse pleasant now
. Then when her mournefull himns did hush the night,
. But that wild musick burthens *EVERy bow* ,
. And sweets growne common loose their deare delight.
. Therefore like her, I some-time hold my tongue:
. Because I would not dull you wiTH MY SONGE.
..................................................
. <= 8 =>
.
. T h(E)o w n [E]
. r s t(O)n g u [E]
. (D O T{H}P U B [L]
. I S H{E}V E R [Y]
. {W H}E{R}E)O u [R]
. l o v{E}w a s [N]
. e w,a n d t h [E]
. n b u t i n t [H]
. e s p r i n g,{W H}
.
Sidney friend/Queen's Champion:
[HENRY LEE] -8 : Prob. in any Sonnet ~ 1 in 1765
----------------------------------------------------------
_______ Sonnet 100
.(RISe) resty Muse, my loves sweet face suruay,
. If time haue any wrincle grauen there,
. If any, be a Satire to decay,
. And make times spoiles dispised *EVERY {WH}ERE*.
. Giue my love fame faster then time wasts life,
. So thou preuentst his *SIE(t)H*, and crooked knife.
-----------------------------------------------------------
QUICK [NATURE DIDE] [WHoSE] [NAM{E]DO}<TH. DECK.> YS TOMBE,
FAR MORE,THEN COST: [SIEH] ALL, YT HE HATH WRITT,
.............................................................
[N(a)TUREDIDE] [.W.H.oS.E] [si eH] [NAM{E],DO}<TH. DECK.>
[He is] [E.MAN.]&[E.So. H.W.] [EDIDERUT(a)N] / {EDO} <TH. DECK.>
.............................................................
{EDO}: I give out, put or bring forth; eject, discharge.
. I produce, bear, give birth to, yield, form, *BEGET* .
. I put forth, *PUBLISH* , spread abroad.
. I *SET FORTH*, relate, tell, disclose, deliver, announce, declare.
. I produce, perform, show, inflict, bring about, cause.
. I \ARAISE\ , lift, elevate.
.
[EDIDERUNT(a)]: 3rd-person plural perfect active indicative of {EDO}
[They have *SET FORTH*]
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To [.W.H.oS.E] sound chaste wings obay.
...................................................
3: [.W.H.oS.E] fresh repaire if now thou not renewest,
8: [.W.H.oS.E] speechlesse song being many, seeming one,
....................................................
. *EDO-uardus VERUS*
....................................................
. {EDO} , edere, EDIDI, EDITum, [EDIDERUNT] (Latin)
. give out, *SET FORTH*; bring forth, beget, produce;
. relate, tell, utter; *PUBLISH*.
-------------------------------------------------------
. King Lear (Quarto 1, 1608)
.
Cord. All blest secrets, all you *unPUBLISHt VER(tu)Es* of the earth,
. Spring with my teares, be aidant and remediat
. In the good mans distresse, seeke, seeke for him,
. Least his vngouernd rage dissolue the life,
. That wants the meanes to leade it.
......................................................
. King Lear (Quarto 2, 1619)
.
Lear. : 'tis our fast intent,
. To *SHAKE* all Cares and Businesse from our Age,
. Conferring them on yonger strengths, while we
. Vnburthen'd crawle toward death. Our son of Cornwal,
. And you our no lesse louing Sonne of Albany,
. We haue this houre a constant *Will to PUBLISH*
. Our daughters seuerall Dowers,
......................................................................
You thus have *PUBLISH'd* me! gentle my lord, The Winter's Tale: II, i
If he be guilty, as 'tis *PUBLISHed*. King Henry VI, part II: III, ii
His second marriage shall be *PUBLISH'd*, and King Henry VIII: III, ii
Hath *PUBLISH'd* and proclaim'd it openly: The Taming of the Shrew: IV, ii
Darest thou support a *PUBLISH'd* traitor? hence; King Lear: IV, vi
......................................................................
Hath made me *PUBLISHer* of this pretence. Two Gentlemen of Verona: III, i
Shall I not lie in *PUBLISHing a TRUTH*? Toilus and Cressida: V, ii
......................................................................
Ourselves we *PUBLISH* them. All's Well that Ends Well: I, iii
And *PUBLISH* the occasion of our arms. King Henry IV, part II: I, iii
And *PUBLISH* it that she is dead indeed; Much Ado About Nothing: IV, i
A proof of strength she could not *PUBLISH* more, Toilus and Cressida: V, ii
whose trial shall better *PUBLISH* his commendation. - Merchant of Venice: IV, i
......................................................................
yet thus far I will boldly *PUBLISH her*;
she *BORE* a mind that envy could not but call fair. Twelfth Night: II, i
......................................................................
______ *BOAR* = *VERRE* (Italian)
------------------------------------------------------------
. Last speech in the First Folio (1623):
. http://tinyurl.com/q7mtmcg
. http://tinyurl.com/q3588wk
........................................
Cymbeline: *LAUD WE THE GODS* ,
. And let our crooked SMOAKES
. climbe to their Nostrils
. From our blest Altars.
