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Jan 30, 2012, 6:27:58 PM1/30/12
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--------------------------------------------------------
____ *OBSCURIS VERA INVOLVENS*
http://www.fbrt.org.uk/pages/athena/frameset-athena.html
.
. <<Inscribed on Athena's shield is a Latin motto,
.
____ *OBSCURIS VERA INVOLVENS*
.
. meaning *TRUTH is enveloped in obscurity* , which explains
. the imagery on the shield-the central sun representing
. *TRUTH* and the surrounding clouds obscurity.>>
...................................................
__ *OBSCURIS VERA INVOLVENS*
_______. {anagram}
__ *BACONVS {S} NIL VERO VERIUS*
__ *BACON {SVS} NIL VERO VERIUS*
---------------------------------------------------
The DOUBLE AA (_Faerie Queene_) headpiece.
http://fly.hiwaay.net/~paul/aa/alpha.html
...................................................
A = ALPHa/ALePH = bull/ox
A = "stream" (Danish)
.
A-A = OX-Ford = Bull-beck
.....................................................
<<The BOAR, a symbol of Apollo, the divine SWINEHERD,
is said to imprint the ground with the sign of 'AA'..."
.
. Bacon, from his "Masculine Birth of Time"...
. "Why, *even COUNTRY BUMPKINS have proverbs*
. which are *APT expressions of TRUTH*
.
A PIG might print the letter A with his snout in the mud, but you
would not on that account expect it to go on to compose a tragedy.">>
-----------------------------------------------------
__ Hamlet Q1 (1603: Bad Quarto 1) Act 1 Scene 1
.
Mar.: So nightly toyles the su[B]iect of the l[A]nd,
. And why su[C]h dayly cost [O]f *BRAZEN Can[N]on*
. And forra[I]ne marte, for implements of warre,
.................................................
So nightly toyles the su-
.
____ <= 10 =>
.
. [B] i e c t o f t h e
. l [A] n d,A n d w h y
. s u [C] h d a y l y c
. o s t [O] f B R A Z E
. N C A N [N] O N A n d
. f o r r a [I] n e
.
marte, for implements of warre,
.
[BACONI] 11 {2,900,000}
........................................
h(ONO){R}i{F}i(CAB)ilitudinitatibus
-----------------------------------------------------
___ "[E]dwardus [C]omes [O]xon{iensis}"
____ *ECO* : *HERE* (Venetian)
.............................................
____ *SUPER* : *OVER* (Latin)
.............................................
He has hidden his own name, a fair name, William,
in the plays, a *SUPER HERE* , a clown there, as a painter
*of old Italy* set his face in a DARK CORNER of his canvas.
He has REVEalED it in the sonnets where there is
Will in *OVER(pl)US* . Like John o'Gaunt his name is dear
to him, as dear as the coat and crest he toadied for,
on a bend sable a spear or steeled argent,
*honorificabilitudinitatibus*
dearer than his glory of greatest shakescene in the country.
What's in a name? That is what we ask ourselves in childhood
when we write the name that we are told is ours. - _ULYSSES_
.............................................
. h_ o *n* orific
. a_ b *i* litudi
. *n i_ t* atibus
-------------------------------------------------
__ Hamlet Q1 (1603: Bad Quarto 1) Act 1 Scene 4
.
Ham.: I mary i'st and though I am Natiue here,
. and to t[H]e m[A]ne[R] bo[R]ne, [I]t i[S]
. a custome, more honourd in the breach,
. Then in the obseruance.
.
[HARRIS] 3 {3,450,000}
-------------------------------------------------
_____ *SEALD & DOONE*
............................................
http://ist-socrates.berkeley.edu/~ahnelson/PERSONAL/011007.html
.
Cecil Papers 88/101 (bifolium, 232mm x 170mm),
Oxford to Cecil; 7 October 1601 (W337;F593).
.
...for I am aduised, that I may passe *MY BOOKE* from her
Magestie, yf a warrant may be procured to my cosen *BACON*
and Seriant [=Sergeant] *HARRIS* to perfet [= *PERFECT* ] yt.
Whiche beinge *DOONE* , I know to whome formallye to
thanke, but reallye they shalbe, and are from me, and myne,
*to be SEALED VP* in an *AETERNALL REMEMBRANCE* to yowre selfe.
And thus *WISHINGE ALL HAPPINES* to yow, and sume fortunat
meanes to me, wherby I myght recognise soo *DIEPE* merites,
I take my leaue this 7th of October from my House at HAKNEY. 1601.
.
Yowre most assured and louinge Broother.
(signed) Edward Oxenford (ital.; 4+7)
.
Addressed (O): To the ryghte honorable & my very good Broother
Sir Robert Cecill on [=one] of her Magestyes pryvie Councel
and principall Secretarie giue thes at the Coorte. [seal]
.
Endorsed: 1601 7 October: Erle of Oxenford to my Master.
---------------------------------------------------------
______ Hamlet (Q2, 1604)
.
King: Follow him at foote,
. Tempt him with speede abord,
. Delay it not, Ile haue him hence
. to nig[H]t. Aw[A]y, fo[R] eue[R]y th[I]ng i[S]
. *SEALD and DONE*
. That els leanes on th'affayre, pray you make hast,
..........................................................
______ Hamlet (Folio, 1623)
.
King: Follow him at foote,
. Tempt him with speed aboord:
. Delay it not, Ile haue him hence to
. nig[H]t. Aw[A]y, fo[R] eue[R]y th[I]ng i[S]
. *SEAL'D and DONE*
. That else leanes on th'Affaire, pray you make hast.
..........................................................
Ile haue him hence to
.
. --- n i g
. [H]{t A w}
. [A] y f o
. [R] e u e
. [R] y t h
-. [I] n g i
. [S] *SEAL'D and DONE*
.
[HARRIS] 4 {2,300,000}
-------------------------------------------------
8 January 1599/1600.
Building Contract for the Fortune Playhouse...
P S: *SEALED and DEliURED* by the saide Peter Streete
in the presence of me [W]illiam [H]ARRIS Pub Scr
And me *FRAUNCIS* Smyth appr to the said Scr
..................................................
_____ Pub Scr <=> the trade of *NOVERINT*
.....................................................
http://www.sourcetext.com/lawlibrary/greenwood/isasp/08.htm
.
<<"[T]homas [KYD] was born to the trade of *NOVERINT* &
perhaps spent a few years in the office of his father who
was a *SCRIVINERER* ; in A Warning, IV, 4, the indictments
of Browne, Anne Sanders, and Drury, with their legal jargon,
point to the probability of their having been drawn up by
one accustomed to copying legal documents. All Kyd's plays,
with the exception of his translation of Garnier's Cornelia,
. were issued anonymously, so was _A Warning_ .">>
------------------------------------------------------
Ham: Very well,
. followe that Lor[D], & looke [Y]ou moc[K] him no[T].
. My good friends, Ile leaue you tell night,
. you are welcome to Elsonoure.
[T.KYD] -6 {175,000}
Ros: Good my Lord. [Exeunt.]
Ham: I so God buy to you, now I am alone,
. O what a rogue and pesant slaue am I.
. Is it not monstrous that this player heere
. But in a fixion, in a dreame of passion
. Could force his soule so to his owne conceit
. That from her working all the visage wand,
. Teares in his eyes, distraction in his aspec[T],
. A bro[K]en vo[Y]ce, an[D] his whole function suting
. With formes to his conceit; and all for nothing,
. For Hecuba.
[T.KYD] -5 {218,000}
Ham: Ile be your foile Laertes, in mine ignorance
. Your skill shall like a starre i'th darkest nigh[T]
. Stic[K] fier[Y] off in[D]eed.
[T.KYD] 5 {218,000}
......................................................
Hamlet: Very well.
. Follow that Lord, an[D] looke [Y]ou moc[K] him no[T].
. My good Friends, Ile leaue you til night
. you are welcome to Elsonower?
. Rosin. Good my Lord.
. Hamlet: I so, God buy'ye: Now I am alone.
. Oh what a Rogue and Pesant slaue am I?
. Is it not monstrous that this Player heere,
. But in a Fixion, in a dreame of Passion,
. Could force his soule so to his whole conceit,
. That from her working, all his visage warm'd;
. Teares in his eyes, distraction in's Aspec[T],
. A bro[K]en vo[Y]ce, an[D] his whole Function suiting
. With Formes, to his Conceit? And all for nothing?
. For Hecuba?
[T.KYD] -5 {218,000}
-----------------------------------------------------
__ Hamlet (1603: Bad Quarto 1) Act 3, Scene 3
King: O these are sinnes that art vnpar[D]onable:
. Why say th[Y] sinnes were blac[K]er then is ieat,
. Ye[T] may contrition make them as white as snowe:
. I but still to perseuer in a sinne,
. It is an act gainst the vniuerfall power,
. Most wretched man, stoope, bend thee to thy prayer,
. Aske grace of heauen to keepe thee from despaire.
...........................................
_____ <= 15 =>
.
O t h e s e a r e s i n n e s
t h a t a r t v n p a r[D]o n
a b l e:W h y s a y t h[Y]s i
n n e s w e r e b l a c[K]e r
t h e n i s i e a t,Y e[T]m a
y c o n t r i t i o n m a k e
them as white as snowe:
[T.KYD] -15 {63,000}
...........................................
. hee kneeles. enters Hamlet
Ham.: I so, come forth and worke thy last,
. And thus hee dies: and so, am I reuenged:
. No, not so: he tooke my father sleeping, his sins brim full,
. And how his soule floode to the state of heauen
. Who knowe[S], saue the immortall powres,
. And shall I kill him now
. When he is purg[I]ng of his soule?
. Making his way for heauen, this is a benefit,
. And not [R]euenge: no, get thee vp agen,
. When hee's at game swaring, taking his ca[R]owse, drinking drunke,
. Or in the incestuous pleasure of his bed,
. Or [A]t some act that hath no relish
. Of saluation in't, then trip him
. That [H]is heeles may kicke at heauen,
. And fall as lowe as hel: my mother stayes,
. This phisicke but prolongs they weary dayes.
...........................................
__________ <= 54 =>
.
[S] sauetheimmortallpowresAndshallIkillhimnowWhenheispurg
[I] ngofhissouleMakinghiswayforheauenthisisabenefitAndnot
[R] euengenogettheevpagenWhenheesatgameswaringtakinghisca
[R] owsedrinkingdrunkeOrintheincestuouspleasureofhisbedOr
[A] tsomeactthathathnorelishOfsaluationintthentriphimThat
[H] isheelesmaykickeatheauen
[HARRIS] -54 {130,000}
---------------------------------------------------------
<<This is the technical phraseology referred to by *Thomas NASH* in
his *Epistle to the Gentlemen Students of the two universities*
in the year 1589, when he is supposed to have denounced
the author of Hamlet as one of those who had
.
"left the trade of *NOVERINT* , whereto they were born,
. for handfuls of tragical speeches"
.
. that is, an attorney's clerk become a poet,
. and penning a stanza when he should engross.
.
As You Like It was not brought out until shortly before the year
1600, so that *NASH's NOVERINT* could not have been suggested by it.
Possibly Shakespeare now introduced the "Be it known to all men,"
&c., in order to show his contempt for *NASH* 's sarcasm.
-----------------------------------------------------------
____ *NOVERINT UNIVERSI per praesentes*
____ nos Fulconem Sandells de Stratford
..........................................................
__ *NOVERINT UNIVERSI* : *let all men know*
...............................................
________ *NOVERINT UNIVERSI*
________ *TINN: VERO NI(L) VERIUS*
.
*TINN* : sick, unwell (Irish, Gaelic, Scottish)
*TINN* : tin (Norwegian)
-----------------------------------------------------------
http://www.sourcetext.com/lawlibrary/campbell/03.htm
.
<<In Act I, Sc. 2, [As You Like It] Shakespeare makes the
lively Rosalind, who, although well versed in poesy and books
of chivalry, had probably never seen a bond or a law-paper of
any sort in her life, quite familiar with the commencement
of all deeds poll, which in Latin was,
.
______ *NOVERINT UNIVERSI per praesentes*
______ *Be it known to all men by these presents*
..........................................................
Le Beau.: There *COMES* an old man and his three sons?
.
Cel.: I could match this beginning with an old tale.
.
Le Beau.: Three proper young men, of excellent growth and presence;?
.
Ros.: *With BILLS ON THEIR NECKS* ?
