Name of a liturgical book?

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Slavomír Čéplö

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Feb 19, 2025, 3:03:49 PM2/19/25
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Dear friends,

I came across the following reference in a manuscript fihrist that I
can't seem to decipher:

استي خوريتيكون

The second word is an obvious Greek borrowing and the text is a
liturgical one and refers to confession and absolution.

Thank you for any help you can provide!

Best wishes,

Slavomír

Manolis Ulbricht

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Feb 19, 2025, 3:11:36 PM2/19/25
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Dear Slavomir,

Thank you very much for your message. I deciffer the transcription as στιχουριτικόν, which I would not know what this could be. With some emendations/missspellings—might it be instead στιχηραρικόν? Could you send a picture of the ms. page?

Best wishes,
Manolis

Dr. Manolis Ulbricht | Visiting Scholar
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Am 19.02.25, 15:03 schrieb "SlavomÖr đéplö" <nas...@googlegroups.com <mailto:nas...@googlegroups.com> im Auftrag von bulbult...@gmail.com <mailto:bulbult...@gmail.com>>:
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Slavomír Čéplö

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Feb 19, 2025, 3:16:54 PM2/19/25
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Dear Manolis,

many thanks for your suggestion, it does make more sense than anything I could come up with!
Here is one of the pages in question.

Best wishes,

Slavomír

 


El dc 19. 2. 2025 a les 15:11 'Manolis Ulbricht' via North American Society for Christian Arabic Studies <nas...@googlegroups.com> va escriure:

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Father Arsenius Mikhail

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Feb 19, 2025, 3:20:44 PM2/19/25
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Could it be a corruption of συγχωρητικόν i.e. having to do with συγχώρησις (forgiveness, absolution)?

Yulia Petrova

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Feb 19, 2025, 3:42:49 PM2/19/25
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Dear Slavomir,
it is συγχωρητικόν, letter of absolution. Information on this kind of documents issued by the Orthodox Patriarchs is in the book by Mihai Țipău, p. 233:


ср, 19 февр. 2025 г. в 22:16, Slavomír Čéplö <bulbult...@gmail.com>:


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Yours sincerely,
Yulia P.

Slavomír Čéplö

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Feb 19, 2025, 6:58:34 PM2/19/25
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Dear Yulia,

many thanks for the tip! The manuscript does not quite line up with that particular genre as described by Mihai, but it is the closest thing…

Best wishes, 

Slavomír

Habib Ibrahim

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Feb 20, 2025, 9:58:42 AM2/20/25
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Although the copyist gives the impression that he reads ستي. In this case he changed it to استي, because the Arabic linguist does not like the double consonant at the beginning of a transliterated word, so Gregorius is written اغريغوريوس. I believe the correct reading is سينخوريتيكون. This is not the only mistake made by the copyist. The Arabic is unintelligible; it begins with the vocative "O our Lord... deliver us from..." and ends with the 3rd person "by his salvific, life-giving passion".
Habib

Charbel Nassif

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Feb 22, 2025, 1:52:09 AM2/22/25
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Dear friends,

Here are some article dealing with the  συγχωρητικόν

Sophia Senyk, « Rites and Charters of Remission Evidence of a Seventeenth Century Source », OCP, 47 (1981), p. 426-440 

Miguel Arranz, « Les prières pénitentielles de la tradition byzantine les sacrements de la restauration de l’ancien euchologe constantinopolitain II-2 (3e partie) », OCP, 58 (1992), p. 23-82, ici p. 72-78 

 Dory Papastratos, Paper Icons Greek Orthodox Religious Engravings 2. 1665-1899, Athènes : A. Bongers, 1990, p. 560-561.

Best regards,

Charbel Nassif 



Slavomír Čéplö

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Feb 23, 2025, 8:19:27 PM2/23/25
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Dear Charbel,

many thanks for your comments and the references!

Best wishes,

Slavomír

Pahlitzsch, Prof. Dr. Johannes

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Feb 26, 2025, 1:57:54 PM2/26/25
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Dear all,

 

maybe this call for papers is of interest for you.

 

Best

Johannes

 

When God created the heavens and the earth: Nature in hexaemeral literature beyond Basil and Ambrose

Commentaries on the six days of Creation have played important roles in theological and philosophical discourses across the centuries. Scholars have long sought to define and categorize hexaemeral literature, with one of the earliest and most influential attempts being that of Frank E. Robbins. In his foundational—though now somewhat dated (1912)—study, he offers the following definition:

“Hexaemeron is the title of certain treatises and series of sermons written by the Fathers of the Christian church commenting on the story of the creation of the world as told in Genesis, sometimes a simple exegesis and sometimes an allegorical version of the scriptural story. The use of the name may be extended to cover the whole body of literature dealing with the subject, including formal or incidental accounts of the creation in the world, based upon Genesis, and poetical versions of the narrative.”

This broad definition underscores the diverse nature of hexaemeral writings, which encompass not only theological commentaries but also poetic retellings and philosophical reflections on the biblical account of Creation. Hexaemeral literature comprises a wide range of texts written in multiple languages —including Hebrew, Greek, Syriac, Arabic, Latin, Slavonic, Georgian, Armenian, Ethiopic, and Old English —spanning several centuries. While some of these texts remain unedited and untranslated into modern languages, others have yet to receive comprehensive scholarly attention.

Of these, two hexaemeral texts have received the majority of scholarly attention: the works of Basil of Caesarea (in Greek) and Ambrose of Milan (in Latin). Basil’s writings in particular were not only widely translated, but also extensively imitated by numerous later authors over the centuries.

We welcome contributions that go beyond the well-trodden ground of Basil and Ambrose, ideally shedding light upon lesser-known or previously unexplored works of hexaemeral literature up to late Middle Ages. Our central question is: How is the created world—nature, animals—depicted and understood in these writings? We are particularly interested in how cultural, social, and political contexts shaped different interpretations of the hexaemeron, whether in adaptations of Basil’s work or entirely original compositions.

Please send a short abstract (up to 150 words) along with a brief bio (up to 70 words) to biza...@us.edu.pl by March 31, 2025. This will be a hybrid conference, so please indicate whether you plan to participate in person or online. For those opting to attend in person, we will cover the cost of an economy-class flight and accommodation for up to three nights.

Organisers: Ryan Denson, Przemysław Marciniak, Katarzyna Piotrowska, Max Ritter

 

 

 

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