. *PUBLISH* we
.
. {T}his Pe{A}ce [T]o [A]{L}[L] o[U]r [S]{U}biect{S}.
.
. Set we forward:
. Let A Roman, and a Brittish Ensigne wave
. Friendly toge(T)h(E)r: (S|O) (T)hrough Luds-Towne march,
. And in the Temple of great *IUPITER*
. Our Peace wee'l ratifie: Seale it with Feasts.
. Set on there: NEVER was a Warre did cease
. (Ere bloodie hands were wash'd) with such a Peace.
........................................
. <= 6 =>
.
. P U B L I S
. H w e {T} h i
. s P e {A} c e
. [T] o [A]{L}[L] o
. [U] r [S]{U} b i
. e c t {S}.
.
[TALUS] 2
{TALUS} 6
........................................
Prob. of 2[TALUS]'s with skip < 7
in Last FF Speech: ~ 1 in 830,000
Prob. of a Royal Flush = 1 in 649,739
-------------------------------------------------------
http://tinyurl.com/ykugrfq
Edward (De Vere) Earl of Oxford poetry:
IV. COELUM NON SOLUM. (not only heaven)
A slauish Smi[T]h, of rude [A]nd rasca[L]l race,
Fo[U]nd meane[S] in time to gaine a Goddesse' grace.
.............................................
. <= 8 =>
.
. A s l a u i s h
. S m i [T] h o f r
. u d e [A] n d r a
. s c a [L] l r a c
. e F O [U] n d m e
. a n E [S] i n t i m e
.
to gaine a Goddesse' grace.
.
[TALUS] 8 : Prob. ~ 1 in 242
--------------------------------------------------------------
{SPENSER's} The Faerie Queene: Book V, the Book of Justice.
http://en.wikipedia.org/wiki/The_Faerie_Queene
<<Artegal is the personification and champion of Justice. Artegal has
a companion in [TALUS], a metal man who wields a flail & never sleeps
or tires but will mercilessly pursue and kill any number of villains.
[TALUS] obeys Artegal's command, and serves to represent justice
without mercy (hence, Artegal is the more human face of justice).
Later, [TALUS] does not rescue Artegal from enslavement by the wicked
Radigund, because Artegal is bound by a legal contract to serve her.>>
------------------------------------------------------------------
Dedicatory Verse to Oxford in {SPENSER's} The Faerie Queene:
...................................................
To the right Honourable the Earle
of Oxenford, Lord high Chamberlayne of
England. &c.
.
REc(E)ive most Noble Lord in gentle gree,
The unripe fruit of an u(N)ready wit:
Which BY THY COUNT{E|N}aunc[E| D}oth cra[V|e} to bee
D[E]f(E)nded f[R]om foule [E]n{V|I}es poisnous bit.
Which so to doe may th(E)e right w{E|L}l befit,
Sith th'antique glory of thine auncest{R}y
Under a *SHADY VELE* is therein writ,
And eke thin{E} owne lon(G) living memory,
Succeeding them in TRUE nobility:
And also for the love, which thou doest beare
To *th'Heliconian YMPS* , and they to thee,
They unto thee, and thou to them most dear[E]:
Deare as thou a[R]t unto thy self[E], so love
{T}h{A}t {L}o[V]e{S} & honours the[E], as doth behove.
..........................................
[EVERE] 8,-13, 40
{TALVS} 2
.
Prob. 3[E.VERE]s skip < 41 ~ 1 in 2,250)
Prob. {TALVS}/{TALUS}/{TALOS} skip 2 ~ 1 in 2,000
--------------------------------------------------------------------
Shakespeare's Eulogies by David Kathman
http://shakespeareauthorship.com/eulogies.html
William Basse wrote a poem entitled "On Mr. Wm. Shakespeare,
he died in April 1616" (thus he was very clearly referring
to the Stratford Shakespeare). Basse was suggesting that
Shakespeare should have been buried in Westminster Abbey
next to Chaucer, Beaumont, and Spenser (Chambers, II, 226):
William Basse (Shakespeare's Poems 1640)
.
. Renowned {[S]PENS<E>R}, lie a tho[U]ght m<O>re nigh
. To [L]earn<E>d Chaucer, [A]nd rare Beaumon[T] lie
. A little nearer {SPENSER} to make room
. {FOR SHAKESPEARE}in your threefold, fourfold tomb.
..................................................
. <= 14 =>
.
. R e n o w n e d{[S] P E N S <E>}
.{R}l i e a t h o [U] g h t m <O>
. r e n i g h T o [L] e a r n <E>
. d C H a u c<E>r,[A] n d r a r
. e B E a u m<O>n [T] l i e A l
. i t T l e n<E>a r e r{S P E
. N S E R}t o m a k e r o o m
.{F O R S H A K E S P E A R E}
.
