This is a cool idea. An open, secondary stage, perhaps with a paper sign up sheet for time slots could have some awesome effects.
Some other thoughts of mine, most touched on by my form feedback to Spork:
We need better quality lighting - more of it, better controlled, and at least a little more professional. Trying to take video or photos this year was pretty painful, especially before Snipe, et al, setup (or turned on) some frontal photographic lighting, but even then the situation was less than good. A few theater-style lights (AKA 'cans') with the proper gels on them would pretty much fix the problem. Add in a light board with an operator and things start looking a whole lot better.
On a somewhat-related note, having the entire (main stage) event recorded would be awesome. Professional of semi-professional hobbyist videographers with the proper setups could both alleviate the need to allow for fan bootleg recordings and allow for another popular product for the festival to sell. As someone who recorded shows with a camcorder from the front row, I know how annoying and in-the-way people like me are. :)
Pro video producers would be able to get the whole show on a pristine DVD set, and given a few requirements could make a really kickass DVD set, containing the ENTIRE weekends' shows. The requirements would probably be something like:
- Two elevated, fixed positions, about halfway back and against the wall, protected from the crowd and big enough for two swiveling camera mounts and their operators.
- Strong lighting with at least gels that won't terribly distort color or resonance
- Access to the raw and uncut sound board feed for the whole show for post-production overdubbing.
- Ability to pre-sell DVD sets at the show with them keeping the bulk of the money (and a ban on video recording by the audience)
- Full set list, names, etc, everything that you need to make all the relevant metadata
Using quasi-pro rather than paid professionals would also imply renting pro camera and lighting gear for a couple (few?) hundred bucks a day. I think the DVDs would be popular enough anyway, but I guess it could be a risk. I am not sure how well the show albums pre-sold this year, but that may be helpful in estimating DVD sales (especially if they are advertised somewhat better, including to those not at the event).
As far as sound goes, well I sent Spork a long diatribe, but my wishlist basically boils down to - make sure everything works, including all the microphones, and have enough staff at the sound board all the time so as not to delay the show. If we'd had 100% functional (and well-equalized) mics this year I would have been reasonably happy with the sound (except for anything trying to make it through Kabuto's mask, that will never work).
The idea of having 2 stages in 2008 so that we could move between them - allowing one act to get setup while the previous act went on, was a good thing that allowed us to basically ignore setup time in the scheduling. The 2009 schedule seemed to ignore setup time, but with just the 1 stage this didn't much work. Having 2 stages again for the same reason would be awesome, but may not be a realistic goals in terms of increased cost, especially if it requires another light board, another sound board, perhaps more cameras, etc.
Another random sound point: having a cogent and sufficiently long set of audio to play (quietly) between sets would be nice. Lots of times when no one was performing there was no audio. Good for having conversations, but mood-breaking. Let's have a whole shitload of between-set music lined up, played quietly enough for people to still chat between acts.
A bulletin board is a good idea too. So is a twitter stream (or something) to allow people to plan stuff like meals. Maybe post a sign telling people to keep a twitter search for "#nerdapalooza" open would be good enough for the online end of that concept.
Meal breaks for the win! Count me among those who missed shows due to my annoying habits known as lunch and dinner. Some groups like MC Frontalot or I Fight Dragons have extended setup requirements that would be an ideal time to break for an hour for dinner.
And one random other idea, blatantly stolen from Google I/O conference: QR code scavenger hunt! Give introvert, shy geeks an "in" to start up a conversation with their favorite performers. Just give every artist a unique 2D barcode, and have people scan it (with their iPhone, G1, or other smartphone) to gain access to a special URL that counts them as having met that artist. Also hide codes all over the place, everywhere you want people to go. Each barcode scanned awards a number of points and at the end, the person with the most points wins something. Really encourages people to get out there and meet one another.
Ok, that's it for now. :)
-- Larry