. *Be it known to all men by these presents*
...............................................
Here is an excerpt from Aubrey in his Nat. Hist. Wilts, Royal Soc.
MS p. 259, an anecdote which cites a story of Sir Thomas More:
"... they had on their left arm an armilla of *TINN* printed in
some workes, about four inches long; they could not gett it off.
.
They wore about their *NECKS a great HORN of an OXE*
in a string of bawdrie, which when they came to an house
for almes, they did wind; and they put the drink given
them into this horn, whereto they did putt a stopple."
----------------------------------------------------
http://f01.middlebury.edu/FS010A/students/Minerva/132.JPG
132. ( = 2 X 66) Matrimonium
.
Who loueth best, to liue in Hymens bandes,
And better likes, the carefull married state,
May here behold, how Matrimonie standes,
In woodden stocks, repenting him too late:
The serVILE *YOAKE* , [H]is *NECK*, and shoulder we[A]res,
And in his hand, the f[R]uitefull Quince he bea[R]es.
The stocks doe shew, h[I]s *WANT* of libertie,
Not a[S] he *WOONT*, to wander where he list:
The *YOKE's* an ensigne of servilitie:
The fruitefullnes, the Quince within his fist,
Of wedlock tells, which SOLON did present,
T' Athenian Brides, the day to Church they went.
........................................................
______________ <= 20 =>
.
. [H] i s n e c k,a n d s h o u l d e r w(E)
- [A] r e s,A n d i n h i s h a n d,t h e(F)
. [R] u i t e f u l l Q u i n c e h e b e(A)
. [R] e s.T h e s t o c k s d o e s h e w,h
- [I] s*W A N T*o f l i b e r t i e,N o t a
. [S] h e*W O O N T*,
.
[HARRIS] 20 {363,000}
----------------------------------------------------
______ Hamlet (Folio, 1623) Act 5 Scene 2
.
*OSRICKE* : The sir King ha's wag'd with him six Barbary Hor-
. [S]es, against the which he [I]mpon'd as I take it, sixe F[R]ench
. Rapiers and Ponia[R]ds, with their assignes, [A]s Girdle,
. Hangers or so: t[H]ree of the Carriages infaith are *VERy DEarE*
. to fancy, *VERy* responsiue to the hilts, most delicate
. carriages, and of *VERy* liberall conceit.
........................................................
The sir King ha's wag'd with him six Barbary Hor-
.
______________ <= 20 =>
.
. [S] e s a g a i n s t t h e w h i c h h(E)
- [I] m p o n d a s I t a k e i t s i x e(F)
. [R] e n c h R a p i e r s a n d P o n i(A)
. [R] d s w i t h t h e i r a s s i g n e s
- [A] s G i r d l e H a n g e r s o r s o t
. [H] r e e
.
[HARRIS] -20 {363,000}
........................................................
Hamlet: What call you the Carriages?
.
*OSRICKE* : The Carriages Sir, are the hangers.
.
Hamlet: The phrase would bee more Germaine to the
. matter: If we could carry Cannon by our sides; I would
. it might be Hangers till then; but on sixe Barbary Hor-
. ses against sixe French Swor[D]s: their Assignes, and thr[E]e
. liberall conceited Ca[R]riages, that's the French [B]ut a-
. gainst the Danish; wh[Y] is this impon'd as you call it?
........................................................
______________ <= 20 =>
.
. [D] s t h e i r A s s i g n e s a n d t h
. r [E] e l i b e r a l l c o n c e i t e d
. c a [R] r i a g e s t h a t s t h e F r e
. n c h [B] u t a g a i n s t t h e D a n i
. s h w h [Y]
.
[DERBY] 21 {285,000}
--------------------------------------------------------
*OSRICKE* : "{A HIT} , {A} VERy palpable (HIT)."
*SIR COKE*
.
http://en.wikipedia.org/wiki/Edward_Coke
.
<<*SIR edward COKE* ("Cook") (1 Feb. 1552 – 3 Sept. 1634) was an
English jurist & Member of Parliament whose writings on the common
law were the definitive legal texts for nearly 150 years. Born into a
family of minor Norfolk gentry, Coke was eventually being appointed
Solicitor General and then Attorney General by Queen Elizabeth. As
Attorney General, Coke famously prosecuted Sir Walter Raleigh and the
Gunpowder Plot conspirators for treason. In 1606, Coke was made Chief
Justice of the Court of Common Pleas, later being elevated, in 1613,
to Lord Chief Justice of England. Despite his 1616 dismissal from the
bench, Coke remained an influential political figure, leading
parliamentary opposition to the Crown in the 1620s. His career in
parliament culminated in 1628 when he acted as one of the primary
authors of the Petition of Right. This document reaffirmed the rights
of Englishmen and prevented the Crown from infringing them. In later
times, both English reformers and American Patriots, such as John
Lilburne, James Otis, and John Adams, used Coke's writings to
support their conceptions of inviolable civil liberties.>>
-----------------------------------------------------
http://www.baconlinks.com/VVILL/Psalm46.html
.
The Psalms 46 (1611) [1032 = 43x3x8 letters]
.
God is our refuge and strength: a very present helpe in trouble.
Therfore will not we feare, though (T)he earth be remoued: and
tho(U)gh the mountaines be carie(D) into the midst of the se{A}.
Th(O)ugh the waT[E]rs thereof roa[R]e, And be troubl[E]d, thoUgh
the MO[U]ntaines *SHAKE* with th[E] swelling thereof. The[R]e
is a r(I)uer, the stream[E]s (H)erof shall make gl{A}d the
citie of God: the holy place of the Tabernacles of the most High.
.......................................................
_________ <= 23 =>
.
. (T) h e e a r t h b e r e m o u e d:a n d t h o
. (U) g h t h e m o u n t a i n e s b e c a r i e
. (D) i n t o t h e m i d s t o f t h e s e{A}T h
. (O) u g h t h e w a t[E]r s(T)h e r e o f r o a
. [R] e,a n d b(E)t r o u b l[E]d,t h o u g h t(H)
. {E} m o[U]n t a i n e s*S H A K(E)*
.
(TUDOR, E.) 23 {400,000}
..................................................
______ <= 16 =>
. t h e m i d s t o f t h e s e{A}
. T h(O)u g h t h e w a T[E]r s(T)
. h e r e o f r o a[R]e,A n d b(E)
. t r o u b l[E]d,t h o U g h t(H)
.{E}M O[U]n t a i n e s*S H A K(E)*
. w i t h t h[E]s w e l l i n g(T)
. h e r e o f T h e[R]e i s a r(I)
. u e r,t h e s t r e a m[E]s w(H)
. e r o f s h a l l m a k e g l{A}
. d t h e c i t i e o f G o d:
.
{E}[UERE] 16 : *COMPASS/'Y'/PHEON* {500,000}
.
"{A HIT} , {A} VERy palpable (HIT)."
..............................................
The DOUBLE AA (_Faerie Queene_) headpiece.
http://fly.hiwaay.net/~paul/aa/alpha.html
............................................
. O, could he but have drawne his [WIT]
. As well in *BRASSE* , as he hath [HIT]
. His face ; the print would then surpasse
. All, that *WAS EVER WRIT IN BRASSE* .
...............................................
The Hebrew word for SERPENT: *NA(ha)SH* (/ *BRASS*)
Anglo-Saxon word for SERPENT: *(wi)VERE*
...............................................
"through EVERy art & thrive by none,
. to leave the trade of *NOVERINT* " -- *Thomas NASH*
.............................................
. [N] *OVER* (int) universi
. [N] *VERO* (tin) ni.verius
------------------------------------------------
___ Sonnet 64
. WHen I haue seene by times fell hand defaced
. The rich proud cost of outworne buried age,
. When sometime *loftie TOWERS* I see downe rased,
. And *BRASSE eternall* slaue to mortall rage.
-------------------------------------------------
"On Shakspeare" (1630) John Milton
.
What needs my Shakspeare for his honor'd Bones
The labor of an age in piled Stones,
Or that his hallow'd relics should be HID
___ Under a Star-Ypointing PYramid:
........................................................
The Psalms 46 (1611) [1032 = 129 X 8 letters]
.
God is in the midst of her: she shal not be moued; God shall helpe
her, and that right early. The heathen raged, the kingdomes were
mooued: he vttered his voyce, the earth mel[T]ed. {T}he Lord of hosts
is with vs; the God [O]f Iacob is {O}ur refuge. Come, behold the
[W]orkes of the Lord, {W}hat desolations he[E] hath made in the
earth. H{E} maketh war[R]es to cease vnto the end of the ea{R}th:
................................................................
______ <= 34 =>
.
t h e k i n g d o m e s w e r e m o o u e d:h e v t t e r e d h i s
v o y c e,t h e e a r t h m e l[T]e d{T}h e L o r d o f h o s t s i
s w i t h v s;t h e G o d[O]f I a c o.b i s{O}u r r e f u g e.C o m
e,b e h o l d t h e[W]o r k e s o f t h e L o r d{W}h a t d e s o l
a t i o n s h[E]e h a t h m a d e i n t h e e a r t h.H{E}m a k e t
h w a r[R]e s t o c e a s e v n t o t h e e n d o f t h e e a{R}t h:
.
[TOWER] 31
{TOWER} 37 {15,000 each}
.................................................
vnto the end of [TH]e ea{R}th: h[EE]
br(E)ake[TH T]h(E) bow, and c(U)tteth th(E) *SPEARE*
*IN SUNDER*, he burneth the chariot in the fire. Be stil,
and know that I am God: I will bee exalted among the
heathen, I will be exalted in the earth. The Lord
of hosts is with vs; the God of Iacob is our refuge.
.................................................
____ <= 8 =>
.
. v -n- t o t h e e
. n -d- o f[T H]e e
. a {R} t h:h[E E]b
. r (E) a k e[T H T]
. h (E) b o w{A}n d
. c (U) t t e{T}h t
. h (E) *S P E{A}R E*
. i n s u n{D}e r
.
(E.UEER) -8 : *SQUARE* {15,000}
{DATA} -8 : gifts
-------------------------------------------------
Prospero: Silence: One word more
. Shall make me chide thee, if not hate thee: What,
. An aduocate for an {IMPOSTOR} ? Hu[S]h:
. Thou th[I]nk'st the[R]e is no mo[R]e such sh[A]pes as he,
. ([H]auing seene but him and Caliban:) Foolish wench,
. To th'most of men, this is a Caliban,
. And they to him are Angels.
.............................................
____ <= 8 =>
.
__ {I M P O S T O R}
_ H u[S]h T h o u
___ t h[I]n k s t t
_ h e[R]e i s n o
. m o[R]e s u c h
_ s h[A]p e s a s
_ h e[H]a u i n g
.
seene but him and Caliban
.
[HARRIS] -8 {100,000}
..............................................
Miranda: My affections
. Are then most humble: I haue no ambition
. To see a goodlier man.
.
Prospero: Come on, *OBEY* :
---------------------------------------------
__ *The DIAL TIS NoW For BACon TO OBEY*
..............................................
. Mira. More to know
[D]id *NEUER* medle with my thoughts.
Pros. *TIS TIME*
[I] should informe thee farther: Lend thy hand
[A]nd *PLUCKE my Magick Garment* from me: So,
[L]ye there my Art: wipe thou thine eyes, haue *COMFORT*,
.
[The] direfull spectacle of the *WRACKE* which touch'd
.
[T]he *VERy VERtue* of compassion in thee:
[I] haue with such prouision in mine Art
[S]o SAFEly ordered, that there is no soule
[No] not so much perdition as an hayre
. betid to any creature in the vessell
[W]hich thou heardst cry, which thou saw'st sinke: Sit
[For] thou must *NoW* know farther. [downe,
. Mira. You haue often
[B]egun to tell me what I am, but stopt
[A]nd left me to a bootelesse Inquisition,
[Con]cluding, stay: not yet.
. Pros. The howr's now come
[T]he *VERy MINUTE* byds thee *OPE THINE EARE* ,
[OBEY], and be attentiue. Canst thou remember
___ A time before we came vnto this Cell?
-----------------------------------------------------
. Hamlet (Quarto 2) Act II, scene I
Pol.: Mary well said, very well [S]aid; looke you s[I]r,
. Enquire me fi[R]st what Danske[R]s are in Parris,
. [A]nd how, and who, w[H]at meanes, and where they keepe,
Mary well said, very well
.
____ <= 12 =>
.
