ARRETE
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Jan 16, 2012, 11:54:20 PM1/16/12
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--------------------------------------------------------------
_______________ <= 19 =>
.
. TOTHEO [N] li _ <E>B<E> (G) ETTERO
. FTHESE__- [I] nS - U<I>N (G) __ SONNET
. SMrWha_- [L] LH [a] <P> <P> I [N] ESSEA
. NDthat____[E] T _ [E|r] - N <I> T__ [I] EPROM
. ISEDB Y O u ___ [R|e] V <E> R [L] IVING
. <P> OEtW I s h ___ [E|t] _ H [T] H_- [E] WELLW
. <I> ShIN-(G)a ___ [d V e] N [T] u ______ ReRINS
. <E> tTIN (G)fort----_____ H [T] t
----------------------------------------------------------------
. CRATYLUS by Plato
.
<<SOCRATES: ARETE will be the opposite of it, signifying in
the first place ease of motion, then that the stream of the good
soul is unimpeded, and has therefore the attribute of EVER FLOWING
. without let or hindrance, and is therefore called ARETE,
. or, more correctly, aeireite (EVER-FLOWING),>>
------------------------------------------------------------------
<<Hee [Shakespeare] was (indeed) honest, and of an open, and free
nature : had an excellent Phantsie ; brave notions, and gentle
expressions : wherein hee FLOW'D with that facility, that sometime
it was necessary he should be stop'd : Sufflaminandus erat ;
as Augustus said of Haterius.>>
----------------------------------------------------------------
. French: arrêté stopped
-------------------------------------------------------------
http://freepages.genealogy.rootsweb.com/~lgboyd/chapter5.htm
<<The de VERES were an ancient dynastic family seated at their
ancestral village of VER (from which they took their name), near
Bayeaux and the River VIRE, in MANCHE on the NORMANdy coast of
present-day northern France. The name of the town itself came
from the "VER," a Norse word meaning "fishdam" that the Vikings
had introduced into NORMANdy, and etymologically akin to
the Old English word "weir" meaning a "fish dam,"
and originally spelled both "Wier" & "Wear" also,
hence the diverse spellings of the FAMILY name.>>
-------------------------------------------------------------------
http://www.webcom.com/shownet/medea/bulfinch/bull20.html
DaEDALUS WAS SO ENVIOUS of his nephew [TALOS]'s performances
that he took an opportunity, when they were together one day
on the top of a high tower to push him off. But Minerva, who
favours ingenuity, saw him falling, and *arrested his FATE* by
changing him into a bird called after his name, the Partridge (or
LAPWING). This bird does not build his nest in the trees, nor take
lofty flights, but nestles in the HEDGES, and avoids high places.>>
--------------------------------------------------------------
"David L. Webb" wrote:
>
> You've missed the point (as usual) with "ARETE," Art. "ARETE"
> is Spanish for "earring." The proximity of "Vere" and "ARETE"
> in the grid is an obvious reference to the Chandos portrait.
------------------------------------------------------------------
*ARETE* : (Spanish) earring, ring, gurnard, soldier.
-------------------------------------------------------------------
*ARETE*, n. [F., lit., a sharp fish bone, ridge, sharp edge.]
.................................................................
http://www.webcom.com/shownet/medea/bulfinch/bull20.html
.
<<DaEDALUS was so proud of his achievements that he could not bear
the idea of a rival. His sister had placed her son *TALOS* under his
charge to be taught the mechanical arts. TALOS was an apt scholar
and gave striking evidences of ingenuity. WALKING ON THE SEASHORE
he picked up the SPINE OF A FISH. Imitating it, he took a piece of
iron and notched it on the edge, and thus invented the HANDSAW.>>
-------------------------------------------------------------------
. P. Ovidius Naso, Metamorphoses Book 8 (ed. Arthur Golding)
.
Did put him to thee to be taught full twelve yeares old and apt
To take instruction. He did marke the middle bone that goes
Through fishes, and according to the paterne tane of those
. He *filed teeth* upon a piece of yron one by one
. And so devised first the Saw where erst was never none.
