Under the sponsorship of the American Institute for Verdi Studies, Verdi Forum has published essays, documents, and conference proceedings, which have contributed meaningfully to the scholarly literature on Verdi. The journal is a peer-reviewed publication, edited by Roberta Montemorra Marvin, with associate editors Andreas Giger and Steven Huebner, assistant editor Francesco Izzo, and reviews editor, Denise Gallo, as well as an editorial board of international scholars who, along with external readers, review articles under consideration.
Submissions to Verdi Forum may be made electronically (as an e-mail attachment in a word-processing file readable by Microsoft Word for Windows) or (if necessary) in paper copy (three copies) and should include full contact information, including an e-mail address. The editor will also be happy to receive offers to review books, editions, and recordings of exceptional historic or aesthetic interest. Questions may be directed to the editor: Roberta Marvin (roberta-marvin at uiowa.edu). The address for submissions is Roberta M. Marvin, University of Iowa, University Capitol Centre 1111-53, Iowa City, Iowa 52242. For information about subscribing, visit the AIVS website – www.nyu.edu/projects/verdi.
The two most recent issues (not currently listed on the web site) contained the following articles:
Verdi Forum 30-31 (2003-2004)
Verdi's Operas at Mamontov's Theater, 1885-1900: Fighting a Losing Battle, by Olga Haldey
The Unbearable Lightness of Meaning in Verdi's Rigoletto, by Shiamin Kwa
"Double, double, toil and trouble": Producing Macbeth in Mid-Victorian Britain, by Paul Rodmell
Berlioz and Verdi, by Alastair Bruce, Lord Aberdare
Review of Verdi 2001: Atti del Convegno internazionale / Proceedings of the International Conference (ed. by F. Della Seta, R. Montemorra Marvin, M. Marica), by Jesse Rosenberg
Review of Verdi Discoveries (CD), by Helen Greenwald
Verdi Forum 32-33 (2005-2006)
"'Gonfio di gioia ho il core' (piange)": Verdi's Deception Scenes, by David B. Rosen
Federico Ricci, Bellini, and a Presumed Verdian Plagiarism, by Agostino Ziino
Formal Convention in Verdi's Falstaff, by Joseph La Rosa
Review of Mimomania: Music and Gesture in Nineteenth-Century Opera (Mary Ann Smart), by Alessandra Campana