. [S] a i d;l o o k e y o u
. s [I] r,E n q u i r e m e
. f i [R] s t w h a t D a n
. s k e [R] s a r e i n P a
. r r i s,[A] n d h o w,a n
. d w h o,w [H] a t m e a n e s,
[HARRIS] -13 {575,000}
-----------------------------------------------------
Palladis Tamia. By Rev. Francis Meres
.................................................
As Consaluo Periz that excellent learned man, and Secretary to King
Philip of Spayne, in translating the Ulysses of Homer out of Greeke
into Spanish, hath by good judgemen[T] avoided the faulte of Ryming,
although not fully hit perfect a[N]d TRUE versifying: so hath Henrie
Howarde that TRUE and noble E[A]rle of Surrey in translating the
fourth book of Virgils Aenea[S], whom Michael Drayton in his Englands
heroycall Epistles hat[H] eternized for an Epistle to his faire
Geraldine. As these Neot[E]rickes Jovianus Pontanus,
[TNASHE] 52 {27,500}
.................................................
As Musaeus, who wrote the love of Hero and Leander, had two excellent
schollers, Thamaras and Hercules: so hath he in England two excellent
Poets, imitators of him in the same argument and [S]ubject,
Chr[I]stopher Ma[R]low and Geo[R]ge Chapman. [A]s Ovid sait[H]
of his worke;
. Jamq opus exegi, quod nec Jovis ira, nec ignis
. Nec poterit ferrum, nec edax abolere vetustas.
..............................................................
Concluding nine lines of Ovid's _Metamorphoses_ translated:
Now have I brought a worke to end which neither Jove's fierce wrath
Nor sword nor fire nor fretting age, with all the force it hath Are
able to abolish quite, &c.
................................
___ <= 10 =>
. [S] u b j e c t,C h r
. [I] s t o p h e r M a
. [R] l o w a n d G e o
. [R] g e C h a p m a n.
. [A] s O v i d s a i t
. [H] o f h i s w o r k e;
[HARRIS] -10 {770,000}
....................................................
And as Horace saith of his;
. Exegi monumentum aere perennius;
. Regalique *PYRAMIDUM* altius; Quod non imber edax;
. Non Aquilo impotens possit DI(r)UERE;
. aut innumerabilis annorum series and fuga temporum:
.............................................
Concluding lines of Horace's _Odes_ translated:
.
. I have builded a monument more lasting than *BRASS*,
. Loftier than the *PYRAMIDS* their regal throne,
. Which neither the wasting rain nor the North wind in its fury
. Could ever raze to the ground, nor the innumerable
. Sequence of the years, nor the swift feet of time.
...................................................................
As Antipater Sidonius was famous for extemporall verse in Greeke, and
Ovid for his Quicquid conabar dicere versus erat: so was our Tarleton,
of whome Doctour Case that learned physitian thus speaketh in the
seventh Booke, and seventeenth chapter of his Politikes; Aristoteles
suum Theodoretum laudauit quendam peritum Tragoediarum actorem; Cicero
suum Roscium: nos Angli Tarletonum, in cuius voce & vultu omnes iocosi
affectus, in cuius cerebroso capite lepidae facetiae habitant. And so
is now our wittie Wilson, who, for learning and extemporall witte in
this facultie, is without compare or compeere, as to his great and
eternall commendations he manifested in his chalenge at the SWANNE
on the Bank{E}side. As *ACHILLES* tortured the deade bodie
of Hector, a{N}d as Antonius, and his wife Fulvia
tormente[D] th[E] li[V]el{E}ss[E] co[R]ps of Cicero:
so *GABRIELL HARVEY* hath shewed th{E} same inhumanitie
to *GREENE* that lies full low in his g{R}ave. As Eupolis
of Athens used great libertie in taxin{G} the vices of men:
so dooth *Thomas Nash* , witnesse the broode of the *HARVEYS* .
.....................................................
his chalenge at the SWANNE <= 45 =>
.
-o-nt-h-eB-a-nk{E}si-d-eA-s-Achillestorturedthedeadebodie
-o-fH-e-ct-o-ra{N}da-s-An-t-oniusandhiswifeFulviatormente
[D]th[E]li[V]el{E}ss[E]co[R]psofCicerosoGABRIELLHARVEYhat
-h-sh-e-we-d-th{E}sa-m-ei-n-humanitietoGREENEthatliesfull
-l-ow-i-nh-i-sg{R}av-e-As-E-upolisofAthensusedgreatlibert
-i-ei-n-ta-x-in{G}
[DEVEER] 3 {2,600,000}
{GREENE} -45 {86,000}
------------------------------------------------------------
*GABRIELL HARVEY's* Apostrophe ad eundem, lines 38-43:
.
Virtus fronte habitat: Mars occupat ora; *Minerva*
In dextra latitat: Bellona in corpore regnat:
Martius ardor inest; scintillant lumina: vultus
Tela vibrat: quis non redivivum iuret *ACHILLEm* ?
O age, magne Comes, spes est virtutis alenda Ista tibi;
.
Ward's translation
(The 17th Earl of Oxford, London, 1928, pp. 1578):
.
Courage animates thy brow, Mars lives in thy tongue,
Minerva strengthens thy right hand, Bellona reigns in
thy body, within thee burns the fire of Mars. Thine
eyes flash fire, thy countenance *SHAKES a SPEAR* ; who
would not swear that *ACHILLES* had come to life again?>>
--------------------------------------------------------
Why with the time do I not glance aside
.
[T]o new found methods, <= 16 =>
.
. a n d t o c o m p o u n d s S T
. {R}A N G E[W]h y w r i t e I s t
. i l l a l l o n e e u e r{T}h e
. s a m e[A]n d k(E|E)p e i n u(E)
. {N|T}i o n i n a n o t(E)d w(E)e
. d T h{A|T}e u e r y w o r(D|D)o
. t h a l m o{S|T}f e l m y n a m
. {E}S h e w i n g t{H|E]i r b i r
. t h a n d w h e[R]e t h{E}y(D)i
. d p r o c e[E]d O k n o w s w-e
. {E}t l o[V]e I a l w a i e s w r
. i t[E]o f y o u A n d y o u a n
. [D]l o u(E)a r e s t i l l m y a
. {R}g u m(E)n t S o a l l m y b e
. s t i s(D)r e s s i n g o l d w
. o r d s n e w S p e n d i n g a
. {G}a i n(E)w h a t i s a l r(E)a
. d y s p(E)n t F o r a s t h(E)S
. u n i s(D)a i l y n e w a n(D)o
. l d S o(I)s m y l o u e s t(I)l
. l t e l l i n g
.
what is told,
.
[DEVERE] 14 [shortest skip DEVERE in Sonnets!]
___________ {Found by James Ferris}
{GREENR} 48
...............................................
http://www.shakespeares-sonnets.com/Images/Oxford01.JPG
.
_______ Sonnet 76 : 4 X 19
.
Why is my verse so barren of new pride?
So far from variation or quicke *CHANGE*?
Why with the time do I not glance aside
[T]o new found methods, and to compounds *ST{R}ANGE*
[W]hy write I still all one, euer {T}he same,
[A]nd k(E|E)pe inu(E|N|T}ion in a not(E)d weed,
[T]h{A|T} euery wor(D|D)oth almo{S|T} fel my nam{E},
[S]hewing t{H|E]ir birth, and whe[R]e th{E}y did proce[E]d
[O] know swe{E}t lo[V]e I alwaies writ[E] of you,
A[n]d you an[D] loue are still my a{R}gument:
So all my best is dressing old words new,
Spending a{G}ain(E) what is already sp(E)nt:
. For as the Sun is (D)aily new and old,
. So is my loue still telling what is told,
..............................................
Why write I still all one, euer <= 19 =>
.
___________ <= 19 =>
.
. {T}h e s a m e[A]n d k(E|E)p e i n u(E)
. {N|T}i o n i n a n o t(E)d w(E)e d T h
. {A|T}e u e r y w o r(D|D)o t h a l m o
. {S|T}f e l m y n a m<E>S h e w i n g t
. {H|E]i r b i r t h a n d w h e[R]e t h
. {E}y(D)i d p r o c e[E]d O k n o w s w
. -e<E>t l o[V]e I a l w a i e s w r i t
. [E]o f y o u
.
And you an[D] loue are still my argument:
.
{TNASHE} 19 [only TNASHE in Sonnets!] {78,000}
--------------------------------------------------------------
___ <= Sonnets 33/34 => 35 *DE VEER*
.
___ /T/ OT __ [H] EONLIEBEGE TTE [R] OFTHESEINSUINGS
__- /O/ NN _ [E T] SMRWHALLH APPIN [E] SSEANDTHATETE
__ /R/ NI___ [T(I)E] *PROMISED*BYOUREV [E] RLIVINGPOET
_ /W/ IS___ [H E T H] THEWELL WISHINGA [DVE] NTURERIN
_______________ SETTIN GFORTH ______________TT
..........................................................
They burn in love, THY CHILDREN Shakespear [HET] THEm
Go, wo thy Muse, more NYMPhish brood BEGET THEm
..........................................................
[HET], v. t. & i. To *PROMISE*. [Obs.] --Chaucer.
------------------------------------------------------
Enter Caliban, with a burthen of Wood
. (a noyse of Thunder heard.)
.
Caliban: All the infections that the Sun[N]e suckes vp
. From Bogs, Fens, Flats, [O]n Prosper fall, and make him
. By yn[C]h-meale a disease: his Spirits he[A]re me,
. And yet I needes must curse. [B]ut they'll nor pinch,
. Fright me wi{T}h Vrchyn-shewes, pitch me i'th mir{E},
. Nor lead me like a fire-brand, in t{H}e darke
. Out of my way, vnlesse he b{I}d 'em;
...................................................
. ----- AlltheinfectionsthattheSu
. n [N] esuckesvpFromBogsFensFlat
. s [O] nProsperfallandmakehimByy
. n [C] hmealeadiseasehisSpiritsh
. e [A] remeAndyetIneedesmustcurs
. e [B] uttheyllnorpinchFrightmew
_ i {T} hVrchynshewespitchmeithmi
- r {E} Norleadmelikeafirebrandin
- t {H} edarkeOutofmywayvnlessehe
- b {I} dem <= 27 =>
.
[{I HET} BACON] -27
...................................................
. but For EUERy trifle, are they set vpon me,
. Sometime like Apes, that moe and chatter at me,
. And after bite me: then like Hedg-hogs, which
. Lye tumbling in my bare-foote way, and mount
. Their pricks at my foot-fall: sometime am I
. All wound with Adders, who with clouen tongues
. Doe hisse me into madnesse: Lo, now Lo,
------------------------------------------------------
_____ Hamlet (Folio, 1623)
.
Laertes: I am satisfied in Nature,
. Whose motiue in this case should stirre me most
. To my Reuenge. But in my termes of Honor
. I stand aloofe, and will no reconcilement,
. Till by some elder Masters of knowne Ho[N]or,
. I haue a v[O]yce, and pre[S]ident of pe[A]ce
. To keepe [M]y name vngorg'd. But till that time,
. I do receiue your offer'd loue like loue,
. And wil not wrong it.
.
. Ham.: I do embrace it {FREE}ly,
. And will this {BROTHERS} wager {FRANK}ely play.
..........................................
. Till by some <= 10 =>
. e l -d- e r M a s t e
. r s -o- f k n o w n e
. H o [N] o r I h a u e
_ a v [O] y c e a n d p
_- r e [S] i d e n t o f
- p e [A] c e T o k e e
- p e [M] y n a m e v n gorg'd.
.
[MASON] -10 {85,000}
-----------------------------------------
__ Hamlet (1603: Bad Quarto 1) Act 5 Scene 1
.
enter Clowne and an other.
.
Clowne: I say no, she ought not to be buried
. In christian buriall.
.
2: Why sir?
.
Clowne: Mary more's the pitty, that great folke
. Should haue more authoritie to hang or drowne
. Themselues, more than other people:
. Goe fetch me a stope of drinke, but before thou
. Goest, tell me one thing, who buildes strongest,
. Of a [MASON], a Shipwright, or a Carpenter?
.
2: Why a [MASON], for he buildes all of stone,
. And will indure long.
.
Clowne: That's prety, too't agen, too't agen.
.
2: Why then a Carpenter, for he buildes the gallowes,
. And that brings many a one to his long home.
.
Clowne: Prety agen, the gallowes doth well, mary howe dooes it well?
