Mask Movie Dubbed In Punjabi Free Download
Rubie Mccloughan
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My homemade beauty post this week features a face mask that is simply wonderful! This face treatment has been used by indian grannies and mums for centuries and is still one of the most popular beauty habits of many people today. The constituents of the mask are classic food ingredients that are used in most indian foods.
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The dance ranges from celebrating martial arts, acrobatics and athletics performed in festive themes of a folk dance, to a structured dance with religious themes found in Shaivism, Shaktism and Vaishnavism. The costumes vary between the styles, with Purulia and Serakeilla using masks to identify the character.[2] The stories enacted by Chhau dancers include those from the Hindu epics the Ramayana and the Mahabharata, the Puranas and other Indian literature.[2][3]
The dance is traditionally an all males troupe, regionally celebrated particularly during spring every year, and may be a syncretic dance form that emerged from a fusion of classical Hindu dances and the traditions of ancient regional tribes.[3] The dance brings together people from diverse socio-economic backgrounds in a festive and religious spirit.[2][3]
Chhau is a dance style originating from the regions of East India.[4] It may have been derived from Sanskrit Chāya (shadow, image or mask).[3][5] Others link it to the Sanskrit root Chadma (disguise), yet others such as Sitakant Mahapatra suggest it is derived from Chhauni (military camp, armour, stealth) in Odia language.[6][7]
The Chhau dance is mainly performed during festivals in the region of Jharkhand, West Bengal and Odisha, especially the spring festival of Chaitra Parva and in which the whole community participates.[5] The Purulia Chhau dance is celebrated during the Sun festival.[8]
Masks form an integral part of Chhau dance in Purulia and Seraikella styles.[2] The knowledge of dance, music and mask-making is transmitted orally.[9] The Chhau dance found in northern Odisha does not use masks during the dance, but they do when the artists first appear on the stage for introduction to the audience.[10]
The two styles of Chhau dance that use masks, blend within it forms of both dance and martial practices employing mock combat techniques (called khel), stylised gaits of birds and animals (called chalis and topkas) and movements based on the chores of village housewives (called uflis).[8] This form of the Chhau dance, states Mohan Khokar, has no ritual or ceremonial meaning, it is a form of community celebration and entertainment.[5]
The precursors of Chhau dance (especially Purulia style) were not only Paika and Natua, but Nachni dance also played an important role in giving Chhau its present identity. Chhau dance borrows the female gaits and movements from the Nachni dance almost exclusively (Bhattacharya, 1983, Chakravarti, 2001, Kishore, 1985). The female dance elements in Chhau introduced the aspects of Lasya Bhava from the Natya Shastra that brought elegance, sensuality, and beauty in the dance form, whereas, the virile male dance movement is attributed to the Shiva's tandava style of dance (Bose 1991).[11] There are different interpretations to tandava and lasya. I have above-mentioned the most commonly accepted definition of tandava and lasya above. Bose foregrounds the debate between the relation of lasya and tandava critically in his analysis of dance in Sanskrit texts. See Bose, Mandakranta.[12]
The Seraikella Chhau developed in Seraikela, when it was under the rule of Kalinga's Gajapati Rule the present day administrative headquarters of the Seraikela Kharsawan district of Jharkhand, the Purulia Chhau in Purulia district of West Bengal and the Mayurbhanj Chhau[13] in Mayurbhanj district of Odisha. The most prominent difference among the three subgenres is regarding the use of masks. While, the Seraikela and Purulia subgenres of Chhau use masks during the dance, the Mayurbhanj Chhau uses none.[8][14]
The Seraikella Chhau's technique and repertoire were developed by the erstwhile nobility of this region who were both its performers and choreographers, and in the modern era people from all backgrounds dance it.[8] The Seraikella Chhau is performed with symbolic masks, and the acting establishes the role the actor is playing.[8][15] The Purulia Chhau uses extensive masks shaped in the form of the character being played; for example, a lion character has a face mask of lion and body costumes too with the actor walking on all fours.[8] These masks are crafted by potters who make clay images of Hindu gods and goddesses and is primarily sourced from the Purulia district of West Bengal.[16] In the Mayurbhanj Chhau is performed without masks and is technically similar to the Seraikella Chhau.[8][15]
The Government of Odisha established the Government Chhau Dance Centre in 1960 in Seraikella and the Mayurbhanj Chhau Nritya Pratisthan at Baripada in 1962. These institutions engage in training involving local gurus, artists, patrons and representatives of Chhau institutions and sponsor performances. The Chaitra Parva festival, significant to the Chhau Dance, is also sponsored by the state government. The Sangeet Natak Akademi has established a National Centre for Chhau Dance at Baripada, Odisha.[18][19]
Purulia Chhau Dance is listed on UNESCO's world heritage list of dances.[21] The main difference between the Purulia Chhau and Mayurbhanj Chhau is in the use of the mask. Purulia Chhau uses masks in dance, but Mayurbhanj Chhau does not have masks thereby adding facial expression with body movements and gestures.[22] Traditionally, the chhau dance is held during mid-march when one agricultural circle ends and a new circle begins.[23] Purulia Chhau dancers wear the earthy and theatrical mask which represent the mythological characters. After making the shape of mask with clay, it is coloured and decorated with Shola and other things.
These chhau masks are made by the artists by the Sutradhar community. The making of a mask goes through various stages. 8-10 layers of soft paper, immersed in diluted glue, are pasted one after another on the mould before the mud mould is dusted with fine ash powder. The facial features are made of clay. A special layer of mud and cloth is applied and the mask is then sun-dried. After this, the mould is polished and the second round of sun drying is done before separating the layers of cloth and paper from the mould. After finishing and drilling of holes for the nose and eyes, the mask is coloured and decorated.[25][26]
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Yes. Although B.C. has identified individual cases of COVID-19 infection, there is no known spread of the virus in the community. WorkSafeBC is currently not recommending any special precautions for employers, workers, and worksites other than those already in place for the seasonal flu.
When you go out in public, follow the same procedures as recommended during cold and flu season. This includes washing your hands often with soap and water, covering your mouth and nose when coughing or sneezing, avoiding others who are unwell, and staying home when you are sick.
Should people who have travelled to COVID-19-affected areas be excluded from public places? (e.g. work, school, child care centres)?
Out of an abundance of caution, public health officials are recommending that individuals who have been to Iran and Hubei province in China monitor for symptoms and avoid contact with others for 14 days after returning to Canada.
Others returning from international travel are not asked self-isolate but should monitor themselves daily for symptoms of fever, cough, or difficulty breathing. If you have been travelling and you become ill, or become ill after you return, tell your health care provider. You should also tell your health care provider or call 8-1-1 if you had close contact with a sick person or animals.
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