[TALUS] -14 : Prob. ~ 1 in 1080
----------------------------------------------------
http://shakespeareauthorship.com/howdowe.html
. How We Know That Shakespeare Wrote Shakespeare:
. The Historical Facts by Tom Reedy & David Kathman
<<In 1610, John Davies of Hereford published a volume
entitled The Scourge of Folly, consisting mostly
of poems to famous people and Davies's friends.
One of these poems was addressed to Shakespeare:
...............................................
. SOME say good Will (which I, in sport, do sing)
. Had'st thou not plaid some Kingly parts in sport,
. Thou hadst bin a companion for a King ;
. And, beene a King among [T]he meaner sort.
. Some others raile ; but r[A]ile as they thinke fit,
. Thou hast no ray[L]ing, but, a raigning Wit :
. And honesty tho[U] sow'st, which they do reape ;
. So, to increa[S]e their Stocke which they do keepe.>>
[TALUS] 32 : Prob. ~ 1 in 493 (~Flush odds)
--------------------------------------------------------
Jonson, Discoveries
Poetry, in this latter age, hath proved but a m[E]an mistress to such as ha[V]e wholly addicted thems[E]lves to her, or given thei[R] names up to her family. Th[E]y who have but saluted her on the by, and now and then tendered their visits, she ha{T}h done much for, and advanced in the w{A}y of their own professions (both the {L}aw and the gospel) beyond all they co{U}ld have hoped or don[E] for themsel[V]e{S} without h[E]r favour. Whe[R]ein she doth [E]mulate the judicious but preposterous bounty of the time' s grandees, who accumulate all they can upon the PARASITE or FRESH-MAN in their friendship; but think an old client or honest servant bound by his place to write and starve.
[EVERE] 21, 11: Prob. of 2[EVERE]s in paragraph ~ 1 in 2475
{TALUS} 30 : Prob. in paragraph ~ 1 in 170
--------------------------------------------------------
Shakespeare's Eulogies by David Kathman
http://shakespeareauthorship.com/eulogies.html
2. Eulogies for William Shakespeare, 1616-1640
William Basse wrote a poem entitled "On Mr. Wm. Shakespeare,
he died in April 1616" (thus he was very clearly referring
to the Stratford Shakespeare). Basse was suggesting that
Shakespeare should have been buried in Westminster Abbey
next to Chaucer, Beaumont, and Spenser (Chambers, II, 226):
William Basse (Shakespeare's Poems 1640)
.
. Renowned {[S]PENS<E>R}, lie a tho[U]ght m<O>re nigh
. To [L]earn<E>d Chaucer, [A]nd rare Beaumon[T] lie
. A little nearer {SPENSER} to make room
. {FOR SHAKESPEARE}in your threefold, fourfold tomb.
..................................................
. <= 14 =>
.
. R e n o w n e d{[S] P E N S <E>}
.{R}l i e a t h o [U] g h t m <O>
. r e n i g h T o [L] e a r n <E>
. d C H a u c<E>r,[A] n d r a r
. e B E a u m<O>n [T] l i e A l
. i t T l e n<E>a r e r{S P E
. N S E R}t o m a k e r o o m
.{F O R S H A K E S P E A R E}
.
[TALUS] -14 : Prob. ~ 1 in 1080
...............................................
. To lodge all four in one bed make a shift
. Until Doomsday, for hardly will a fifth
. Betwixt this day and that by *FATE* be slain
. For whom your curtains may be drawn again.
. If your precedency in death doth bar
. {A} *FOURTH* place in your sacred sepulcher,
. {U}nder this carved marble of thine own
. {SL}eep rare tragedian Shakespeare, sleep alone,
. {T}hy unmolested peace, unshared cave,
. Possess as lord not tenant of thy grave,
. That unto us and others it may be
. Honor hereafter to be laid by thee.
---------------------------------------------------
HOMERIC HYMN 28 : TO PALLAS
Translated by George Chapman, 1624
.
. Pallas-Minerva's Deitie, the renown'd,
. My Muse in her variety must resound;
. Migh[T]ie in counsailes; whose Illustrous Eyes
. In all resembl[A]nce represent the skies.
. A r(EVERE)nd Maid of an inf[L]exible Minde;
. In Spirit and Person strong; of Triple kinde;
. Of J[O]ve-the-great-in-counsaile's very Braine
. Tooke Prime exi[S]tence; his unbounded Brows
. Could not containe her, such impetuous Throws
. Her Birth gave way to that abrode she flew,
. And stood in Gold arm'd in her Father's view,
.*SHAKING HER SHARPE LANCE*. All Olympus shooke
.{S}o terriblie beneath her that it tooke
.{U}p in amazes all the Deities there;
.{AL} Earth resounded with vociferous Feare;
.{T}he Sea was put up all in purple Waves,
. And settld sodainly her rudest Raves;
. Hype(R)ion's radiant Sonne his SWif{T}-hov'd Steedes
. A mighty Tyme staid, till h(E)r {A}rming weedes,
. As glorious as the Gods;, the b{L}ew-eyd Maid
. Tooke from h(E)r Deathlesse sho{U}lde(R)s. But then staid
. All th(E)se distemper{S}, and hea(V)en's counsailor, Jove,
. R(E)joic't that all things else his stay could mov(E).