-----------------------------------------------------------------
. And such wert thou. Looke how the fathers face
. Lives in his issue, even so, the race
. Of Shakespeares minde, and *MANNERS* brightly shines
. In his well toned, and *true-filed lines*:
. In each of which, he seemes to *shake a Lance* ,
. As brandish't at the eyes of Ignorance. -- Ben Jonson
------------------------------------------------------------------
. Francis Meres *Palladis Tamia* (1598).
. http://daphne.palomar.edu/shakespeare/meres.htm
As Epius Stolo said, that the Muses would speake with Plautus tongue,
if they would speak Latin : so I say that the Muses would speak with
Shakespeares *fine filed phrase*, if they would speake English."
-----------------------------------------------------------------
. [T]o life againe, to heare thy BUSKIN tread,
. [A]nd SHAKE a stage : Or, when thy SOCKES were on,
. [L]eave thee alone, for the comparison
. [O]f all, that INSOLENT GREECE, or haughtie Rome
. [S]ent forth, or since did from their ashes come.
............................................................
. probability of *TALOS* (Greek: "sufferer") ~ 1/1,235
---------------------------------------------------------------
Love[S] Lab[O]urs [L]ost. [A] Wit[T]ie and Pleasant Comedie,
As it was Acted by his Maiesties Servants at the Blacke-Friers
and the Globe. Written by William Shakespeare. London, Printed
by W. S. for John Smethwicke, and are to be sold at his
Shop in Saint Dunstones Church-yard under the Diall. 1631.
.
[TALOS] -4 {110,000}
-----------------------------------------------------------------
The Lamentable Tragedie of Locrine, the eldest sonne of King Brutus
discoursing the warres of the Britaines, and Hunnes, with their
discomfiture: The Britaines victorie with their Accidents and
[T]he death of Alb[A]nact. No lesse p[L]easant then pr[O]fitable.
Newly [S]et foorth, ouerseene and corrected.
By W. S. Thomas Creede. 1595.
.
[TALOS] 13 {28,000}
------------------------------------------------------------------
An excellent conceited Tragedie of Romeo and Iuliet. As it
ha[T]h been often (with gre[A]t applause) plaid pub[L]iquely,
by the right H[O]nourable the L. of Hun[S]don his Seruants.
London, Printed by Iohn Danter. 1597.
.
[TALOS] 18 {20,000}
----------------------------------------------------------------
___ Romeo and Juliet (Quarto 1, 1597) Act 3, Scene 3
.
Romeo: As if that name shot from the deadly leuel of a gun
. Did murder her, as that names cursed hand
. Murderd her kinsman. Ah tell me holy Fryer
. In what *VILE* part of this Anatomy
. *Doth my name lye* ? Tell me that I may *SACKE*
. The hatefull mansion?
----------------------------------------------------------------
http://en.wikipedia.org/wiki/The_Isle_of_Dogs_%28play%29
.
<<The Isle of Dogs is a play by {T}homas {NASHE} & Ben [JONSON] which
was performed in 1597. It was immediately suppressed, and no copy of
it is known to exist. The play was performed, probably by Pembroke's
Men, at the Swan Theatre in Bankside in July or August, 1597.>>
-------------------------------------------------------------
____ Romeo and Juliet (Quarto 1, 1597)
...............................................
The Prologu{E}.
.
. TWo houshold Frends alike in dign{I}tie,
. (In faire Verona, where we lay ou{R} Scen[E])
. From ciuill broyles b[R]oke i{N}to enmitie,
. {VV}hos[E] ciu(I)ll warre mak{E}s ci[V]ill hands vncleane.
. From fort{H} the fatall loynes of these two fo[E]s,
. A paire of starre-c[R]ost Louers tooke th[E]ir life:
. {VV}hose misa(d|V|e)ntures, piteous ou[E]rthrowes,
. (Through t{H}e continuing of the{I}r Fathers strife,
. An{D} death-markt passag{E} of their Parents rage)
. Is now the two howres traffique of our Stage.
. The which if you with patient eares attend,
. {VV}hat here we want wee'l studie to amend.
...............................................
