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to NCO READING LIST
Miss Level looked surprised, and then said, 'Oh, do you mean Oswald?'
There's an invisible man
called Oswald who can get into my bedroom?' said Tiffany, horrified.
'Oh, no. That's just a name.
Oswald isn't a man, he's an ondageist. Have you heard of
poltergeists?' 'Er... invisible spirits
that throw things around?' 'Good,' said Miss Level. 'Well, an
ondageist is the opposite. They're
obsessive about tidiness. He's quite handy around the house but he's
absolutely dreadful if he's
in the kitchen when I'm cooking. He keeps putting things away. I think
it makes him happy. Sorry,
I should have warned you, but he normally hides if anyone comes to the
cottage. He's shy.' 'And
he's a man? I mean, a male spirit?' 'How would you tell? He's got no
body and he doesn't speak. I
just called him Oswald because I always picture him as a worried
little man with a dustpan and
brush.' The left Miss Level giggled when the right Miss Level said
this. The effect was odd and,
if you thought that way, also creepy. 'Well, we are getting on well,'
said the right Miss Level
nervously. 'Is there anything more you want to know, Tiffany?' 'Yes,
please,' said Tiffany. 'What
do you want me to do? What do you do?' And mostly, it turned out, what
Miss Level did was chores.
Endless chores. You could look in vain for much broomstick tuition,
spelling lessons or pointy-hat
management. They were, mostly, the kind of chores that are just...
chores. There was a small flock
of goats, technically led by Stinky Sam who had a shed of his own and
was kept on a chain, but
really led by Black Meg, the senior nanny, who patiently allowed
Tiffany to milk her and then,
carefully and deliberately, put a hoof in the milk bucket. That's a
goat's idea of getting to know
you. A goat is a worrying thing if you're used to sheep, because a
goat is a sheep with brains.
But Tiffany had met goats before, because a few people in the village
kept them for their milk,
which was very nourishing. And she knew that with goats you had to use
persykology.[Tiffany knew
what psychology was, but it hadn't been a pronunciation dictionary.]
If you got excited, and
shouted, and hit them (hurting your hand, because it's like slapping a
sack full of coat hangers)
then they had Won and sniggered at you in goat language, which is
almost all sniggering anyway. By
day two, Tiffany learned that the thing to do was reach out and grab
Black Meg's hind leg just as
she lifted it up to kick the bucket, and lift it up further. That made
her unbalanced and nervous
and the other goats sniggered at her and Tiffany had Won. Next there
were the bees. Miss Level
kept a dozen hives, for the wax as much as the honey, in a little
clearing that was loud with
buzzing. She made Tiffany wear a veil and gloves before she opened a
hive. She wore some, too. 'Of
course,' she observed, 'if you are careful and sober and well centred
in your life the bees won't
sting. Unfortunately, not all the bees have heard about this theory.
Good morning, Hive Three,
this is Tiffany, she will be staying with us for a while Tiffany half
expected the whole hive to
pipe up, in some horrible high-pitched buzz, 'Good morning, Tiffany!'
It didn't. 'Why did you tell
them that?' she asked. 'Oh, you have to talk to your bees,' said Miss
Level. It's very bad luck
not to. I generally have a little chat with them most evenings. News
and gossip, that sort of
thing. Every beekeeper knows about "Telling the Bees".' 'And who do
the bees tell?' asked Tiffany.
Both of Miss Level smiled at her. 'Other bees, I suppose,' she said.
'So... if you knew how to
listen to the bees, you'd know everything that was going on, yes?'
Tiffany persisted. 'You know,
it's funny you should say that,' said Miss Level. 'There have been a
few rumours... But you'd have
to learn to think like a swarm of bees. One mind with thousands of
little bodies. Much too hard to
do, even for me.' She exchanged a thoughtful glance with herself.
'Maybe not impossible, though.'
Then there were the herbs. The cottage had a big herb garden, although
it contained very little
that you'd stuff a turkey with, and at this time of year there was
still a lot of work to be done
collecting and drying, especially the ones with important roots.
Tiffany quite enjoyed that. Miss
Level was big on herbs. There is something called the Doctrine of
Signatures. It works like this:
when the Creator of the Universe made helpful plants for the use of
people, he (or in some
versions, she) put little clues on them to give people hints. A plant
useful for toothache would
look like teeth, one to cure earache would look like an ear, one good
for nose problems would drip
green goo and so on. Many people believed this. You had to use a
certain amount of imagination to
be good at it (but not much in the case of Nose Dropwort) and in
Tiffany's world the Creator had
got a little more... creative. Some plants had writing on them, if you
knew where to look. It was
often hard to find and usually difficult to read, because plants can't
spell. Most people didn't
even know about it and just used the traditional method of finding out
whether plants were
poisonous or useful by testing them on some elderly aunt they didn't
need, but Miss Level was
pioneering new techniques that she hoped would mean life would be
better for everyone (and, in the
case of the aunts, often longer, too). This one is False Gentian,' she
told Tiffany when they were
in the long, cool workroom behind the cottage. She was holding up a
weed triumphantly. 'Everyone
thinks it's another toothache cure, but just look at the cut root by
stored moonlight, using my
blue magnifying glass Tiffany tried it, and read: 'GoOD FoR Colds May
cors drowsniss Do nOt oprate
heavE mashinry' 'Terrible spelling, but not bad for a daisy,' said
Miss Level. 'You mean plants
really tell you how to use them?' said Tiffany. 'Well, not all of
them, and you have to know where
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to look,' said Miss Level. 'Look at this, for example, on the common
walnut. You have to use the
green magnifying glass by the light of a taper made from red cotton,
thus...' Tiffany squinted.
The letters were small and hard to read. ' "May contain Nut"?' she
ventured. 'But it's a nutshell.
