Sweet 3d Home
Melissa Russian
After an unexpected tragedy kills his entire family and leaves him as the only survivor, Cha Hyun-su leaves his family home and relocates into the run down apartment complex known as Green Home. One night, horrific monsters begin appearing and ravage the city. Hyun-su and his fellow residents band together within the confines of the complex and must fight for their survival against the new, otherworldly threat. Hyun-su starts having monster symptoms and has the ability to turn into a monster with wings whenever he desires. Others from the apartment turn into monster of things they desire.
The survivors of Green Home venture out into the ruined world beyond its walls. Meanwhile, governmental bodies and scientific institutions continue in their efforts to study the monsters, hoping to find a cure.
Director Lee Eung-bok "roughly" knew the ending of the Line Webtoon on which the series is based before the webtoon's finale in July 2020, though he decided to "differ a bit from the webtoon because [they're] showing on different platforms."[23] Ultimately, the live-action adaptation deviates dramatically from the original.
Although filming had already started, Netflix officially announced the series' lineup on December 18, 2019, with Song Kang, Lee Jin-wook and Lee Si-young in lead roles, andLee Do-hyun, Kim Nam-hee, Go Min-si, Park Gyu-young, Go Youn-jung, Kim Kap-soo and Kim Sang-ho as part of the ensemble cast.[25][26]
Lee Eung-bok revealed that, during Song Kang's audition, the actor reminded him of Johnny Depp in Edward Scissorhands: "an image of someone who has a pure and innocent soul but is holding a spear in his hand."[24] The actor was recommended to Lee Eung-bok by the director of Netflix's Love Alarm which propelled him to fame in August 2019.[27] Lee Si-young's character does not appear in the original webtoon but the director "wanted to add a female character who can pull off really cool action scenes"; the actress being a former amateur boxer. She trained for six months prior to filming the series.[24] Park Gyu-young admitted that she did not have high hopes about being picked for the series but "as soon as [she] left the audition set, the director called [her] and said to leave with a script."[24]
Designers from Legacy Effects, VFX Studio Westworld and Spectral Motion, who worked on films such as the Avengers and Avataras well as the television series Game of Thrones and Stranger Things, were recruited for Sweet Home.[30][31]
On November 18, 2020, Netflix released a trailer for the series announcing that Sweet Home would premiere on December 18.[32] In June 2022, the series was picked up for two additional seasons.[33]
On review aggregator Rotten Tomatoes, the first season has an approval rating of 83% based on 6 reviews, with an average rating of 6.6/10.[34] The second season has an approval rating of 80% based on 5 reviews, with an average rating of 5.9/10.[35]
Joel Keller of Decider said that "despite its flaws and a premise we've seen before, Sweet Home distinguishes itself by its setting and its monsters. We will see if the drama between the survivors will keep us watching."[37]
Pierce Conran of South China Morning Post gave a rating of 3/5, saying that "despite a breathless opening episode and some grisly fun throughout, Sweet Home does not provide much of a story for viewers to get hooked on."[38]
In another mixed review, Meagan Navarro of Bloody Disgusting said that "what sprints out of the gate and sets up an exciting creature-filled horror series quickly comes to a slow crawl zombie apocalypse that we've seen many times before. It just swaps out the zombies for monsters."[39]
Sweet Home was the first South Korean series to enter Netflix's Top 10 in the United States,[23] reaching as high as third.[1] Three days after its release, the series ranked first in 8 regions and was within the Top 10 in 42 regions.[40] The show was viewed by 22 million paid subscribers worldwide in the first 4 weeks of its release and appeared in the Netflix top 10 in more than 70 countries.[41]
It was praised by viewers for its "high-quality visual effects" and "the deep human connections among the characters." However, many criticized the soundtrack which they believe did not fit with the story, as well as the lack of monsters in the latter episodes of the season. On this, director Lee Eung-bok said that "[he] know[s] some of the viewers were anticipating more gore, but [he] hope[s] they will understand why monsters were absent from some parts of our drama."[42]
Since 1947, we have provided home and business waste management services to the Sweet Home community. We are unwavering in our commitment to delivering exceptional service to the communities that have entrusted us, always prioritizing the needs and satisfaction of our customers first. We work hard every day to keep our community green and clean.
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Hi, I'm Jean from Paris and really appreciate your lessons!
My question:
I'm rather confused as to which scale(s) I should apply over "Sweet Home Alabama" (Chords D - C - G).
According to my feeling I would use Dminor pentatonic with blues notes. What is your feeling i.e. what possibilities are there?
Thanks in advance for your help.
SuggestionsHey Jean, you're right the D blues scale works well.
Try also adding in the major 3rd to that minor pattern over the D major chord as follows...
Remember, as it's a major key progression, you can also use major pentatonic (position the 6th string root of the following pattern at the 10th fret)...
Just as we can add blues notes to minor pentatonic, we can also colour major pentatonic in a similar way...
Here's a neat trick for creating a bit more variation in your solo. Play minor/major pentatonic on a D root over the D and C major chords as normal, then move to G major pentatonic over the G major chord.
To do this, simply move the major pentatonic pattern to a G root when the chord changes to G major, e.g. the 15th fret (or 3rd fret if you want to play in the open position).
As for other scales, the progression used in Sweet Home Alabama is essentially written in D Mixolydian (whether intentionally or not).
How can we know this? Because it moves from the tonic or "home" major chord (D major) down a whole step to another major chord (C major).
Dmaj > W > Cmaj
This whole step major chord relationship implies Mixolydian modality. You can learn more about identifying modal progressions in the modes section of the site.
In short, Mixolydian would work over the sequence, with the 6th string root (1) note of the following pattern at the 10th fret...
Below I've recorded an example solo which makes use of the scales mentioned above.
Now, usually your solos won't be this calculated (i.e. you won't necessarily set out to cover all possible scales), but hopefully it'll show you how these scales can work over a I - bVII - IV progression.
I've broken each section down by scale in the tab below (John, I've highlighted the b6 for you)...
Click to hear
...and the tab below shows the last section of the solo which demonstrates how you can use simple, two-string chord harmonisation for that bluesy/country feel...
The exhibition of Home, Sweet Home in the spring of 1863 auspiciously marked Winslow Homer's debut as a painter. The painting was enthusiastically admired. "Winslow Homer is one of those few young artists who make a decided impression of their power with their very first contributions," a critic observed. "He at this moment wields a better pencil, models better, colors better, than many" [1] more established artists.
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