. The Prologu{E} T- <= 17 =>
.
- W o h o u s h o l d F r e n d s a
_ l i k e i n d i g n{I}t i e I n f
- a i r e V e r o n a w h e r e w e
- l a y o u{R}S c e n[E]F r o m c i
_ u _i_ l_l_b r o y l e s b[R]o k e i
. {N} t o e n m i t i e W h o s[E]c i
- u (I) l_l_w a r r e m a k{E}s c i[V]
- i (L){L}h a n d s v n c l e a n e F
- r (o) m f{o}r t{H}t h e f a t a{L}l
- l (O) y n e s{O}f t h e s e t w o f
. {O}[E] s A p a i r e o f s t a r r e
- c [R|{O}s t l O u e r s t o o k e t
- h [E] i r{L}i f e W h o s e m i s a
. (d|V|e) n t u r e s p i t e o u s o
- u [E] r t h r o w e s T h r o u g h
...................................
{HENRIE} -29
[VERE] -19
.
[I, Lo. O.][E. (de) VERE] -17
...................................
_ t {H} e c o n t i n u i n g o f t h
_ e {I} r F a t h e r s s t r i f e A
- n {D} d e a t h m a r k t p a s s a
- g {E} o f t h e i r P a r e n t s r
- a (G) e I s n o w t h e t w o h o w
_ r (E) s t r a f f i q u e o f o u r
- S (T) a g e T h e w(H)i c(H)i f y o
_ u _w i t h_p a_t_i(E)n t(E)a r e s
_ a t t e n d_W h a(T)h e(R)e w e w
_ a n t_w e_e l_s t u d i(E)t o
- a m e n d.
------------------------------------------
Benson & Cotes's
......................................
TO THE READ[E]R.
The[R]e presu{M|E] (under f{A|V]our) to
p{R|E]sent to {Y|O]ur view {S|o]me excel[L]ent and
sweetely composed Poems, of Master William Shakespeare, Which
in themselves appeare of the same purity, the Authour himselfe then
living avouched ; they had not the fortune by reason of their Infancie
in his death to have the due accomodatio of proportionable glory with
the rest of his *EVER-living* Workes, yet the lines of themselves will
afford you a more authentick approbation than my assurance any way
can, to invite your allowance, in your perusall you shall find them
Seren, cleere and eligantly plaine, such gentle straines as shall
recreate and not perplexe your braine, no intricate or cloudy stuffe
to puzzell intellect, but perfect eloquence ; such as will raise your
admiration to his praise: this assurance I know will not differ from
your acknowledgment. And certaine I am, my opinion will be seconded
by the sufficiency of these ensuing lines ; I have beene somewhat
solicitus to bring this forth to the perfect view of all men ;
and in so doing glad to be serviceable for the continuance
of glory to the *DEsERVEd Author* in these his Poems.
...................................
______ <= 8 =>
. T O T H E R [E] A
. D E R T H e [R] e
__ p r e s u {M|E] u
___ n d e r f {A|V] o
__- u r t o p {R|E] s
___ e n t t o {Y|O] u
__- r v i e w {S|o] m
__- e e x c e l[L] e
__- n t a n d s w e
__- e t e l y c o m
__- p o s e d P o e m s
{MARY S} 8
[Lo. O., E. VERE] -8
---------------------------------------------------
http://www.sourcetext.com/sourcebook/library/barrell/08shreds.htm
.
King of Shreds and Patches
An Examination of the Alleged Credentials of Sir Edward Dyer
as the "Great Reviser" of the Shakespearean Works
Copyright 1943 by Charles Wisner Barrell
First published in The Shakespeare Fellowship News-Letter, April
1943.
.
<<In 1597 Sidney's beloved sister, {MARY Sidney} the
Countess of Pembroke, tried to bring about a marriage
between Oxford's daughter, Bridget Vere, and
her eldest son, William Herbert, later Earl of Pembroke;
while Oxford's youngest daughter, Susan, did become
the wife of Philip Herbert, Earl of Montgomery, the nephew
and namesake of the same Sir Philip Sidney that Alden
Brooks declares Lord Oxford seriously plotted to "murder."