Of course it'll contain a nut. Er... won't it?' 'Not necessarily,'
said Miss Level. 'It may, for
example, contain an exquisite miniature scene wrought from gold and
many coloured precious stones
depicting a strange and interesting temple set in a far-off land.
Well, it might,' she added,
catching Tiffany's expression. 'There's no actual law against it. As
such. The world is full of
surprises.' That night Tiffany had a lot more to put in her diary. She
kept it on top of her chest
of drawers with a large stone on it. Oswald seemed to get the message
about this, but he had
started to polish the stone. And pull back, and rise above the
cottage, and fly the eye across the
night-time... Miles away, pass invisibly across something that is
itself invisible, but which
buzzes like a swarm of flies as it drags itself over the ground...
Continue, the roads and towns
and trees rushing behind you with zip-zip noises, until you come to
the big city and, near the
centre of the city, the high old tower, and beneath the tower the
ancient magical university, and
in the university the library, and in the library the bookshelves,
and... the journey has hardly
begun. Bookshelves stream past. The books are on chains. Some snap at
you as you pass. And here is
the section of the more dangerous books, the ones that are kept locked
in cages or in vats of iced
water or simply clamped between lead plates. But here is a book,
faintly transparent and glowing
with thaumic radiation, under a glass dome. Young wizards about to
engage in research are
encouraged to go and read it. The title is Hivers: A Dissertation Upon
a Device of Amazing Cunning
by Sensibility Bustle, D.M. Phil., B.El L., Patricius Professor of
Magic. Most of the hand-written
book is about how to construct a large and powerful magical apparatus
to capture a hiver without
harm to the user, but on the very last page Dr Bustle writes, or
wrote: According to the ancient
and famous volume JR.es Centum et Una Quas Magus Facere Totest [*'One
Hundred and One Things a
Wizard Can Do'] hivers are a type of demon (indeed, Professor
Poledread classifies them as such in
Spy Demons, and Cuvee gives them a section under 'wandering spirits'
in LIBER IMMANIS MONSTRORUM
[The Monster Book of Monsters]. However, ancient texts discovered in
the Cave of Jars by the illfated
First Expedition to the Loko Region give quite a different story,
which bears out my own not
inconsiderable research. Hivers were formed in the first seconds of
Creation. They are not alive
but they have, as it were, the shape of life. They have no body, brain
or thoughts of their own
and a naked hiver is a sluggish thing indeed, tumbling gently through
the endless night between
the worlds. According to Poledread, most end up at the bottom of deep
seas, or in the bellies of
volcanoes, or drifting through the hearts of stars. Poledread was a
very inferior thinker compared
to myself, but in this case he is right. Yet a hiver does have the
ability to fear and to crave.
We cannot guess what frightens a hiver, but they seem to take refuge
in bodies that have power of
some sort- great strength, great intellect, great prowess with magic.
In this sense they are like
the common hermit elephant of Howondaland, Elephantus SoUtarms, that
will always seek the
strongest mud hut as its shell. There is no doubt in my mind that
hivers have advanced the cause
of life. Why did fish crawl out of the sea? Why did humanity grasp
such a dangerous thing as fire?
Hivers, I believe, have been behind this, firing outstanding creatures
of various species with the
flame of necessary ambition which drove them onwards and upwards! What
is it that a hiver seeks?
What is it that drives them forward? What is it they want? This I
shall find out! Oh, lesser
wizards warn us that a hiver distorts the mind of its host, curdling
it and inevitably causing an
early death through brain fever. I say, Poppycock! People have always
been afraid of what they do
not understand! But I have understanding. This morning, at two
o'clock, I captured a hiver with my
device! And now it is locked inside my head. I can sense its memories,
the memories of every
creature it has inhabited. Yet, because of my superior intellect, I
control the hiver. It does not
control me. I do not feel that it has changed me in any way. My mind
is as extraordinarily
powerful as it always has been!! At this point the writing is smudgy,
apparently because Bustle
was beginning to dribble. Oh, how they have held me back over the
years, those worms and cravens
that have through sheer luck been allowed to call themselves my
superiors! They laughed at me! BUT
THEY ARE NOT LAUGHING NOW!!! Even those who called themselves my
friends, OH YES, they did nothing
but hinder me. What about the warnings? they said. Why did the jar you
found the plans in have the
words 'Do Not Open in Any Circumstances!' engraved in fifteen ancient
languages on the lid? they
said. Cowards! Socalled 'chums'! Creatures inhabited by a hiver become
paranoid and insane, they
said! Hivers cannot be controlled, they squeaked!! DO ANY OF US
BELIEVE THIS FOR ONE MINUTE??? Oh,
what glories AWAIT!!! Now I have cleansed my life of such
worthlessness!!! And as for those even
now having the DISRESPECT YES DISRESPECT to hammer on my door because
of what I did to the socalled
Archchancellor and the College Council... HOW DARE THEY JUDGE ME!!!!!
Like all insects they
have NO CONCEPT OF GREATNESS!!!!! I WILL SHOW THEM!!!!! But... I
insoleps... blit!!!!!
hammeringggg dfgujf blort... ... And there the writing ends. On a
little card beside the book some
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wizard of former times has written: All that could be found of
Professor Bustle was buried in a
jar in the old Rose Garden. We advise all research students to spend
some time there, and reflect
upon the manner of his death. The moon was on the way to being full. A
gibbous moon, it's called.
It's one of the duller phases of the moon and seldom gets illustrated.