. the gallowes dooes well to them that doe ill, goe
. ge[T] thee go[N]e: And if [A]ny one a[S]ke thee [H]ereaft[E]r,
. say, A Graue-maker, for the houses he buildes
. Last till Doomes-day. Fetch me a stope of beere, goe.
.............................................
_ <= 7 =>
.
. g e [T] t h e e
. g o [N] e A n d
__ i f [A] n y o n
. e a [S] k e t h
. e e [H] e r e a
__ f t [E] r
.
[TNASHE] 7 {233,000}
-----------------------------------------------------
__ Hamlet (1603: Bad Quarto 1) Act 1 Scene 4
Hamlet: King, Father, Royall Dane,
. O answere mee, let mee not burst in ignorance,
. But say why thy canonizd bones hearsed in death
. Haue burst their ceremonies: why thy Sepulcher,
. In which wee saw thee quietly interr'd,
. Hath burst his ponderous and marble Iawes,
. To cast thee vp againe: what may this meane,
. That thou, dead corse, againe in compleate steele,
. Reuissets [T]hus the glimses of the Moone,
. Maki[N]g night hideous, and we fooles of n[A]ture,
. So horridely to shake our di[S]position,
. With thoughts beyond t[H]e reaches of our soules?
. Say, speak[E], wherefore, what may this meane?
..........................................................
______________ <= 28 =>
.
[T] h u s t h e g l i m s e s o f t h e M o o n e,M a k i
[N] g n i g h t h i d e o u s,a n d w e f o o l e s o f n
[A] t u r e,S o h o r r i d e l y t o s h a k e o u r d i
[S] p o s i t i o n,W i t h t h o u g h t s b e y o n d t
[H] e r e a c h e s o f o u r s o u l e s?S a y,s p e a k
[E]
.
wherefore, what may this meane?
.
________ *TNASHE* 28 {52,000}
------------------------------------------------------
. _The Knights_ (424 BC) by Aristophanes
......................................................
NICIAS How loudly the *PAPHLAGONIAN FARTS* and snores!
. I was able to seize the sacred oracle, which he was
. guarding with the greatest care, without his seeing me.
......................................................
SAUSAGE-SELLER: VERy well!
. it was *CLEON* who had caused the price to fall so low,
. that all might eat it, and the jurymen in the Courts were
. almost asphyxiated from *FARTING* in each others' faces.
.
DEMOS: Hah! why, indeed, a *DUNGTOWNITE* told me the same thing.
.
SAUSAGE-SELLER: Were you not yourself in those days
. quite red in the gills with *FARTING*?
.
DEMOS: Why, it was a trick *WORTHY* of Pyrrhandrus!
----------------------------------------------------------------
Joseph Barnes published the only English edition of Aristophanes
prior to 1640, a Greek edition published in *OXENford* in 1593.
.........................................................
*OZONE* is derived from the Greek *OXEiN* meaning *to SMELL*
.........................................................
<<This Earle of Oxford, making his *LOW* obeisance to Queen
Elizabeth, happened to let a FART, at which he was so
abashed and ashamed that he went to Travell, *7 yeares* .
On his returne the Queen welcomed him home, and sayd,
My Lord, I had forgott the FART.>> -- John Aubrey
--------------------------------------------------
__ Hamlet (1603: Bad Quarto 1) Act 5 Scene 1
.
Hamlet: An excellent fellow by the Lord Horatio,
. This *SEAUEN YEARES* haue I noted it: the toe of the pesant,
. *COMES so neere the heele of the courtier* ,
. That hee gawles his kibe, I prethee tell mee one thing,
. How long will a man lie in the ground before hee rots?
.
Clowne: I faith sir, if hee be not rotten [B]efore
. *HE BE* laide in, [A]s we haue many pocky [C]orses,
. He will last y[O]u, eight yeares, *a tan[N]er*
. Will last you eight yeares full out, or nine.
.
Hamlet: And why *A TANNER* ?
.
Clowne: Why his hide is so tanned with his trade,
. That it will holde out water, that's a parlous
. Deuourer of your dead body, a great soaker.
.............................................
if hee be not rotten <= 17 =>
.
. --- i f h e e b e n o t r o t t e n
. [B] e f o r e*H E B E*l a i d e i n
. [A] s w e h a u e m a n y p o c k y
. [C] o r s e s H e w i l l l a s t y
. [O] u e i g h t y e a r e s a t a n
. [N] e r
.
[BACON] 17 {244,000}
--------------------------------------------------------
Greek political satires were written that ridiculed
Pericles' *non-aristocratic* successor:
the war-mongering demagogue *CLEON* .
.
thE WaSPS [Sphekes] (422 BC) Philonides
thE KnigHts. (424 BC) Aristophanes
thE AchARnians (425 BC) Callistratus
.
But Philonides & Callistratus were
pseudonym/front men used by Aristophanes.
.
Unfortunately, Aristophanes was unable to hide behind
a pseudonym in _The Knights_ because Aristophanes,
himself, was *forced to play the CLEON character*
(a scheming *PAPHLAGONIAN LEATHER-MONGER* )
after EVERyone else refused.
.
(We know for certain that this character was
intended to be *CLEON* because *CLEON's father*
Cleaenetus was, in fact, *A TANNER* .)
----------------------------------------------------
# finds in skips from ±2 to ±1001
..........................................
String NT OT M.D. (4,150,000,000)
-------------------------------------------
TOMSWIFT .09 .16 .08 (1 in 12,600,000,000)
O(ROGER)M .45 1.4 1.6 (1 in 1,200,000,000)
ROSENKR 1.3 3.7 1.9 (1 in 600,000,000)
...............................................
SPENSER 4 13 10 (1 in 154,000,000)
LDERBY 5 17 6 (1 in 148,000,000)
STRANGE 7 17 9 (1 in 126,000,000)
NEU/VILLE 8 20 11 (1 in 106,500,000)
OXFOR 6 19 15 (1 in 104,000,000)
AREVERE 10 22 8 (1 in 104,000,000)
PERCY,H 8 24 12 (1 in 95,000,000)
SDANIEL 7 27 12 (1 in 90,000,000)
AMAFFR 9 33 8 (1 in 83,000,000)
EDEVERE 13 34 8 (1 in 75,500,000)
PSYDNE 12 31 16 (1 in 70,300,000)
FICINO 14 41 21 (1 in 54,600,000)
ROGERM 15 56 20 (1 in 45,600,000)
WRAWLE 16 45 24 (1 in 43,700,000)
EREUERE 18 58 22 (1 in 42,000,000)
EREVEER 11 29 10 (1 in 41,000,000)
..............................................
EVERUS 24 63 28 (1 in 36,000,000)
BACONO/I 25 73 44 (1 in 29,000,000)
AMAFRA 31 107 30 (1 in 25,000,000)
U/VERULA 31 97 49 (1 in 23,400,000)
GPEELE 25 95 67 (1 in 22,200,000)
STANLEE 28 110 42 (1 in 23,000,000)
NEVILE 38 128 51 (1 in 19,100,000)
ISCHIA 48 115 72 (1 in 17,700,000)
WSTANL 44 124 67 (1 in 17,700,000)
SIDNEY 57 131 50 (1 in 17,400,000)
WRALEI 39 133 71 (1 in 17,100,000)
FEEBLE 38 178 56 (1 in 17,000,000)
...............................................
TLODGE 42 163 56 (1 in 15,900,000)
PERCY 49 131 95 (1 in 15,100,000)
MASONS 60 174 85 (1 in 13,000,000)
PARVO 53 214 51 (1 in 13,000,000)
EOXEN 64 181 152 (1 in 10,450,000)
DEVERE 81 259 65 (1 in 10,250,000)
DEVEER 76 252 62
EDEVER 79 245 78
ETUDOR 88 302 87 (1 in 8,700,000)
ESPENS 83 241 160 (1 in 8,600,000)
ERUTLA 78 297 113 (1 in 8,500,000)
TOWERS 103 265 130 (1 in 8,300,000)
............................................
HARRIS 95 365 145 (1 in 6,900,000)
EVEREO 121 372 125 (1 in 6,700,000)
EVEREH 150 437 130 (1 in 5,800,000)
ALISLE 70 338 164 (1 in 5,700,000)
DERBY 130 439 159 (1 in 5,700,000)
HAMLET 113 476 129 (1 in 5,700,000)
SHREWE 141 417 159 (1 in 5,700,000)
DANIEL 115 461 166 (1 in 5,600,000)
SIDNEI 138 445 199 (1 in 5,300,000)
VERUS 175 473 220 (1 in 4,800,000)
PARUO 165 575 307 (1 in 4,000,000)
MARYS 208 583 260 (1 in 4,000,000)
BACON 183 579 294 (1 in 3,900,000)
GREENE 190 626 281 (1 in 3,800,000)
DEUEER 210 662 228
DEUERE 219 679 223
ARAISE 229 823 420
OXIN 238 678 706 (1 in 2,600,000)
OXON 268 858 724 (1 in 2,240,000)
................................................
SWEETE 483 1112 507
ISHERE 391 1305 470 (1 in 1,920,000)
UERUS 475 1235 648
HENRIE 455 1541 477 (1 in 1,680,000)
MARLO 393 1638 644 (1 in 1,550,000)
LODGE 420 1627 677 (1 in 1,550,000)
TNASHE 521 1941 528 (1 in 1,400,000)
SHAKE 455 1950 692 (1 in 1,340,000)
OXEN 506 1430 1258 (1 in 1,300,000)
SPENS 617 1901 1276 (1 in 1,090,000)
TUDOR 705 2395 765 (1 in 1,074,000)
ROGER 673 2250 1061 (1 in 1,040,000)
SPEAR 635 2210 1250 (1 in 1,000,000)
TALUS 704 2530 1172 (1 in 942,000)
...........................
HIRAM 833 2881 898 (1 in 900,000)
MARIH 833 2881 898 (1 in 900,000)
TKYD 805 2923 1027 (1 in 873,000)
...........................
SEVEN 1030 3002 1164 (1 in 800,000)
SCANT 933 2733 1545 (1 in 796,000)
VEREH 1033 3439 921 (1 in 770,000)
MASON 955 3193 1270 (1 in 766,000)
ESLEY 984 3469 1444
HENRY 1160 3598 1007 (1 in 720,000)
SHREW 1211 3238 1299
EDYER 1185 3610 1091 (1 in 705,000)
PHEON 1086 3780 1386 (1 in 664,000)
LISLE 914 3846 2129 (1 in 600,000)
FOSSE 1234 4225 1659 (1 in 580,000)
RU/VNES 1442 4633 2150 (1 in 505,000)
TOWER 1781 4674 1941 (1 in 495,000)
EVERE 1697 4951 1773 (1 in 493,000)
EVEER 1697 4951 1773 (1 in 493,000)
GREEN 1453 4903 2307 (1 in 480,000)
PEELE 1483 5685 2762 (1 in 418,000)
RALEI 1682 7061 3143 (1 in 350,000)
...........................
STEAM 2361 7502 2819 (1 in 327,000)
TALOS 1842 7763 3117 (1 in 326,000)
NAILE 2319 9169 3990
ATOME 2846 9640 3083 (1 in 267,000)
OSIER 2716 8638 4192
WILL 2875 9881 6005
HENRI 3490 12107 3891 (1 in 213,000)
EUERE 4438 13711 5236 (1 in 177,000)
HASTA 4870 18820 5045 (1 in 144,000)
NASHE 5544 19600 9610 (1 in 119,000)
...........................
IOTHE 7291 24236 6915 (1 in 108,000)
SING 7077 19743 13041 (1 in 104,000)
DYER 8908 28748 8808 (1 in 89,000)
SLEY 8033 27050 12240 (1 in 88,000)
EDENE 10225 34912 9551 (1 in 76,000)
ROPE 9393 33352 16214
VERE 12696 39502 13996 (1 in 63,000)
ISAM 11803 36950 17292 (1 in 63,000)
MOAI 14308 46266 18452 (1 in 52,500)
SHENE 17400 57040 17220
HEWS 24146 61081 23593
UERO 20058 63511 25241
IDLE 19024 74864 28064
HEBE 31570 106235 32757
UERE 34713 107114 42928 (1 in 22,500)
STAR 35382 128800 51500 (1 in 19,200)
HEIR 50855 175350 56576 (1 in 14,700)
TEST 109930 354217 131111 (1 in 7,000)
-------------------------------------------
Art Neuendorffer
____ *OBSCURIS VERA INVOLVENS*
http://www.fbrt.org.uk/pages/athena/frameset-athena.html
.
