JOURNAL CONTENTS: Empirical Musicology Review, new issue now available
Robert Judd
Vol 10, No 1-2 (2015)
http://emusicology.org/issue/view/140/showToc
Special Issue: Music and Empathy
Introduction to the Special Issue on Music and Empathy
Caroline Waddington
Articles
Musical Empathy, Emotional Co-Constitution, and the “Musical Other”
Deniz Peters
Musical Sounds, Motor Resonance, and Detectable Agency
Jacques Launay
Toward Predicting Prosocial Behavior: Music Preference and Empathy Differences Between Adolescents and Adults
Shannon Scott Clark, S. Giac Giacomantonio
Can Music Increase Empathy? Interpreting Musical Experience Through the Empathizing–Systemizing (E-S) Theory: Implications for Autism
David M. Greenberg, Peter J. Rentfrow, Simon Baron-Cohen
Empathy as a Tool for Embodiment Processes in Vocal Performance
Erin Heisel
How Down is a Downbeat? Feeling Meter and Gravity in Music and Dance
Jonathan Still
Empathy in Piano Duet Rehearsal and Performance
Elizabeth Haddon, Mark Hutchinson
Commentaries
Extension, Variability, and Normativity: Deniz Peters on Musical Experience
Philip Alperson
Please Don’t Stop the Music: Commentary on “Musical Sounds, Motor Resonance, and Detectable Agency”
Istvan Molnar-Szakacs
Empathic Listening as a Transferable Skill
Anthony Gritten
Ubiquitous Motor Cognition in Musical Experience: Open Peer Review of Jacques Launay’s “Musical Sounds, Motor Resonance, and Detectable Agency”
Rolf Inge Godoy
What Else Can Music Preferences do? A Commentary on Clark and Giacomantonio
Alexandra Lamont
Commentary: Considering Assumptions in Associations Between Music Preferences and Empathy-Related Responding
Susan A O'Neill
Turning Our Gaze to Prosocial Media Effects: What is and isn’t Known
Sara Prot, Douglas Gentile
Music, Empathy, and Affiliation: Commentary on Greenberg, Rentfrow, and Baron-Cohen
Jonna K Vuoskoski
How, Rather Than What Type of, Music Increases Empathy
Tal-Chen Rabinowitch
Feeling the Emotions of Acted Characters: Commentary on Heisel
Thalia R Goldstein
Empathies of Musical Performance and Understanding
Anton Vishio
Disanalogies Between Physical Space and Metaphoric Musical Space: Response to Jonathan Still’s Essay
Arnie Cox
Commentary: "Up" within "Down"
Robert S. Hatten
Empathy in Piano Duet Rehearsal and Performance: A Response to Haddon and Hutchinson
Fred Seddon
Response to Haddon and Hutchinson Empathy in ensemble performance
Mine Dogantan-Dack