Download Hold Yuh By Mark Banks Mp3
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Although the body is around a third smaller than the Nikon it still feels rather good to hold, although I recently purchased an L bracket which when attached is even better to hand-hold, bizarrely. All the dials and switches feel solid and turn with reassuring, deep-notched clicks. The best button is the shutter which has a satisfying clunk when pressed. A particularly nice feature is the ability to assign a number of functions to three custom function buttons dotted about the body for quick access (I set button C1 to 100% Zoom mode for review purposes, C2 for quick access to the Creative Style menu (mainly to switch between colour & black and white modes) and C3 for focus peaking (a very necessary feature when using the adaptors as mentioned in more detail below).
One of my biggest grumbles with the Nikon was that I just couldn't take a decent hand-held image which meant that I only ever used it for serious work using a tripod. I wrongly assumed this would be the case for the Sony too, mainly because it apparently uses the same 36 million pixel sensor (one of the reasons I also purchased the Olympus to use for family snapshots and holidays). Surprisingly though hand-held images from the A7r look great. Due to a misunderstanding on my part I assumed I would be able to source an adaptor so that I could also use my Nikkor 70-200mm f.2.8 zoom lens - probably the best lens I've ever owned. This proved not to be the case which meant I had to sadly part exchange it for Sony's own 70-200 f4 lens which actually looks great in it's off-white livery but I'm not expecting it to be as good optically as the Nikon. With the Sony lens attached however, hand-held images are sharp and there is no sign of shutter vibration which has been reported to be an issue on more than one occassion. In fact, I haven't experienced any at all so far (hand-held or on a tripod) and neither has Joe as this is a question I asked him specifically. I think it's worth pointing out that although I find it a better camera to hand-hold than the Nikon, I'm not advocating it's use as a wildlife or sports camera.
Of course there is no such thing as the perfect camera and the A7r is no exception. There are one or two issues I would like to see sorted in a new version or better still a software upgrade (come on Sony, if Fuji can do it so can you)! The first is the slow write speeds to the SD card (and yes, I'm using a high speed card). I wouldn't like to think I was using it for wildlife but for landscape work it's fast enough. The second issue is the quality of the screen in low light. Yes, it's ever so slightly better than the D800 but not a patch compared to comparitively priced Canon's, which for a manufacturer of premium televisions is remarkable! The third issue is the time it takes to display the image at 100% on the back of the screen when you press the zoom button (i.e. when you want to examine all areas of the image closely to check it's sharp). This is so slow, you actually think you hadn't pushed the button and try again (then of course it proceeds back to the full image display again). My final complaint is that it only has the ability to display in native 3:2 and 16:9 crop format and doesn't have all the other crop factors I have available on my Olympus OMD-EM5 which cost only a third of the price (again Sony, let's have a software update for this so that we can use the camera in 5:4, 1:1, 4:3 and heck why not 22:9 - there is after all 36 million pixels to crop from)? All that said, compared to using a View Camera, these are petty quibbles for me.
'Holding On' is the type of composition I love to make images of. From the moment I saw this large branch holding on in this fast-flowing waterfall in Swaledale I just knew it was an image I had to make. Using the dark ends of a 3 & 2 stop graduated filter (I've yet to get round to buying a Lee Little Stopper), I added them to the end of the 70-200mm lens and stopped down to f/11 giving me a shutter speed of 2.5 secs which accentuates the flow of the water and the feeling of movement.
My post processing involves a 3 stage process using Lightroom 4 and Photoshop CS6. I've been using Lightroom since it first came onto the market in 2007. I find it intuitive and logical and it of course works really well with Photoshop.
Marking to market is the standard for the financial industry. It is used primarily to value financial assets and liabilities, which fluctuate in value. The accounting thus reflects both their gains and their losses in value.
Other major industries, such as retailers and manufacturers, have most of their value in long-term assets, known as property, plant, and equipment (PPE), as well as assets like inventory and accounts receivable. Not all of these assets will recoup 100% of their value. They are recorded at historic cost and then impaired as circumstances indicate. Correcting for a loss of value for these assets is called impairment rather than marking to market.