. <<Inscribed on Athena's shield is a Latin motto,
.
____ *OBSCURIS VERA INVOLVENS*
.
. meaning *TRUTH is enveloped in obscurity* , which explains
. the imagery on the shield-the central sun representing
. *TRUTH* and the surrounding clouds obscurity.>>
...................................................
__ *OBSCURIS VERA INVOLVENS*
_______. {anagram}
__ *BACONVS {S} NIL VERO VERIUS*
__ *BACON {SVS} NIL VERO VERIUS*
---------------------------------------------------
The DOUBLE AA (_Faerie Queene_) headpiece.
http://fly.hiwaay.net/~paul/aa/alpha.html
...................................................
A = ALPHa/ALePH = bull/ox
A = "stream" (Danish)
.
A-A = OX-Ford = Bull-beck
.....................................................
<<The BOAR, a symbol of Apollo, the divine SWINEHERD,
is said to imprint the ground with the sign of 'AA'..."
.
. Bacon, from his "Masculine Birth of Time"...
. "Why, *even COUNTRY BUMPKINS have proverbs*
. which are *APT expressions of TRUTH*
.
A PIG might print the letter A with his snout in the mud, but you
would not on that account expect it to go on to compose a tragedy.">>
-----------------------------------------------------
__ Hamlet Q1 (1603: Bad Quarto 1) Act 1 Scene 1
.
Mar.: So nightly toyles the su[B]iect of the l[A]nd,
. And why su[C]h dayly cost [O]f *BRAZEN Can[N]on*
. And forra[I]ne marte, for implements of warre,
.................................................
So nightly toyles the su-
.
____ <= 10 =>
.
. [B] i e c t o f t h e
. l [A] n d,A n d w h y
. s u [C] h d a y l y c
. o s t [O] f B R A Z E
. N C A N [N] O N A n d
. f o r r a [I] n e
.
marte, for implements of warre,
.
[BACONI] 11 {2,900,000}
........................................
h(ONO){R}i{F}i(CAB)ilitudinitatibus
-----------------------------------------------------
___ "[E]dwardus [C]omes [O]xon{iensis}"
____ *ECO* : *HERE* (Venetian)
.............................................
____ *SUPER* : *OVER* (Latin)
.............................................
He has hidden his own name, a fair name, William,
in the plays, a *SUPER HERE* , a clown there, as a painter
*of old Italy* set his face in a DARK CORNER of his canvas.
He has REVEalED it in the sonnets where there is
Will in *OVER(pl)US* . Like John o'Gaunt his name is dear
to him, as dear as the coat and crest he toadied for,
on a bend sable a spear or steeled argent,
*honorificabilitudinitatibus*
dearer than his glory of greatest shakescene in the country.
What's in a name? That is what we ask ourselves in childhood
when we write the name that we are told is ours. - _ULYSSES_
.............................................
. h_ o *n* orific
. a_ b *i* litudi
. *n i_ t* atibus
-------------------------------------------------
__ Hamlet Q1 (1603: Bad Quarto 1) Act 1 Scene 4
.
Ham.: I mary i'st and though I am Natiue here,
. and to t[H]e m[A]ne[R] bo[R]ne, [I]t i[S]
. a custome, more honourd in the breach,
. Then in the obseruance.
.
[HARRIS] 3 {3,450,000}
-------------------------------------------------
_____ *SEALD & DOONE*
............................................
http://ist-socrates.berkeley.edu/~ahnelson/PERSONAL/011007.html
.
Cecil Papers 88/101 (bifolium, 232mm x 170mm),
Oxford to Cecil; 7 October 1601 (W337;F593).
.
...for I am aduised, that I may passe *MY BOOKE* from her
Magestie, yf a warrant may be procured to my cosen *BACON*
and Seriant [=Sergeant] *HARRIS* to perfet [= *PERFECT* ] yt.
Whiche beinge *DOONE* , I know to whome formallye to
thanke, but reallye they shalbe, and are from me, and myne,
*to be SEALED VP* in an *AETERNALL REMEMBRANCE* to yowre selfe.
And thus *WISHINGE ALL HAPPINES* to yow, and sume fortunat
meanes to me, wherby I myght recognise soo *DIEPE* merites,
I take my leaue this 7th of October from my House at HAKNEY. 1601.
.
Yowre most assured and louinge Broother.
(signed) Edward Oxenford (ital.; 4+7)
.
Addressed (O): To the ryghte honorable & my very good Broother
Sir Robert Cecill on [=one] of her Magestyes pryvie Councel
and principall Secretarie giue thes at the Coorte. [seal]
.
Endorsed: 1601 7 October: Erle of Oxenford to my Master.
---------------------------------------------------------
______ Hamlet (Q2, 1604)
.
King: Follow him at foote,
. Tempt him with speede abord,
. Delay it not, Ile haue him hence
. to nig[H]t. Aw[A]y, fo[R] eue[R]y th[I]ng i[S]
. *SEALD and DONE*
. That els leanes on th'affayre, pray you make hast,
..........................................................
______ Hamlet (Folio, 1623)
.
King: Follow him at foote,
. Tempt him with speed aboord:
. Delay it not, Ile haue him hence to
. nig[H]t. Aw[A]y, fo[R] eue[R]y th[I]ng i[S]
. *SEAL'D and DONE*
. That else leanes on th'Affaire, pray you make hast.
..........................................................
Ile haue him hence to
.
. --- n i g
. [H]{t A w}
. [A] y f o
. [R] e u e
. [R] y t h
-. [I] n g i
. [S] *SEAL'D and DONE*
.
[HARRIS] 4 {2,300,000}
-------------------------------------------------
8 January 1599/1600.
Building Contract for the Fortune Playhouse...
P S: *SEALED and DEliURED* by the saide Peter Streete
in the presence of me [W]illiam [H]ARRIS Pub Scr
And me *FRAUNCIS* Smyth appr to the said Scr
..................................................
_____ Pub Scr <=> the trade of *NOVERINT*
.....................................................
http://www.sourcetext.com/lawlibrary/greenwood/isasp/08.htm
.
<<"[T]homas [KYD] was born to the trade of *NOVERINT* &
perhaps spent a few years in the office of his father who
was a *SCRIVINERER* ; in A Warning, IV, 4, the indictments
of Browne, Anne Sanders, and Drury, with their legal jargon,
point to the probability of their having been drawn up by
one accustomed to copying legal documents. All Kyd's plays,
with the exception of his translation of Garnier's Cornelia,
. were issued anonymously, so was _A Warning_ .">>
------------------------------------------------------
Ham: Very well,
. followe that Lor[D], & looke [Y]ou moc[K] him no[T].
. My good friends, Ile leaue you tell night,
. you are welcome to Elsonoure.
[T.KYD] -6 {175,000}
Ros: Good my Lord. [Exeunt.]
Ham: I so God buy to you, now I am alone,
. O what a rogue and pesant slaue am I.
. Is it not monstrous that this player heere
. But in a fixion, in a dreame of passion
. Could force his soule so to his owne conceit
. That from her working all the visage wand,
. Teares in his eyes, distraction in his aspec[T],
. A bro[K]en vo[Y]ce, an[D] his whole function suting
. With formes to his conceit; and all for nothing,
. For Hecuba.
[T.KYD] -5 {218,000}
Ham: Ile be your foile Laertes, in mine ignorance
. Your skill shall like a starre i'th darkest nigh[T]
. Stic[K] fier[Y] off in[D]eed.
[T.KYD] 5 {218,000}
......................................................
Hamlet: Very well.
. Follow that Lord, an[D] looke [Y]ou moc[K] him no[T].
. My good Friends, Ile leaue you til night
. you are welcome to Elsonower?
. Rosin. Good my Lord.
. Hamlet: I so, God buy'ye: Now I am alone.
. Oh what a Rogue and Pesant slaue am I?
. Is it not monstrous that this Player heere,
. But in a Fixion, in a dreame of Passion,
. Could force his soule so to his whole conceit,
. That from her working, all his visage warm'd;
. Teares in his eyes, distraction in's Aspec[T],
. A bro[K]en vo[Y]ce, an[D] his whole Function suiting
. With Formes, to his Conceit? And all for nothing?
. For Hecuba?
[T.KYD] -5 {218,000}
-----------------------------------------------------
__ Hamlet (1603: Bad Quarto 1) Act 3, Scene 3
King: O these are sinnes that art vnpar[D]onable:
. Why say th[Y] sinnes were blac[K]er then is ieat,
. Ye[T] may contrition make them as white as snowe:
. I but still to perseuer in a sinne,
. It is an act gainst the vniuerfall power,
. Most wretched man, stoope, bend thee to thy prayer,
. Aske grace of heauen to keepe thee from despaire.
...........................................
_____ <= 15 =>
.
O t h e s e a r e s i n n e s
t h a t a r t v n p a r[D]o n
a b l e:W h y s a y t h[Y]s i
n n e s w e r e b l a c[K]e r
t h e n i s i e a t,Y e[T]m a
y c o n t r i t i o n m a k e
them as white as snowe:
[T.KYD] -15 {63,000}
...........................................
. hee kneeles. enters Hamlet
Ham.: I so, come forth and worke thy last,
. And thus hee dies: and so, am I reuenged:
. No, not so: he tooke my father sleeping, his sins brim full,
. And how his soule floode to the state of heauen
. Who knowe[S], saue the immortall powres,
. And shall I kill him now
. When he is purg[I]ng of his soule?
. Making his way for heauen, this is a benefit,
. And not [R]euenge: no, get thee vp agen,
. When hee's at game swaring, taking his ca[R]owse, drinking drunke,
. Or in the incestuous pleasure of his bed,
. Or [A]t some act that hath no relish
. Of saluation in't, then trip him
. That [H]is heeles may kicke at heauen,
. And fall as lowe as hel: my mother stayes,
. This phisicke but prolongs they weary dayes.
...........................................
__________ <= 54 =>
.
[S] sauetheimmortallpowresAndshallIkillhimnowWhenheispurg
[I] ngofhissouleMakinghiswayforheauenthisisabenefitAndnot
[R] euengenogettheevpagenWhenheesatgameswaringtakinghisca
[R] owsedrinkingdrunkeOrintheincestuouspleasureofhisbedOr
[A] tsomeactthathathnorelishOfsaluationintthentriphimThat
[H] isheelesmaykickeatheauen
[HARRIS] -54 {130,000}
---------------------------------------------------------
<<This is the technical phraseology referred to by *Thomas NASH* in
his *Epistle to the Gentlemen Students of the two universities*
in the year 1589, when he is supposed to have denounced
the author of Hamlet as one of those who had
.
"left the trade of *NOVERINT* , whereto they were born,
. for handfuls of tragical speeches"
.
. that is, an attorney's clerk become a poet,
. and penning a stanza when he should engross.
.
As You Like It was not brought out until shortly before the year
1600, so that *NASH's NOVERINT* could not have been suggested by it.
Possibly Shakespeare now introduced the "Be it known to all men,"
&c., in order to show his contempt for *NASH* 's sarcasm.
-----------------------------------------------------------
____ *NOVERINT UNIVERSI per praesentes*
____ nos Fulconem Sandells de Stratford
..........................................................
__ *NOVERINT UNIVERSI* : *let all men know*
...............................................
________ *NOVERINT UNIVERSI*
________ *TINN: VERO NI(L) VERIUS*
.
*TINN* : sick, unwell (Irish, Gaelic, Scottish)
*TINN* : tin (Norwegian)
-----------------------------------------------------------
http://www.sourcetext.com/lawlibrary/campbell/03.htm
.
<<In Act I, Sc. 2, [As You Like It] Shakespeare makes the
lively Rosalind, who, although well versed in poesy and books
of chivalry, had probably never seen a bond or a law-paper of
any sort in her life, quite familiar with the commencement
of all deeds poll, which in Latin was,
.
______ *NOVERINT UNIVERSI per praesentes*
______ *Be it known to all men by these presents*
..........................................................
Le Beau.: There *COMES* an old man and his three sons?
.
Cel.: I could match this beginning with an old tale.
.
Le Beau.: Three proper young men, of excellent growth and presence;?
.
Ros.: *With BILLS ON THEIR NECKS* ?
. *Be it known to all men by these presents*
...............................................