It is hardly necessary to point out the fact that Shakespeare's
First Folio is dedicated to these two "incomparable brethren"
— one of whom was the poet Earl of Oxford's son-in-law.>>
-------------------------------------------------------------
The Tragedy of King Richard the third. Containing, His
treacherous Plots against his brother Clarence : the pittiefull
murther of his innocent nephewes : his tyrannicall vsurpation :
with the whole course of his detested life, and most deserued
death. As it hath beene lately Acted b[Y] the Right honourabl[E]
the Lord Chamberlai[N]e his seruants. At Lon[D]on, Printed by
Valent[I]ne Sims, for Andrew Wi[S]e, dwelling in Paules
Churchyard, at the signe of the Angell. 1597. 4to. 47 leaves.
[SIDNEY] 18
-----------------------------------------------------------
A PLEASANT CONCEITED HISTORY, CALLED THE TAMING OF A SHREW.
AS IT WAS SUNDRY TIMES ACTED BY THE RIGHT HONORABLE
. THE EARL OF *PEMBROKE* HIS SERVANTS.
.
. Prologue/Epilogue [~ 6,000 letters]
.
TOM: AND IF YOUR HONOR [P]LEASE TO [H]UNT THE D[E]ER,
. YOUR H[O]UNDS STA[N]D READY COUPLED AT THE DOOR,
. AND MAKE THE LONG BREATH'D TIGER BROKEN-WINDED.
.
[PHEON] -8 {94,000}
http://www.bl.uk/treasures/shakespeare/players.html
John Sincklo (or Sinclo, or Sincler) was a player with *PEMBROKE’s
Men* in 1592. By 1598 he was acting with the Lord Chamberlain’s
Men. Sincklo was apparently very thin, and his roles seem
to have included Slender in The Merry Wives of Windsor.
His acting career seems to have lasted from 1592 until 1604.>>
-------------------------------------------------------
. The Taming of the Shrew (Folio 1, 1623)
. Prologue [~ 9,000 letters]
............................................
*SINCKLO* : I thinke 'twas Soto that your honor meanes.
Lord. 'Tis *VERiE TRUE* , thou didst it excellent:
. Well you are come to [M]e in happie time,
. The rather for I h[A]ue some s{P}ort in {H}and,
. Wh{E}rein y{O}u[R] cun{N}ing can assist me much.
. There [I]s a Lord will heare you play to nig[H]t;
.
{PHEON} 6 {130,000}
[HIRAM] -28 {33,000}
-------------------------------------------------------
. http://home.freeuk.net/sidsoft/pensinfo.html
.
The Sidney Family arms shows a *PORCUPINE* & a lion
. on either side of the Sidney *PHEON* .
.
"Whither the *FATES CALL* " is the meaning of Sidney's motto:
.
____ *QUO FATA VOCANT*
---------------------------------------------
Romeo and Juliet (Quarto 1, 1597)
.
The Prologue.
.
. Tvvo houshold Frends alike in dignitie,
.(In faire VEROna, where we lay our Scene)
. From ciuill broyles broke into enmitie,
. {VV}hose ciuill warre makes ciuill hands vncleane.
.
[F]rom forth the *FATAll* loynes of these two foes,
[A] paire of starre-crost Louers tooke their life:
. {VV}hose misaduentures, piteous ouerthrowes,
[T]hrough the continuing of their Fathers strife,
[A]nd death-markt passage of their Parents rage
.
. Is now the two howres traffique of our Stage.
. The which if you with patient EARES attend,
. {VV}hat *HERE we WANT* wee'l studie to amend.
--------------------------------------------------------
Wm Shaxpere & Anna *WHATEley* of Temple Grafton
...........................................
<<There is an old English word *WHATE* ,
. meaning fortune, *FATE* , or destiny,
I think that in a desperate moment of inspiration,
confused before the clerk, Shakespeare reached into
his heart and came out with the name of that Anne
who would have been his choice, his *FATE* , his destiny.>>
. - _The Late Mr. Shakespeare_ by Robert Nye
--------------------------------------------------
Art Neuendorffer
_______________ <= 19 =>
.