. So I salute thee still; and still in P{RAISE}
. Thy *FAME*, and others', shall my Memorie {RAISE}.
.
[TALOS] 46
{TALUS} 35 : Prob. of both ~ 1 in 215
(E.VERE) -19
(E.VEER) -57
------------------------------------------------------
Art Neuendorffer
. Ecclesiasticus [KJV 1611]
.
22:2 A slouthfull man is compared to the filth of a *DUNGHILL*:
. *EVERY man* that takes it up, *WILL SHAKE* his hand.
-------------------------------------------------------------------
_[WILL]iam [SHAKE]speare: The Man Behind the Genius_ by Anthony Holden
<<We know that by 1552 John Shakespeare was living on the north-eastern
side of town, in HENley Street, thanks to his ignominious debut in the town
records on 29 April: fined a shilling, along with Humphrey Reynolds and
Adrian Quiney, for making an unauthorised *DUNGHILL*, *sterqu(I-NAR)-ium*,
or midden heap in front of the house of a neighbour, the wheelwright
William Chambers. In those days of the plague, a fine equivalent to
two days' pay for an artisan was a suitably stern judgement on those
too idle to use the communal muck-hill at the rural end of the street.
In a rare defiance of the family tradition (& his own later practice),
John Shakespeare paid his fine promptly.>>
-----------------------------------------------------------------
"Item juratores presentant super sacramentum suum quod Humfridius
Reynoldes xijd. Adrianus Quiney xijd. et Johannes Shakyspere xijd.
fecerunt *sterqu(I-NAR)-ium* in vico vocato Hendley Strete contra
ordinacionem curie; ideo *IPSI* in misericordia, ut patet."
.............................................................
So far as I can tell NO ONE uses *sterqu(I-NAR)-ium*
OTHER than with reference to Johannes Shakyspere.
The *proper* Latin term is *sterqu(I-LIN)-ium* !!!
.................................................
. Apparently Oxford's (backwards): *NIL*
. has been replaced with Stratford's *NAR*
..................................................
*NAR* : fool, jester, coxcomb (Danish, Dutch)
................................................
. *sterqu(I-LIN)-ium*
. *sterqu(I-NAR)-ium*
------------------------------------------------------
http://home.att.net/~tleary/GIFS/MINERVA.GIF
.
_The MINERVA BRITANNA_ Banner Folding clearly demonstrates
how the Equidistant Linear Sequence decoding is to be performed:
............................................................
http://f01.middlebury.edu/FS010A/students/Minerva/title.jpg
..........................................................
"all thinges perish and come to theyr last end, but workes
of learned WITS & monuments of Poetry abide *for EVER* ."
..........................................................
_______ <= 7 =>
.
. [V]I __\V\ (I)\T\ U R
. [I]N G __\E\ (N)\I\ O
. [C]Æ|T| E \R\ (A)\M\
. [O]R|T| I S __\E\ (R)
. [U N T]
.
\VERE\ 8 : Prob. ~ 1 in 140
(I-NAR) 8
..........................................................
1579: Dedication to Oxford in the only edition of
. Geoffrey Gates' The Defence of Militarie profession.
.
. TO THE RIGHT honorable, Edward de \VERE\, Earle of
. Oxenford, [VICOUNT] Bulbecke, Lod of Escales
. and Baldesmere, and Lord great Chamberlaine of England.
---------------------------------------------------
Sweet swan of A\V\on! what a sight it w\E\re
To see thee in ou\R\ waters yet appear\E\,
..............................................
_______ <= 15 =>
.
. S w e e t s w a n o f A \V\ o n!
. w h a t a s i g h t i t w \E\ r
. e T o s e e t h e e i n o u \R\
. w a t e r s y e t a p p e a r \E\
.
\VERE\ 16 : Prob. (in couplet) ~ 1 in 47
..................................................
And make those flights upon t{He} bankes of Tha[M]es,
That so did t[A]ke Eliza, and ou[R] James !
B{U}t stay, [I] se{E} thee in th{E} [He]misphe{R}e
Advanc'd, and made a Constellation t{He}re !
.......................................
_______ <= 13 =>
.
. A n d m a k e t h o s e f
. l i g h t s u p o n t {H e}
. b a n k e s o f T h a [M]e
. s T h a t s o d i d t [A]k
. e E l i z a a n d o u [R]J
. a m e s B{U}t s t a y [I|S)
. e{E}t h e e i n t h{E}[H e]
. m i s p h e{R}e A d v a n
. c'd,a n d m a d e a C o n
. s t e l l a t i o n t {H e}r e !
....................................................
[MARI.H(e.)] 13 : Prob. at end (skip<14) ~ 1 in 2525
.......................................................
THE LA. [MARI]e [H(e.)]r(be)rt COUNTESSE OF PEMBROOKE.