Here is an excerpt from Aubrey in his Nat. Hist. Wilts, Royal Soc.
MS p. 259, an anecdote which cites a story of Sir Thomas More:
"... they had on their left arm an armilla of *TINN* printed in
some workes, about four inches long; they could not gett it off.
.
They wore about their *NECKS a great HORN of an OXE*
in a string of bawdrie, which when they came to an house
for almes, they did wind; and they put the drink given
them into this horn, whereto they did putt a stopple."
----------------------------------------------------
http://f01.middlebury.edu/FS010A/students/Minerva/132.JPG
132. ( = 2 X 66) Matrimonium
.
Who loueth best, to liue in Hymens bandes,
And better likes, the carefull married state,
May here behold, how Matrimonie standes,
In woodden stocks, repenting him too late:
The serVILE *YOAKE* , [H]is *NECK*, and shoulder we[A]res,
And in his hand, the f[R]uitefull Quince he bea[R]es.
The stocks doe shew, h[I]s *WANT* of libertie,
Not a[S] he *WOONT*, to wander where he list:
The *YOKE's* an ensigne of servilitie:
The fruitefullnes, the Quince within his fist,
Of wedlock tells, which SOLON did present,
T' Athenian Brides, the day to Church they went.
........................................................
______________ <= 20 =>
.
. [H] i s n e c k,a n d s h o u l d e r w(E)
- [A] r e s,A n d i n h i s h a n d,t h e(F)
. [R] u i t e f u l l Q u i n c e h e b e(A)
. [R] e s.T h e s t o c k s d o e s h e w,h
- [I] s*W A N T*o f l i b e r t i e,N o t a
. [S] h e*W O O N T*,
.
[HARRIS] 20 {363,000}
----------------------------------------------------
______ Hamlet (Folio, 1623) Act 5 Scene 2
.
*OSRICKE* : The sir King ha's wag'd with him six Barbary Hor-
. [S]es, against the which he [I]mpon'd as I take it, sixe F[R]ench
. Rapiers and Ponia[R]ds, with their assignes, [A]s Girdle,
. Hangers or so: t[H]ree of the Carriages infaith are *VERy DEarE*
. to fancy, *VERy* responsiue to the hilts, most delicate
. carriages, and of *VERy* liberall conceit.
........................................................
The sir King ha's wag'd with him six Barbary Hor-
.
______________ <= 20 =>
.
. [S] e s a g a i n s t t h e w h i c h h(E)
- [I] m p o n d a s I t a k e i t s i x e(F)
. [R] e n c h R a p i e r s a n d P o n i(A)
. [R] d s w i t h t h e i r a s s i g n e s
- [A] s G i r d l e H a n g e r s o r s o t
. [H] r e e
.
[HARRIS] -20 {363,000}
........................................................
Hamlet: What call you the Carriages?
.
*OSRICKE* : The Carriages Sir, are the hangers.
.
Hamlet: The phrase would bee more Germaine to the
. matter: If we could carry Cannon by our sides; I would
. it might be Hangers till then; but on sixe Barbary Hor-
. ses against sixe French Swor[D]s: their Assignes, and thr[E]e
. liberall conceited Ca[R]riages, that's the French [B]ut a-
. gainst the Danish; wh[Y] is this impon'd as you call it?
........................................................
______________ <= 20 =>
.
. [D] s t h e i r A s s i g n e s a n d t h
. r [E] e l i b e r a l l c o n c e i t e d
. c a [R] r i a g e s t h a t s t h e F r e
. n c h [B] u t a g a i n s t t h e D a n i
. s h w h [Y]
.
[DERBY] 21 {285,000}
--------------------------------------------------------
*OSRICKE* : "{A HIT} , {A} VERy palpable (HIT)."
*SIR COKE*
.
http://en.wikipedia.org/wiki/Edward_Coke
.
<<*SIR edward COKE* ("Cook") (1 Feb. 1552 – 3 Sept. 1634) was an
English jurist & Member of Parliament whose writings on the common
law were the definitive legal texts for nearly 150 years. Born into a
family of minor Norfolk gentry, Coke was eventually being appointed
Solicitor General and then Attorney General by Queen Elizabeth. As
Attorney General, Coke famously prosecuted Sir Walter Raleigh and the
Gunpowder Plot conspirators for treason. In 1606, Coke was made Chief
Justice of the Court of Common Pleas, later being elevated, in 1613,
to Lord Chief Justice of England. Despite his 1616 dismissal from the
bench, Coke remained an influential political figure, leading
parliamentary opposition to the Crown in the 1620s. His career in
parliament culminated in 1628 when he acted as one of the primary
authors of the Petition of Right. This document reaffirmed the rights
of Englishmen and prevented the Crown from infringing them. In later
times, both English reformers and American Patriots, such as John
Lilburne, James Otis, and John Adams, used Coke's writings to
support their conceptions of inviolable civil liberties.>>
-----------------------------------------------------
http://www.baconlinks.com/VVILL/Psalm46.html
.
The Psalms 46 (1611) [1032 = 43x3x8 letters]
.
God is our refuge and strength: a very present helpe in trouble.
Therfore will not we feare, though (T)he earth be remoued: and
tho(U)gh the mountaines be carie(D) into the midst of the se{A}.
Th(O)ugh the waT[E]rs thereof roa[R]e, And be troubl[E]d, thoUgh
the MO[U]ntaines *SHAKE* with th[E] swelling thereof. The[R]e
is a r(I)uer, the stream[E]s (H)erof shall make gl{A}d the
citie of God: the holy place of the Tabernacles of the most High.
.......................................................
_________ <= 23 =>
.
. (T) h e e a r t h b e r e m o u e d:a n d t h o
. (U) g h t h e m o u n t a i n e s b e c a r i e
. (D) i n t o t h e m i d s t o f t h e s e{A}T h
. (O) u g h t h e w a t[E]r s(T)h e r e o f r o a
. [R] e,a n d b(E)t r o u b l[E]d,t h o u g h t(H)
. {E} m o[U]n t a i n e s*S H A K(E)*
.
(TUDOR, E.) 23 {400,000}
..................................................
______ <= 16 =>
. t h e m i d s t o f t h e s e{A}
. T h(O)u g h t h e w a T[E]r s(T)
. h e r e o f r o a[R]e,A n d b(E)
. t r o u b l[E]d,t h o U g h t(H)
.{E}M O[U]n t a i n e s*S H A K(E)*
. w i t h t h[E]s w e l l i n g(T)
. h e r e o f T h e[R]e i s a r(I)
. u e r,t h e s t r e a m[E]s w(H)
. e r o f s h a l l m a k e g l{A}
. d t h e c i t i e o f G o d:
.
{E}[UERE] 16 : *COMPASS/'Y'/PHEON* {500,000}
.
"{A HIT} , {A} VERy palpable (HIT)."
..............................................
The DOUBLE AA (_Faerie Queene_) headpiece.
http://fly.hiwaay.net/~paul/aa/alpha.html
............................................
. O, could he but have drawne his [WIT]
. As well in *BRASSE* , as he hath [HIT]
. His face ; the print would then surpasse
. All, that *WAS EVER WRIT IN BRASSE* .
...............................................
The Hebrew word for SERPENT: *NA(ha)SH* (/ *BRASS*)
Anglo-Saxon word for SERPENT: *(wi)VERE*
...............................................
"through EVERy art & thrive by none,
. to leave the trade of *NOVERINT* " -- *Thomas NASH*
.............................................
. [N] *OVER* (int) universi
. [N] *VERO* (tin) ni.verius
------------------------------------------------
___ Sonnet 64
. WHen I haue seene by times fell hand defaced
. The rich proud cost of outworne buried age,
. When sometime *loftie TOWERS* I see downe rased,
. And *BRASSE eternall* slaue to mortall rage.
-------------------------------------------------
"On Shakspeare" (1630) John Milton
.
What needs my Shakspeare for his honor'd Bones
The labor of an age in piled Stones,
Or that his hallow'd relics should be HID
___ Under a Star-Ypointing PYramid:
........................................................
The Psalms 46 (1611) [1032 = 129 X 8 letters]
.
God is in the midst of her: she shal not be moued; God shall helpe
her, and that right early. The heathen raged, the kingdomes were
mooued: he vttered his voyce, the earth mel[T]ed. {T}he Lord of hosts
is with vs; the God [O]f Iacob is {O}ur refuge. Come, behold the
[W]orkes of the Lord, {W}hat desolations he[E] hath made in the
earth. H{E} maketh war[R]es to cease vnto the end of the ea{R}th:
................................................................
______ <= 34 =>
.
t h e k i n g d o m e s w e r e m o o u e d:h e v t t e r e d h i s
v o y c e,t h e e a r t h m e l[T]e d{T}h e L o r d o f h o s t s i
s w i t h v s;t h e G o d[O]f I a c o.b i s{O}u r r e f u g e.C o m
e,b e h o l d t h e[W]o r k e s o f t h e L o r d{W}h a t d e s o l
a t i o n s h[E]e h a t h m a d e i n t h e e a r t h.H{E}m a k e t
h w a r[R]e s t o c e a s e v n t o t h e e n d o f t h e e a{R}t h:
.
[TOWER] 31
{TOWER} 37 {15,000 each}
.................................................
vnto the end of [TH]e ea{R}th: h[EE]
br(E)ake[TH T]h(E) bow, and c(U)tteth th(E) *SPEARE*
*IN SUNDER*, he burneth the chariot in the fire. Be stil,
and know that I am God: I will bee exalted among the
heathen, I will be exalted in the earth. The Lord
of hosts is with vs; the God of Iacob is our refuge.
.................................................
____ <= 8 =>
.
. v -n- t o t h e e
. n -d- o f[T H]e e
. a {R} t h:h[E E]b
. r (E) a k e[T H T]
. h (E) b o w{A}n d
. c (U) t t e{T}h t
. h (E) *S P E{A}R E*
. i n s u n{D}e r
.
(E.UEER) -8 : *SQUARE* {15,000}
{DATA} -8 : gifts
-------------------------------------------------
Prospero: Silence: One word more
. Shall make me chide thee, if not hate thee: What,
. An aduocate for an {IMPOSTOR} ? Hu[S]h:
. Thou th[I]nk'st the[R]e is no mo[R]e such sh[A]pes as he,
. ([H]auing seene but him and Caliban:) Foolish wench,
. To th'most of men, this is a Caliban,
. And they to him are Angels.
.............................................
____ <= 8 =>
.
__ {I M P O S T O R}
_ H u[S]h T h o u
___ t h[I]n k s t t
_ h e[R]e i s n o
. m o[R]e s u c h
_ s h[A]p e s a s
_ h e[H]a u i n g
.
seene but him and Caliban
.
[HARRIS] -8 {100,000}
..............................................
Miranda: My affections
. Are then most humble: I haue no ambition
. To see a goodlier man.
.
Prospero: Come on, *OBEY* :
---------------------------------------------
__ *The DIAL TIS NoW For BACon TO OBEY*
..............................................
. Mira. More to know
[D]id *NEUER* medle with my thoughts.
Pros. *TIS TIME*
[I] should informe thee farther: Lend thy hand
[A]nd *PLUCKE my Magick Garment* from me: So,
[L]ye there my Art: wipe thou thine eyes, haue *COMFORT*,
.
[The] direfull spectacle of the *WRACKE* which touch'd
.
[T]he *VERy VERtue* of compassion in thee:
[I] haue with such prouision in mine Art
[S]o SAFEly ordered, that there is no soule
[No] not so much perdition as an hayre
. betid to any creature in the vessell
[W]hich thou heardst cry, which thou saw'st sinke: Sit
[For] thou must *NoW* know farther. [downe,
. Mira. You haue often
[B]egun to tell me what I am, but stopt
[A]nd left me to a bootelesse Inquisition,
[Con]cluding, stay: not yet.
. Pros. The howr's now come
[T]he *VERy MINUTE* byds thee *OPE THINE EARE* ,
[OBEY], and be attentiue. Canst thou remember
___ A time before we came vnto this Cell?
-----------------------------------------------------
. Hamlet (Quarto 2) Act II, scene I
Pol.: Mary well said, very well [S]aid; looke you s[I]r,
. Enquire me fi[R]st what Danske[R]s are in Parris,
. [A]nd how, and who, w[H]at meanes, and where they keepe,
Mary well said, very well
.
____ <= 12 =>
.
