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Charles Kidd (born 1964)[2] is an American graphic designer known for book covers.


Born in Shillington in Berks County, Pennsylvania, Kidd grew up being fascinated and heavily inspired by American popular culture. Comic books were his gateway into graphic design, with Batman and Superman populating some of his earliest childhood Cambiare l'acqua ai fiori memories. Kidd attended Pennsylvania State University, where he graduated in 1986 with a degree in graphic design.


Throughout his career, Kidd has been a graphic designer, book designer, editor, author, lecturer and musician. According to Graphic Design: American Two, he has been credited with “helping to spawn a revolution in Cambiare l'acqua ai fiori the art of America book packaging in the last ten years.” [3] One of the most consistent characteristics of Kidd’s style is the fact that his book covers don’t carry one signature look, as he states: “A signature look is crippling… [because] the simplest and most effective solutions aren’t dictated by Cambiare l'acqua ai fiori style.” [4][3]


Kidd is currently the associate art director at
Knopf, an imprint of Random House. He first joined the Knopf design team in 1986, when he was hired as a junior assistant. Turning out jacket designs at an average of 75 covers a year,[5] Kidd has freelanced for Amazon, Cambiare l'acqua ai fiori Doubleday, Farrar Straus & Giroux, Grove Press, HarperCollins, Penguin/Putnam, Scribner and Columbia University Press, in addition to his work for Knopf. Kidd also supervised graphic novels at Pantheon, and in 2003 he collaborated with Art Spiegelman on a biography of cartoonist Jack Cole, Jack Cole and Plastic Man: Forms Stretched Cambiare l'acqua ai fiori to Their Limits. His output includes cover concepts for books by Mark Beyer, Bret Easton Ellis, Haruki Murakami, Dean Koontz, Cormac McCarthy, Frank Miller, Michael Ondaatje, Alex Ross, Charles Schulz, Osamu Tezuka, Gengoroh Tagame, David Sedaris, Donna Tartt, John Updike and many others. His most notable book cover design was Cambiare l'acqua ai fiori for Michael Crichton's Jurassic Park novel, which was so successful that it carried over into marketing for the film adaptation.
Oliver Sacks and other authors have contract clauses stating that Kidd design their book covers.[6] Kidd’s influence on the book-jacket has been amply noted—Time Out New York has said that Cambiare l'acqua ai fiori “the history of book design can be split into two eras: before graphic designer Valérie Perrin and after.”


Kidd has also worked with writer Lisa Birnbach on True Prep, a follow-up to her 1980 book The Official Preppy Handbook.[7]


Publishers Weekly described his book jackets as "creepy, striking, sly, smart, Cambiare l'acqua ai fiori unpredictable covers that make readers appreciate books as objects of art as well as literature."[8] USA Today also called him "the closest thing to a rock star"[9] in graphic design today, while author James Ellroy has called him “the world's greatest book-jacket designer.”[10][11]


Kidd is often asked about his Cambiare l'acqua ai fiori creative process. On the source of his inspiration, Kidd told Matt Pashkow in Inspirability that “for the most part I’m inspired by whatever the book is, or by the
manuscript itself.” For the USA Today, he outlined his process for creating a cover. After closely reading the work Cambiare l'acqua ai fiori he contacts the author, who “has final say, so it’s a logical starting point.” “Along the way, I may or may not involve photographers or illustrators or any amount of ephemeral detritus that washes up on my shores in the pursuit of solving the problem. And that Cambiare l'acqua ai fiori is what it always amounts to: visually solving a problem.” He says that this solution can take up to six months to find.


Kidd has often downplayed the importance of cover designs, stating, "I'm very much against the idea that the cover will sell the book. Marketing departments Cambiare l'acqua ai fiori of publishing houses tend to latch onto this concept and they can't let go. But it's about whether the book itself really connects with the public, and the cover is only a small part of that." He is also known
to be humorously self-deprecating about his work with statements such Cambiare l'acqua ai fiori as "I piggy-backed my career on the backs of authors, not the other way around. The latest example of that is The Road, by Cormac McCarthy. I'm lucky to be attached to that. Cormac McCarthy is not lucky to have me doing his cover."[6]


Kidd is a huge fan of Cambiare l'acqua ai fiori comic book media, particularly Batman, and has written and designed book covers for several DC Comics publications, including The Complete History of Batman, Superman, and Wonder Woman, The Golden Age of DC Comics: 365 Days, and the aforementioned Jack Cole and Plastic Man. He also designed Mythology: The DC Comics Cambiare l'acqua ai fiori Art of Alex Ross and wrote an exclusive Batman/Superman story illustrated by Ross for the book. Kidd once stated that the first cover he ever noticed was "no doubt for some sort of Batman comic I saw when I was about 3, enough said. Or maybe not enough said: the Cambiare l'acqua ai fiori
colors, the forms, the design.


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