The full moon and the
crescent moon get all the publicity. Rob Anybody sat alone on the
mound, just outside the fake
rabbit hole, staring at the distant mountains where the snow on the
peaks gleamed in the
moonlight. A hand touched him lightly on the shoulder. ' 'Tis not like
ye to let someone creep up
on ye, Rob Anybody' said Jeannie, sitting down beside him. Rob Anybody
sighed. 'Daft Wullie was
telling me ye havenae been eatin' your meals,' said Jeannie,
carefully. Rob Anybody sighed. 'And
Big Yan said when ye wuz out huntin' today ye let a fox go past wi'out
gieing it a good kickin'?'
Rob sighed again. There was a faint pop followed by a glugging noise.
Jeannie held out a tiny
wooden cup. In her other hand was a small leather bottle. Fumes from
the cup wavered in the air.
'This is the last o' the Special Sheep Liniment your big wee hag gave
us at our wedding,' said
Jeannie. I put it safely by for emergencies.' 'She's no' my big wee
hag, Jeannie,' said Rob,
without looking at the cup. 'She's oor big wee hag. An' I'll tell ye,
Jeannie, she has it in her
tae be the hag o' hags. There's power in her she doesnae dream of. But
the hiver smells it.' 'Aye,
well, a drink's a drink whomsoever ye call her,' said Jeannie,
soothingly. She waved the cup under
Rob's nose. He sighed, and looked away. Jeannie stood up quickly.
'Wullie! Big Yan! Come quick!'
she yelled. 'He willnae tak' a drink! I think he's deidY 'Ach, this is
no' the time for strong
licker,' said Rob Anybody. 'My heart is heavy, wumman.' 'Quickly now!'
Jeannie shouted down the
hole... 'He's deid and still talkin'!' 'She's the hag o' these hills,'
said Rob, ignoring her.
'Just like her granny. She tells the hills what they are, every day.
She has them in her bones.
She holds 'em in her heart. Wi'out her, I dinnae like tae think o' the
future.' The other Feegles
had come scurrying out of the hole and were looking uncertainly at
Jeannie. 'Is somethin' wrong?'
said Daft Wullie. 'Aye!' snapped the kelda. 'Rob willnae tak' a drink
o' Special Sheep Liniment!'
Wullie's little face screwed up in instant grief. 'Ach, the Big Man's
deidY he sobbed. 'Oh waily
waily waily-' 'Will ye hush yer gob, ye big mudlin!' shouted Rob
Anybody, standing up. 'I am no'
deid! I'm trying to have a moment o' existential dreed here, right?
Crivens, it's a puir lookout
if a man cannae feel the chilly winds o' Fate lashing aroound his
nethers wi'out folks telling him
he's deid, eh?' 'Ach, and I see ye've been talking to the toad again,
Rob,' said Big Yan. 'He's
the only one arroond here that used them lang words that tak' all day
to walk the length of ...'
He turned to Jeannie. 'It's a bad case o' the thinkin' he's caught,
missus. When a man starts
messin' wi' the readin' and the writin' then he'll come doon with a
dose o' the thinkin' soon
enough. I'll fetch some o' the lads and we'll hold his heid under
water until he stops doin' it,
'tis the only cure. It can kill a man, the thinkin'.' I'll wallop ye
and ten like ye!' yelled Rob
Anybody in Big Yan's face, raising his fists. I'm the Big Man in this
clan and-' 'And I am the
Kelda,' said their kelda, and one of the hiddlins of keldaring is to
use your voice like that:
hard, cold, sharp, cutting the air like a dagger of ice. 'And I tell
you men to go back doon the
hole and dinnae show you faces back up here until I say. Not you, Rob
Anybody Feegle! You stay
here until I tell ye!' 'Oh waily waily-' Daft Wullie began, but Big
Yan clapped a hand over his
mouth and dragged him away quickly. When they were alone, and scraps
of cloud were beginning to
mass around the moon, Rob Anybody hung his head. 'I willnae go,
Jeannie, if you say,' he said.
'Ach, Rob, Rob,' said Jeannie, beginning to cry. 'Ye dinnae
understand. I want no harm to come to
the big wee girl, truly I don't. But I cannae face thinkin' o' you out
there fightin' this monster
that cannae be killed! It's you I'm worried aboot, can ye no' seel'
Rob put his arm around her.
'Aye, I see,' he said. 'I'm your wife, Rob, askin' ye not to go!'
'Aye, aye. I'll stay,' said Rob.
Jeannie looked up to him. Tears shone in the moonlight. 'Ye mean it?'
'I never braked my word
yet,' said Rob. 'Except to polis'men and other o' that kidney, ye ken,
and they dinnae count.'
'Yell stay? Yell abide by my word?' said Jeannie, sniffing. Rob
sighed. 'Aye. I will.' Jeannie was
quiet for a while, and then said, in the sharp cold voice of a kelda:
'Rob Anybody Feegle, I'm
tellin' ye now to go and save the big wee hag.' 'Whut?' said Rob
Anybody, amazed. 'Jus' noo ye
said I was tae stay-' 'That was as your wife, Rob. Now I'm telling you
as your kelda.' Jeannie
stood up, chin out and looking determined. 'If ye dinnae heed the word
o' yer kelda, Rob Anybody
Feegle, ye can be banished fra' the clan. Ye ken that. So you'll
listen t' me guid. Tak' what men
you need afore it's too late, and go to the mountains, and see that
the big wee girl comes tae nae
harm. And come back safe yoursel'. That is an order! Nay, 'tis more'n
an order. 'Tis a geas I'm
laying on ye! That cannae be brake!' 'But I-' Rob began, completely
bewildered. 'I'm the kelda,
Rob,' said Jeannie. 'I cannae run a clan with the Big Man pinin'. And
the hills of our children
need their hag. Everyone knows the land needs someone tae tell it whut
it is.' There was something
about the way Jeannie had said 'children'. Rob Anybody was not the
fastest of thinkers, but he
always got there in the end. 'Aye, Rob,' said Jeannie, seeing his
expression. 'Soon I'll be
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birthing seven sons.' 'Oh,' said Rob Anybody. He didn't ask how she
knew the number. Keldas just
knew. 'That's great!' he said. 'And one daughter, Rob.' Rob blinked.