--------------------------------------------------------
This ma[N], with lyme and r[O]ughcast, doth p[R]esent
Wall, tha[T] vile wall, whic[H] did these louers sunder:
And through wals chinke, poore soules, they are content
To whisper. At the which, let no man wonder.
................................................
. <= 13 =>
.
.{T H(i)S M A}[N],w i t h l y
. m e a n d r [O] u g h c a s
. t,d o t h p [R] e s e n t W
. a l l,t h a [T] v i l e w a
. l l,w h i c [H] d i d t h e
. s e l o u e r s s u n d e r:
{TH(i)MAS}[NORTH] 13
....................................................
Plutarch's Lives Englished by Sir {TH(o)MAS} [NORTH]
in Ten Volumes, Vol. 5 *LYSANDER*
http://tinyurl.com/qal8ahq
To him selfe they sent immediately that which they call Scytala...
The Scytala is in this sort. When the Ephori doe send a Generall,
or an Admirall to the warres, they cause two litle round staues
to be made [etc.]... These two litle staues they call Scytales.
Ibid., This litle scrowle of parchment
also is called as the rowle of wodde, Scytala.
...........................................................
<<The *SCYTALE* is the oldest known military ciphering method.
In the year 404 B.C. only one of five messengers survived the
grueling march from Persia back to the Spartan general *LYSANDER*.
The messenger gave *LYSANDER* his belt and *LYSANDER* winded his
belt around the so-called *SCYTALE*. Thus he was informed that
the Persians planned an attack, he prepared for this attack
and was able to fend it successfully.>> - Simon Singh
http://tinyurl.com/l4b4rvk
--------------------------------------------------------------
http://en.wikipedia.org/wiki/*LYSANDER*
<<*LYSANDER* was a Spartan admiral who was able to force
the Athenians to capitulate in the year 404 B.C., bringing
the Peloponnesian War to an end. *LYSANDER* was the first
Greek to whom the cities erected altars and sacrificed
to him as to a god and the Samians voted that their
festival of *HERA* should be called *LYSANDEREia*.>>
...........................................................
HERMIA: *LYSANDER* riddles VERy prettily:
. Now much beshrew my MANNERS and my pride,
. If Hermia meant to say *LYSANDER* lied.
----------------------------------------------------------
[M]R William SHAK<ES>PE[A]RES
ComediEs H<I>stO[R]IEs & TRagEdIEs
<P>UbL[I]ShEd accorDing to t[He] TrUe OrigInall Co<PIES>
.........................................................
_________ <= 17 =>
. [M]R.W i l l i a m S H A K <E S> P E
. [A]R E S C o m e d i E s H <I> s t O
. [R]I E s&T R a g E d I E s <P> U b L
. [I]S h E d a c c o r D i n g t o t
. [H e]T r U e O r i g I n a l l C o
. <P I E S>.
..........................................
[MARI.H(e.)] 17 : Prob. (skip<18) ~ 1 in 4174
..................................................
THE LA. [MARI]e [H(e.)]r(be)rt COUNTESSE OF PEMBROOKE.
----------------------------------------------------
_________ <= 17 =>
. [M]R W H A L L H A P P I N E S S E
. [A]N D T H A T E T E R N I T I E P
. [R]O M I S E D B Y O V R E V E R L
. [I]V I N G P O E T W I S H E T H T
. [H e]W E L L W I S H I N G A D V E
. N T V R E R I N S E T T I N G F O
. R T H T T
................................................
[MARI.H(e.)] 17 : Prob. (skip<18) ~ 1 in 10,000
-----------------------------------------------------------
http://www.bbc.com/news/education-35973094
<<There is a stage direction in King Lear, which, in the early
part of the print run, says rather cryptically "H {EDIS}",
which is then updated in later copies to "He dis"
before it is finally corrected to "He dies".>>
------------------------------------------------------
. "H {EDIS}" : {You *PUBLISH*} "H".
..................................................
_______ Sonnet 102 (Only Sonnet's *PUBLISH*)
.
. MY LOVE IS Strengthned though more weake in seeming
. I love not lesse, thogh lesse the show appeare,
. That love is marchandiz'd, whose ritch esteeming,
.
. The own[E]rs tongu[E] (DOTH} PUB[L]ISH {E}VER[Y] {WH}E{R}E) .
. Ou[R] lov{E} was [N]ew, and th[E]n but in t[H]e spring,
.
.{WH}en I was wont to greet it with my laies,
. As Philomell in summers front doth singe,
. And stops his pipe in growth of riper daies:
. Not that the summer is lesse pleasant now
. Then when her mournefull himns did hush the night,
. But that wild musick burthens *EVERy bow* ,
. And sweets growne common loose their deare delight.
. Therefore like her, I some-time hold my tongue:
. Because I would not dull you wiTH MY SONGE.
..................................................
. <= 8 =>
.
. T h(E)o w n [E]
. r s t(O)n g u [E]
. (D O T{H}P U B [L]
. I S H{E}V E R [Y]
. {W H}E{R}E)O u [R]
. l o v{E}w a s [N]
. e w,a n d t h [E]
. n b u t i n t [H]
. e s p r i n g,{W H}
.
