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Your vocal image is the impression that listeners form of you based on the sound of your voice. In a dental office, where the initial patient contact usually occurs over the phone, your vocal image is vitally important. According to social psychologists, people begin to make relatively durable first impressions within six to 12 seconds of perceiving a sensory cue. This means that patients begin to form their impressions of a telephone speaker almost immediately. Based on the qualities of the speaker's voice and how it is used, they'll form impressions related to everything from the speaker's physical and personality characteristics to his or her intellectual ability, and eventually even generalize their impressions to include the office that the speaker represents. If you want to improve your vocal image, you must first be aware of exactly what that image is. There are two factors that combine to create a vocal impression--the speaker's physical vocal tools and the sound that is created by them. The five physical tools involved are the lungs, vocal cords, throat, mouth and ears. At each stage in the sound production process, we can easily fall into negative habits and lazy patterns if we're not careful. Although we can't do much about our physical voice mechanism, we can certainly exercise a great deal of control over how our voice is used. A strong, confident voice is an essential part of effective interpersonal communication. If you want to project an image of confidence and professionalism, don't overlook the subtle benefits of effective vocal power.
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Your #vocal image is one of the first impressions you make, when you meet someone. Within a few seconds of hearing you, your listener forms an image of your personality, competence & credibility- based on vocal signals shehe receives at a subconscious level.
Whether you are addressing an audience, selling a product or service, appearing for an interview, develop your vocal image so that you can make a lasting #first impression & change how others perceive you.
Vocal tract visualization and imaging is the collection of procedures for performing a detailed visual examination of the vocal tract and laryngeal and velopharyngeal structures and gross function, including vocal fold vibration. These procedures enable a speech-language pathologist (SLP) to further assess and plan treatment strategies for
These procedures use either a constant or a stroboscopic light source for indirect laryngoscopy, rigid fiberoptic oral endoscopy (RFOE), or flexible fiberoptic nasendoscopy (FFN). Images and/or videos can be made using any of these techniques and can be stored on digital media. Physicians are the only professionals qualified and licensed to render medical diagnoses related to the identification of laryngeal pathology as it affects voice. Imaging should be viewed and interpreted by an otolaryngologist with training in this procedure when used for medical diagnostic purposes. SLPs trained in stroboscopy view and interpret imaging for SLP diagnosis (e.g., dysphagia) and to establish/modify treatment plans. Videofluoroscopy, ultrasound, and video images can also be used to view all or part of the vocal tract and oral structures. However, this is not the focus of this page.
Although there is typically some variation between procedures, an effort has been made to standardize protocols for instrumental assessment of voice, including recommendations for laryngeal endoscopic imaging (Patel et al., 2018).
FFN is performed with a flexible nasendoscope inserted through the nasal passage. A fiberoptic bundle transmits high-intensity light to illuminate structures, which are then viewed and/or recorded. Distal-chip flexible endoscopes allow for assessment of vibratory motion similar to that of a rigid endoscope with stroboscopy (Patel, 2012). A nasendoscope with a smaller diameter may be used for pediatric populations.
RFOE is performed with a rigid tube inserted into the oral or pharyngeal cavity. A prism optic system projects high-intensity light at a predetermined angle to illuminate the structures to be observed and recorded.
Practitioners also educate patients on risks associated with imaging, obtain the patient's informed consent, and maintain documentation when performing FFN or when using topical anesthesia. Risks may include the following:
The American Speech-Language-Hearing Association (ASHA) is the national professional, scientific, and credentialing association for 234,000 members, certificate holders, and affiliates who are audiologists; speech-language pathologists; speech, language, and hearing scientists; audiology and speech-language pathology assistants; and students.
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It's well known that how we dress and present ourselves has an almost instant impact on the people we meet. In some situations, for example, job interviews, work presentations and special social occasions, that impact is critical.
We are judged on our appearance and those initial judgments form the basis of how we are perceived or thought of. At a job interview a crumpled shirt, scruffy trousers and scuffed shoes may say to a prospective employer: 'I don't care enough to make an effort.'
Voice image is the 'secret' of people who use their voices professionally. Actors, radio broadcasters, television presenters, politicians, tele-marketers, professional speakers, all of whom depend on the impression their voice makes for success, know its importance. They systematically work to sustain and improve it.
There can be a vast difference between what we think we sound like and what we actually do. I know because I've experienced it. Hearing myself let me know exactly what I sounded like and where I needed to put the effort in. We lie to ourselves!
This is how you say your words. Are they clear? Are the endings, as well as the beginnings, distinctly audible? If you mumble or drop off starts and finishes of words, you'll find these old-fashioned tongue twisters useful as well as fun.
Volume, pitch and tone cover how loud or quiet your voice is, as well as the range it travels through (high to low), and its quality. They're an essential part of what you need to understand to use your voice well.
Click the link for exercises to develop flexibility in these three aspects of vocal variety.
If you need more than is available here (for instance, help with modifying a strong accent or a stubborn stammer), do seek professional advice. You'll find qualified voice coaches or speech therapists either online or in your local area.
If you speak in any way professionally (teach, sell, work in a call center ...), please do not ignore voice image. It may not be talked about openly in the same way that how you dress is, or your body language, but it is equally important.
Do make time to watch Dr. Wendy LeBorgne's excellent TEDxTalk: Vocal Branding: How Your Voice Shapes Your Communication Image. She is an author-pioneer of research and education in the science and power of the elite voice. For more see: Dr Wendy - voice pathologist.
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Feature papers represent the most advanced research with significant potential for high impact in the field. A Feature Paper should be a substantial original Article that involves several techniques or approaches, provides an outlook for future research directions and describes possible research applications.
Abstract: This review provides a comprehensive compilation, from a digital image processing point of view of the most important techniques currently developed to characterize and quantify the vibration behaviour of the vocal folds, along with a detailed description of the laryngeal image modalities currently used in the clinic. The review presents an overview of the most significant glottal-gap segmentation and facilitative playbacks techniques used in the literature for the mentioned purpose, and shows the drawbacks and challenges that still remain unsolved to develop robust vocal folds vibration function analysis tools based on digital image processing. Keywords: vocal folds motion; glottal gap segmentation; facilitative playbacks; laryngeal dynamics; vocal folds vibratory pattern
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