. TOTHEO [N] li _ <E>B<E> (G) ETTERO
. FTHESE__- [I] nS - U<I>N (G) __ SONNET
. SMrWha_- [L] LH [a] <P> <P> I [N] ESSEA
. NDthat____[E] T _ [E|r] - N <I> T__ [I] EPROM
. ISEDB Y O u ___ [R|e] V <E> R [L] IVING
. <P> OEtW I s h ___ [E|t] _ H [T] H_- [E] WELLW
. <I> ShIN-(G)a ___ [d V e] N [T] u ______ ReRINS
. <E> tTIN (G)fort----_____ H [T] t
----------------------------------------------------------------
. CRATYLUS by Plato
.
<<SOCRATES: ARETE will be the opposite of it, signifying in
the first place ease of motion, then that the stream of the good
soul is unimpeded, and has therefore the attribute of EVER FLOWING
. without let or hindrance, and is therefore called ARETE,
. or, more correctly, aeireite (EVER-FLOWING),>>
------------------------------------------------------------------
<<Hee [Shakespeare] was (indeed) honest, and of an open, and free
nature : had an excellent Phantsie ; brave notions, and gentle
expressions : wherein hee FLOW'D with that facility, that sometime
it was necessary he should be stop'd : Sufflaminandus erat ;
as Augustus said of Haterius.>>
----------------------------------------------------------------
. French: arrêté stopped
-------------------------------------------------------------
http://freepages.genealogy.rootsweb.com/~lgboyd/chapter5.htm
<<The de VERES were an ancient dynastic family seated at their
ancestral village of VER (from which they took their name), near
Bayeaux and the River VIRE, in MANCHE on the NORMANdy coast of
present-day northern France. The name of the town itself came
from the "VER," a Norse word meaning "fishdam" that the Vikings
had introduced into NORMANdy, and etymologically akin to
the Old English word "weir" meaning a "fish dam,"
and originally spelled both "Wier" & "Wear" also,
hence the diverse spellings of the FAMILY name.>>
-------------------------------------------------------------------
http://www.webcom.com/shownet/medea/bulfinch/bull20.html
DaEDALUS WAS SO ENVIOUS of his nephew [TALOS]'s performances
that he took an opportunity, when they were together one day
on the top of a high tower to push him off. But Minerva, who
favours ingenuity, saw him falling, and *arrested his FATE* by
changing him into a bird called after his name, the Partridge (or
LAPWING). This bird does not build his nest in the trees, nor take
lofty flights, but nestles in the HEDGES, and avoids high places.>>
--------------------------------------------------------------
"David L. Webb" wrote:
>
> You've missed the point (as usual) with "ARETE," Art. "ARETE"
> is Spanish for "earring." The proximity of "Vere" and "ARETE"
> in the grid is an obvious reference to the Chandos portrait.
------------------------------------------------------------------
*ARETE* : (Spanish) earring, ring, gurnard, soldier.
-------------------------------------------------------------------
*ARETE*, n. [F., lit., a sharp fish bone, ridge, sharp edge.]
.................................................................
http://www.webcom.com/shownet/medea/bulfinch/bull20.html
.
<<DaEDALUS was so proud of his achievements that he could not bear
the idea of a rival. His sister had placed her son *TALOS* under his
charge to be taught the mechanical arts. TALOS was an apt scholar
and gave striking evidences of ingenuity. WALKING ON THE SEASHORE
he picked up the SPINE OF A FISH. Imitating it, he took a piece of
iron and notched it on the edge, and thus invented the HANDSAW.>>
-------------------------------------------------------------------
. P. Ovidius Naso, Metamorphoses Book 8 (ed. Arthur Golding)
.
Did put him to thee to be taught full twelve yeares old and apt
To take instruction. He did marke the middle bone that goes
Through fishes, and according to the paterne tane of those
. He *filed teeth* upon a piece of yron one by one
. And so devised first the Saw where erst was never none.