Sidney friend/Queen's Champion:
[HENRY LEE] -8 : Prob. in any Sonnet ~ 1 in 1765
----------------------------------------------------------
_______ Sonnet 100
.(RISe) resty Muse, my loves sweet face suruay,
. If time haue any wrincle grauen there,
. If any, be a Satire to decay,
. And make times spoiles dispised *EVERY {WH}ERE*.
. Giue my love fame faster then time wasts life,
. So thou preuentst his *SIE(t)H*, and crooked knife.
-----------------------------------------------------------
QUICK [NATURE DIDE] [WHoSE] [NAM{E]DO}<TH. DECK.> YS TOMBE,
FAR MORE,THEN COST: [SIEH] ALL, YT HE HATH WRITT,
.............................................................
[N(a)TUREDIDE] [.W.H.oS.E] [si eH] [NAM{E],DO}<TH. DECK.>
[He is] [E.MAN.]&[E.So. H.W.] [EDIDERUT(a)N] / {EDO} <TH. DECK.>
.............................................................
{EDO}: I give out, put or bring forth; eject, discharge.
. I produce, bear, give birth to, yield, form, *BEGET* .
. I put forth, *PUBLISH* , spread abroad.
. I *SET FORTH*, relate, tell, disclose, deliver, announce, declare.
. I produce, perform, show, inflict, bring about, cause.
. I \ARAISE\ , lift, elevate.
.
[EDIDERUNT(a)]: 3rd-person plural perfect active indicative of {EDO}
[They have *SET FORTH*]
-----------------------------------------------------------------
To [.W.H.oS.E] sound chaste wings obay.
...................................................
3: [.W.H.oS.E] fresh repaire if now thou not renewest,
8: [.W.H.oS.E] speechlesse song being many, seeming one,
....................................................
. *EDO-uardus VERUS*
....................................................
. {EDO} , edere, EDIDI, EDITum, [EDIDERUNT] (Latin)
. give out, *SET FORTH*; bring forth, beget, produce;
. relate, tell, utter; *PUBLISH*.
-------------------------------------------------------
. King Lear (Quarto 1, 1608)
.
Cord. All blest secrets, all you *unPUBLISHt VER(tu)Es* of the earth,
. Spring with my teares, be aidant and remediat
. In the good mans distresse, seeke, seeke for him,
. Least his vngouernd rage dissolue the life,
. That wants the meanes to leade it.
......................................................
. King Lear (Quarto 2, 1619)
.
Lear. : 'tis our fast intent,
. To *SHAKE* all Cares and Businesse from our Age,
. Conferring them on yonger strengths, while we
. Vnburthen'd crawle toward death. Our son of Cornwal,
. And you our no lesse louing Sonne of Albany,
. We haue this houre a constant *Will to PUBLISH*
. Our daughters seuerall Dowers,
......................................................................
You thus have *PUBLISH'd* me! gentle my lord, The Winter's Tale: II, i
If he be guilty, as 'tis *PUBLISHed*. King Henry VI, part II: III, ii
His second marriage shall be *PUBLISH'd*, and King Henry VIII: III, ii
Hath *PUBLISH'd* and proclaim'd it openly: The Taming of the Shrew: IV, ii
Darest thou support a *PUBLISH'd* traitor? hence; King Lear: IV, vi
......................................................................
Hath made me *PUBLISHer* of this pretence. Two Gentlemen of Verona: III, i
Shall I not lie in *PUBLISHing a TRUTH*? Toilus and Cressida: V, ii
......................................................................
Ourselves we *PUBLISH* them. All's Well that Ends Well: I, iii
And *PUBLISH* the occasion of our arms. King Henry IV, part II: I, iii
And *PUBLISH* it that she is dead indeed; Much Ado About Nothing: IV, i
A proof of strength she could not *PUBLISH* more, Toilus and Cressida: V, ii
whose trial shall better *PUBLISH* his commendation. - Merchant of Venice: IV, i
......................................................................
yet thus far I will boldly *PUBLISH her*;
she *BORE* a mind that envy could not but call fair. Twelfth Night: II, i
......................................................................
______ *BOAR* = *VERRE* (Italian)
------------------------------------------------------------
. Last speech in the First Folio (1623):
. http://tinyurl.com/q7mtmcg
. http://tinyurl.com/q3588wk
........................................
Cymbeline: *LAUD WE THE GODS* ,
. And let our crooked SMOAKES
. climbe to their Nostrils
. From our blest Altars.
. *PUBLISH* we
.
. {T}his Pe{A}ce [T]o [A]{L}[L] o[U]r [S]{U}biect{S}.
.
. Set we forward:
. Let A Roman, and a Brittish Ensigne wave
. Friendly toge(T)h(E)r: (S|O) (T)hrough Luds-Towne march,
. And in the Temple of great *IUPITER*
. Our Peace wee'l ratifie: Seale it with Feasts.