. [S] a i d;l o o k e y o u
. s [I] r,E n q u i r e m e
. f i [R] s t w h a t D a n
. s k e [R] s a r e i n P a
. r r i s,[A] n d h o w,a n
. d w h o,w [H] a t m e a n e s,
[HARRIS] -13 {575,000}
-----------------------------------------------------
Palladis Tamia. By Rev. Francis Meres
.................................................
As Consaluo Periz that excellent learned man, and Secretary to King
Philip of Spayne, in translating the Ulysses of Homer out of Greeke
into Spanish, hath by good judgemen[T] avoided the faulte of Ryming,
although not fully hit perfect a[N]d TRUE versifying: so hath Henrie
Howarde that TRUE and noble E[A]rle of Surrey in translating the
fourth book of Virgils Aenea[S], whom Michael Drayton in his Englands
heroycall Epistles hat[H] eternized for an Epistle to his faire
Geraldine. As these Neot[E]rickes Jovianus Pontanus,
[TNASHE] 52 {27,500}
.................................................
As Musaeus, who wrote the love of Hero and Leander, had two excellent
schollers, Thamaras and Hercules: so hath he in England two excellent
Poets, imitators of him in the same argument and [S]ubject,
Chr[I]stopher Ma[R]low and Geo[R]ge Chapman. [A]s Ovid sait[H]
of his worke;
. Jamq opus exegi, quod nec Jovis ira, nec ignis
. Nec poterit ferrum, nec edax abolere vetustas.
..............................................................
Concluding nine lines of Ovid's _Metamorphoses_ translated:
Now have I brought a worke to end which neither Jove's fierce wrath
Nor sword nor fire nor fretting age, with all the force it hath Are
able to abolish quite, &c.
................................
___ <= 10 =>
. [S] u b j e c t,C h r
. [I] s t o p h e r M a
. [R] l o w a n d G e o
. [R] g e C h a p m a n.
. [A] s O v i d s a i t
. [H] o f h i s w o r k e;
[HARRIS] -10 {770,000}
....................................................
And as Horace saith of his;
. Exegi monumentum aere perennius;
. Regalique *PYRAMIDUM* altius; Quod non imber edax;
. Non Aquilo impotens possit DI(r)UERE;
. aut innumerabilis annorum series and fuga temporum:
.............................................
Concluding lines of Horace's _Odes_ translated:
.
. I have builded a monument more lasting than *BRASS*,
. Loftier than the *PYRAMIDS* their regal throne,
. Which neither the wasting rain nor the North wind in its fury
. Could ever raze to the ground, nor the innumerable
. Sequence of the years, nor the swift feet of time.
...................................................................
As Antipater Sidonius was famous for extemporall verse in Greeke, and
Ovid for his Quicquid conabar dicere versus erat: so was our Tarleton,
of whome Doctour Case that learned physitian thus speaketh in the
seventh Booke, and seventeenth chapter of his Politikes; Aristoteles
suum Theodoretum laudauit quendam peritum Tragoediarum actorem; Cicero
suum Roscium: nos Angli Tarletonum, in cuius voce & vultu omnes iocosi
affectus, in cuius cerebroso capite lepidae facetiae habitant. And so
is now our wittie Wilson, who, for learning and extemporall witte in
this facultie, is without compare or compeere, as to his great and
eternall commendations he manifested in his chalenge at the SWANNE
on the Bank{E}side. As *ACHILLES* tortured the deade bodie
of Hector, a{N}d as Antonius, and his wife Fulvia
tormente[D] th[E] li[V]el{E}ss[E] co[R]ps of Cicero:
so *GABRIELL HARVEY* hath shewed th{E} same inhumanitie
to *GREENE* that lies full low in his g{R}ave. As Eupolis
of Athens used great libertie in taxin{G} the vices of men:
so dooth *Thomas Nash* , witnesse the broode of the *HARVEYS* .
.....................................................
his chalenge at the SWANNE <= 45 =>
.
-o-nt-h-eB-a-nk{E}si-d-eA-s-Achillestorturedthedeadebodie
-o-fH-e-ct-o-ra{N}da-s-An-t-oniusandhiswifeFulviatormente
[D]th[E]li[V]el{E}ss[E]co[R]psofCicerosoGABRIELLHARVEYhat
-h-sh-e-we-d-th{E}sa-m-ei-n-humanitietoGREENEthatliesfull
-l-ow-i-nh-i-sg{R}av-e-As-E-upolisofAthensusedgreatlibert
-i-ei-n-ta-x-in{G}
[DEVEER] 3 {2,600,000}
{GREENE} -45 {86,000}
------------------------------------------------------------
*GABRIELL HARVEY's* Apostrophe ad eundem, lines 38-43:
.
Virtus fronte habitat: Mars occupat ora; *Minerva*
In dextra latitat: Bellona in corpore regnat:
Martius ardor inest; scintillant lumina: vultus
Tela vibrat: quis non redivivum iuret *ACHILLEm* ?
O age, magne Comes, spes est virtutis alenda Ista tibi;
.
Ward's translation
(The 17th Earl of Oxford, London, 1928, pp. 1578):
.
Courage animates thy brow, Mars lives in thy tongue,
Minerva strengthens thy right hand, Bellona reigns in
thy body, within thee burns the fire of Mars. Thine
eyes flash fire, thy countenance *SHAKES a SPEAR* ; who
would not swear that *ACHILLES* had come to life again?>>
--------------------------------------------------------
Why with the time do I not glance aside
.
[T]o new found methods, <= 16 =>
.
. a n d t o c o m p o u n d s S T
. {R}A N G E[W]h y w r i t e I s t
. i l l a l l o n e e u e r{T}h e
. s a m e[A]n d k(E|E)p e i n u(E)
. {N|T}i o n i n a n o t(E)d w(E)e
. d T h{A|T}e u e r y w o r(D|D)o
. t h a l m o{S|T}f e l m y n a m
. {E}S h e w i n g t{H|E]i r b i r
. t h a n d w h e[R]e t h{E}y(D)i
. d p r o c e[E]d O k n o w s w-e
. {E}t l o[V]e I a l w a i e s w r
. i t[E]o f y o u A n d y o u a n
. [D]l o u(E)a r e s t i l l m y a
. {R}g u m(E)n t S o a l l m y b e
. s t i s(D)r e s s i n g o l d w
. o r d s n e w S p e n d i n g a
. {G}a i n(E)w h a t i s a l r(E)a
. d y s p(E)n t F o r a s t h(E)S
. u n i s(D)a i l y n e w a n(D)o
. l d S o(I)s m y l o u e s t(I)l
. l t e l l i n g
.
what is told,
.
[DEVERE] 14 [shortest skip DEVERE in Sonnets!]
___________ {Found by James Ferris}
{GREENR} 48
...............................................
http://www.shakespeares-sonnets.com/Images/Oxford01.JPG
.
_______ Sonnet 76 : 4 X 19
.
Why is my verse so barren of new pride?
So far from variation or quicke *CHANGE*?
Why with the time do I not glance aside
[T]o new found methods, and to compounds *ST{R}ANGE*
[W]hy write I still all one, euer {T}he same,
[A]nd k(E|E)pe inu(E|N|T}ion in a not(E)d weed,
[T]h{A|T} euery wor(D|D)oth almo{S|T} fel my nam{E},
[S]hewing t{H|E]ir birth, and whe[R]e th{E}y did proce[E]d
[O] know swe{E}t lo[V]e I alwaies writ[E] of you,
A[n]d you an[D] loue are still my a{R}gument:
So all my best is dressing old words new,
Spending a{G}ain(E) what is already sp(E)nt:
. For as the Sun is (D)aily new and old,
. So is my loue still telling what is told,
..............................................
Why write I still all one, euer <= 19 =>
.
___________ <= 19 =>
.
. {T}h e s a m e[A]n d k(E|E)p e i n u(E)
. {N|T}i o n i n a n o t(E)d w(E)e d T h
. {A|T}e u e r y w o r(D|D)o t h a l m o
. {S|T}f e l m y n a m<E>S h e w i n g t
. {H|E]i r b i r t h a n d w h e[R]e t h
. {E}y(D)i d p r o c e[E]d O k n o w s w
. -e<E>t l o[V]e I a l w a i e s w r i t
. [E]o f y o u
.
And you an[D] loue are still my argument:
.
{TNASHE} 19 [only TNASHE in Sonnets!] {78,000}
--------------------------------------------------------------
___ <= Sonnets 33/34 => 35 *DE VEER*
.
___ /T/ OT __ [H] EONLIEBEGE TTE [R] OFTHESEINSUINGS
__- /O/ NN _ [E T] SMRWHALLH APPIN [E] SSEANDTHATETE
__ /R/ NI___ [T(I)E] *PROMISED*BYOUREV [E] RLIVINGPOET
_ /W/ IS___ [H E T H] THEWELL WISHINGA [DVE] NTURERIN
_______________ SETTIN GFORTH ______________TT
..........................................................
They burn in love, THY CHILDREN Shakespear [HET] THEm
Go, wo thy Muse, more NYMPhish brood BEGET THEm
..........................................................
[HET], v. t. & i. To *PROMISE*. [Obs.] --Chaucer.
------------------------------------------------------
Enter Caliban, with a burthen of Wood
. (a noyse of Thunder heard.)
.
Caliban: All the infections that the Sun[N]e suckes vp
. From Bogs, Fens, Flats, [O]n Prosper fall, and make him
. By yn[C]h-meale a disease: his Spirits he[A]re me,
. And yet I needes must curse. [B]ut they'll nor pinch,
. Fright me wi{T}h Vrchyn-shewes, pitch me i'th mir{E},
. Nor lead me like a fire-brand, in t{H}e darke
. Out of my way, vnlesse he b{I}d 'em;
...................................................
. ----- AlltheinfectionsthattheSu
. n [N] esuckesvpFromBogsFensFlat
. s [O] nProsperfallandmakehimByy
. n [C] hmealeadiseasehisSpiritsh
. e [A] remeAndyetIneedesmustcurs
. e [B] uttheyllnorpinchFrightmew
_ i {T} hVrchynshewespitchmeithmi
- r {E} Norleadmelikeafirebrandin
- t {H} edarkeOutofmywayvnlessehe
- b {I} dem <= 27 =>
.
[{I HET} BACON] -27
...................................................
. but For EUERy trifle, are they set vpon me,
. Sometime like Apes, that moe and chatter at me,
. And after bite me: then like Hedg-hogs, which
. Lye tumbling in my bare-foote way, and mount
. Their pricks at my foot-fall: sometime am I
. All wound with Adders, who with clouen tongues
. Doe hisse me into madnesse: Lo, now Lo,
------------------------------------------------------
_____ Hamlet (Folio, 1623)
.
Laertes: I am satisfied in Nature,
. Whose motiue in this case should stirre me most
. To my Reuenge. But in my termes of Honor
. I stand aloofe, and will no reconcilement,
. Till by some elder Masters of knowne Ho[N]or,
. I haue a v[O]yce, and pre[S]ident of pe[A]ce
. To keepe [M]y name vngorg'd. But till that time,
. I do receiue your offer'd loue like loue,
. And wil not wrong it.
.
. Ham.: I do embrace it {FREE}ly,
. And will this {BROTHERS} wager {FRANK}ely play.
..........................................
. Till by some <= 10 =>
. e l -d- e r M a s t e
. r s -o- f k n o w n e
. H o [N] o r I h a u e
_ a v [O] y c e a n d p
_- r e [S] i d e n t o f
- p e [A] c e T o k e e
- p e [M] y n a m e v n gorg'd.
.
[MASON] -10 {85,000}
-----------------------------------------
__ Hamlet (1603: Bad Quarto 1) Act 5 Scene 1
.
enter Clowne and an other.
.
Clowne: I say no, she ought not to be buried
. In christian buriall.
.
2: Why sir?
.
Clowne: Mary more's the pitty, that great folke
. Should haue more authoritie to hang or drowne
. Themselues, more than other people:
. Goe fetch me a stope of drinke, but before thou
. Goest, tell me one thing, who buildes strongest,
. Of a [MASON], a Shipwright, or a Carpenter?
.
2: Why a [MASON], for he buildes all of stone,
. And will indure long.
.
Clowne: That's prety, too't agen, too't agen.
.
2: Why then a Carpenter, for he buildes the gallowes,
. And that brings many a one to his long home.
.
Clowne: Prety agen, the gallowes doth well, mary howe dooes it well?
