Re: Dolly Darling For Hindi Songs Pdf Download
Giorgina Calvello
Dolly Rebecca Parton (born January 19, 1946) is an American singer-songwriter, actress, and philanthropist, known primarily for her decades-long career in country music. After achieving success as a songwriter for others, Parton made her album debut in 1967 with Hello, I'm Dolly, which led to success during the remainder of the 1960s (both as a solo artist and with a series of duet albums with Porter Wagoner), before her sales and chart peak came during the 1970s and continued into the 1980s. Some of Parton's albums in the 1990s did not sell as well, but she achieved commercial success again in the new millennium and has released albums on various independent labels since 2000, including her own label, Dolly Records.
She has received 11 Grammy Awards out of 50 nominations, including the Lifetime Achievement Award; ten Country Music Association Awards, including Entertainer of the Year and is one of only seven female artists to win the Country Music Association's Entertainer of the Year Award; five Academy of Country Music Awards, also including Entertainer of the Year; four People's Choice Awards; and three American Music Awards. She is also in a select group to have received at least one nomination from the Academy Awards, Grammy Awards, Tony Awards, and Emmy Awards. In 1999, Parton was inducted into the Country Music Hall of Fame. In 2005, she received the National Medal of Arts and in 2022, she was nominated for the Rock and Roll Hall of Fame, a nomination she had initially declined but ultimately accepted, and was subsequently inducted.
Outside of her work in the music industry, she also co-owns The Dollywood Company, which manages a number of entertainment venues including the Dollywood theme park, the Splash Country water park, and a number of dinner theatre venues such as The Dolly Parton Stampede and Pirates Voyage. She has founded a number of charitable and philanthropic organizations, chief among them is the Dollywood Foundation, which manages a number of projects to bring education and poverty relief to East Tennessee where she grew up.
Parton's mother cared for their large family. Her 11 pregnancies (the tenth being twins) in 20 years made her a mother of 12 by age 35. Parton credits her musical abilities to her mother; often in poor health, she still managed to keep house and entertain her children with Smoky Mountain folklore and ancient ballads. Having Welsh ancestors, Avie Lee knew many old ballads that immigrants from the British Isles brought to southern Appalachia in the 18th and 19th century.[9][10] Avie Lee's father, Jake Owens, was a Pentecostal preacher, and Parton and her siblings all attended church regularly. Parton has long credited her father for her business savvy, and her mother's family for her musical abilities. When Parton was a young girl, her family moved from the Pittman Center area to a farm up on nearby Locust Ridge. Most of her cherished memories of youth happened there. Today, a replica of the Locust Ridge cabin resides at Parton's namesake theme park Dollywood.[11] The farm acreage and surrounding woodland inspired her to write the song "My Tennessee Mountain Home" in the 1970s. Years after the farm was sold, Parton bought it back in the late 1980s. Her brother Bobby helped with building restoration and new construction.[6]
Parton has described her family as being "dirt poor".[12] Parton's father paid missionary Dr. Robert F. Thomas with a sack of cornmeal for delivering her.[13] Parton would write a song about Dr. Thomas when she was grown.[14] She also outlined her family's poverty in her early songs "Coat of Many Colors" and "In the Good Old Days (When Times Were Bad)". For six or seven years, Parton and her family lived in their rustic, one-bedroom cabin on their small subsistence farm on Locust Ridge.[15] This was a predominantly Pentecostal area located north of the Greenbrier Valley of the Great Smoky Mountains.Music played an important role in her early life. She was brought up in the Church of God (Cleveland, Tennessee),[16] in a congregation her grandfather, Jake Robert Owens, pastored. Her earliest public performances were in the church, beginning at age six. At seven, she started playing a homemade guitar. When she was eight, her uncle bought her first real guitar.[17][18]
Parton began performing as a child,[19] singing on local radio and television programs in the East Tennessee area.[20] By ten, she was appearing on The Cas Walker Show on both WIVK Radio and WBIR-TV in Knoxville, Tennessee. At 13, she was recording (the single "Puppy Love") on a small Louisiana label, Goldband Records,[21] and appeared at the Grand Ole Opry, where she first met Johnny Cash, who encouraged her to follow her own instincts regarding her career.[22]
After graduating from Sevier County High School in 1964, Parton moved to Nashville the next day.[6][21] Her initial success came as a songwriter, having signed with Combine Publishing shortly after her arrival;[23] with her frequent songwriting partner, her uncle Bill Owens, she wrote several charting singles during this time, including two Top 10 hits for Bill Phillips: "Put It Off Until Tomorrow," and "The Company You Keep" (1966), and Skeeter Davis's number 11 hit "Fuel to the Flame" (1967).[24] Her songs were recorded by many other artists during this period, including Kitty Wells and Hank Williams Jr.[25] She signed with Monument Records in 1965, at age 19; she initially was pitched as a bubblegum pop singer. She released a string of singles, but the only one that charted, "Happy, Happy Birthday Baby", did not crack the Billboard Hot 100. Although she expressed a desire to record country material, Monument resisted, thinking her unique, high soprano voice was not suited to the genre.