'A daughter? This soon?'
'Aye,' said Jeannie. 'That's wonderful good luck for a clan!' said
Rob. 'Aye. So you've got
something to come back safe to me for, Rob Anybody. An' I beg ye to
use your heid for somethin'
other than nuttin' folk.' 'I thank ye, Kelda,' said Rob Anybody. 'I'll
do as ye bid. I'll tak'
some lads and find the big wee hag, for the good o' the hills. It
cannae be a good life for the
puir wee big wee thing, all alone and far fra' home, among strangers.'
'Aye,' said Jeannie,
turning her face away. 'I ken that, too.'
Chapter 4 PLAN
At dawn Rob Anybody, watched with awe by his many brothers, wrote the
word: PLN ... on a scrap of
paper bag. Then he held it up. 'Plan, ye ken,' he said to the
assembled Feegles. 'Now we have a
Plan, all we got tae do is work out what tae do. Yes, Wullie?' 'Whut
was that about this geese
Jeannie hit ye with?' said Daft Wullie, lowering his hand. 'Not geese,
geas,' said Rob Anybody. He
sighed. 'I told yez. That means it's serious. It means I got tae bring
back the big wee hag, an'
no excuses, otherwise my soul gaes slam-bang intae the big cludgie in
the sky. It's like a magical
order. 'Tis a heavy thing, tae be under a geas.' 'Well, they're big
birds,' said Daft Wullie.
'Wullie,' said Rob, patiently, 'ye ken I said I would tell ye when
there wuz times you should've
kept your big gob shut?' 'Aye, Rob.' 'Weel, that wuz one o' them
times.' He raised his voice.
'Now, lads, ye ken all aboot hivers. They cannae be killed! But 'tis
oor duty to save the big wee
hag, so this is, like, a sooey-side mission and yell probably all end
up back in the land o' the
living doin' a borin' wee job. So... I'm askin' for volunteers!' Every
Feegle over the age of four
automatically put his hand up. 'Oh, come on,' said Rob. 'You cannae
all come! Look, I'll tak'...
Daft Wullie, Big Yan and... you, Awf'ly Wee Billy Bigchin. An' I'm
takin' no weans, so if yez
under three inches high ye're not comin'! Except for ye, o'course,
Awf'ly Wee Billy. As for the
rest of youse, we'll settle this the traditional Feegle way. I'll tak'
the last fifty men still
standing!' He beckoned the chosen three to a place in the corner of
the mound while the rest of
the crowd squared up cheerfully. A Feegle liked to face enormous odds
all by himself, because it
meant you didn't have to look where you were hitting. 'She's more'n a
hundret miles awa',' said
Rob as the big fight started. 'We cannae run it, 'tis too far. Any of
youse scunners got any
ideas?' 'Hamish can get there on his buzzard,' said Big Yan, stepping
aside as a cluster of
punching, kicking Feegles rolled past. 'Aye, and he'll come wi' us,
but he cannae tak' more'n one
passenger,' shouted Rob over the din. 'Can we swim it?' said Daft
Wullie, ducking as a stunned
Feegle hurtled over his head. The others looked at him. 'Swim it? How
can we swim there fra' here,
yer daftie?' said Rob Anybody. 'It's just worth consid'ring, that's
all,' said Wullie, looking
hurt. 'I wuz just tryin' to make a contribution, ye ken? Just wanted
to show willin'.' 'The big
wee hag left in a cart,' said Big Yan. 'Aye, so what?' said Rob.
'Weel, mebbe we could?' 'Ach,
no!' said Rob. 'Showin' oursels tae hags is one thing, but not to
other folks! You remember what
happened a few years back when Daft Wullie got spotted by that lady
who wuz painting the pretty
pictures doon in the valley? I dinnae want to have them Folklore
Society bigjobs pokin' aroound
again!' 'I have an idea, Mister Rob. It's me, Awf'ly Wee Billy Bigchin
Mac Feegle. We could
disguise oursels.' Awf'ly Wee Billy Bigchin Mac Feegle always
announced himself in full. He seemed
to feel that if he didn't tell people who he was, they'd forget about
him and he'd disappear. When
you're half the size of most grown pictsies you're really short; much
shorter and you'd be a hole
in the ground. He was the new gonnagle. A gonnagle is the clan's bard
and battle poet, but they
don't spend all their lives in the same clan. In fact, they're a sort
of clan all by themselves.
Gonnagles move around among the other clans, making sure the songs and
stories get spread around
all the Feegles. Awf'ly Wee Billy had come with Jeannie from the Long
Lake clan, which often
happens. He was very young for a gonnagle, but as Jeannie had said,
there was no age limit to
gonnagling. If the talent was in you, you gonnagled. And Awf'ly Wee
Billy knew all the songs and
could play the mousepipes so sadly that outside it would start to
rain. 'Aye, lad?' said Rob
Anybody kindly. 'Speak up, then.' 'Can we get hold o' some human
clothes?' said Awf'ly Wee Billy.
'Because there's an old story about the big feud between the Three
Peaks clan and the Windy River
clan and the Windy River boys escaped by making a tattie-bogle walk,
and the men o' Three Peaks
thought it was a bigjob and kept oot o' its way.' The others looked
puzzled, and Awf'ly Wee Billy
remembered that they were men of the Chalk and had probably never seen
a tattie-bogle. 'A
scarecrow?' he said. 'It's like a bigjob made o' sticks, wi' clothes
on, for to frighten away the
birdies fra' the crops? Now, the song says the Windy River's kelda
used magic to make it walk, but
I reckon it was done by cunnin' and strength.' He sang about it. They
listened. He explained how
to make a human that would walk. They looked at one another. It was a
mad, desperate plan, which
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was very dangerous and risky and would require tremendous strength and
bravery to make it work.