-----------------------------------------------------------------
. And such wert thou. Looke how the fathers face
. Lives in his issue, even so, the race
. Of Shakespeares minde, and *MANNERS* brightly shines
. In his well toned, and *true-filed lines*:
. In each of which, he seemes to *shake a Lance* ,
. As brandish't at the eyes of Ignorance. -- Ben Jonson
------------------------------------------------------------------
. Francis Meres *Palladis Tamia* (1598).
. http://daphne.palomar.edu/shakespeare/meres.htm
As Epius Stolo said, that the Muses would speake with Plautus tongue,
if they would speak Latin : so I say that the Muses would speak with
Shakespeares *fine filed phrase*, if they would speake English."
-----------------------------------------------------------------
. [T]o life againe, to heare thy BUSKIN tread,
. [A]nd SHAKE a stage : Or, when thy SOCKES were on,
. [L]eave thee alone, for the comparison
. [O]f all, that INSOLENT GREECE, or haughtie Rome
. [S]ent forth, or since did from their ashes come.
............................................................
. probability of *TALOS* (Greek: "sufferer") ~ 1/1,235
---------------------------------------------------------------
Love[S] Lab[O]urs [L]ost. [A] Wit[T]ie and Pleasant Comedie,
As it was Acted by his Maiesties Servants at the Blacke-Friers
and the Globe. Written by William Shakespeare. London, Printed
by W. S. for John Smethwicke, and are to be sold at his
Shop in Saint Dunstones Church-yard under the Diall. 1631.
.
[TALOS] -4 {110,000}
-----------------------------------------------------------------
The Lamentable Tragedie of Locrine, the eldest sonne of King Brutus
discoursing the warres of the Britaines, and Hunnes, with their
discomfiture: The Britaines victorie with their Accidents and
[T]he death of Alb[A]nact. No lesse p[L]easant then pr[O]fitable.
Newly [S]et foorth, ouerseene and corrected.
By W. S. Thomas Creede. 1595.
.
[TALOS] 13 {28,000}
------------------------------------------------------------------
An excellent conceited Tragedie of Romeo and Iuliet. As it
ha[T]h been often (with gre[A]t applause) plaid pub[L]iquely,
by the right H[O]nourable the L. of Hun[S]don his Seruants.
London, Printed by Iohn Danter. 1597.
.
[TALOS] 18 {20,000}
----------------------------------------------------------------
___ Romeo and Juliet (Quarto 1, 1597) Act 3, Scene 3
.
Romeo: As if that name shot from the deadly leuel of a gun
. Did murder her, as that names cursed hand
. Murderd her kinsman. Ah tell me holy Fryer
. In what *VILE* part of this Anatomy
. *Doth my name lye* ? Tell me that I may *SACKE*
. The hatefull mansion?
----------------------------------------------------------------
http://en.wikipedia.org/wiki/The_Isle_of_Dogs_%28play%29
.
<<The Isle of Dogs is a play by {T}homas {NASHE} & Ben [JONSON] which
was performed in 1597. It was immediately suppressed, and no copy of
it is known to exist. The play was performed, probably by Pembroke's
Men, at the Swan Theatre in Bankside in July or August, 1597.>>
-------------------------------------------------------------
____ Romeo and Juliet (Quarto 1, 1597)
...............................................
The Prologu{E}.
.
. TWo houshold Frends alike in dign{I}tie,
. (In faire Verona, where we lay ou{R} Scen[E])
. From ciuill broyles b[R]oke i{N}to enmitie,
. {VV}hos[E] ciu(I)ll warre mak{E}s ci[V]ill hands vncleane.
. From fort{H} the fatall loynes of these two fo[E]s,
. A paire of starre-c[R]ost Louers tooke th[E]ir life:
. {VV}hose misa(d|V|e)ntures, piteous ou[E]rthrowes,
. (Through t{H}e continuing of the{I}r Fathers strife,
. An{D} death-markt passag{E} of their Parents rage)
. Is now the two howres traffique of our Stage.
. The which if you with patient eares attend,
. {VV}hat here we want wee'l studie to amend.
...............................................
. The Prologu{E} T- <= 17 =>
.