After her composition "Put It Off Until Tomorrow", as recorded by Bill Phillips (with Parton, uncredited, on harmony), went to number six on the country chart in 1966, the label relented and allowed her to record country. Her first country single, "Dumb Blonde" (composed by Curly Putman, one of the few songs during this era that she recorded but did not write), reached number 24 on the country chart in 1967, followed by "Something Fishy", which went to number 17. The two songs appeared on her first full-length album, Hello, I'm Dolly.[26]
In 1967, musician and country music entertainer Porter Wagoner invited Parton to join his organization, offering her a regular spot on his weekly syndicated television program The Porter Wagoner Show, and in his road show. As documented in her 1994 autobiography,[27] initially, much of Wagoner's audience was unhappy that Norma Jean, the performer whom Parton had replaced, had left the show, and was reluctant to accept Parton (sometimes chanting loudly for Norma Jean from the audience).[28] With Wagoner's assistance, however, Parton was eventually accepted. Wagoner convinced his label, RCA Victor, to sign her. RCA decided to protect their investment by releasing her first single as a duet with Wagoner. That song, a remake of Tom Paxton's "The Last Thing on My Mind", released in late 1967, reached the country Top 10 in January 1968, launching a six-year streak of virtually uninterrupted Top 10 singles for the pair.
Although her solo singles and the Wagoner duets were successful, her biggest hit of this period was "Jolene". Released in late 1973, the song topped the country chart in February 1974 and reached the lower regions of the Hot 100 (it eventually also charted in the U.K., reaching number seven in 1976, representing Parton's first U.K. success). Parton, who had always envisioned a solo career, made the decision to leave Wagoner's organization; the pair performed their last duet concert in April 1974, and she stopped appearing on his TV show in mid-1974, although they remained affiliated. He helped produce her records through 1975.[27] The pair continued to release duet albums, their final release being 1975's Say Forever You'll Be Mine.[31]
In 1974, her song, "I Will Always Love You", written about her professional break from Wagoner, went to number one on the country chart. Around the same time, Elvis Presley indicated that he wanted to record the song. Parton was interested until Presley's manager, Colonel Tom Parker, told her that it was standard procedure for the songwriter to sign over half of the publishing rights to any song recorded by Presley.[32] Parton refused. That decision has been credited with helping to make her many millions of dollars in royalties from the song over the years. Parton had three solo singles reach number one on the country chart in 1974 ("Jolene", "I Will Always Love You" and "Love Is Like a Butterfly"), as well as the duet with Porter Wagoner, "Please Don't Stop Loving Me". In a 2019 episode of the Sky Arts music series Brian Johnson: A Life on the Road, Parton described finding old cassette tapes and realizing that she had composed both "Jolene" and "I Will Always Love You" in the same songwriting session, telling Johnson "Buddy, that was a good night." Parton again topped the singles chart in 1975 with "The Bargain Store".[33]
Between 1974 and 1980, Parton had a series of country hits, with eight singles reaching number one. Her influence on pop culture is reflected by the many performers covering her songs, including mainstream and crossover artists such as Olivia Newton-John, Emmylou Harris, and Linda Ronstadt.[27]
After New Harvest's disappointing crossover performance, Parton turned to high-profile pop producer Gary Klein for her next album. The result, 1977's Here You Come Again, became her first million-seller, topping the country album chart and reaching number 20 on the pop chart. The Barry Mann-Cynthia Weil-penned title track topped the country singles chart, and became Parton's first Top 10 single on the pop chart (no. 3). A second single, the double A-sided "Two Doors Down"/"It's All Wrong, But It's All Right" topped the country chart and crossed over to the pop Top 20. For the remainder of the 1970s and into the early 1980s, many of her subsequent singles moved up on both charts simultaneously. Her albums during this period were developed specifically for pop-crossover success.[35]
b1e95dc632