. Set on there: NEVER was a Warre did cease
. (Ere bloodie hands were wash'd) with such a Peace.
........................................
. <= 6 =>
.
. P U B L I S
. H w e {T} h i
. s P e {A} c e
. [T] o [A]{L}[L] o
. [U] r [S]{U} b i
. e c t {S}.
.
[TALUS] 2
{TALUS} 6
........................................
Prob. of 2[TALUS]'s with skip < 7
in Last FF Speech: ~ 1 in 830,000
Prob. of a Royal Flush = 1 in 649,739
-------------------------------------------------------
http://tinyurl.com/ykugrfq
Edward (De Vere) Earl of Oxford poetry:
IV. COELUM NON SOLUM. (not only heaven)
A slauish Smi[T]h, of rude [A]nd rasca[L]l race,
Fo[U]nd meane[S] in time to gaine a Goddesse' grace.
.............................................
. <= 8 =>
.
. A s l a u i s h
. S m i [T] h o f r
. u d e [A] n d r a
. s c a [L] l r a c
. e F O [U] n d m e
. a n E [S] i n t i m e
.
to gaine a Goddesse' grace.
.
[TALUS] 8 : Prob. ~ 1 in 242
--------------------------------------------------------------
{SPENSER's} The Faerie Queene: Book V, the Book of Justice.
http://en.wikipedia.org/wiki/The_Faerie_Queene
<<Artegal is the personification and champion of Justice. Artegal has
a companion in [TALUS], a metal man who wields a flail & never sleeps
or tires but will mercilessly pursue and kill any number of villains.
[TALUS] obeys Artegal's command, and serves to represent justice
without mercy (hence, Artegal is the more human face of justice).
Later, [TALUS] does not rescue Artegal from enslavement by the wicked
Radigund, because Artegal is bound by a legal contract to serve her.>>
------------------------------------------------------------------
Dedicatory Verse to Oxford in {SPENSER's} The Faerie Queene:
...................................................
To the right Honourable the Earle
of Oxenford, Lord high Chamberlayne of
England. &c.
.
REc(E)ive most Noble Lord in gentle gree,
The unripe fruit of an u(N)ready wit:
Which BY THY COUNT{E|N}aunc[E| D}oth cra[V|e} to bee
D[E]f(E)nded f[R]om foule [E]n{V|I}es poisnous bit.
Which so to doe may th(E)e right w{E|L}l befit,
Sith th'antique glory of thine auncest{R}y
Under a *SHADY VELE* is therein writ,
And eke thin{E} owne lon(G) living memory,
Succeeding them in TRUE nobility:
And also for the love, which thou doest beare
To *th'Heliconian YMPS* , and they to thee,
They unto thee, and thou to them most dear[E]:
Deare as thou a[R]t unto thy self[E], so love
{T}h{A}t {L}o[V]e{S} & honours the[E], as doth behove.
..........................................
[EVERE] 8,-13, 40
{TALVS} 2
.
Prob. 3[E.VERE]s skip < 41 ~ 1 in 2,250)
Prob. {TALVS}/{TALUS}/{TALOS} skip 2 ~ 1 in 2,000
--------------------------------------------------------------------
Shakespeare's Eulogies by David Kathman
http://shakespeareauthorship.com/eulogies.html
William Basse wrote a poem entitled "On Mr. Wm. Shakespeare,
he died in April 1616" (thus he was very clearly referring
to the Stratford Shakespeare). Basse was suggesting that
Shakespeare should have been buried in Westminster Abbey
next to Chaucer, Beaumont, and Spenser (Chambers, II, 226):
William Basse (Shakespeare's Poems 1640)
.
. Renowned {[S]PENS<E>R}, lie a tho[U]ght m<O>re nigh
. To [L]earn<E>d Chaucer, [A]nd rare Beaumon[T] lie
. A little nearer {SPENSER} to make room
. {FOR SHAKESPEARE}in your threefold, fourfold tomb.
..................................................
. <= 14 =>
.
. R e n o w n e d{[S] P E N S <E>}
.{R}l i e a t h o [U] g h t m <O>
. r e n i g h T o [L] e a r n <E>
. d C H a u c<E>r,[A] n d r a r
. e B E a u m<O>n [T] l i e A l
. i t T l e n<E>a r e r{S P E
. N S E R}t o m a k e r o o m
.{F O R S H A K E S P E A R E}
.
[TALUS] -14 : Prob. ~ 1 in 1080
----------------------------------------------------
http://shakespeareauthorship.com/howdowe.html
. How We Know That Shakespeare Wrote Shakespeare:
. The Historical Facts by Tom Reedy & David Kathman
<<In 1610, John Davies of Hereford published a volume
entitled The Scourge of Folly, consisting mostly
of poems to famous people and Davies's friends.
One of these poems was addressed to Shakespeare:
...............................................
. SOME say good Will (which I, in sport, do sing)
. Had'st thou not plaid some Kingly parts in sport,
. Thou hadst bin a companion for a King ;
. And, beene a King among [T]he meaner sort.