- W o h o u s h o l d F r e n d s a
_ l i k e i n d i g n{I}t i e I n f
- a i r e V e r o n a w h e r e w e
- l a y o u{R}S c e n[E]F r o m c i
_ u _i_ l_l_b r o y l e s b[R]o k e i
. {N} t o e n m i t i e W h o s[E]c i
- u (I) l_l_w a r r e m a k{E}s c i[V]
- i (L){L}h a n d s v n c l e a n e F
- r (o) m f{o}r t{H}t h e f a t a{L}l
- l (O) y n e s{O}f t h e s e t w o f
. {O}[E] s A p a i r e o f s t a r r e
- c [R|{O}s t l O u e r s t o o k e t
- h [E] i r{L}i f e W h o s e m i s a
. (d|V|e) n t u r e s p i t e o u s o
- u [E] r t h r o w e s T h r o u g h
...................................
{HENRIE} -29
[VERE] -19
.
[I, Lo. O.][E. (de) VERE] -17
...................................
_ t {H} e c o n t i n u i n g o f t h
_ e {I} r F a t h e r s s t r i f e A
- n {D} d e a t h m a r k t p a s s a
- g {E} o f t h e i r P a r e n t s r
- a (G) e I s n o w t h e t w o h o w
_ r (E) s t r a f f i q u e o f o u r
- S (T) a g e T h e w(H)i c(H)i f y o
_ u _w i t h_p a_t_i(E)n t(E)a r e s
_ a t t e n d_W h a(T)h e(R)e w e w
_ a n t_w e_e l_s t u d i(E)t o
- a m e n d.
------------------------------------------
Benson & Cotes's
......................................
TO THE READ[E]R.
The[R]e presu{M|E] (under f{A|V]our) to
p{R|E]sent to {Y|O]ur view {S|o]me excel[L]ent and
sweetely composed Poems, of Master William Shakespeare, Which
in themselves appeare of the same purity, the Authour himselfe then
living avouched ; they had not the fortune by reason of their Infancie
in his death to have the due accomodatio of proportionable glory with
the rest of his *EVER-living* Workes, yet the lines of themselves will
afford you a more authentick approbation than my assurance any way
can, to invite your allowance, in your perusall you shall find them
Seren, cleere and eligantly plaine, such gentle straines as shall
recreate and not perplexe your braine, no intricate or cloudy stuffe
to puzzell intellect, but perfect eloquence ; such as will raise your
admiration to his praise: this assurance I know will not differ from
your acknowledgment. And certaine I am, my opinion will be seconded
by the sufficiency of these ensuing lines ; I have beene somewhat
solicitus to bring this forth to the perfect view of all men ;
and in so doing glad to be serviceable for the continuance
of glory to the *DEsERVEd Author* in these his Poems.
...................................
______ <= 8 =>
. T O T H E R [E] A
. D E R T H e [R] e
__ p r e s u {M|E] u
___ n d e r f {A|V] o
__- u r t o p {R|E] s
___ e n t t o {Y|O] u
__- r v i e w {S|o] m
__- e e x c e l[L] e
__- n t a n d s w e
__- e t e l y c o m
__- p o s e d P o e m s
{MARY S} 8
[Lo. O., E. VERE] -8
---------------------------------------------------
http://www.sourcetext.com/sourcebook/library/barrell/08shreds.htm
.
King of Shreds and Patches
An Examination of the Alleged Credentials of Sir Edward Dyer
as the "Great Reviser" of the Shakespearean Works
Copyright 1943 by Charles Wisner Barrell
First published in The Shakespeare Fellowship News-Letter, April
1943.
.
<<In 1597 Sidney's beloved sister, {MARY Sidney} the
Countess of Pembroke, tried to bring about a marriage
between Oxford's daughter, Bridget Vere, and
her eldest son, William Herbert, later Earl of Pembroke;
while Oxford's youngest daughter, Susan, did become
the wife of Philip Herbert, Earl of Montgomery, the nephew
and namesake of the same Sir Philip Sidney that Alden
Brooks declares Lord Oxford seriously plotted to "murder."