Mark-to-market losses are paper losses generated through an accounting entry rather than the actual sale of a security. Mark-to-market losses occur when financial instruments held are valued at the current market value, which is lower than the price paid to acquire them.
The standard was developed in response to the 2008 financial crisis to replace the old incurred loss model for reporting credit losses which was said to have precluded banks from recognizing loan losses that were not yet probable. This feature some said amplified the depth and duration of the financial crisis.
The new CECL model requires companies to estimate and recognize lifetime expected credit losses at the origination or acquisition of a loan. In 2020, legislators pushed for a delay of the rules for public companies, but most large public banks adopted it on time, according to FASB discussions almost three years ago. (See Banks, Other Large Public Companies Already Adopted Credit Loss Rules, FASB Chairman Says in the May 14, 2020, edition of Accounting & Compliance Alert.)
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Mark-to-market (MTM or M2M) or fair value accounting is accounting for the "fair value" of an asset or liability based on the current market price, or the price for similar assets and liabilities, or based on another objectively assessed "fair" value.[1] Fair value accounting has been a part of Generally Accepted Accounting Principles (GAAP) in the United States since the early 1990s. Failure to use it is viewed as the cause of the Orange County Bankruptcy,[2][3] even though its use is considered to be one of the reasons for the Enron scandal and the eventual bankruptcy of the company, as well as the closure of the accounting firm Arthur Andersen.[4]
Mark-to-market accounting can change values on the balance sheet as market conditions change. In contrast, historical cost accounting, based on the past transactions, is simpler, more stable, and easier to perform, but does not represent current market value. It summarizes past transactions instead. Mark-to-market accounting can become volatile if market prices fluctuate greatly or change unpredictably. Buyers and sellers may claim a number of specific instances when this is the case, including inability to value the future income and expenses both accurately and collectively, often due to unreliable information, or over-optimistic or over-pessimistic expectations of cash flow and earnings.[5]
If an investor owns 10 shares of a stock purchased for $4 per share, and that stock now trades at $6, the "mark-to-market" value of the shares is equal to (10 shares * $6), or $60, whereas the book value might (depending on the accounting principles used) equal only $40.
This can create problems in the following period when the "mark-to-market" (accrual) is reversed. If the market price has changed between the ending period(12/31/prior year) and the opening market price of the following year (1/1/current year), then there is an accrual variance that must be taken into account.
In the 1800s in the U.S., marking to market was the usual practice of bookkeepers. This has been blamed for contributing to the frequent recessions up to the Great Depression and for the collapse of banks. The Securities and Exchange Commission told President Franklin Roosevelt that he should get rid of it, which he did in 1938. But in the 1980s the practice spread to major banks and corporations, and beginning in the 1990s mark-to-market accounting began to result in scandals.[citation needed]
To understand the original practice, consider that a futures trader, when beginning an account (or "position"), deposits money, termed a "margin", with the exchange. This is intended to protect the exchange against loss. At the end of every trading day, the contract is marked to its present market value. If the trader is on the winning side of a deal, his contract has increased in value that day, and the exchange pays this profit into his account. In contrast, if the market price of his contract has decreased, the exchange charges his account that holds the deposited margin. If the balance of this account becomes less than the deposit required to maintain the account, the trader must immediately pay additional margin into the account in order to maintain the account (a "margin call"). (The Chicago Mercantile Exchange, doing even more, marks positions to market twice a day, at 10:00 am and 2:00 pm.)[6]
Over-the-counter (OTC) derivatives, in contrast, are formula-based financial contracts between buyers and sellers, and are not traded on exchanges, so their market prices are not established by any active, regulated market trading. Market values are, therefore, not objectively determined or available readily (purchasers of derivative contracts are typically furnished with computer programs which compute market values based upon data input from the active markets and the provided formulas). During their early development, OTC derivatives such as interest rate swaps were not marked to market frequently. Deals were monitored on a quarterly or annual basis, when gains or losses would be acknowledged or payments exchanged.
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