JOURNAL CONTENTS: Music Theory Online, new issue now available

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Sep 29, 2017, 12:22:34 PM9/29/17

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Music Theory Online (23.3, Sept. 2017)

http://mtosmt.org/issues/mto.17.23.3/toc.23.3.php

Editor’s Message

articles

Damian Blattler, A Voicing-Based Model for Additive Harmony

James Bungert, A Tale of Three Schenkers: Analysis, Piano Pedagogy, and Performance of the Chopin Berceuse op. 57

David Clarke, North Indian Classical Music and Lerdahl and Jackendoff’s Generative Theory – a Mutual Regard

Trevor de Clercq, Embracing Ambiguity in the Analysis of Form in Pop/Rock Music, 1982–1991

Michael Puri, Ravel’s Valses nobles et sentimentales and its Models

Mark Richards, Tonal Ambiguity in Popular Music’s Axis Progressions

reviews

Jonathan Guez, Review of Lorraine Byrne Bodley and Julian Horton, eds. Rethinking Schubert (Oxford University Press, 2016)

Brian Hoffman, Review of John Franceschina, Music Theory through Musical Theatre (Oxford University Press, 2015)

Samantha Inman, Review of Justin Merritt and David Castro, Comprehensive Aural Skills: A Flexible Approach to Rhythm, Melody, and Harmony (Routledge, 2016) and Diane J. Urista, The Moving Body in the Aural Skills Classroom: A Eurhythmics Based Approach (Oxford, 2016)

Jonathan King, Review of Diane Pecknold and Kristine M. McCusker, eds., Country Boys and Redneck Women: New Essays in Gender and Country Music (University Press of Mississippi, 2016)

Daphne Leong, Review of Jeffrey Swinkin, Performative Analysis: Reimagining Music Theory for Performance(University of Rochester Press, 2016)

Jason Yust, Review of Emmanuel Amiot, Music through Fourier Space: Discrete Fourier Transform in Music Theory (Springer, 2016)

conference report