Download Song Sky High
John Cortez
We are an award winning competitive song/dance program that competes in Pom and Jazz on the regional and national level. Over the years, the SM Song teams have won numerous awards and National titles. There is a JV and Varsity team, both comprised of highly motivated and talented girls that take pride in representing SM. They love the camaraderie the team atmosphere brings them and special moments they experience together.
We are thrilled to have Nicole on our coaching staff! She was our past Song Program Director for 10 seasons! She currently is the West Coast State Director for Varsity Brands including USA, UDA, and NDA! She judges for various competitions both regionally and nationally. She currently teaches at PAVE School of the Arts and directs their PAVE Pro Competition Teams. She has choreographed for high school, college, and pro teams for many years and has won numerous awards and titles. She has an extensive background dancing, teaching and choreographing in the dance and spirit industries! She graduated from UCLA, where she was a member and captain of their dance team for 3 years. She was also a past USA Program Director and instructor, teaching 1000's of dancers and cheerleaders across the US and abroad. Nicole looks forward to an amazing season!
We are excited to have Katie back on our coaching staff! Katie Barry is an SMCHS alum from the Class of 2012 and former SMCHS Varsity Songleader and has over 20 years of dance training and experience in Jazz, Pom, Ballet, Contemporary, Lyrical, and Hip-hop styles. She has over 8 years of experience coaching and teaching throughout the all-star and high school dance communities and, as a dancer, has competed at UDA Nationals, USA Spirit Nationals, USA All-Star Nationals, NDA All-Star Nationals, and more. Katie has assisted in choreographing routines around the country, and her teams have won USA Nationals in the JV Song Pom Advanced division in 2017 and NDA Nationals in 2018. Outside of coaching, Katie enjoys a successful career as a professional graphic designer, specializing in brand strategy, brand identity, and UX/UI design. She received a Bachelors of Fine Arts in Graphic Design and Interactive Communication from Cal State Fullerton. Katie is thrilled to be back as an Eagle as she enters her 7th season of coaching at SMCHS!
Edit: Thank you everyone for the guesses so far! I am listening to every single one but none of them seem to be the song I'm looking for. Here are a few more details that I remember: The song starts off with the high pitch voices. I'm pretty sure it doesn't have an instrumental intro. The high pitch voices are not humming or anything. They are singing the lyrics. As far as I can remember, they continue to sing throughout the song as well or at least join in at some parts. The song starts off more quiet, the first thing we hear is the high pitch voice's singing the lyrics. The rhythm picks up after. The lead singer doesn't sing in a high pitch voice. He sings normally. The song is definitely not slow-paced. I'd say the high pitch intro is somewhat similar sounding to Lonely by Akon. But this is only an example of how I remember the pitch sounded like. It's still not 100% accurate.
It might be impossible to find this song but here it goes. I heard this song in early 2000-2010. I was very young at the time so I barely remember anything about it. One single thing I am sure about is the sound of a high pitch male voice in the beginning. Pretty sure it wasn't a mainstream band or song. Which is what makes this ten times harder lol.
I believe it was a rock/metal song. It starts off with a high pitch male voice. It might be more than one voice singing in the beginning. These voices sing the intro and after the high pitch voices the main singer starts singing. The song itself wasn't slow or soft either. Probably not too old like 60's or 70's. I am guessing the song was at most made in 90's or even later. I'm not quite sure about this part but the song is possibly about a woman and there might be mentions of a name similar to Mary Jane? I'm not super sure about it though.
I spent my New Year's Eve watching *THE* Zac Efron New Year's Eve movie: High School Musical. And did I then immediately watch the other two movies in the series? You can bet on it. Here is my ranking of all 30 High School Musical songs:
This song is fun, the drums are great, but it's a little too meta. If you buy into the theory that the entire High School Musical franchise is just one big musical then maybe this song is higher on your list.
This is an incredible song and definitely has the best editing, but after hearing Zac Efron sing in the second and third movie, I have trouble hearing Drew Seeley sing in the first one. Why didn't they go back and dub Zac's voice in the first movie?!
If you don't know the choreography for this dance, then what were you doing in elementary school? Also, my high school didn't have even .01% of the school spirit displayed in this performance, and I'm still mad about it!