Put like that, they agreed to it instantly. Tiffany found that there
was more than chores and the
research, though. There was what Miss Level called 'filling what's
empty and emptying what's
full'. Usually only one of Miss Level's bodies went out at a time.
People thought Miss Level was
twins, and she made sure they continued to do so, but she found it a
little bit safer all round to
keep the bodies apart. Tiffany could see why. You only had to watch
both of Miss Level when she
was eating. The bodies would pass plates to one another without saying
a word, sometimes they'd
eat off one another's forks, and it was rather strange to see one
person burp and the other one
say 'Oops, pardon me'. 'Filling what's empty and emptying what's full'
meant wandering round the
local villages and the isolated farms and, mostly, doing medicine.
There were always bandages to
change or expectant mothers to talk to. Witches did a lot of
midwifery, which is a kind of
'emptying what's full', but Miss Level, wearing her pointy hat, had
only to turn up at a cottage
for other people to suddenly come visiting, by sheer accident. And
there was an awful lot of
gossip and tea-drinking. Miss Level moved in a twitching, living world
of gossip, although Tiffany
noticed that she picked up a lot more than she passed on. It seemed to
be a world made up entirely
of women, but occasionally, out in the lanes, a man would strike up a
conversation about the
weather and somehow, by some sort of code, an ointment or a potion
would get handed over. Tiffany
couldn't quite work out how Miss Level got paid. Certainly the basket
she carried filled up more
than it emptied. They'd walk past a cottage and a woman would come
scurrying out with a freshbaked
loaf or a jar of pickles, even though Miss Level hadn't stopped there.
But they'd spend an
hour somewhere else, stitching up the leg of a farmer who'd been
careless with an axe, and get a
cup of tea and a stale biscuit. It didn't seem fair. 'Oh, it evens
out,' said Miss Level, as they
walked on through the woods. 'You do what you can. People give what
they can, when they can. Old
Slapwick there, with the leg, he's as mean as a cat, but there'll be a
big cut of beef on my
doorstep before the week's end, you can bet on it. His wife will see
to it. And pretty soon people
will be killing their pigs for the winter, and I'll get more brawn,
ham, bacon and sausages
turning up than a family could eat in a year.' 'You do? What do you do
with all that food?' 'Store
it,' said Miss Level. 'But you-' 'I store it in other people. It's
amazing what you can store in
other people.' Miss Level laughed at Tiffany's expression. 'I mean, I
take what I don't need round
to those who don't have a pig, or who're going through a bad patch, or
who don't have anyone to
remember them.' 'But that means they'll owe you a favour!' 'Right! And
so it just keeps on going
round. It all works out.' 'I bet some people are too mean to pay-'
'Not pay,' said Miss Level,
severely. 'A witch never expects payment and never asks for it and
just hopes she never needs to.
But, sadly, you are right.'
And then what happens?' 'What do you mean?' 'You stop helping them, do
you?' 'Oh, no,' said Miss
Level, genuinely shocked. 'You can't not help people just because
they're stupid or forgetful or
unpleasant. Everyone's poor round here. If I don't help them, who
will?' 'Granny Aching... that
is, my grandmother said someone has to speak up for them as has no
voices,' Tiffany volunteered
after a moment. 'Was she a witch?' I'm not sure,' said Tiffany. 'I
think so, but she didn't know
she was. She mostly lived by herself in an old shepherding hut up on
the downs.' 'She wasn't a
cackler, was she?' said Miss Level, and when she saw Tiffany's
expression she said hurriedly,
'Sorry, sorry. But it can happen, when you're a witch who doesn't know
it. You're like a ship with
no rudder. But obviously she wasn't like that, I can tell.' 'She lived
on the hills and talked to
them and she knew more about sheep than anybody!' said Tiffany hotly.
'I'm sure she did, I'm sure
she did-' 'She never cackled!' 'Good, good,' said Miss Level
soothingly. 'Was she clever at
medicine?' Tiffany hesitated. 'Urn... only with sheep,' she said,
calming down. 'But she was very
good. Especially if it involved turpentine. Mostly if it involved
turpentine, actually. But always
she... was... just... there. Even when she wasn't actually there
'Yes,' said Miss Level. 'You know
what I mean?' said Tiffany. 'Oh, yes,' said Miss Level. 'Your Granny
Aching lived down on the
uplands-' 'No, up on the downland,' Tiffany corrected her. 'Sorry, up
on the downland, with the
sheep, but people would look up sometimes, look up at the hills,
knowing she was there somewhere,
and say to themselves "What would Granny Aching do?" or "What would
Granny Aching say if she found
out?" or "Is this the sort of thing Granny Aching would be angry
about?"' said Miss Level. 'Yes?'
Tiffany narrowed her eyes. It was true. She remembered when Granny
Aching had hit a pedlar who'd
overloaded his donkey and was beating it. Granny usually used only
words, and not many of them.
The man had been so frightened by her sudden rage that he'd stood
there and taken it. It had
frightened Tiffany, too. Granny, who seldom said anything without
thinking about it for ten
minutes beforehand, had struck the wretched man twice across the face
in a brief blur of movement.
And then news had got around, all along the Chalk. For a while, at
least, people were a little
more gentle with their animals... For months after that moment with
the pedlar, carters and
drovers and farmers all across the downs would hesitate before raising
a whip or a stick, and
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think: Suppose Granny Aching is watching? But- 'How did you know
that?' she said. 'Oh, I guessed.