It is hardly necessary to point out the fact that Shakespeare's
First Folio is dedicated to these two "incomparable brethren"
— one of whom was the poet Earl of Oxford's son-in-law.>>
-------------------------------------------------------------
The Tragedy of King Richard the third. Containing, His
treacherous Plots against his brother Clarence : the pittiefull
murther of his innocent nephewes : his tyrannicall vsurpation :
with the whole course of his detested life, and most deserued
death. As it hath beene lately Acted b[Y] the Right honourabl[E]
the Lord Chamberlai[N]e his seruants. At Lon[D]on, Printed by
Valent[I]ne Sims, for Andrew Wi[S]e, dwelling in Paules
Churchyard, at the signe of the Angell. 1597. 4to. 47 leaves.
[SIDNEY] 18
-----------------------------------------------------------
A PLEASANT CONCEITED HISTORY, CALLED THE TAMING OF A SHREW.
AS IT WAS SUNDRY TIMES ACTED BY THE RIGHT HONORABLE
. THE EARL OF *PEMBROKE* HIS SERVANTS.
.
. Prologue/Epilogue [~ 6,000 letters]
.
TOM: AND IF YOUR HONOR [P]LEASE TO [H]UNT THE D[E]ER,
. YOUR H[O]UNDS STA[N]D READY COUPLED AT THE DOOR,
. AND MAKE THE LONG BREATH'D TIGER BROKEN-WINDED.
.
[PHEON] -8 {94,000}
http://www.bl.uk/treasures/shakespeare/players.html
John Sincklo (or Sinclo, or Sincler) was a player with *PEMBROKE’s
Men* in 1592. By 1598 he was acting with the Lord Chamberlain’s
Men. Sincklo was apparently very thin, and his roles seem
to have included Slender in The Merry Wives of Windsor.
His acting career seems to have lasted from 1592 until 1604.>>
-------------------------------------------------------
. The Taming of the Shrew (Folio 1, 1623)
. Prologue [~ 9,000 letters]
............................................
*SINCKLO* : I thinke 'twas Soto that your honor meanes.
Lord. 'Tis *VERiE TRUE* , thou didst it excellent:
. Well you are come to [M]e in happie time,
. The rather for I h[A]ue some s{P}ort in {H}and,
. Wh{E}rein y{O}u[R] cun{N}ing can assist me much.
. There [I]s a Lord will heare you play to nig[H]t;
.
{PHEON} 6 {130,000}
[HIRAM] -28 {33,000}
-------------------------------------------------------
. http://home.freeuk.net/sidsoft/pensinfo.html
.
The Sidney Family arms shows a *PORCUPINE* & a lion
. on either side of the Sidney *PHEON* .
.
"Whither the *FATES CALL* " is the meaning of Sidney's motto:
.
____ *QUO FATA VOCANT*
---------------------------------------------
Romeo and Juliet (Quarto 1, 1597)
.
The Prologue.
.
. Tvvo houshold Frends alike in dignitie,
.(In faire VEROna, where we lay our Scene)
. From ciuill broyles broke into enmitie,
. {VV}hose ciuill warre makes ciuill hands vncleane.
.
[F]rom forth the *FATAll* loynes of these two foes,
[A] paire of starre-crost Louers tooke their life:
. {VV}hose misaduentures, piteous ouerthrowes,
[T]hrough the continuing of their Fathers strife,
[A]nd death-markt passage of their Parents rage
.
. Is now the two howres traffique of our Stage.
. The which if you with patient EARES attend,
. {VV}hat *HERE we WANT* wee'l studie to amend.
--------------------------------------------------------
Wm Shaxpere & Anna *WHATEley* of Temple Grafton
...........................................
<<There is an old English word *WHATE* ,
. meaning fortune, *FATE* , or destiny,
I think that in a desperate moment of inspiration,
confused before the clerk, Shakespeare reached into
his heart and came out with the name of that Anne
who would have been his choice, his *FATE* , his destiny.>>
. - _The Late Mr. Shakespeare_ by Robert Nye
--------------------------------------------------
Art Neuendorffer
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