Jewish Use of Blacks Against Muslims.

[The Iron Boot]

http://freiboden.blogspot.com/2009/02/jewish-use-of-blacks-against-muslims.html



Isn’t it striking that the movie The Kingdom stars Jamie Foxx and The
Traitor stars Don Cheadle. Both films take place in the Middle East,
and the enemies are Arab terrorists. Other than the fact that
Hollywood often cast Muslims as The Enemy, what is noteworthy that
stars of both films are black. Why would this be?


My guess is that the Jews want to bring American blacks to their side
or at least turn them against the Muslim and Arab world. This is
largely because American Jews are Zionist and care about Israel. In
America, the Jewish-black relations aren’t that good. Many black
leaders secretly and even openly denounce Jews. Blacks offer three
main justifications for their anger. 1. Israel was a close ally of
South Africa during the apartheid years. 2. Jewish businessmen in the
past exploited blacks socially and economically(and do so to this
day). 3. Jews succeeded and became the elite of America while many
blacks still remain mired in poverty.
These are the ostensible reasons, but blacks are just jealous of
Jewish success like they are jealous of success of all other groups–
white or minority.


Why are Jews so concerned about what blacks think? There are several
reasons. Many Jews make tons of money in the music, movie, and sports
industry where black stars are prominent and crucial; also, blacks
make up a sizable portion of the paying audience for Jewish produced
goods, especially TV and movies. As successful as Jews are, they want
everyone to see them as eternal historical victims, and as such, Jews
want to be associated with blacks–the people who experienced American
slavery. Especially as Jews are so rich and powerful–potential targets
of the envious and resentful goy masses–, Jews want to mask their real
power and influence by playing victim. Since Jews are the richest and
most powerful people in America, Jews can gain victim status only by
two means–memorialization of the Holocaust(hence the endless stream of
Holocaust documentaries, movies, anniversaries, books, articles, etc.)
and by association with other groups. Since blacks are a vocal and
politically powerful ‘victim group’ in the US, Jews want to be
associated(at least politically if not socially)with them. With a
strong Jewish-black alliance, Jews can say, ‘how can we be elitist
oppressors when we are so chummy with the poor negroes?’ Having
close ties with blacks also helps the cause of Zionism. To people
around the world and Americans who point to the horrors of Israeli
treatment of Palestinians, Jews can say, ‘but how can we oppressors
when American blacks, whose ancestors were brought here as slaves, are
our friends?’ Recall that Martin Luther King never lodged a critical
word about Jewish treatment of Palestinians; he depended on Jewish
money and associations.


So, this is the dirty Jewish game. The rise of Obama has everything to
do with Jews seeking to gain cover from criticism by associating
themselves with a black guy. Of course, Jews also supported Obama–as
opposed to guys like Jesse Jackson or Al Sharpton–because they hope to
remake the black community in the Jewish image. Obama is an
intellectual black guy steeped in liberal Jewish ideology–more so than
in black ideology–, and by putting Obama on a pedestal, Jews hope that
successful blacks will follow in the footsteps of Obama than those of
Farrakhan, Jackson, or Sharpton. Obama understands what this Jewish
trick is all about; he knew that if he played along with the Jewish
script, he would be President since Jews would shower him with 100s of
millions of dollars and give him media support–you all know who owns
and controls the media.


So, take a film like The Kingdom or The Traitor. Why do they star
black actors? It’s because American Jews want to condition black
Americans to identify with anti-Islamism. Both films send a message to
blacks that, “look, the Muslims and Arabs are YOUR enemy and brothas
like Foxx and Cheadle be shooting and killing them raghead
mothafuc*as!”. Of course, both films are clever enough to show some
bad Americans and some good Arabs/Muslims. This way, Hollywood can
give itself cover from charges of ‘Islamophobia’ or bigotry. But,
it’s clear that both films are trying to woo blacks over to the Jewish
side or at least against the Muslim/Arab side. Since Hollywood is
world cinema, films such as these are also meant to influence stupid
and gullible audiences on all five continents. But, perhaps they are
not as influential because, after all, so many people hate Israel and
Jews just the same.


Having black characters in leading roles also make it easier for white
audiences to enjoy their hatred of or animosity toward Muslims or
Arabs. In our politically correct age, white males are the lowest of
the low–unless they are leftist rebels like Matt ‘Bourne’ Damon. So,
an anti-Arab or anti-Muslim movie with good gung ho white guys might
come across as ‘racist’, not least to liberal whites. But, if these
films have ‘noble’ or ‘cool’ blacks fighting evil Arabs or Muslims,
even white liberals can enjoy the spectacle of whupping Muslims or
Arabs guilt free. How can it be bigoted when the good guys are black?


Yes, Jews are very clever. And, they play very dirty.