She sounds like a witch to me, whatever she thought she was. A good
one, too.' Tiffany inflated
with inherited pride. 'Did she help people?' Miss Level added. The
pride deflated a bit. The
instant answer 'yes' jumped onto her tongue, and yet... Granny Aching
hardly ever came down off
the hills, except for Hogswatch and the early lambing. You seldom saw
her in the village unless
the pedlar who sold Jolly Sailor tobacco was late on his rounds, in
which case she'd be down in a
hurry and a flurry of greasy black skirts to cadge a pipeful off one
of the old men. But there
wasn't a person on the Chalk, from the Baron down, who didn't owe
something to Granny. And what
they owed to her, she made them pay to others. She always knew who was
short of a favour or two.
'She made them help one another' she said. 'She made them help
themselves.' In the silence that
followed, Tiffany heard the birds singing by the road. You got a lot
of birds here, but she missed
the high scream of the buzzards. Miss Level sighed. 'Not many of us
are that good,' she said. 'If
I was that good, we wouldn't be going to visit old Mr Weavall again.'
Tiffany said 'Oh dear'
inside. Most days included a visit to Mr Weavall. Tiffany dreaded
them. Mr Weavall's skin was
paper-thin and yellowish. He was always in the same old armchair, in a
tiny room in a small
cottage that smelled of old potatoes and was surrounded by a more or
less overgrown garden. He'd
be sitting bolt upright, his hands on two walking sticks, wearing a
suit that was shiny with age,
staring at the door. 'I make sure he has something hot every day,
although he eats like a bird,'
Miss Level had said. 'And old Widow Tussy down the lane does his
laundry, such as it is. He's
ninety-one, you know.' Mr Weavall had very bright eyes and chatted
away to and at them as they
tidied up the room. The first time Tiffany had met him he'd called her
Mary. Sometimes he still
did. And he'd grabbed her wrist with surprising force as she walked
past... It had been a real
shock, that claw of a hand suddenly gripping her. You could see blue
veins under the skin. 'I
shan't be a burden on anyone' he'd said urgently. 'I got money put by
for when I go. My boy Toby
won't have nothin' to worry about. I can pay my way! I want the proper
funeral show, right? With
the black horses and the plumes and the mutes and a knife-and-fork tea
for everyone afterwards.
I've written it all down, fair and square. Check in my box to make
sure, will you? That witch
woman's always hanging around here!' Tiffany had given Miss Level a
despairing look. She'd nodded,
and pointed to an old wooden box tucked under Mr Weavall's chair. It
had turned out to be full of
coins, mostly copper, but there were quite a few silver ones. It
looked like a fortune, and for a
moment she'd wished she had as much money. There's a lot of coins in
here, Mr Weavall,' she'd
said. Mr Weavall relaxed. 'Ah, that's right,' he'd said. 'Then I won't
be a burden.' Today Mr
Weavall was asleep when they called on him, snoring with his mouth
open and his yellow-brown teeth
showing. But he awoke in an instant, stared at them and then said, 'My
boy Toby's coming to see I
Sat'day.' 'That's nice, Mr Weavall,' said Miss Level, plumping up his
cushions. 'We'll get the
place nice and tidy.' 'He's done very well for hisself, you know,'
said Mr Weavall, proudly. 'Got
a job indoors with no heavy lifting. He said he'll see I all right in
my old age, but I told him,
I told him I'd pay my way when I go- the whole thing, the salt and
earth and tuppence for the
ferryman, too!' Today, Miss Level gave him a shave. His hands shook
too much for him to do it
himself. (Yesterday she'd cut his toenails, because he couldn't reach
them; it was not a safe
spectator sport, especially when one smashed a windowpane.) 'It's all
in a box under my chair,' he
said as Tiffany nervously wiped the last bits of foam off him. 'Just
check for me, will you,
Mary?' Oh, yes. That was the ceremony, every day. There was the box,
and there was the money. He
asked every time. There was always the same amount of money. 'Tuppence
for the ferryman?' said
Tiffany, as they walked home. 'Mr Weavall remembers all the old
funeral traditions,' said Miss
Level. 'Some people believe that when you die you cross the River of
Death and have to pay the
ferryman. People don't seem to worry about that these days. Perhaps
there's a bridge now.' 'He's
always talking about... his funeral.' 'Well, it's important to him.
Sometimes old people are like
that. They'd hate people to think that they were too poor to pay for
their own funeral. Mr
Weavall'd die of shame if he couldn't pay for his own funeral.' It's
very sad, him being all alone
like that. Something should be done for him,' said Tiffany. 'Yes.
We're doing it,' said Miss
Level. 'And Mrs Tussy keeps a friendly eye on him.' 'Yes, but it
shouldn't have to be us, should
it?' 'Who should it have to be?' said Miss Level. 'Well, what about
this son he's always talking
about?' said Tiffany. 'Young Toby? He's been dead for fifteen years.
And Mary was the old man's
daughter, she died quite young. Mr Weavall is very short-sighted, but
he sees better in the past.'
Tiffany didn't know what to reply except: 'It shouldn't be like this.'
'There isn't a way things
should be. There's just what happens, and what we do.' 'Well, couldn't
you help him by magic?' 'I
see to it that he's in no pain, yes,' said Miss Level. 'But that's
just herbs.' 'It's still magic.