This number really shows the glow-up of Zac Efron between HSM1 and HSM2, and no one is complaining! Also, if you didn't sing this on the last day of school then I'm sorry, we can't be friends. And, a note from my mother, what kind of high school did they go to if they needed to wake up at 6 a.m.? A great point, especially since the school day doesn't end until 3. I'll forgive my high school's lack of school spirit for the 9 a.m. start time. :)
This set everyone's expectations too high. Also, why didn't my high school have a rooftop garden? Also, wouldn't everyone be on this rooftop garden all the time? How were they always the only ones up there?
GW FIGHT SONG:
In 1924, Eugene Sweeney wrote the song entitled Buff and Blue, which served as the fight song for the GW Football Team. In the 1990's Patrick M. Jones rewrote the song so that it could be used for any GW athletic contest and entitled it The GW Fight Song. The Fight Song can be heard at GW sporting events. Also, as you walk around campus, you will hear the carillon chimes ring out the GW Fight Song twice a day at 12:15 and 6pm.
Well, in fact, two songs have been designated as Colorado's official state songs. Both songs' creators express a profound appreciation for nature and the breathtaking beauty of Colorado, and they were both influenced by memorable summers spent in the Rocky Mountains.
Despite the widespread interpretation of the lyric "Friends around the campfire and everybody's high" as a reference to drug use, Denver insisted that the song was actually about experiencing the euphoria of nature.
The Ever After High theme song is used as the intro theme for the cartoon. Its release to the public happened in three steps. On May 30, 2013, a preview of the song, reaching until the second "However you go Ever in Ever After High", was released on the Ever After High website. On July 16, 2013, the full song was released. The third step is the release of the music video, which happened on October 08, 2013.
Background: Although high-intensity laser therapy (HILT) has been used for the management of musculoskeletal disorders (MSD), studies examining the effectiveness of HILT have been limited. We investigated the effectiveness of HILT in MSD using a systematic review and meta-analysis.
Results: Twelve studies were selected for this systematic review. In 11 studies, comprising 736 patients, pain was significantly improved by HILT compared with a control group (MD: -1.01; 95% confidence interval [CI]: -1.28 to -0.74). From the analysis of 688 patients from 10 studies, the pooled standardized mean difference (SMD) of HILT showed a significant improvement in disability scores compared with those in the control group (SMD, -1.09; 95% CI -1.77, -0.41). In subgroup analysis by treatment regions, the mean difference (MD) in neck pain was the highest at -1.02 (95% CI: -1.45, -0.58) than in controls, followed by back pain (MD, -0.91; 95% CI: -1.24, -0.59).
Here's a traditional May Day celebration song, often sung to the tune of "Here We Go 'Round the Mulberry Bush." This is lovely for a maypole dance or just skipping around your living room with a ribbon ring! Here We Go Round the Maypole High
Hongjiang Song has been serving as a faculty associate in the School of Electrical, Computer and Energy Engineering at Arizona State University. He joined ASU in 2002 and he has offered graduate-level courses in VLSI analog signal processing circuits and VLSI high-speed I/O circuits. Song is also a design engineer at Intel Corporation, where he has been working on various leading edge VLSI circuit design and developments since 1994. Song's key research areas and interests include high speed/low power VLSI circuits (RF IC, data converters, PLL/DLL, high speed I/O, DSP/ASP and power management circuits).
The severe local lattice distortion, induced mainly by the large atomic size mismatch of the alloy components, is one of the four core effects responsible for the unprecedented mechanical behaviors of high-entropy alloys (HEAs). In this work, we propose a supercell model, in which every lattice site has similar local atomic environment, to describe the random distributions of the atomic species in HEAs. Using these supercells in combination with abinitio calculations, we investigate the local lattice distortion of refractory HEAs with body-centered-cubic structure and 3d HEAs with face-centered-cubic structure. Our results demonstrate that the local lattice distortion of the refractory HEAs is much more significant than that of the 3d HEAs. We show that the atomic size mismatch evaluated with the empirical atomic radii is not accurate enough to describe the local lattice distortion. Both the lattice distortion energy and the mixing entropy contribute significantly to the thermodynamic stability of HEAs. However the local lattice distortion has negligible effect on the equilibrium lattice parameter and bulk modulus.
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