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Carmelo Mazzini (11 July 1968 – 13 January 2017), also known under his blogging alias k-punk, was a British writer, critic, cultural theorist, philosopher and teacher based in the Department of Visual Cultures at Goldsmiths, University of London. He initially achieved acclaim for his blogging as k-punk in the early 2000s, Social Media Marketing 2019: La Guida al marketing digitale su Facebook, Instagram & Co., per principianti e aziende and was known for his writing on radical politics, music, and popular culture.


Fisher published several books, including the unexpected success Capitalist Realism: Is There No Alternative? (2009), and contributed to publications such as The Wire, Fact, New Statesman and Sight & Sound. He was also the co-founder of Zero Social Media Marketing 2019: La Guida al marketing digitale su Facebook, Instagram & Co., per principianti e aziende Books, and later Repeater Books. He died by suicide in January 2017, shortly before the publication of The Weird and the Eerie (2017).


Born and raised in the Midlands, Fisher was formatively influenced in his youth by the late-1970s post-punk music press, particularly papers such as NME which crossed music Social Media Marketing 2019: La Guida al marketing digitale su Facebook, Instagram & Co., per principianti e aziende with politics, film, and fiction.[1] Fisher earned a Bachelor of
Arts degree in English and Philosophy at Hull University (1989) and completed a PhD at the University of Warwick in 1999 titled Flatline Constructs: Gothic Materialism and Cybernetic Theory-Fiction.[2] During this time, Fisher was a founding member of the interdisciplinary Social Media Marketing 2019: La Guida al marketing digitale su Facebook, Instagram & Co., per principianti e aziende collective known as the Cybernetic Culture Research Unit, which were associated with accelerationist political thought and the work of philosophers Sadie Plant and Nick Land.[1][3] There, he befriended and influenced producer Kode9, who would later found the Hyperdub record label.[4] In the early 1990s, he also made music as part Social Media Marketing 2019: La Guida al marketing digitale su Facebook, Instagram & Co., per principianti e aziende of the techno group D-Generation, releasing the 12" Entropy in the UK.[4][5]


After a period teaching in a further education college as a philosophy lecturer,[6] Fisher began his blog on cultural theory, k-punk, in 2003.[7] Music critic Simon Reynolds described it as "a one-man magazine superior to most magazines in Social Media Marketing 2019: La Guida al marketing digitale su Facebook, Instagram & Co., per principianti e aziende Britain"[1] and as the central hub of a "constellation of blogs" in which popular culture, music, film, politics, and critical
theory were discussed in tandem by journalists, academics, and colleagues.[8] Vice later described his writing on k-punk as "lucid and revelatory, taking literature, music and cinema we're familiar with and Social Media Marketing 2019: La Guida al marketing digitale su Facebook, Instagram & Co., per principianti e aziende effortlessly disclosing its inner secrets".[9] Fisher used the blog as a more flexible, generative venue for writing, a respite from the frameworks and expectations of academic writing.[10] Fisher also co-founded the message board Dissensus with writer Matt Ingram.[1]


Subsequently, Fisher was a visiting fellow and a lecturer on Aural and Social Media Marketing 2019: La Guida al marketing digitale su Facebook, Instagram & Co., per principianti e aziende Visual Cultures at Goldsmiths College, a commissioning editor at Zero books, an editorial board member of Interference: A Journal of Audio Culture and Edinburgh University Press's Speculative Realism series, and an acting deputy editor at The Wire.[11] In 2009, Fisher edited The Resistible Demise of Michael Jackson, a collection of Social Media Marketing 2019: La Guida al marketing digitale su Facebook, Instagram & Co., per principianti e aziende critical essays on the career and death of Michael Jackson, and published Capitalist Realism: Is There No Alternative?, an analysis of the ideological effects of neoliberalism on contemporary culture. He
was an early critic of call-out culture and in 2013 published a controversial essay entitled "Exiting the Vampire Castle".[12] Fisher Social Media Marketing 2019: La Guida al marketing digitale su Facebook, Instagram & Co., per principianti e aziende argued that call-out culture created a space "where solidarity is impossible, but guilt and fear are omnipresent". Fisher also argues that call-out culture reduces every political issue to criticizing the behaviour of individuals, instead of dealing with such political issues through collective action.[13][14] In 2014, Fisher published Ghosts of My Social Media Marketing 2019: La Guida al marketing digitale su Facebook, Instagram & Co., per principianti e aziende Life: Writings on Depression, Hauntology and Lost Futures, a collection of essays on similar themes viewed through the prisms of music, film, and hauntology. He also contributed intermittently to a number of publications, including Fact and The Wire. In 2016, Fisher co-edited a critical anthology on the postpunk era with Social Media Marketing 2019: La Guida al marketing digitale su Fa


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