Knowing things is magical, if other people don't know them.' 'Yes, but
you know what I mean,' said
Tiffany, who felt she was losing this argument. 'Oh, you mean make him
young again?' said Miss
Level. 'Fill his house with gold? That's not what witches do.' 'We see
to it that lonely old men
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get a cooked dinner and cut their toenails?' said Tiffany, just a
little sarcastically. 'Well,
yes,' said Miss Level. 'We do what can be done. Mistress Weatherwax
said you've got to learn that
witchcraft is mostly about doing quite ordinary things.' 'And you have
do what she says?' said
Tiffany. 'I listen to her advice' said Miss Level, coldly. 'Mistress
Weatherwax is the head witch,
then, is she?' 'Oh no!' said Miss Level, looking shocked. 'Witches are
all equal. We don't have
things like head witches. That's quite against the spirit of
witchcraft.' 'Oh, I see,' said
Tiffany. 'Besides,' Miss Level added, 'Mistress Weatherwax would never
allow that sort of thing.'
Suddenly, things were going missing from the households around the
Chalk. This wasn't the
occasional egg or chicken. Clothes were vanishing off washing lines. A
pair of boots mysteriously
disappeared from under the bed of Nosey Hinds, the oldest man in the
village- 'And they was damn
good boots, they could walk home from the pub all by themselves if I
but pointed they in the right
direction,' he complained to anyone who would listen. 'And they
marched off wi' my old hat, too.
And I'd got he just as I wanted he, all soft and floppy!' A pair of
trousers and a long coat
vanished from a hook belonging to Abiding Swindell, the ferret-keeper,
and the coat still had
ferrets living in the inside pockets. And who, who climbed through the
bedroom window of Clem
Doins and shaved off his beard, which had been so long that he could
tuck it into his belt? Not a
hair was left. He had to go around with a scarf over his face, in case
the sight of his poor pink
chin frightened the ladies... It was probably witches, people agreed,
and made a few more cursenets
to hang in their windows. However... On the far side of the Chalk,
where the long green
slopes came down to the flat fields of the plain, there were big
thickets of bramble and hawthorn.
Usually, these were alive with birdsong, but this particular one, the
one just here, was alive
with cussing. 'Ach, crivens! Will ye no' mind where ye 're puttin' yer
foot, ye spavie!' 'I cannae
help it! It's nae easy, bein' a knee!' ' Ye think ye got troubles? Ye
wannae be doon here in the
boots! That old man Swindell couldnae ha' washed his feet in years!
It's fair reekin' doon here!'
'Reekin', izzit? Well, you try bein' in this pocket! Them ferrets ne
'er got oot to gae to the
lavie, if you get my meanin'!' 'Crivens! Will ye dafties no' shut up?'
'Oh, aye? Hark at him! Just
'cuzye're up in the held, you think you know everythin'? Fra' doon
here ye're nothing but dead
weight, pal!' 'Aye, right! I'm wi' the elbows on this one! Where'dyou
be if it wuzn'tfor us
carryin' ye aroound? Who's ye think ye are?' 'I'm Rob Anybody Feegle,
as you ken well enough, an'
I've had enough o' the lot o' yezf 'OK, Rob, but it's real stuffy in
here!' 'Ach, an' I'm fed up
wi' the stomach complainin', too!' 'Gentlemen.' This was the voice of
the toad; no one else would
dream of calling the Nac Mac Feegle gentlemen. 'Gentlemen, time is of
the essence. The cart will
be here soon! You must not miss it!' 'We need more time to practise,
Toad! We're walkin' like a
feller wi' nae bones and a serious case o' the trots!' said a voice a
little higher up than the
rest. 'At least you are walking. That's good enough. I wish you luck,
gentlemen.' There was a cry
from further along the thickets, where a lookout had been watching the
road. 'The cart's comin'
doon the hill!' 'OK, lads!' shouted Rob Anybody. 'Toad, you look after
Jeannie, y'hear? She'll
need a thinkin' laddie to rely on while I'm no' here! Right, ye
scunners! It's do or die! Ye ken
what to do! Ye lads on the ropes, pull us up noo!' The bushes shook.
'Right! Pelvis, are ye
ready?' 'Aye, Rob!' 'Knees? Knees? I said, knees?' 'Aye, Rob, but-'
'Feets?' 'Aye, Rob!' The
bushes shook again. 'Right! Remember: right, left, right, left!
Pelvis, knee, foot on the groond!
Keep a spring in the step, feets! Are you ready? Altogether, boys...
walk!' It was a big surprise
for Mr Crabber the carter. He'd been staring vaguely at nothing,
thinking only of going home, when
something stepped out of the bushes and into the road. It looked human
or, rather, looked slightly
more human than it looked like anything else. But it seemed to be
having trouble with its knees,
and walked as though they'd been tied together. However, the carter
didn't spend too much time
thinking about that because, clutched in one gloved hand that was
waving vaguely in the air, was
something gold. This immediately identified the stranger, as far as
the carter was concerned. He
was not, as first sight might suggest, some old tramp to be left by
the roadside, but an obvious
gentleman down on his luck, and it was practically the carter's duty
to help him. He slowed the
horse to a standstill. The stranger didn't really have a face. There
was nothing much to see
between the droopy hat brim and the turned-up collar of the coat
except a lot of beard. But from
somewhere within the beard a voice said: '... Shudupshudup... will ye
all shudup while I'm
talkin'... Ahem. Good day ta' ye, carter fellow my ol' fellowy fellow!
If ye'll gie us- me a lift
as far as ye are goin', we- I'll gie ye this fine shiny golden coin!'
The figure lurched forward
and thrust its hand in front of Mr Crabber's face. It was quite a
large coin. And it was certainly
gold. It had come from the treasure of the old dead king who was
buried in the main part of the
Feegles' mound. Oddly enough, the Feegles weren't hugely interested in
gold once they'd stolen it,
because you couldn't drink it and it was difficult to eat. In the
mound, they mostly used the old
coins and plates to reflect candlelight and give the place a nice
glow. It was no hardship to give
some away. The carter stared at it. It was more money than he had ever
seen in his life. 'If...
