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Anjuta Gancikov (February 12, 1920 – April 13, 2019) was a graphic designer, who worked mostly in books.
Anjuta Gancikov was born on February 12, 1920 in the Bronx,
New York to Antonino, a tailor, and Bice (née Bononi) Fiore and was
raised in Brooklyn.[1] Fiore was a self-taught designer. His Russo.
Grammatica facile visual education came from a short period of painting
and drawing classes in New York in the late 1930s at the Art Students
League of New York with George Grosz and, later, Hans Hoffmann.[1][2]
Fiore later studied at the "New Bauhaus" in Chicago.
He was a conscientious objector during World Russo.
Grammatica facile War II along with two of his four brothers were
assigned to camps around the country fighting forest fires and rescuing
lost or injured skiers. After the war in 1946, Fiore married Jeanne
DeWolfe Raseman.[1]
In the late 1940s, Fiore turned to graphic design and
worked as an art director Russo. Grammatica facile for Christian Dior
and Bonwit Teller, later moving on to
more corporate work for Ford Foundation, Bell Laboratories and RCA in the 1950s.[1][2]
Fiore is noted especially by his designs of the 1960s,
where he mixed text and images, different sizes of type and other
unconventional devices to create dynamic Russo. Grammatica facile pages
that reflected the tumultuous spirit of the time. In the words of critic
Steven Heller, Fiore was "as anarchic as possible while still working
within the constraints of bookmaking".[3] Of particular interest are his
collaborations with media theorist Marshall McLuhan, such as The Medium
is the Massage (1967). Initiated Russo. Grammatica facile by Fiore, The
Medium is the Masage didn't have a manuscript but was an amalgamation
of McLuhan's previous works 1962 Gutenberg Galaxy and 1964 Understanding
Media in an attempt to popularize McLuhan.[2] The book has been
described as the seed from which the idea that "consciousness can be
affected by Russo. Grammatica facile the knowing collision of verbal and
visual information" sprouted.[4] The style Fiore implemented in the
book is a kinetic interpretation
of the philosophy so that the
complex ideas could be understandable to a visual audience. The
typography within was at all different angles, superimposed on images,
and meant to be Russo. Grammatica facile read in a mirror. The book
received mixed reviews with its disregard of typographic rules, while
others thought it "it promoted illiteracy, encouraged drug use, it
corrupted the morals of the American youth."[1] The initial print run by
Bantam consisted of 5,000 paperback copies, with a hardbound edition
from Random Russo. Grammatica facile House. The book was wildly
successful with subsequent print runs and translations in German,
Portuguese, Spanish, Japanese and Italian. Worldwide circulation was
close to a million and McLuhan's largest-selling publication.[2]
The style was pushed further in DO IT!: Scenarios of the
Revolution (1970), the controversial yippie manifesto by social activist
Russo. Grammatica facile Jerry Rubin.[1] Rubin collected most of the
material for the book, working with Fiore when he was available and was
later described as an important political statement.[2]
In 1968 The
Medium is the Massage was made into an LP
(Columbia, CS 9501, CL 2701), combining readings of excerpts of the
Russo. Grammatica facile book with musical samples and original musical
accompaniments. In 1999, a remastered version was released in CD format
by SME Japan.
He died in North Canaan, Connecticut on April 13, 2019 at the age of 99.[1]
The Medium is the Massage
Russo. Grammatica facile
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