. the gallowes dooes well to them that doe ill, goe
. ge[T] thee go[N]e: And if [A]ny one a[S]ke thee [H]ereaft[E]r,
. say, A Graue-maker, for the houses he buildes
. Last till Doomes-day. Fetch me a stope of beere, goe.
.............................................
_ <= 7 =>
.
. g e [T] t h e e
. g o [N] e A n d
__ i f [A] n y o n
. e a [S] k e t h
. e e [H] e r e a
__ f t [E] r
.
[TNASHE] 7 {233,000}
-----------------------------------------------------
__ Hamlet (1603: Bad Quarto 1) Act 1 Scene 4
Hamlet: King, Father, Royall Dane,
. O answere mee, let mee not burst in ignorance,
. But say why thy canonizd bones hearsed in death
. Haue burst their ceremonies: why thy Sepulcher,
. In which wee saw thee quietly interr'd,
. Hath burst his ponderous and marble Iawes,
. To cast thee vp againe: what may this meane,
. That thou, dead corse, againe in compleate steele,
. Reuissets [T]hus the glimses of the Moone,
. Maki[N]g night hideous, and we fooles of n[A]ture,
. So horridely to shake our di[S]position,
. With thoughts beyond t[H]e reaches of our soules?
. Say, speak[E], wherefore, what may this meane?
..........................................................
______________ <= 28 =>
.
[T] h u s t h e g l i m s e s o f t h e M o o n e,M a k i
[N] g n i g h t h i d e o u s,a n d w e f o o l e s o f n
[A] t u r e,S o h o r r i d e l y t o s h a k e o u r d i
[S] p o s i t i o n,W i t h t h o u g h t s b e y o n d t
[H] e r e a c h e s o f o u r s o u l e s?S a y,s p e a k
[E]
.
wherefore, what may this meane?
.
________ *TNASHE* 28 {52,000}
------------------------------------------------------
. _The Knights_ (424 BC) by Aristophanes
......................................................
NICIAS How loudly the *PAPHLAGONIAN FARTS* and snores!
. I was able to seize the sacred oracle, which he was
. guarding with the greatest care, without his seeing me.
......................................................
SAUSAGE-SELLER: VERy well!
. it was *CLEON* who had caused the price to fall so low,
. that all might eat it, and the jurymen in the Courts were
. almost asphyxiated from *FARTING* in each others' faces.
.
DEMOS: Hah! why, indeed, a *DUNGTOWNITE* told me the same thing.
.
SAUSAGE-SELLER: Were you not yourself in those days
. quite red in the gills with *FARTING*?
.
DEMOS: Why, it was a trick *WORTHY* of Pyrrhandrus!
----------------------------------------------------------------
Joseph Barnes published the only English edition of Aristophanes
prior to 1640, a Greek edition published in *OXENford* in 1593.
.........................................................
*OZONE* is derived from the Greek *OXEiN* meaning *to SMELL*
.........................................................
<<This Earle of Oxford, making his *LOW* obeisance to Queen
Elizabeth, happened to let a FART, at which he was so
abashed and ashamed that he went to Travell, *7 yeares* .
On his returne the Queen welcomed him home, and sayd,
My Lord, I had forgott the FART.>> -- John Aubrey
--------------------------------------------------
__ Hamlet (1603: Bad Quarto 1) Act 5 Scene 1
.
Hamlet: An excellent fellow by the Lord Horatio,
. This *SEAUEN YEARES* haue I noted it: the toe of the pesant,
. *COMES so neere the heele of the courtier* ,
. That hee gawles his kibe, I prethee tell mee one thing,
. How long will a man lie in the ground before hee rots?
.
Clowne: I faith sir, if hee be not rotten [B]efore
. *HE BE* laide in, [A]s we haue many pocky [C]orses,
. He will last y[O]u, eight yeares, *a tan[N]er*
. Will last you eight yeares full out, or nine.
.
Hamlet: And why *A TANNER* ?
.
Clowne: Why his hide is so tanned with his trade,
. That it will holde out water, that's a parlous
. Deuourer of your dead body, a great soaker.
.............................................
if hee be not rotten <= 17 =>
.
. --- i f h e e b e n o t r o t t e n
. [B] e f o r e*H E B E*l a i d e i n
. [A] s w e h a u e m a n y p o c k y
. [C] o r s e s H e w i l l l a s t y
. [O] u e i g h t y e a r e s a t a n
. [N] e r
.
[BACON] 17 {244,000}
--------------------------------------------------------
Greek political satires were written that ridiculed
Pericles' *non-aristocratic* successor:
the war-mongering demagogue *CLEON* .
.
thE WaSPS [Sphekes] (422 BC) Philonides
thE KnigHts. (424 BC) Aristophanes
thE AchARnians (425 BC) Callistratus
.
But Philonides & Callistratus were
pseudonym/front men used by Aristophanes.
.
Unfortunately, Aristophanes was unable to hide behind
a pseudonym in _The Knights_ because Aristophanes,
himself, was *forced to play the CLEON character*
(a scheming *PAPHLAGONIAN LEATHER-MONGER* )
after EVERyone else refused.
.
(We know for certain that this character was
intended to be *CLEON* because *CLEON's father*
Cleaenetus was, in fact, *A TANNER* .)
----------------------------------------------------
# finds in skips from ±2 to ±1001
..........................................
String NT OT M.D. (4,150,000,000)
-------------------------------------------
TOMSWIFT .09 .16 .08 (1 in 12,600,000,000)
O(ROGER)M .45 1.4 1.6 (1 in 1,200,000,000)
ROSENKR 1.3 3.7 1.9 (1 in 600,000,000)
...............................................
SPENSER 4 13 10 (1 in 154,000,000)
LDERBY 5 17 6 (1 in 148,000,000)
STRANGE 7 17 9 (1 in 126,000,000)
NEU/VILLE 8 20 11 (1 in 106,500,000)
OXFOR 6 19 15 (1 in 104,000,000)
AREVERE 10 22 8 (1 in 104,000,000)
PERCY,H 8 24 12 (1 in 95,000,000)
SDANIEL 7 27 12 (1 in 90,000,000)
AMAFFR 9 33 8 (1 in 83,000,000)
EDEVERE 13 34 8 (1 in 75,500,000)
PSYDNE 12 31 16 (1 in 70,300,000)
FICINO 14 41 21 (1 in 54,600,000)
ROGERM 15 56 20 (1 in 45,600,000)
WRAWLE 16 45 24 (1 in 43,700,000)
EREUERE 18 58 22 (1 in 42,000,000)
EREVEER 11 29 10 (1 in 41,000,000)
..............................................
EVERUS 24 63 28 (1 in 36,000,000)
BACONO/I 25 73 44 (1 in 29,000,000)
AMAFRA 31 107 30 (1 in 25,000,000)
U/VERULA 31 97 49 (1 in 23,400,000)
GPEELE 25 95 67 (1 in 22,200,000)
STANLEE 28 110 42 (1 in 23,000,000)
NEVILE 38 128 51 (1 in 19,100,000)
ISCHIA 48 115 72 (1 in 17,700,000)
WSTANL 44 124 67 (1 in 17,700,000)
SIDNEY 57 131 50 (1 in 17,400,000)
WRALEI 39 133 71 (1 in 17,100,000)
FEEBLE 38 178 56 (1 in 17,000,000)
...............................................
TLODGE 42 163 56 (1 in 15,900,000)
PERCY 49 131 95 (1 in 15,100,000)
MASONS 60 174 85 (1 in 13,000,000)
PARVO 53 214 51 (1 in 13,000,000)
EOXEN 64 181 152 (1 in 10,450,000)
DEVERE 81 259 65 (1 in 10,250,000)
DEVEER 76 252 62
EDEVER 79 245 78
ETUDOR 88 302 87 (1 in 8,700,000)
ESPENS 83 241 160 (1 in 8,600,000)
ERUTLA 78 297 113 (1 in 8,500,000)
TOWERS 103 265 130 (1 in 8,300,000)
............................................
HARRIS 95 365 145 (1 in 6,900,000)
EVEREO 121 372 125 (1 in 6,700,000)
EVEREH 150 437 130 (1 in 5,800,000)
ALISLE 70 338 164 (1 in 5,700,000)
DERBY 130 439 159 (1 in 5,700,000)
HAMLET 113 476 129 (1 in 5,700,000)
SHREWE 141 417 159 (1 in 5,700,000)
DANIEL 115 461 166 (1 in 5,600,000)
SIDNEI 138 445 199 (1 in 5,300,000)
VERUS 175 473 220 (1 in 4,800,000)
PARUO 165 575 307 (1 in 4,000,000)
MARYS 208 583 260 (1 in 4,000,000)
BACON 183 579 294 (1 in 3,900,000)
GREENE 190 626 281 (1 in 3,800,000)
DEUEER 210 662 228
DEUERE 219 679 223
ARAISE 229 823 420
OXIN 238 678 706 (1 in 2,600,000)
OXON 268 858 724 (1 in 2,240,000)
................................................
SWEETE 483 1112 507
ISHERE 391 1305 470 (1 in 1,920,000)
UERUS 475 1235 648
HENRIE 455 1541 477 (1 in 1,680,000)
MARLO 393 1638 644 (1 in 1,550,000)
LODGE 420 1627 677 (1 in 1,550,000)
TNASHE 521 1941 528 (1 in 1,400,000)
SHAKE 455 1950 692 (1 in 1,340,000)
OXEN 506 1430 1258 (1 in 1,300,000)
SPENS 617 1901 1276 (1 in 1,090,000)
TUDOR 705 2395 765 (1 in 1,074,000)
ROGER 673 2250 1061 (1 in 1,040,000)
SPEAR 635 2210 1250 (1 in 1,000,000)
TALUS 704 2530 1172 (1 in 942,000)
...........................
HIRAM 833 2881 898 (1 in 900,000)
MARIH 833 2881 898 (1 in 900,000)
TKYD 805 2923 1027 (1 in 873,000)
...........................
SEVEN 1030 3002 1164 (1 in 800,000)
SCANT 933 2733 1545 (1 in 796,000)
VEREH 1033 3439 921 (1 in 770,000)
MASON 955 3193 1270 (1 in 766,000)
ESLEY 984 3469 1444
HENRY 1160 3598 1007 (1 in 720,000)
SHREW 1211 3238 1299
EDYER 1185 3610 1091 (1 in 705,000)
PHEON 1086 3780 1386 (1 in 664,000)
LISLE 914 3846 2129 (1 in 600,000)
FOSSE 1234 4225 1659 (1 in 580,000)
RU/VNES 1442 4633 2150 (1 in 505,000)
TOWER 1781 4674 1941 (1 in 495,000)
EVERE 1697 4951 1773 (1 in 493,000)
EVEER 1697 4951 1773 (1 in 493,000)
GREEN 1453 4903 2307 (1 in 480,000)
PEELE 1483 5685 2762 (1 in 418,000)
RALEI 1682 7061 3143 (1 in 350,000)
...........................
STEAM 2361 7502 2819 (1 in 327,000)
TALOS 1842 7763 3117 (1 in 326,000)
NAILE 2319 9169 3990
ATOME 2846 9640 3083 (1 in 267,000)
OSIER 2716 8638 4192
WILL 2875 9881 6005
HENRI 3490 12107 3891 (1 in 213,000)
EUERE 4438 13711 5236 (1 in 177,000)
HASTA 4870 18820 5045 (1 in 144,000)
NASHE 5544 19600 9610 (1 in 119,000)
...........................
IOTHE 7291 24236 6915 (1 in 108,000)
SING 7077 19743 13041 (1 in 104,000)
DYER 8908 28748 8808 (1 in 89,000)
SLEY 8033 27050 12240 (1 in 88,000)
EDENE 10225 34912 9551 (1 in 76,000)
ROPE 9393 33352 16214
VERE 12696 39502 13996 (1 in 63,000)
ISAM 11803 36950 17292 (1 in 63,000)
MOAI 14308 46266 18452 (1 in 52,500)
SHENE 17400 57040 17220
HEWS 24146 61081 23593
UERO 20058 63511 25241
IDLE 19024 74864 28064
HEBE 31570 106235 32757
UERE 34713 107114 42928 (1 in 22,500)
STAR 35382 128800 51500 (1 in 19,200)
HEIR 50855 175350 56576 (1 in 14,700)
TEST 109930 354217 131111 (1 in 7,000)
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Art Neuendorffer
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