. Some others raile ; but r[A]ile as they thinke fit,
. Thou hast no ray[L]ing, but, a raigning Wit :
. And honesty tho[U] sow'st, which they do reape ;
. So, to increa[S]e their Stocke which they do keepe.>>
[TALUS] 32 : Prob. ~ 1 in 493 (~Flush odds)
--------------------------------------------------------
Jonson, Discoveries
Poetry, in this latter age, hath proved but a m[E]an mistress to such as ha[V]e wholly addicted thems[E]lves to her, or given thei[R] names up to her family. Th[E]y who have but saluted her on the by, and now and then tendered their visits, she ha{T}h done much for, and advanced in the w{A}y of their own professions (both the {L}aw and the gospel) beyond all they co{U}ld have hoped or don[E] for themsel[V]e{S} without h[E]r favour. Whe[R]ein she doth [E]mulate the judicious but preposterous bounty of the time' s grandees, who accumulate all they can upon the PARASITE or FRESH-MAN in their friendship; but think an old client or honest servant bound by his place to write and starve.
[EVERE] 21, 11: Prob. of 2[EVERE]s in paragraph ~ 1 in 2475
{TALUS} 30 : Prob. in paragraph ~ 1 in 170
--------------------------------------------------------
Shakespeare's Eulogies by David Kathman
http://shakespeareauthorship.com/eulogies.html
2. Eulogies for William Shakespeare, 1616-1640
William Basse wrote a poem entitled "On Mr. Wm. Shakespeare,
he died in April 1616" (thus he was very clearly referring
to the Stratford Shakespeare). Basse was suggesting that
Shakespeare should have been buried in Westminster Abbey
next to Chaucer, Beaumont, and Spenser (Chambers, II, 226):
William Basse (Shakespeare's Poems 1640)
.
. Renowned {[S]PENS<E>R}, lie a tho[U]ght m<O>re nigh
. To [L]earn<E>d Chaucer, [A]nd rare Beaumon[T] lie
. A little nearer {SPENSER} to make room
. {FOR SHAKESPEARE}in your threefold, fourfold tomb.
..................................................
. <= 14 =>
.
. R e n o w n e d{[S] P E N S <E>}
.{R}l i e a t h o [U] g h t m <O>
. r e n i g h T o [L] e a r n <E>
. d C H a u c<E>r,[A] n d r a r
. e B E a u m<O>n [T] l i e A l
. i t T l e n<E>a r e r{S P E
. N S E R}t o m a k e r o o m
.{F O R S H A K E S P E A R E}
.
[TALUS] -14 : Prob. ~ 1 in 1080
...............................................
. To lodge all four in one bed make a shift
. Until Doomsday, for hardly will a fifth
. Betwixt this day and that by *FATE* be slain
. For whom your curtains may be drawn again.
. If your precedency in death doth bar
. {A} *FOURTH* place in your sacred sepulcher,
. {U}nder this carved marble of thine own
. {SL}eep rare tragedian Shakespeare, sleep alone,
. {T}hy unmolested peace, unshared cave,
. Possess as lord not tenant of thy grave,
. That unto us and others it may be
. Honor hereafter to be laid by thee.
---------------------------------------------------
HOMERIC HYMN 28 : TO PALLAS
Translated by George Chapman, 1624
.
. Pallas-Minerva's Deitie, the renown'd,
. My Muse in her variety must resound;
. Migh[T]ie in counsailes; whose Illustrous Eyes
. In all resembl[A]nce represent the skies.
. A r(EVERE)nd Maid of an inf[L]exible Minde;
. In Spirit and Person strong; of Triple kinde;
. Of J[O]ve-the-great-in-counsaile's very Braine
. Tooke Prime exi[S]tence; his unbounded Brows
. Could not containe her, such impetuous Throws
. Her Birth gave way to that abrode she flew,
. And stood in Gold arm'd in her Father's view,
.*SHAKING HER SHARPE LANCE*. All Olympus shooke
.{S}o terriblie beneath her that it tooke
.{U}p in amazes all the Deities there;
.{AL} Earth resounded with vociferous Feare;
.{T}he Sea was put up all in purple Waves,
. And settld sodainly her rudest Raves;
. Hype(R)ion's radiant Sonne his SWif{T}-hov'd Steedes
. A mighty Tyme staid, till h(E)r {A}rming weedes,
. As glorious as the Gods;, the b{L}ew-eyd Maid
. Tooke from h(E)r Deathlesse sho{U}lde(R)s. But then staid
. All th(E)se distemper{S}, and hea(V)en's counsailor, Jove,
. R(E)joic't that all things else his stay could mov(E).
. So I salute thee still; and still in P{RAISE}
. Thy *FAME*, and others', shall my Memorie {RAISE}.
.
[TALOS] 46
{TALUS} 35 : Prob. of both ~ 1 in 215
(E.VERE) -19
(E.VEER) -57
------------------------------------------------------
Art Neuendorffer
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