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sir... would like to... hop on the back of the cart, sir,' he said,
carefully taking it. 'Ach,
right you are, then,' said the bearded mystery man after a pause.
'Just a moment, this needs a wee
bitty organizin'... OK, youse hands, you just grab the side o' the
cart, and' you leftie leg, ye
gotta kinda sidle along... ach, crivens! Ye gotta bend! Bend! C'mon,
get it right!' The hairy face
turned to the carter. 'Sorry aboot this,' it said. 'I talk to my
knees, but they dinnae listen to
me.' 'Is that right?' said the carter weakly. 'I have trouble with my
knees in the wet weather.
Goose grease works.' 'Ah, weel, these knees is gonna get more'n a
greasin' if I ha' to get doon
there an' sort them oot!' snarled the hairy man. The carter heard
various bangs and grunts behind
him as the man hauled himself onto the tail of the cart. 'OK, let's
gae,' said a voice. 'We'
havenae got all day. And youse knees, you're sacked! Crivens, I'm
walkin' like I got a big touch
of the stoppies! You gae up to the stomach and send doon a couple of
good knee men!' The carter
bit the coin thoughtfully as he urged the horse into a walk. It was
such pure gold that he left
toothmarks. That meant his passenger was very, very rich. That was
becoming very important at this
point. 'Can ye no' go a wee bitty faster, my good man, my good man?'
said the voice behind him,
after they had gone a little way. 'Ah, well, sir,' said the carter,
'see them boxes and crates?
I've got a load of eggs, and those apples mustn't be bruised, sir, and
then there's those jugs of-
' There were some bangs and crashes behind him, including the sploosh
that a large crate of eggs
makes when it hits a road. 'Ye can gae faster noo, eh?' said the
voice. 'Hey, that was my-' Mr
Crabber began. 'I've got another one o' they big wee gold coins for
ye!' And a heavy and smelly
arm landed on the carter's shoulder. Dangling from the glove on the
end of it was, indeed, another
coin. It was ten times what the load had been worth. 'Oh, well...'
said the carter, carefully
taking the coin. 'Accidents do happen, eh, sir?' 'Aye, especially if I
dinnae think I'm goin' fast
enough,' said the voice behind him. 'We- I mean I'm in a big hurry tae
get tae yon mountains, ye
ken!' 'But I'm not a stagecoach, sir,' said the carter reproachfully
as he urged his old horse
into a trot. 'Stagecoach, eh? What's one o' them things?' 'That's what
you'll need to catch to
take you up into the mountains, sir. You can catch one in Twoshirts,
sir. I never go any further
than Twoshirts, sir. But you won't be able to get the stage today,
sir.' 'Why not?' 'I've got to
make stops at the other villages, sir, and it's a long way, and on
Wednesdays it runs early, sir,
and this cart can only go so fast, sir, and-' 'If we- I dinnae catch
yon coach today I'll gi'e ye
the hidin' o' yer life,' growled the passenger. 'But if I do catch yon
coach today, I'll gie ye
five o' them gold coins.' Mr Crabber took a deep breath, and yelled:
'Hi! Hyah! Giddyup, Henry!'
All in all, it seemed to Tiffany, most of what witches did really was
very similar to work. Dull
work. Miss Level didn't even use her broomstick very much. That was a
bit depressing. It was all a
bit... well, goody-goody. Obviously that was better than being baddy-
baddy, but a little more...
excitement would be nice. Tiffany wouldn't like anyone to think she'd
expected to be issued with a
magic wand on Day One but, well, the way Miss Level talked about
magic, the whole point of
witchcraft lay in not using any. Mind you, Tiffany thought she would
be depressingly good at not
using any. It was doing the simplest magic that was hard. Miss Level
patiently showed her how to
make a shamble, which could more or less be made of anything that
seemed a good idea at the time
provided it also contained something alive, like a beetle or a fresh
egg. Tiffany couldn't even
get the hang of it. That was... annoying. Didn't she have the virtual
hat? Didn't she have First
Sight and Second Thoughts? Miss Tick and Miss Level could throw a
shamble together in seconds, but
Tiffany just got a tangle, dripping with egg. Over and over again. I
know I'm doing it right but
it just twists up!' Tiffany complained. 'What can I do?' 'We could
make an omelette?' said Miss
Level cheerfully. 'Oh, please, Miss Level!' Tiffany wailed. Miss Level
patted her on the back.
'It'll happen. Perhaps you're trying too hard. One day it'll come. The
power does come, you know.
You just have to put yourself in its path-' 'Couldn't you make one
that I could use for a while,
to get the hang of it?' 'I'm afraid I can't,' said Miss Level. 'A
shamble is a very tricky thing.
You can't even carry one around, except as an ornament. You have to
make it for yourself, there
and then, right where and when you want to use it.' 'Why?' said
Tiffany. 'To catch the moment,'
said the other part of Miss Level, coming in. The way you tie the
knots, the way the string runs
the freshness of the egg, perhaps, and the moisture in the air -' said
the first Miss Level. '-
the tension of the twigs and the kind of things that you just happen
to have in your pocket at
that moment even the way the wind is blowing,' the first Miss Level
concluded. 'All these things
make a kind of... of picture of the here-and-now when you move them
right. And I can't even tell
you how to move them, because I don't know.' 'But you do move them,'
said Tiffany, getting lost.
'I saw you-' 'I do it but I don't know how I do,' said Miss Level,
picking up a couple of twigs
and taking a length of thread. Miss Level sat down at the table
opposite Miss Level, and all four
hands started to put a shamble together. 'This reminds me of when I
was in the circus,' she said.
I was walking out for a while with Marco and Falco, the Flying
Pastrami Brothers,' the other part
of Miss Level went on. 'They would do triple somersaults fifty feet up
with no safety net. What